2 50 160 http://moremuseum.org/omeka/files/original/8f716b008525ab533e60d4d8dd02945a.pdf 10c8407e51dc74b80127bd6361ef04d5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Foto 01.doc Subject The topic of the resource First of four digital images that show, from different urban perspectives, the visual result of the suggested installation and its interaction with the urban architecture of Caio Mario square in Turin. The images are numbered progressively from 1 to 4 according to an order defined by the artist. In the letter that accompanies the project donated to MoRE, the artist says to have recently looked in the web what is the current state of the Turin square: “[…] ‘frozen’ to the condition it had when I went there with architect Marco Della Torre”. Format The file format, physical medium, or dimensions of the resource file doc, archived in pdf. http://moremuseum.org/omeka/files/original/99ac8e2d27d5da8f565f769988488680.pdf a3ef5d7bd5040d6a42c71c758b69b63a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Foto02.doc Description An account of the resource Second of four digital images that show, from different urban perspectives, the visual result of the suggested installation and its interaction with the urban architecture of Caio Mario square in Turin. The images are numbered progressively from 1 to 4 according to an order defined by the artist. In the letter that accompanies the project donated to MoRE, the artist says to have recently looked in the web what is the current state of the Turin square: “[…] ‘frozen’ to the condition it had when I went there with architect Marco Della Torre”. Format The file format, physical medium, or dimensions of the resource file doc, archived in pdf. http://moremuseum.org/omeka/files/original/32ad58ab7d71fa99a65eb8fa6176b3a4.pdf 5f251dbf79f9ce441744da233036fd86 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Foto 03.doc Description An account of the resource Third of four digital images that show, from different urban perspectives, the visual result of the suggested installation and its interaction with the urban architecture of Caio Mario square in Turin. The images are numbered progressively from 1 to 4 according to an order defined by the artist. In the letter that accompanies the project donated to MoRE, the artist says to have recently looked in the web what is the current state of the Turin square: “[…] ‘frozen’ to the condition it had when I went there with architect Marco Della Torre”. Format The file format, physical medium, or dimensions of the resource file doc, archived in pdf. http://moremuseum.org/omeka/files/original/5004aa9b2da843b900830cbf5a844a0a.pdf 9817dabaff3cc0c34afe43b0aab753bd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Foto 04.doc Description An account of the resource Fourth of four digital images that show, from different urban perspectives, the visual result of the suggested installation and its interaction with the urban architecture of Caio Mario square in Turin. The images are numbered progressively from 1 to 4 according to an order defined by the artist. In the letter that accompanies the project donated to MoRE, the artist says to have recently looked in the web what is the current state of the Turin square: “[…] ‘frozen’ to the condition it had when I went there with architect Marco Della Torre”. Format The file format, physical medium, or dimensions of the resource file doc, archived in pdf. http://moremuseum.org/omeka/files/original/6cbdf68abc57222bfdbc5d0c351fb7fd.pdf 66c1716037d85b6d063cfe49646ecd96 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Progetto.doc Description An account of the resource Project presented by the artist for the contest, including an installation description, a poetics that reveals its objectives and its artistic and theoretical motivations, a detailed technical description with its realization costs and a four-page drawing of the project itself and of the “The Flower”. Format The file format, physical medium, or dimensions of the resource file doc, archived in pdf. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Debora Hirsch Description An account of the resource Born in São Paulo 19th August 1967. Lives and works between Milan and São Paulo. <a href="http://www.deborahirsch.com" target="_blank">http://www.deborahirsch.com</a> Creator An entity primarily responsible for making the resource Hirsch, Debora Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Il fiore e la pietra Description An account of the resource Il fiore e la pietra is a project of a urban sculpture for square in Turin, Italy. It was presented by the artist, on invitation by Gianni Romano, at the contest for young artists «Premio Artegiovane/Torino Incontra. Una porta per Torino» curated by Guido Curto, 6th Edition, 2002. The theme draws its first inspiration from B.C. comics by Johnny Hart: a frail flower dialogues with a stone. The ambiguity between solidity and frailty is symbolically set aside the then very adverse situation of FIAT, the most important manufacturing company of Turin, and the problem of the blue collar sleeping area. The environment in which the project was developed is typical of a still common situation in contemporary art: conceived to apply to a contest, it was never realized, as well as all the other projects presented, due to lack of funds. <a href="https://www.repository.unipr.it/bitstream/1889/1996/1/hirsch_il%20fiore%20e%20la%20pietra.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Hirsch, Debora Date A point or period of time associated with an event in the lifecycle of the resource 2002 Contributor An entity responsible for making contributions to the resource Bignotti, Ilaria Language A language of the resource Italian Format The file format, physical medium, or dimensions of the resource application/pdf Type The nature or genre of the resource Still Image Text Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/1996" target="_blank" rel="noopener"><code>http://hdl.handle.net/1889/1996</code></a> Rights Holder A person or organization owning or managing rights over the resource. Debora Hirsch MoRE Museum Financial reasons Project which wasn’t selected in a prize or competition http://moremuseum.org/omeka/files/original/ec86686afba9ea7a07c21a3398b4a10c.pdf 967aa3a994df4db637fe9cf09129cd32 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Il palazzo di Atlante.pdf Description An account of the resource Project document containing the premises, perspectives and drawings, the study of the timing and context and a work diary, divided into eight sections dating from 07.11.12 to 25.08.12. Format The file format, physical medium, or dimensions of the resource pdf file Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gian Maria Tosatti Description An account of the resource Gian Maria Tosatti (Roma, 16.04.1980 - lives in New York) made his first steps in 2002 at the Centre for Theatrical Research and Experimentation of Pontedera working on performances. In 2005 Tosatti moved back to Rome to undertake an artistic research between architecture and visual arts which inspired all subsequent works resulting in site specific installations. His projects usually are long term investigations on specific topics related with the concept of identity, from the political to the spiritual standpoint. The first cycles of works he developed have been «Devozioni» (2005-2011) - ten installations for ten buildings of Rome about the archetipes of the modern era - and «Landscapes (2006-) - a project of public art in conflictual areas. Tosatti is currently working on two new projects, «Fondamenta» (2011-), based on the identification of contemporary age archetypes and «Le considerazioni...» (2009-) dedicated to the aenigmas of personal memories and to the traces that human beings leave behind them. Between 2013 and 2016 his research focused on a work that has embodied the entire city of Naples. It’s title is “Sette Stagioni dello Spirito”. Tosatti is also a journalist. He had been editor chief of the weekly cultural newspaper <a href="http://www.differenza.org/">«La Differenza»</a> and has collaborated with several italian newspapers  and magazines as columnist. Currently he’s columnist for Artribune and writes on Opera Viva. He writes essays about art and politics. In 2011 he curated RELOAD, prototype of cultural urban intervention about the temporary use of improductive spaces  and he’s founder of the project "La costruzione di una cosmologia". His work has been shown at the Hessel Museum of CCS BARD (New York – 2014), the LMCC (New York - 2011), American Academy in Rome (Roma – 2013), Museo Villa Croce (Genova – 2012) Andrew Freedman Home (New York - 2012), Tenuta dello Scompiglio (Lucca - 2012), Palazzo delle Esposizioni (Roma - 2008), Chelsea Art Museum (New York - 2009), BJCEM (2014), Centrale Montemartini – Musei Capitolini (Roma – 2007), Wilfredo Lam Museum (La Habana - 2015), Casa Testori (Milano - 2014), MAAM (Roma - permenent), Castel Sant’Elmo (Napoli - permanent), Museo Madre (Napoli, 2016). Creator An entity primarily responsible for making the resource Tosatti, Gian Maria Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Il palazzo di Atlante Description An account of the resource Il palazzo di Atlante is a project for an environmental scale intervention, designed for the Ufficio Geologico building located at largo Santa Susanna, Rome. The place is currently abandoned, and was designed between 1873 and 1879 by the engineer Raffaele Canevari: this space is the starting point for a research that Tosatti documents in the attached file donated to MoRE, through a project and several diary entries corresponding to the different stages of the design process. It is possible to consider this artwork within a path that includes several works the artist dedicated to abandoned spaces - in particular we can mention Tetralogia della polvere (Novara, Casa Bossi, 2012) and also the recent cycle realized in Naples, Sette Stagioni dello Spirito (2013 - 2016) -: this ambitious work is considered by Gian Maria Tosatti as an arrival point he can face only after a series of experience, where he "started building rooms, larger or smaller, then dedicating myself to buildings and then finally building larger and larger artworks, sometimes even bigger than myself, and therefore requiring every time an evolution, a development of myself as an artist. " The title refers to the Atlas Palace, a myth that appears in the Boiardo and Ariosto Orlando, and that here acquires a personal value for Tosatti as a place to deal with, but also in a relationship with the visitors, though the symbols of the labyrinth and the mirror, a central theme in the artist's research between 2011 and 2012. Through a practice divided between art and architecture, often described by Tosatti himself with an analogy with the room in the middle of the "zone" in the Andrei Tarkovsky film Stalker, a model of superimposition of identity and desire, here the artist tries to make the apparition of “castles and