Massimo Uberti

Title

Massimo Uberti

Description

Massimo Uberti (Brescia, 1966-2024), graduated at the Brera Academy of Fine Arts. He made his debut in the early 1990s after his experience as a member of the group of artists of the Lazzaro Palazzi space in Milan, an artistic movement that became part of the archives of the Museo del 900.

In 2008, he realised the large sculpture "Tendente Infinito" in the exhibition Dreams of the possible city, at the Fondazione Stelline in Milan.

In 2013, he was selected by the European Commission for two workshops in Milan and Berlin on the theme: New Narrative for Europe.

He has taken part in many solo and group exhibitions in recent years: "Spazio Amato" at the Galleria d'arte Moderna in Rome (2015), in the same year "Today I love You" exhibited in Amsterdam, Manchester, Ontario, Washington, Shanghai and Dubai and "Drawing of drawing" during Miami Art Basel.

He then created "ESSERE SPAZIO" (2017) in collaboration with the Superintendency of Archaeological Heritage of Naples and created "Prospectum" (2018) on the occasion of the Winter Olympics in South Korea.

In 2020 he created "SPAZIO AMATO", a permanent work exhibited in the WWF Oasis of Lake Burano.
During the Dante Year, he collaborated with UNESCO for the City of Verona, creating "PARRAN FAVILLE" and "DA SPONDA A SPONDA" (2021).

Winner of the MIBACT competition for the Contemporary Art Plan, he created "ORBITA" (2022), a permanent work located at the Gamba Castle in Chatillon.

http://massimouberti.it

Creator

Uberti, Massimo

Collection Items

Orbite
Orbite is a site-specific project designed for the Palazzo della Regione Lombardia in Milan: on two of its façades (the south-east and north-west one) Uberti wanted to install the light drawing of a portion of the orbits of the solar system. The…

Esser Spazio
The project was submitted to the commission for the International Competition SPAZIO/MAXXI due percento, published in October 2008, for the creation of two works of art for the MAXXI Museo nazionale delle arti del XXI secolo, Rome: one had to be…
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