monuments” true, introducing in the project the themes of electricity and illusion: “The culmination of the work will consist precisely in a large switch that visitors could turn off, letting darkness and silence fall over the entire building. It will therefore be necessary - also from the visual point of view – to rely on certain image of technology, related to electricity. Obviously the kind of technology that should be used is not be the most modern one, but the one that is present in a shared imaginary, consequently machines and tools form several decades ago, which aren’t used anymore”. Studying the construction diary and the preparatory drawings we can also highlight the particular attention dedicated to the façade, upon which two “mirror flags” should have been installed to make "the invisible building" recognizable, and the structuring of a path through the different floors. A room should have contained, upon one of the tables that are already present inside the building, a glass of water and a bottle of Novalgina, a painkiller, together with an hidden mechanism that would have created a light and steady vibration to shake the water surface when placed upon the table. Another room was designed to provide the optical illusion of a rhino freely moving inside the space, so to anticipate the top floor switch, where the machinery would have been placed. Classical statues - originals or copies - should also have been present alongside the path, as an archetype of man and as a mirror for the visitor, while at the ground floor, currently occupied by an archaeological excavation, an artist intervention would have been necessary to turn it into a sculptural space. <a href="https://www.repository.unipr.it/bitstream/1889/3246/1/Tosatti_Il%20palazzo%20di%20Atlante.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Tosatti, Gian Maria Date A point or period of time associated with an event in the lifecycle of the resource 2013 Contributor An entity responsible for making contributions to the resource Scotti, Marco Format The file format, physical medium, or dimensions of the resource application/pdf Language A language of the resource Italian Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context <a href="http://dspace-unipr.cineca.it/handle/1889/3246" target="_blank" rel="noopener">http://dspace-unipr.cineca.it/handle/1889/3246</a> Rights Holder A person or organization owning or managing rights over the resource. Gian Maria Tosatti MoRE Museum Financial reasons Logistical reasons http://moremuseum.org/omeka/files/original/ee7e885a802af75c439b77a102af61fc.pdf 47083568ac621c185835e177d4c43786 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource il pop up che non si apre.pdf Description An account of the resource Pdf file containing the presentation of the project, a description of the materials that would be part of the work and the technical aspects of edition. Format The file format, physical medium, or dimensions of the resource file pdf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Luca Trevisani Creator An entity primarily responsible for making the resource Trevisani, Luca Description An account of the resource Luca Trevisani (Verona, 1979) has exhibited in many public and private spaces, in Italy and abroad, including: MACRO Rome, Magasin in Grenoble, Mart, Rovereto, Biennale d’Architettura di Venezia , Museion, Bolzano, MOT Tokyo, Daimler Kunstsammlung Berlin, CCA Andratx Mallorca, Gio Marconi, Milan, Pinksummer, Genoa, Mambo, Bologna, Mehdi Chouakri, Berlin, Fondazione Sandretto Re Rebaudengo Turin, MAXXI, Rome, Valentina Bonomo, Rome and Museo Marino Marini, Florence. He won prestigious awards including the Furla Prize in 2007 and the New York Prize in 2010, has also published two personal catalogs The effort took ist tools (Argobooks, Berlin 2008), Luca Trevisani (Silvana Editoriale, Milan, 2009) and the book Water Ikebana Stories about solid & liquid things (Humboldt Books, Milan in 2014). In 2013 he released his first feature film Glaucocamaleo, presented in the same year at the Rome Film Festival. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Il pop up che non si apre Description An account of the resource Il pop up che non si apre (The pop up that will not open) is an artist's book designed by Luca Trevisani in 2011. The artist starts from his series of works, printed on copper and cardboard, named Fly fishing (2010), to elaborate the structure of a pop up book. In this editorial project many of the attitudes and characteristics of the artist's work are visible, such as the sculptural gesture, the condition of equilibrium, manual skills and the chosen material: the paper. The project was initially designed as a self-production by the artist himself, and then proposed to the publishe cura.books, but it has never been realized for the high costs and because of the many difficulties in finding the necessary financial coverage. <a href="https://www.repository.unipr.it/bitstream/1889/2443/1/Luca%20Trevisani_Il%20pop%20up%20che%20non%20si%20apre.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Trevisani, Luca Date A point or period of time associated with an event in the lifecycle of the resource 2011 Contributor An entity responsible for making contributions to the resource Rossi, Valentina Format The file format, physical medium, or dimensions of the resource application/pdf Language A language of the resource Italian Type The nature or genre of the resource Text Rights Holder A person or organization owning or managing rights over the resource. Luca Trevisani MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2443" target="_blank" rel="noopener">http://hdl.handle.net/1889/2443</a> Financial reasons http://moremuseum.org/omeka/files/original/eb8b8023dc73616efde0373999ef476d.pdf 973180adbb23788dce6ff6424cedeb1f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource livella il cielo.pdf Description An account of the resource Project report, with a section and an isonometric view of one of the possible environments.   Format The file format, physical medium, or dimensions of the resource File pdf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Luca Trevisani Creator An entity primarily responsible for making the resource Trevisani, Luca Description An account of the resource Luca Trevisani (Verona, 1979) has exhibited in many public and private spaces, in Italy and abroad, including: MACRO Rome, Magasin in Grenoble, Mart, Rovereto, Biennale d’Architettura di Venezia , Museion, Bolzano, MOT Tokyo, Daimler Kunstsammlung Berlin, CCA Andratx Mallorca, Gio Marconi, Milan, Pinksummer, Genoa, Mambo, Bologna, Mehdi Chouakri, Berlin, Fondazione Sandretto Re Rebaudengo Turin, MAXXI, Rome, Valentina Bonomo, Rome and Museo Marino Marini, Florence. He won prestigious awards including the Furla Prize in 2007 and the New York Prize in 2010, has also published two personal catalogs The effort took ist tools (Argobooks, Berlin 2008), Luca Trevisani (Silvana Editoriale, Milan, 2009) and the book Water Ikebana Stories about solid & liquid things (Humboldt Books, Milan in 2014). In 2013 he released his first feature film Glaucocamaleo, presented in the same year at the Rome Film Festival. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Il Respiro di uno spazio / Livella il cielo Description An account of the resource Il Respiro di uno spazio / Livella il cielo is a project created by Luca Trevisani in 2011 and donated to the museum MoRE in 2014. The artist through his working methodology, that starts here from a scientific data, designs a system of pipes that pass through a house, the network of tubes is sectioned and receives the rain and other weather elements, the water level therefore changes according to atmospheric events. The water, among other things, is also the subject of an artist book, Water Ikebana Stories about solid & liquid things (Humboldt Books, 2014), published by Luca Trevisani.  The project donated to the museum has not been realized due to the lack of a commisioner and of a suitable location for the development of the work. <a href="https://www.repository.unipr.it/bitstream/1889/2450/1/Trevisani_Il%20Respiro%20di%20uno%20spazio%20-%20Livella%20il%20cielo.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Trevisani, Luca Date A point or period of time associated with an event in the lifecycle of the resource 2011 Contributor An entity responsible for making contributions to the resource Rossi, Valentina Format The file format, physical medium, or dimensions of the resource application/pdf Language A language of the resource Italian Type The nature or genre of the resource Text Rights Holder A person or organization owning or managing rights over the resource. Luca Trevisani MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2450" target="_blank" rel="noopener">http://hdl.handle.net/1889/2450</a> Logistical reasons http://moremuseum.org/omeka/files/original/87109793fc8f95cabc234fbb626df3d8.jpg f0dd34ae94b2f084ef8d088717d53c9f http://moremuseum.org/omeka/files/original/e236f31fde0d8161a8f1fbcd92e7fbbf.jpg 9c6d6a5ea053cd0505d33822a81f673a http://moremuseum.org/omeka/files/original/3835ede0a766f9e597b0f7845d75aee9.jpg bf120a8abac92d00ae466edaaaf8eb93 http://moremuseum.org/omeka/files/original/3a3280e06ecccd0976211b129a43606a.jpg f49cb917dbcb33dd5c2c1b31b626378f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Liliana Moro Description An account of the resource Liliana Moro was born in 1961 in Milan, where she lives and works. She graduated from the Accademia di Belle Arti di Brera, where she studied with Luciano Fabro. In 1989 she founded, with other artists, the Spazio di Via Lazzaro Palazzi in Milan, active until 1993. Encountering the works of Liliana Moro we have the perception that only what is strictly necessary is present. Sound, words, sculptures, objects and performance, compose a world that "stages" a reality simultaneously raw and poetic. These are territories of an individual experience (that of the artist but mainly that of the viewer) that ask for going beyond what is visible. The reduction to the essential understood as an attitude, a practice and a positioning, does not result from a retake of a minimal language: it is rather something the artist triggers both when choosing to use elaborated techniques, and when opting by using existent materials and objects of everyday use. A prominent element in Liliana Moro's research is the political dimension, not translated in the illustration of contents, but related to the forms of addressing the recipients; for example by placing her work on the ground she implicitly asks the viewer to bend down to see it. Freedom of action is an important aspect of the work, but it only defines it partially: what creates an interesting difference is the relation between the university of possibilities and a tension - both physical and poetical - produced from this relation. Liliana Moro has shown in major international group exhibitions including Documenta IX, Kassel (1992); Aperto XLV Venice Biennale (1993); Castello di Rivoli, Turin (1994); Quadriennale, Rome (1996/2008); Moderna Museet, Stockholm (1998); PS1, New York (1999); De Appel, Amsterdam (1999), and the Bienal de Valencia (2001). She held several of solo shows at Galleria Emi Fontana, Milan; Greta Meert, Brussels; MUHKA, Antwerp, and Fondazione Ambrosetti, Brescia. Recently, Liliana Moro has showed at the Italian Cultural Institute of Los Angeles (2008), and Fabbrica del Vapore, Milan (2008), and has participated in important group exhibitions, including Italics, Palazzo Grassi, Venice (2008); Focus on Contemporary Italian Art, Mambo, Bologna (2008); Save Venice, Magazzini del Sale, side event of the 53. Venice Biennale (2009), and Celebration, Institution, Critique, Galleria Civica di Trento (2009). Creator An entity primarily responsible for making the resource Moro, Liliana Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In bocca al lupo Description An account of the resource In bocca al lupo – (ed. “in the mouth of wolf” that is a way to wish good luck in Italian) isan artwork proposed by Liliana Moro for the 3rd International Sculpture Award of the Piemonte Region in Italy, promoted by the Piemonte Region and organized by the Association Piemontese Arte. The project included the creation of a large sculpture in the shape of a wolf in the public park of Savigliano, which could be accessed through a spiral staircase. Like Testa di Pinocchio (the Pinocchio's Head), in this work Moro referred to an iconographic repertoire linked to the world of childhood, combining it with a reflection on public space and with the relationship between interior and exterior. <a href="https://www.repository.unipr.it/bitstream/1889/3442/1/Liliana%20Moro_In%20bocca%20al%20lupo.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Moro, Liliana Date A point or period of time associated with an event in the lifecycle of the resource 2002 Contributor An entity responsible for making contributions to the resource Zinelli, Anna Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource Italian Type The nature or genre of the resource Still Image Text Rights Holder A person or organization owning or managing rights over the resource. Liliana Moro MoRE Museum Relation A related resource DSpace: <a href="http://dspace-unipr.cineca.it/handle/1889/3442" target="_blank" rel="noopener">http://dspace-unipr.cineca.it/handle/1889/3442</a> Project which wasn’t selected in a prize or competition http://moremuseum.org/omeka/files/original/485bd168da884610b8705d36d5166fda.jpg 7fdc0fb42143e96db5b5d09f8513f90d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource comesidiventa4.jpg Description An account of the resource Scan of the book Come si diventa artisti published in Rome by Centro Studi Jartrakor in 1992. http://moremuseum.org/omeka/files/original/e3d9360b237e6350854e4a58fba07648.jpg 9030219840f008bebdf262ad6f0ea5a2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource taccuino 1_d.jpg Description An account of the resource Scan of a notebook page where the artist appointed ideas about the project, as it happens for most of Pietroiusti’s projects http://moremuseum.org/omeka/files/original/2b9d8c8ab90e46bffd8b27e5911ecc43.jpg 6a635168468e4f56ded238c9ae7748e0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource taccuino 1_e.jpg Description An account of the resource Scan of a notebook page where the artist appointed ideas about the project, as it happens for most of Pietroiusti’s projects Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cesare Pietroiusti Description An account of the resource The artistic research of Cesare Pietroiusti, born in Rome in 1958, a degree in medicine with an essay on psychiatry, focuses on the analysis of paradoxical and problematic situations that are hidden in ordinary life and at the same time of the art system. Visual artist, founder and coordinator of research centers (e.g. the artist-run space Jartrakor in Rome), art projects and conferences, since 1977 he exhibited in public and private spaces, conventional and not, in Italy and abroad. In 2007 he founded, in collaboration with the collective Space of Bratislava, “Evolution de l’art”, the first art gallery to sell exclusively immaterial works and in 2011 the Museum of exiled Italian contemporary art, a project for the collection of works, documents and records on artistic experiences that are deliberately marginal or non acknowledged by the museum system. Creator An entity primarily responsible for making the resource Pietroiusti, Cesare Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Inchieste Oggetti Description An account of the resource This unrealised project dates back to 1990 and has been published by Jartrakor in 1992. The idea was to test the relativity of individual definitions by asking to a certain number of people to identify an object in their home that satisfies certain requirements such as the relation form-function or that has a specific aesthetical or emotional value for its owner. The objects should then have been exhibited with a very precise setting (e.g. according to the alphabetical order of the owner's names) regardless of the value of each object, responding to a principle of seriality. The theme of this research, that is the “definitions” and the involvement of a generic audience on the most important topics of contemporary art, can be found also in the “Enquiry about art works”, an unrealised project in which the author supposes to ask to common people to create in their mind an art work in details. Thus, among the author's unrealised projects we can see also several projects of unrealised exhibitions, an element that confirms once more his interest for the exhibition practices of the art system. This project was not commissioned. <a href="https://www.repository.unipr.it/bitstream/1889/1774/1/CESARE%20PIETROIUSTI_Inchieste%20oggetti.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Pietroiusti, Cesare Date A point or period of time associated with an event in the lifecycle of the resource 1990 Contributor An entity responsible for making contributions to the resource Modena, Elisabetta Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource Italian Type The nature or genre of the resource Still Image Rights Holder A person or organization owning or managing rights over the resource. Cesare Pietroiusti MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/1774" target="_blank" rel="noopener">http://hdl.handle.net/1889/1774</a> Logistical reasons http://moremuseum.org/omeka/files/original/f73fdf8e80693b28cbda4468a390717e.m4a e8cc9cdbbda5911e79eb9c6a3095d4de http://moremuseum.org/omeka/files/original/1755ed47d1f10af64092218884414e83.jpg 544c2fe446f9c83041c5eb944593e815 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource taccuino 1_h.jpg Description An account of the resource Scan of a notebook page where the artist appointed ideas about the project, as it happens for most of Pietroiusti’s projects http://moremuseum.org/omeka/files/original/fb42cc8b601648ae5952fc7d647dedf1.jpg 53622ae55b7dff72251fcbdc01debca4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource exhibita1.jpg Description An account of the resource Scan of the catalogue of the exhibition Exhibit A: Eight artists from Europe and America curated by Henry Bond, staged at the  Serpentine Gallery in London in 1992. http://moremuseum.org/omeka/files/original/b362be5069c1c21de6c1fbf840e7aa63.jpg f0fe68600b82865987d90c34a6a9e22f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource comesidiventa3.jpg Description An account of the resource Scan of the book Come si diventa artisti published in Rome by Centro Studi Jartrakor in 1992. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cesare Pietroiusti Description An account of the resource The artistic research of Cesare Pietroiusti, born in Rome in 1958, a degree in medicine with an essay on psychiatry, focuses on the analysis of paradoxical and problematic situations that are hidden in ordinary life and at the same time of the art system. Visual artist, founder and coordinator of research centers (e.g. the artist-run space Jartrakor in Rome), art projects and conferences, since 1977 he exhibited in public and private spaces, conventional and not, in Italy and abroad. In 2007 he founded, in collaboration with the collective Space of Bratislava, “Evolution de l’art”, the first art gallery to sell exclusively immaterial works and in 2011 the Museum of exiled Italian contemporary art, a project for the collection of works, documents and records on artistic experiences that are deliberately marginal or non acknowledged by the museum system. Creator An entity primarily responsible for making the resource Pietroiusti, Cesare Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Inviti Description An account of the resource The project, part of the author's critique of the system, addresses the issue of how contemporary art is experienced and of the so-called art system in general. An initial version of the project was developed starting in 1991. In one of the artist’s notebooks, we can find notes about a solo exhibition that was supposed to take place in a private gallery in Rome at the beginning of 1992 but was never realized, probably because the art dealer feared a possible misunderstanding of the performance. The project, in fact, was based on the participation of a group of prostitutes, invited and paid to attend as guests. Their presence was meant to provoke a sense of alienation in the spectators, who would perceive something unusual compared to a typical vernissage. The performance was to be documented through photographs and audio recordings, but it was canceled by the commissioner a few days before the opening. An alternative version of the project appeared in a book published by the Jartrakor Study Center in 1992. It was based on the idea of inviting people with distinctive, easily recognizable features (such as clergymen), but dressed “normally,” in order to evoke in the viewers a subtle sense of unease or strangeness. The same project was later described in the catalogue of the exhibition Exhibit A at the Serpentine Gallery in London, which focused on the question of the role and meaning of the “exhibition. <a href="https://www.repository.unipr.it/bitstream/1889/1775/1/CESARE%20PIETROIUSTI_Inviti.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Pietroiusti, Cesare Date A point or period of time associated with an event in the lifecycle of the resource 1991-1992 Contributor An entity responsible for making contributions to the resource Modena, Elisabetta Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource Italian Type The nature or genre of the resource Still Image Rights Holder A person or organization owning or managing rights over the resource. Cesare Pietroiusti MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/1775" target="_blank" rel="noopener">http://hdl.handle.net/1889/1775</a> Ethical reasons Logistical reasons Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Daniel Maier-Reimer Description An account of the resource Journeys: Apennin 2017, Castelnuovo d'Elsa - Florenz 2017, Christchurch - Bluff 2016,Auckland - Christchurch 2015, Journey to Tbilisi 2014, Apuan Alps 2013, Vom Tyrrhenischen Meer zur Adria 2013, Arno 2013, Florence city boundary line 2012, Great Wall, China 2011, Schwäbische Alb 2011, Bialowieza, Poland 2011, Pamir 2010, Iran 2009, Iran 2008, Dessau 2007. Caucasus 2007, Tajikistan 2006, Yarlung Tsangpo 2006, Caucasus 2005, Yarlung Tsangpo 2004, Hamburg state boundary 2003, Moldova / Ukraine 2003, Japan 2002, Great Wall of China 2001, Russia 2001, Amur 2000, Great Wall of China 2000, Yellow River 1998, Yarlung Tsangpo 1997, Yangtze River 1996, Iceland 1995, Poland 1995, Mackenzie River 1994, Vorderrhein 1993, Colorado River 1993, Bay of Biscay 1992, Irish Sea 1992, Scandinavia – autumn 1991, Scandinavia – spring 1991, Scandinavia – winter 1991, Germany 1990, Lapland 1990. Creator An entity primarily responsible for making the resource Maier-Reimer, Daniel Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Journey from the Yellow Sea to the Sea of Japan Description An account of the resource Daniel Maier-Reimer's art is travel. Most journeys are summarized in a single photo, some in a small group of pictures. There is no picture of some journeys. Since 2013, Daniel Maier-Reimer leaves it to others to determine how his travels appear in exhibitions and publications. <a href="https://www.repository.unipr.it/bitstream/1889/3719/1/Daniel%20Maier-Reimer_Journey%20from%20the%20Yellow%20Sea%20to%20the%20Sea%20of%20Japan.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Maier-Reimer, Daniel Date A point or period of time associated with an event in the lifecycle of the resource 2015 Contributor An entity responsible for making contributions to the resource Krause, Till Rights Holder A person or organization owning or managing rights over the resource. Daniel Maier-Reimer MoRE museum http://moremuseum.org/omeka/files/original/7af273e88e977ce3497efd5c93d8b11e.tif 26bf688d6b316d8d87006263dfea7ccd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource EnBW_boot_01.tif Description An account of the resource rendering, section of the building with the lateral view of the sculpture. Format The file format, physical medium, or dimensions of the resource 75 x 56,44 cm, 72 dpi http://moremuseum.org/omeka/files/original/9d5543a2ea7bfa3fa2c9a0a64596ab45.tif ef7fc1e7e77b39f947c913dda51948f7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource EnBW_boot_02e.tif Description An account of the resource rendering, view of the work. Format The file format, physical medium, or dimensions of the resource 45,37 x 32,53 cm, 72 dpi Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Erwin Wurm Description An account of the resource Erwin Wurm (born 1954) is an Austrian artist. He lives and works in Vienna and Limberg in Austria; Hydra, Greece; and in New York City. Creator An entity primarily responsible for making the resource Wurm, Erwin Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Karlsruhe Boat Description An account of the resource Karlsruhe Boat is a project for the main venue in the German city of EnBW, a society dealing with and trading energy, and consists of a real size boat – situated in a small fountain-like pool of water indoor – that paradoxically deforms itself climbing up on the wall of the building. Even this sculpture creates a decompensation of perception, which is typical of the Austrian artist, where an object totally defunctionalized subverts its normal role and does something ironic and totally out of the ordinary logic. In this case the boat stands on a small and thin layer of water, placed almost vertically to the floor itself, and magically folds, almost crashing against the wall, in a process of deformation that we can find in some important series of the artist’s work. This “absurd” situation reflects a kind of broken up narrative that is typical of the way the artist operates; his works seem to tell a story that suddenly stops and whose ending is left to the interpretation of the viewer. Instead of the classic final apotheosis of the happy ending, for Wurm’s project we could talk about the apotheosis of paradox; the end is certainly not dictated by the victory of good over evil but rather an event that subverts the rules of the classic interpretation of the user. The artist is giving us a different interpretation of reality, that subverts the traditional forms of sculpture and perception. The reasons why the project remained unrealized aren't specified. <a href="https://www.repository.unipr.it/bitstream/1889/2330/1/Wurm_Karlsruhe%20Boat.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Wurm, Erwin Date A point or period of time associated with an event in the lifecycle of the resource 2008 Contributor An entity responsible for making contributions to the resource Rossi, Valentina Format The file format, physical medium, or dimensions of the resource image/tiff Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2330" target="_blank" rel="noopener">http://hdl.handle.net/1889/2330</a> Rights Holder A person or organization owning or managing rights over the resource. Erwin Wurm MoRE Museum Unknown http://moremuseum.org/omeka/files/original/2a23df4f5a52a1474fb4ad805a17a85d.pdf 1357328e328e5a4cc1537e60f075a7ce Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Matthew Darbyshire Description An account of the resource Matthew Darbyshire was born in the UK in 1977. He studied Fine Art at the Slade School of Art and at the Royal Academy Schools in London. He has had solo public exhibitions at Gasworks, London; The Hayward, London; The Zabludowicz Collection, London; Kettles Yard, Cambridge; Tramway, Glasgow; GAM, Turin; The FRAC, Dunkirk and The Hepworth, Wakefield. Darbyshire has exhibited in various major UK survey shows including the ICA’s Nought to Sixty programme curated by Mark Slaydon in 2008, Tate Britains Triennial Altermodern, curated by Nicolas Bourriaud in 2009, and the British Art Show 7 Days of the Comet, curated by Tom Morton and Lisa Le Feuvre 2010. Darbyshire's work has been exhibited worldwide at institutions including Bangkok Cultural Centre, Thailand; Fundacion Miro, Spain, Marco Museum, Spain and The FRAC pas de Calais, France. He is currently preparing a survey exhibition for Manchester City Art Gallery and in the process of realizing two large-scale public commissions – one for the Dutch government in Amsterdam and the other for Cambridge University here in the UK. Matthew is represented by Herald St Gallery in London and Jousse Enterprise in Paris. Creator An entity primarily responsible for making the resource Darbyshire, Matthew Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Knick Knacks - A Proposal for Trafalgar Square's Fourth Plinth Creator An entity primarily responsible for making the resource Darbyshire, Matthew Date A point or period of time associated with an event in the lifecycle of the resource 2012 Contributor An entity responsible for making contributions to the resource Scotti, Marco Format The file format, physical medium, or dimensions of the resource application/pdf Language A language of the resource English Type The nature or genre of the resource Text Still Image Description An account of the resource Knick Knacks is Matthew Darbyshire proposal for the Fourth Plinth public art program in Trafalgar Square, London. The concept builds on an image designed by the artist himself as a christmas card for "The Guardian" newspaper and wants to transform the monumental sculptural base in a shelf that refers to a domestic space. Here Darbyshire presents eight sculptures in coloured polyurethane foam, reproductions of household objects in a different scale. The eight opaque elements would be 3D scanned and modeled from the original objects, CNC routed in polyurethane foam and then laminated in fibre-glass before being chromed, sprayed and flocked. The single clear element would be modeled in much the same way but then cast in clear tinted resin. This installation is a reflection on two feelings which are deeply contemporary, "emptiness"  and "nostalgia", and in particular a nostalgia that is expressed through reproductions of objects than - in respect to the original ones  - try to mask some of the values that were in present and that remain somewhat hidden below the reproductions’ surface: “From the pop to the patriotic and the colonial to the kitsch”. A composition which could be read on different levels and which presents different layers, which could appear simply ironic but actually refers to some unsettling aspects of the British national identity through "a sort of ‘seduction and repulsion’ mechanism with its critique buried safely beneath the surface The project was not selected for the commission. <a href="https://www.repository.unipr.it/bitstream/1889/2656/1/Matt%20Darbyshire_%20Knick%20Knacks.pdf" target="_blank" rel="noopener">Read more.</a>   Rights Holder A person or organization owning or managing rights over the resource. Matthew Darbyshire MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2656" target="_blank" rel="noopener">http://hdl.handle.net/1889/2656</a> Project which wasn’t selected in a prize or competition http://moremuseum.org/omeka/files/original/4d9635b313020164999fea5014ee2ab1.jpg 183e7e85accf1e8daa3b1f5d0a9b8b45 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource camera della morte.jpg Description An account of the resource The work donated to MoRE is a drawing that represents the final phase of the performance. The line drawing is stylized and the Chamber of death is represented according to a central perspective as if it were a long corridor with balconies, from where the perpetrators overlook the massacre. Format The file format, physical medium, or dimensions of the resource file jpg, 20,003x15,275 cm, 300dpi Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Luigi Presicce Description An account of the resource He was born in Porto Cesareo (Lecce) in 1976, and lives and works in Milan and Porto Cesareo. He attended the Fine Arts Academy in Lecce, but his work has been decisively influenced by his independent studies. In 2007 he took part in the Advanced Course in Visual Arts (CSAV) at the Antonio Ratti Foundation in Como with the American artist Joan Jonas. In 2008, as part of the Artist in Residence initiative, he took part in the workshop at Viafarini in Milan with the American artist Kim Jones. In Milan in 2008 he also founded (with Luca Francesconi and Valentina Suma) the magazine Brownmagazine followed by the Brown Project Space, for which he acts as curator. In 2011 with Giusy Checola and Salvatore Baldi he started running “Archiviazioni” (research and discussion activities regarding contemporary culture in southern Italy) in Lecce. In 2012 he took part in Artists in Residence at MACRO, Rome. With Luigi Negro, Emilio Fantin, Giancarlo Norese and Cesare Pietroiusti he is involved in the Lu Cafausu project, which has been invited by AND AND AND at dOCUMENTA13, Kassel. He performed at Fondazione Claudio Buziol, Venice (2010), Performance Festival Thessaloniki Biennale 3, Greece (2011), Festival Reims Scènes d’Europe, Frac Champagne-Ardenne, France (2011), MADRE, Neaples (2012), We Folk – Drodesera Festival, Centrale Fies, Dro (2012). He won Epson Art Prize, Antonio Ratti Foundation, Como (2007), Emerging Talents Prize, CCC Strozzina, Palazzo Strozzi, Florence (2011), Long Play, MAGA, Gallarate (2012). Creator An entity primarily responsible for making the resource Presicce, Luigi Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La camera della morte Creator An entity primarily responsible for making the resource Presicce, Luigi Contributor An entity responsible for making contributions to the resource Rossi, Valentina Description An account of the resource The project donated by Luigi Presicce (Porto Cesareo, 1976) consists in an unrealized performance. The action, with an utopian and theatrical nature, is inspired by the annual event in which the tuna migrate to the <a href="http://www.youtube.com/watch?v=nZvGrvT4OhE&feature=youtu.be" target="_blank" rel="noopener">island of Favignana</a>, in the south of Italy, to reproduce themselves, and according to the artist to make a journey of love. On this occasion the fish goes through a maze made up of fishing nets to end up inexorably in the death chamber, where they are harpooned and killed. The action has been designed by the artist as a game of reversing roles, in which the men take the place of the tuna and unaware they are ready to participate to the last moment of their life, just waiting to be slaughtered by other men. It is a transposition of the man from hunter to prey, from victim to victimizer, an inversion that creates alienation and a violent trauma. All these elements lead the viewer to a possible kind of visionary hallucination, where the role of Presicce is no longer that of the protagonist of his own performance but of an expert Director of expert careful towards the construction of a new appearance. This performance also draws inspiration from a short aphorism by <a href="http://www.youtube.com/watch?v=s-4OrG6kows&feature=relmfu" target="_blank" rel="noopener">Carmelo Bene</a> in which the actor claims that the public should pay the cost of the show with his own life. Because of its utopian nature, it has never been possible to realize the performance. <a href="https://www.repository.unipr.it/bitstream/1889/2054/1/presicce-camera%20della%20morte.pdf" target="_blank" rel="noopener">Read more</a>. Date A point or period of time associated with an event in the lifecycle of the resource 2012 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2054" target="_blank" rel="noopener">http://hdl.handle.net/1889/2054</a> Rights Holder A person or organization owning or managing rights over the resource. Luigi Presicce MoRE Museum Theoretical exercise http://moremuseum.org/omeka/files/original/fb00a44661cfd87b2f37ebb47a1ac30e.pdf b62b28d05d76d9e0d085d4297de94d9f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tavola di progetto A1 definitiva http://moremuseum.org/omeka/files/original/facc50516ae7e92134274c1742acc87d.pdf 1e5b8d4921596743a806ce31805f5394 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Relazione di progetto. http://moremuseum.org/omeka/files/original/f909cc3de8daeeec99b56945f5179b09.pdf 7ce522559f879c34b9c7055a3b8dc99e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Comunicato stampa per presentare il concorso. http://moremuseum.org/omeka/files/original/836fec18255938c6a65c7a0633bc6677.pdf 3250dae5f0cbed517aa97bb2ec941b88 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource lettera in cui si comunica all’artista la non ammissione alla seconda fase di concorso. http://moremuseum.org/omeka/files/original/158b3e75ba576595b480919f67855f3b.pdf 696f8e17e0266c23bfebb8f1299e4bd1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bando di concorso http://moremuseum.org/omeka/files/original/192c672c47ce55293d50f2587811dfe9.pdf a9b78dd9968a67e0e3fb4aa4667d5346 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Nota tecnica descrittiva per la realizzazione del progetto http://moremuseum.org/omeka/files/original/c2d6fb6a4bdbb4de243819a9374be1b9.pdf e9fda996bc2fb060bb5e36be650a1e8d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mappa di localizzazione dell’area di intervento http://moremuseum.org/omeka/files/original/76ad881a3c2888282a3af07b148a9b7d.pdf 0e3a93133f438e527c3c897eff612d11 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mappa di localizzazione dell’area di intervento http://moremuseum.org/omeka/files/original/00514a5e82390aa1851e0e8d1759fd8c.pdf 4bcad77480ecbfcabaf41eecc71f67d0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Curricula dei membri della giuria http://moremuseum.org/omeka/files/original/ece32ef337f70e00843e25283d554c83.pdf bcac06efa412211b98e3ccc10800da73 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Curricula dei membri della giuria http://moremuseum.org/omeka/files/original/ddd5c7c4a3dfed72f0266b18582465f6.pdf a38d4b8de9c4a7c1304dff872a980cdb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Curricula dei membri della giuria http://moremuseum.org/omeka/files/original/887f7b57474822069d61913125f892d0.pdf c91890b4b767ee58eb4a3cb870a82727 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Curricula dei membri della giuria http://moremuseum.org/omeka/files/original/25c4e13b98e0e5a4b995526220127dd9.pdf 675d30edaa219110a004838b1c953c63 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Curricula dei membri della giuria Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Flavio Favelli Creator An entity primarily responsible for making the resource Favelli, Flavio Description An account of the resource Born in Florence in 1967, Flavio Favelli lives and works in Savigno (Bologna). Having graduated with a major in Oriental History from University of Bologna, he participates in Link Project (1995-2001) attending the TAM residency in Pietrarubbia, under the supervision of Arnaldo Pomodoro (1995) and the Advanced Course in Visual Arts at Fondazione Antonio Ratti, hosted by Allan Kaprow (1997). Favelli has exhibited both in private and public spaces, in Italy and abroad, including MACRO (2010), MAXXI (2012 and 2015), the American Academy (2010), Fondazione Volume! (2006), Sales Gallery in Rome (2008, 2010, 2013), Museo del 900 (2012) Museo della Permanente (2002) Francesca Minini Gallery in Milan (2014), MAMBO (2011), Centro Arti Visive Pescheria in Pesaro (2010), Museo Marino Marini in Florence (2009), Francesco Pantaleone Gallery (2008), Museo RISO (2011), A Project Space in Palermo (2012), Museo di Villa Croce in Genua (2005), Centro per l'Arte Pecci in Prato (2005), Palazzo delle Papesse in Siena (2002), Fondazione Sandretto Re Rabaudengo (2007), Maze Gallery in Turin (2001 and 2003), Maison Rouge Fondation Antoine de Galbert in Paris (2007), Projectspace 176 (2005), IIC in London (2003) and in ICC in Los Angeles (2004). Among his main collective exhibitions, Favelli has also shown his works at Peggy Guggenheim Collection in Venice (2011), at GAMEC in Bergamo (2011 and 2012), at Castello di Rivoli (2012) and GAM (2006) in Turin, at Havana XI Biennial (2012), at IBID Project Gallery (2011), at the festival No Soul For Sale at Tate Modern in London (2010), at Fondazione Pomodoro (2010) and Raffaella Cortese Gallery (2009) in Milan, at MADRE (2010) and at PAN Museum (2006) in Naples, at MOCA in Shanghai (2010), at Villa delle Rose (2001), at GAM (2005) in Bologna, at Musèe d'Art Moderne in Saint-Etienne (2005), at Museion in Bolzano (2003) and at Elgiz Museum (2008) in Istanbul. Favelli has participated at Carrara XIII Biennale di Scultura (2008), at Roma XV Quadriennale at Palazzo delle Esposizioni (2008), at the exhibition Italics at Venice's Palazzo Grassi (2008), and at MCA in Chicago (2009). He has designed and realized two working bar-installation, at MAMbo and at MARCA in Catanzaro, and two permanent public spaces: Vestibolo at ANAS headquarters in Venice's Palazzetto Foscari, and Sala d'Attesa atthe Pantheon in Bologna, inside the Certosa Monumental Cemetery, where laical funeral services are held. In 2009 he was the selected artist for Acrobazie #5, a Unicredit Group project at Fatebenefratelli Center of San Colombano in Lambro (Milan). In 2010 he was in residence at the American Academy in Rome as an Italian Fellow for the Arts. He took part in two editions of the Venice Biennale, the 50th ("Clandestini", curated by F. Bonami) and the 55th ("Vice versa", Italian Pavillion, curated by B. Pietromarchi). In 2014 he was in residence at the Italian Embassy in Istanbul, invited by AlbumArte association; he also had a solo exhibion at Maison Particuliere in Bruxelles. In 2015 he has been selected for a study residency at NARS Foundation in New York. He has attended seminars and conferences, among many other public and private institutions, at the Academy of Arts of Venice, at Brera in Milan, at Politecnico in Turin, at the University of Bolzano, at the University of Bologna and at Quadriennale in Rome. His works are featured both in private and public collections, such as Galleria d’Arte Moderna and Fondazione Sandretto Re Rebaudengo in Turin, MAMBO, Bologna Fiere and Fondazione Furla in Bologna, La Maison Rouge and Fondation Antoine De Galbert a Parigi, La Gaia Collection in Cuneo, Civiche Raccolte d’Arte and Fiera Milano in Milan, MACRO and Nomas Foundation in Rome, Museo Arte Contemporanea Villa Croce in Genua, Zabludowicz Collection in London, Elgiz Collection in Istanbul and Unicredit Banca Collection. In 2008 his installation La terza Camera was acquired by MAXXI Museum in Rome. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La Porta di Milano Description An account of the resource The project was created for an international competition promoted in 2009 by SEA, the company which manages Milan airport system. As stated in the announcement, the competition concerns the creation of “a new architectural project for the realization of an artwork that is going to change the appearance of the Malpensa airport. Specifically, the commission envisions a highly aesthetic space that is going to virtually represent the access door to the city of Milan. The purpose of this work of art, besides striking the passenger's imagination, is to become a location for cultural events and exhibitions”. Flavio Favelli presents Crystal Garden, a full-scale artwork which reproduces many features of the collective imaginary of Milan, while reminding at the same time Paxton's Crystal Palace. The reference to the architecture of London stems both from the project's title and from the materials that were to be used, such as the iron of old-aged gates and the glass thermoshell of the internal side. As declared by the artist itself, his architectural model is the aviary, which actually becomes a cage built with high-tech materials, which enables many and various activities. The complexity of the documents donated to MoRE portrays a careful planning and a thorough working method, showing also the relationship between the artists and the commissioner. Favelli's project presents many characteristic features of his body of work, which is able to succesfully combine the present with the past; here, the artist employs purposefully a futuristic approach through the usage of high-tech materials that opposes the recourse to found materials as well as to practices and modalities of appropriation. The project was not admitted to the second phase of the competition. <a href="https://www.repository.unipr.it/bitstream/1889/2858/1/Flavio%20Favelli_La%20Porta%20di%20Milano.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Favelli, Flavio Date A point or period of time associated with an event in the lifecycle of the resource 2009 Contributor An entity responsible for making contributions to the resource Rossi, Valentina Format The file format, physical medium, or dimensions of the resource application/msword application/pdf Language A language of the resource Italian Type The nature or genre of the resource Text Still Image Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2858" target="_blank" rel="noopener">http://hdl.handle.net/1889/2858</a> Rights Holder A person or organization owning or managing rights over the resource. Flavio Favelli MoRE Museum Project which wasn’t selected in a prize or competition http://moremuseum.org/omeka/files/original/aed1e134c1134f8c75d1cdbfae1c148c.jpg 46e339fe0120afe81a875ea36795c047 http://moremuseum.org/omeka/files/original/5d83dd5eb53541d4382c62597e3c2302.pdf 16b64667c13faf3891b856bc6e2a547e http://moremuseum.org/omeka/files/original/ecd4126b6d14d6d6ed27fa8460e77991.pdf 71099e61342357f1f044c1e2f7ed5633 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ettore Favini Description An account of the resource Born in Cremona in 1974, Ettore Favini teaches Visual Arts at the Nuova Accademia Belle Arti NABA in Milan and Painting at the Accademia di Belle Arti G. Carrara in Bergamo. His works are characterized by a narrative dimension and a relationship with the context and history of places; they often spring from personally lived experiences and individual memory, which is useful for proposing general reflections. Also central is the question of identity, probed through participatory and public art projects. He was recently awarded by the Pollock Krasner Foundation in New York and the General Directorate for Contemporary Creativity of the Italian Ministry of Cultural Heritage and Activities and Tourism (MiBACT - DGCC) as part of the Italian Council project. His works have been exhibited in prestigious Italian and international institutions, including: Kunst Meran Arte, Merano; Carré d'Art Contemporaine, Nîmes (F); PAC, Milan; Museo del Novecento, Milan; GAMeC, Bergamo; Museo MAN, Nuoro; Museo di Villa Croce, Genoa; Autostrada Biennale, Prizren (K); OCAT, Shanghai (RC); SongEun Art Space, Seoul (ROK); Najing International Art Festival, Nanjing (RC); Italian Academy, New York (USA); Fondazione Sandretto, Turin; Villa Medici, Rome. Creator An entity primarily responsible for making the resource Favini, Ettore Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La vera rivoluzione è non cambiare il mondo(?) Description An account of the resource The project involved the creation of a huge sign – La vera rivoluzione è non cambiare il mondo(?) – in every way equal to a claim launched by ENEL, but lacking the question mark and immediately withdrawn due to Greenpeace's denunciation. At least fifteen meters long and composed of green-painted aluminium box letters about eighty centimeters high and six hundred incandescent light bulbs, the lighted work would have involved an energy consumption of three kilowatt-hours, equal to that supplied for the utility of any Italian home. Designed by the artist to denounce the company's false ecological message, the work would remain off until ENEL produced more than 60% clean energy from renewable sources. In 2007, Favini proposed its creation for the Greenwashing exhibition, which was to be held at the Fondazione Sandretto Re Rebaudengo the following year. It was not realized for budget reasons. <a href="https://www.repository.unipr.it/bitstream/1889/5203/1/Ettore%20Favini_La%20vera%20rivoluzione.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Favini, Ettore Date A point or period of time associated with an event in the lifecycle of the resource 2007 Contributor An entity responsible for making contributions to the resource Modena, Elisabetta Format The file format, physical medium, or dimensions of the resource image/jpeg application/pdf Language A language of the resource Italian Type The nature or genre of the resource Text Still Image Rights Holder A person or organization owning or managing rights over the resource. Ettore Favini MoRE museum Financial reasons http://moremuseum.org/omeka/files/original/fa0de8cbe1aa0e70f8637a712e28f466.pdf bf7567e76fa6766c31e45be9ed1af503 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Il mio progetto.pdf Description An account of the resource File describing the project and its objectives Format The file format, physical medium, or dimensions of the resource File pdf http://moremuseum.org/omeka/files/original/a2b3ea573488a222a5949ef7ca82369d.pdf ac2075de0044af5dbf21a3ef1be63989 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource E’ così anacronistico.pdf Description An account of the resource File describing the project and its objectives Format The file format, physical medium, or dimensions of the resource File pdf http://moremuseum.org/omeka/files/original/afae2fa3c5a83dbbb400a0de3da8ad65.pdf 2a1e2ca9aa7ee6eb9e426fcaa33f6813 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Incontrare la fiaba e rappresentarla.pdf Description An account of the resource Project of the first laboratory Relation A related resource File pdf http://moremuseum.org/omeka/files/original/c0a9d300fa59f5326ec2718d3c1ec493.pdf bcb47986cc52da67157fca20e79e5875 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Prendersi cura.pdf Description An account of the resource Project of the second laboratory Format The file format, physical medium, or dimensions of the resource file pdf http://moremuseum.org/omeka/files/original/1ddc359ea39e3d33164268686d3f82e0.pdf ab256bcc764d47e4ed5feb7ab7209af6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Modellaggio.pdf Description An account of the resource Project of the third workshop Format The file format, physical medium, or dimensions of the resource file pdf http://moremuseum.org/omeka/files/original/984230f59c2141f48463d1783c360047.jpg 0ba2df4c5e6aaadb3491de1b27f63dbc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Puppe ageop.jpg Description An account of the resource Dolls made to the Waldorf school in the course of the manual arts teacher Patrizia Solina Format The file format, physical medium, or dimensions of the resource file jpg, 10,16x13,55 cm, 300 dpi http://moremuseum.org/omeka/files/original/b833737f5c96e70c84a9385bdd6cf320.jpg b3f3835578d8dbe1bb5ffc906b08a628 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource teatrino.jpg Description An account of the resource Dolls made to the Waldorf school in the course of the manual arts teacher Patrizia Solina Format The file format, physical medium, or dimensions of the resource file jpg, 8,79x13,55 cm, 300 dpi http://moremuseum.org/omeka/files/original/e8128af17306e10baebb44aa0ba7f742.jpg 894bd4227ae10af1fd88c53698d70d56 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Steiner oncologia.jpg Description An account of the resource Dolls made to the Waldorf school in the course of the manual arts teacher Patrizia Solina Format The file format, physical medium, or dimensions of the resource file jpg, 29x20,99 cm, 72 dpi http://moremuseum.org/omeka/files/original/b64463d326dbccb0563a368dd15096db.jpg 242bf048964c3dbddb6c0e32e0ac702a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Favola.jpg Description An account of the resource Sketch artist in the preparation of fairy tales. Format The file format, physical medium, or dimensions of the resource file jpg, 50,59x72,25 cm, 72 dpi http://moremuseum.org/omeka/files/original/d49cc4390d75893121e4840c6d874aa0.jpg 5307e4ad740284d0a1daa0db621707bb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Favola 1.jpg Description An account of the resource Sketch artist in the preparation of fairy tales. Format The file format, physical medium, or dimensions of the resource file jpg, 54,19x72,25, 72 dpi http://moremuseum.org/omeka/files/original/5341aac84dd54de4d8aae51335505b4b.jpg e0db846aeadabcbb49fc1a5844235d24 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Favola 2.jpg Description An account of the resource Sketch artist in the preparation of fairy tales. Format The file format, physical medium, or dimensions of the resource file jpg, 54,19x72,25 cm, 72 dpi http://moremuseum.org/omeka/files/original/5d8a3875ee6421e41f9e22488cf99306.jpg 9b5774ac51259dca7340262a2ddc73b3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource steiner oncfavola-1.jpg Description An account of the resource Sketch artist in the preparation of fairy tales. Format The file format, physical medium, or dimensions of the resource file jpg, 29x20,99 cm, 72 dpi http://moremuseum.org/omeka/files/original/3d1c2c959123b2eb58bf4ff152b30a0c.jpg 6a612def79f5bd192b57e1eaa16f92af Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource steineroncobambfav.jpg Description An account of the resource Sketch artist in the preparation of fairy tales. Format The file format, physical medium, or dimensions of the resource file jpg, 29x20,99 cm, 72 dpi http://moremuseum.org/omeka/files/original/84981779689ac6d3d2ae61103455c6c0.jpg 51061b684dbbc0db461c31d175a00148 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Emilio Fantin Creator An entity primarily responsible for making the resource Fantin, Emilio Description An account of the resource Emilio Fantin (Bassano del Grappa, 1954), lives and works in Bologna. Fantin creates spaces for participation where the educational aspect is combined with the artistic one. In his work he often creates links between art and other disciplines. He has worked with institutions, universities and museums around the world. In 2012, he realized with Lu Cafausu the project "The Celebration of Living" for And, And, And, Documenta 13 in Kassel and gave lectures at the Art Institute of Chicago. In 2013 he organized meetings and projects in public spaces in Phoenix in partnership with ASU (Arizona State University) Art Museum. He took part to several exhibitions and international events including the Venice Biennale (1993, 1999, 2008), Performa, International Festival of Performance, New York, 2007; Frasq, International Festival of Performance, Paris 2011. Since 2005 he has been teaching "Perception and Visual Communication" at the Polytechnic of Milan. He currently holds workshop “Representation 2: Architecture and Art” in public spaces with Ricciarda Belgiojoso and Franco Vaccari. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Laboratori Description An account of the resource The project was commissioned by Roberto Daolio as part of a series of art works to be placed on the top floor of the Department of Pediatric Oncology of the Sant’Orsola Hospital in Bologna, in collaboration with the Association AGEOP. The invited artists are Silvia Cini, Emilio Fantin, Claudia Losi, Eva Marisaldi, Sabrina Mezzaqui, Sabrina Torelli and Marco Vaglieri. Fantin aims at creating a great book on the fairy tale "The Bremen Town Musicians" and a series of workshops for children in collaboration with the teachers of the school Garagnani Maria Steiner of Bologna (Meet the tale and represent it; Take care; Sculpting with hot beeswax). The book was made and donated to the department , while the laboratories were not realized, due to a series of economical, technical and logistic reasons. <a href="https://www.repository.unipr.it/bitstream/1889/2446/1/Fantin_Laboratori.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Fantin, Emilio Date A point or period of time associated with an event in the lifecycle of the resource 2004 Contributor An entity responsible for making contributions to the resource Modena, Elisabetta Format The file format, physical medium, or dimensions of the resource application/pdf image/jpeg Language A language of the resource Italian Type The nature or genre of the resource Text Still Image Rights Holder A person or organization owning or managing rights over the resource. Emilio Fantin MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2446" target="_blank" rel="noopener">http://hdl.handle.net/1889/2446</a> Financial reasons Logistical reasons Regulatory/juridical/administrative reasons http://moremuseum.org/omeka/files/original/70aafe69febc270b40bd91ac4320bc5a.jpg 23e3fadc0944c01a4da276f86047810d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ibro Hasanović Description An account of the resource Ibro Hasanović was born in Ljubovija (Yugoslavia) in 1981. He currently lives in Pristina, Kosovo. His works have been recently exhibited at Austrian Cultural Forum, New York, Künstlerhaus Vienna, Vienna; Munchner Stadtmuseum, Munich; Garage Museum of Contemporary Art, Moscow; Museum of Fine Arts, Split; Kunsthalle Wien, Wien; the 55th October Salon, Belgrade; National Gallery of Kosovo; Museum of Contemporary Art, Zagreb; Künstlerhaus - Halle für Kunst & Medien, Graz; the 2nd Project Biennial D-0 ARK Underground, Bosnia and Villa Romana, Florence. Creator An entity primarily responsible for making the resource Hasanović, Ibro Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lilium Bosniacum Description An account of the resource Lilium Bosniacum is a project that was thought to be realized in collaboration with scientists (e.g. botanist). It would include experiments in order to see if the Bosnian constitution - based upon the Dayton Peace Agreement in 1995 - could be translated, one way or another, into “natural law”. Dayton Peace Agreement was reached in November 1995 at USA Air Force Base near Dayton (Ohio), and formally signed on 14th December 1995 in Paris. It brought peace to the country torn up by war which started on 6th of April 1992. Today, this peace agreement which also serves as the Bosnian constitution has become a political nightmare. Its complex structure makes any kind of progress in Bosnia seem impossible. Lilium Bosniacum (a.k.a. golden lily or Bosnian lily) is a lily native to Bosnia and Herzegovina. Bosnian Lily is also a symbol that has been used in Bosnia since Middle Ages and it became especially popular during the rule of Bosnian king Tvrtko I Kotromanić. With the invasion of Ottomans into the region and the fall of Kotromanić Dynasty, the symbol went out of use. On 1st of March 1992, when Bosnia and Herzegovina gained independence from Yugoslavia, lilies were brought back onto the Bosnian flag. In 1998, after the protests of political representatives of the former Herceg-Bosna and Republika Srpska, the flag of the Republic of Bosnia and Herzegovina was replaced. The idea of the project is to try and create a set of rules and genetically modify Bosnian Lily in order that it complies with the complex structure of Dayton Peace Agreement. In collaboration with scientists (e.g. botanist), the project includes experiments in order to see if this specific “constitutional law” can be translated, one way or another, into “natural law”. All of the process would be photographically and video documented, in order to produce a book/herbarium and a short video documentary. Finally the goal would be to register this “hybrid lily”, if successfully created, to the EU database of registered plant varieties.  <a href="https://www.repository.unipr.it/bitstream/1889/2999/1/Ibro%20Hasanović_Lilium%20Bosniacum.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Hasanović , Ibro Date A point or period of time associated with an event in the lifecycle of the resource 2014 Contributor An entity responsible for making contributions to the resource Scipioni, Elena Lydia Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource English Type The nature or genre of the resource Still Image Rights Holder A person or organization owning or managing rights over the resource. Ibro Hasanović MoRE museum Identifier An unambiguous reference to the resource within a given context <a href="http://dspace-unipr.cineca.it/handle/1889/2999" target="_blank" rel="noopener">http://dspace-unipr.cineca.it/handle/1889/2999</a> Financial reasons http://moremuseum.org/omeka/files/original/b36ffa5c4e8394d66297f100f5c23798.pdf b49370e0396ee74500981b66e8a038c4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1_Braco Dimitrijevic.msg Description An account of the resource E-mail sent by Nena Dimitrijevic to Anna Zinelli on June, 3th 2016. http://moremuseum.org/omeka/files/original/fb851faab814d8f6f14ed278d0740b94.msg 3522e46617dede151fe87fcbc83d3aa5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Braco Dimitrijević Description An account of the resource Braco Dimitrijević was born in Sarajevo in 1948. After attending the Academy of Fine Arts in Zagreb, between 1968 and 1971, he completed his postgraduate studies in 1973 at the Saint Martin's School of Art in London. In 1963 he made his public debut with Flag of the world, in which he replaced a national flag with a cloth to clean paint brushes; by the end of the 1960s, he proposed a series of works in which he triggered accidental processes and asked strangers to sign them as works of art (Accidental Drawing, 1968; Painting by Kre&scaron;imir Klinka 1969). This approach, which is designed to problematise the notion of authorship, also constituted the base for the series dedicated to “Casual Passers-by", presented for the first time in Zagreb in 1971 and at the VI Biennale of Paris. The series featured large-scale photographs of strangers presented as if they were important political figures or media celebrities. During the 1970s he participated in the Documenta in Kassel (1972, 1976) and the Venice Biennale (1976), while the Muzej suvremene umjetnosti of Zagreb held his first retrospective (1973). During this time he also started to travel to Italy, first invited to Naples by Lucio Amelio for a personal exhibition (1971) and then to Turin by Gian Enzo Sperone, with whom he continued to work. In 1976 he published the Tractatus Post Historicus, which discusses the linear and evolutionary nature of the historical-artistic process, and presented Tryptychos Post Historicus at the Nationalgalerie in Berlin, proposing a combination of exhibits from the museum collection, anonymous everyday objects and organic elements such as fruits and vegetables. The project was revived and further developed subsequently in numerous museums, including the Centre Georges Pompidou in Paris, the Tate Gallery in London, the Guggenheim Museum in New York, the State Russian Museum and the Louvre in Paris. In 1981, on the occasion of his personal exhibition at the Waddington Gallery in London, he proposed exhibiting two live peacocks alongside the collection dedicated to the masters of modern art. He continued working with animals throughout the 80s with the installations proposed at the Sarajevo Zoo (1983) and the personal exhibition at the Paris Zoo (1998). Creator An entity primarily responsible for making the resource Dimitrijević, Braco Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lions walking freely in the Louvre Description An account of the resource In 1996 Braco Dimitrijević, interviewed by Jean-Hubert Martin for "Flash Art", said: If you look at the earth from the moon there is virtually no distance between the Louvre and the zoo. There are cages at the zoo just as there are in the Louvre. My ultimate aim is to remove the doors and see the lions at large in the Louvre.<a title="" name="_ftnref1" href="#_ftn1"></a> This utopian project, donated to MoRE, is part of that line of research based on the combination between major art exhibitions and live animals, which the artist began to develop in 1981 with the installation <a href="http://bracodimitrijevic.com/index.php?album=animals&image=animals_001.jpg">Dust of Louvre Mist of Amazon</a> at the Weddington Gallery, where he let two peacocks roam freely through the exhibition of modern art collections. The work that most closely resembles Lionson-line walking freely in the Louvre was realised by Dimitrijević in 1995 for the exhibition at the Hessisches Landesmuseum in Darmstadt. <a href="http://bracodimitrijevic.com/index.php?album=animals&image=animals_004.jpg">Against historic sense of gravity </a>featured pythons from the Zoo of Cologne set free inside a specially built platform (with a heated pool and an island) containing female portraits dating back between the 16th and 19th century. As Nena Dimitrijević, art historian and Braco's wife, recalls presenting the project, there’s a tension towards a utopian and unfeasible dimension that characterises his entire career: [Braco Dimitrijević] has managed to achieve many of his projects, that at first seemed impossible, because of his nature and ability to theoretically support his ideas. For example, his use of the façade for the portraits of unknown people encountered a lot of obstacles at the time and opened the chapter regarding the use of urban vocabulary in art. <div><a href="https://www.repository.unipr.it/bitstream/1889/3247/1/Dimitrijevic_Lion%20walking%20freely%20in%20the%20Louvre.pdf" target="_blank" rel="noopener">Read more.</a></div> Creator An entity primarily responsible for making the resource Dimitrijević, Braco Date A point or period of time associated with an event in the lifecycle of the resource 1996 Contributor An entity responsible for making contributions to the resource Zinelli, Anna Format The file format, physical medium, or dimensions of the resource application/pdf Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context <a href="http://dspace-unipr.cineca.it/handle/1889/3247" target="_blank" rel="noopener">http://dspace-unipr.cineca.it/handle/1889/3247</a> Rights Holder A person or organization owning or managing rights over the resource. 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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marko Pogačnik Description An account of the resource Marko Pogačnik is a contemporary Slovenian artist. He studied at the Academy of Arts in Ljubljana where he graduated in 1967. He was co-founder of the OHO group between 1965 and 1971, alongsideMilenko Matanović, David Nez, Marko Pogačnik, and Andraž Šalamun.He lives and works in the village of Šempas (Nova Gorica). Creator An entity primarily responsible for making the resource Pogačnik, Marko Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lithopuncture Zagreb Description An account of the resource In October 2004, Marko Pogačnik created a series of urban sculptures in Zagreb as part of the "Urban Intervention" project. They were part of a cycle that the Slovenian artist had been developing since the 1980s, entitled Lithopuncture.  He saw this as a kind of acupuncture applied directly to the Earth's surface at certain "energy points", rather like acupuncture practised on the human body in relation to the chakras. Four years later the works were partially removed. <a href="https://www.repository.unipr.it/bitstream/1889/3687/4/Marko%20Pogačnik_Lithopuncture%20Zagreb_.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Pogačnik, Marko Date A point or period of time associated with an event in the lifecycle of the resource 2004 Contributor An entity responsible for making contributions to the resource Zinelli, Anna Format The file format, physical medium, or dimensions of the resource image/jpeg Rights Holder A person or organization owning or managing rights over the resource. Marko Pogačnik MoRE museum Removal / Destruction Unknown http://moremuseum.org/omeka/files/original/774319a4da338f8e03bf9a79767a25d3.jpg b2357773b7c49ae0c22a43e253bf5772 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource DSC_0169.JPG Description An account of the resource Preparatory collage for Lonely Dads Format The file format, physical medium, or dimensions of the resource file jpg, 86,748 x 61,066 cm, 72 dpi http://moremuseum.org/omeka/files/original/8b052be3492c05aad86a95bc97ea4e3d.pdf b85fdf507ec639a40d9573d9c923780c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lonley Dads editz.docx Description An account of the resource Artist report of the unrealized performance Lonely Dads. Format The file format, physical medium, or dimensions of the resource file MS word/ PDF http://moremuseum.org/omeka/files/original/4f28843ea693074d6900cf5e84d4e7fb.jpg 23c4b1673ce3c850455dcaa8a7cad470 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 3notexttable.jpeg Format The file format, physical medium, or dimensions of the resource file jpg, 33,726 x 45,156 cm, 72 dpi Description An account of the resource Rendering of the medieval hall interiors, with several huge disco balls installed. http://moremuseum.org/omeka/files/original/68e8ee3677cb193dece5b5c5af068c37.jpg ff0d606ff275308f1bd1c78a4cb5a118 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource notextpersonfromup copy.jpeg Format The file format, physical medium, or dimensions of the resource file jpg, 33,726 x 45,156 cm, 72 dpi Description An account of the resource Rendering of the medieval hall interiors, with several huge disco balls installed. http://moremuseum.org/omeka/files/original/358cd7171da34d6d934bda155ef5c95c.jpg 0b0f207cb7a276d57910e5e1437fd1c3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource windisco 2.jpeg Format The file format, physical medium, or dimensions of the resource file jpg, 33,726 x 45,156 cm, 72 dpi Description An account of the resource Rendering of the medieval hall interiors, with several huge disco balls installed. http://moremuseum.org/omeka/files/original/aeaced578bb319623fd2c95504611fa7.jpg 77224c000dbadc7ea7fb95276167013d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource windisco.jpeg Format The file format, physical medium, or dimensions of the resource file jpg, 33,726 x 45,156 cm, 72 dpi Description An account of the resource Rendering of the medieval hall interiors, with several huge disco balls installed. http://moremuseum.org/omeka/files/original/ddefe225334ed12796478957c2df77aa.jpg 00bf3233a6e5f826f7932ac7cc6309f6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource windsico3.jpeg Format The file format, physical medium, or dimensions of the resource file jpg, 33,726 x 45,156 cm, 72 dpi Description An account of the resource Rendering of the medieval hall interiors, with several huge disco balls installed. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Annika Ström Description An account of the resource Annika Ström was born in Helsingborg, Sweden in 1964. She studied at the Royal Academy of Fine arts in Copenhagen until 1997, but moved already to Berlin 1993.  2005 she left Berlin and moved to United Kingdom where she now lives. Ström works predominately with films, soundtrack, performances and text works but has also written a feature film script. In 2010 Ström staged the performance "Ten embarrassed men" at the London Frieze art fair where ten identically dressed men walked around together at the fair looking embarrassed. The cause of the embarrassment was the low number of work produced by women artists that are represented at commercial art fairs. The work was followed by a series of other performances such as "The Upset Man”  2010 and "The Inept Five", 2012, “Six Lovely People” 2015.An ongoing performance is the "Seven Women Standing In The Way"where seven women in their 60s gently block the entrance of an art space, by talking, drinking and being oblivious to other visitor's attempts to enter the space. So far 10 performances with these women has taken place around  Europe Since 2000 Ström has also worked extensively with text phrases, painted on both paper and canvas. In 2014 the Swedish Art Agency commissioned her to do 10 texts works for the new build extension of LUX, the Humanities Departmentat <a title="Lund University" href="https://en.wikipedia.org/wiki/Lund_University">Lund University</a>. On the roof of the building a 10 meter long text in metal says; "men vänta nu". (Direct English translation is; "but wait now " meaning, “hold on”). The work is permanent. In 2015 she composed music with her text works for the Jonkoping Chamber choir in Sweden for a commission for Konsthall Jonkoping. A film was made of the performance and can be seen on <a href="https://vimeo.com/annikastrom">vimeo</a> .She is currently working on new paintings and a new film. A common subject for her work is “fear of failure”. For a solo exhibition in New York 2003, her title for the show was called “Everything in this show can be used against me”. Creator An entity primarily responsible for making the resource Ström, Annika Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lonely Dads / The Medieval Hall in UK with disco lights Description An account of the resource Invited to submit a project for a medieval hall in the UK, that should have been a  collaboration with either local people or an organization, Annika Ström decided to present a performance based upon the idea of lonely men in their cars, supposed to be lonely dads. Fathers who were divorced and estranged from their children. Starting, as the artist states, from a reflection upon the car as a place of solitude and from her direct experience - a common trait to several of her artworks, here derived from her travels and from her recent experience of moving to England - this project was designed as a collaboration with local Father’s Rights organizations. The artist report and the preparatory collage archived here contains all the details of the performance, of the accompanying music - a popular culture quotation, playing a crucial role as it frequently happens in Annika Ström works - and of the way everything should have been filmed and documented: “I planned  to get at least 50 Dads. They would drive in to the square outside the medieval hall. One car for each dad. They would stop and remain in their car. They would all simultaneously pull down their car windows and play the same song; The very romantic Pietro Mascagni, as used as the sound track in Raging Bull by Scorsese. When the song was finished, they were to slowly pull away, head to the motorway in a line towards Southampton, where I also had commission as part of the same project. We were to hire helicopters to film the motorway, like a “News Copter” where the Lonely Dads would parade with their cars, missing their children.” Reflecting upon roles and structures inside the families and in the society, here Annika Ström investigate in particular relationships, self-doubts and failures, designing the staging of a dramatic scene where cars would have invaded the historical setting. The artist also wanted to install enormous disco balls inside the hall, but this project too remained unrealised. <a href="https://www.repository.unipr.it/bitstream/1889/3244/1/Ström_Lonely%20Dads.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Ström, Annika Date A point or period of time associated with an event in the lifecycle of the resource 2013 Contributor An entity responsible for making contributions to the resource Scotti, Marco Format The file format, physical medium, or dimensions of the resource image/jpeg application/pdf Language A language of the resource English Identifier An unambiguous reference to the resource within a given context <a href="http://dspace-unipr.cineca.it/handle/1889/3244" target="_blank" rel="noopener">http://dspace-unipr.cineca.it/handle/1889/3244</a> Rights Holder A person or organization owning or managing rights over the resource. Annika Ström MoRE Museum Failure to meet the commissioner's demands Ideological reasons http://moremuseum.org/omeka/files/original/8311f6d30692d48409904d90357f1144.jpg 168e2b21c7b2caad120841fa6543d356 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pablo Echaurren Description An account of the resource Pablo Echaurren was born in Rome in 1951. He started to paint at the age of 18, inspired by Gianfranco Baruchello, and was soon discovered by the critic and gallerist Arturo Schwarz, who promoted his work in Italy and abroad. His work was initially characterized by a certain minimalism, with a conceptual approach and a rejection of pictorial conventions, offering an alternative to the idea of the work of art as fetish. Since then, he has always been looking for new languages and new forms of expression, never resting on his laurels.  Not just a painter, he has engaged in a wide range of activities, such as illustrations, writing, as well as the creation of “metacomics” that investigate the possible relationship between avant-garde and popular art, seeking that necessary and fertile short-circuit between “high” and “low,” culture and frivolity. His work has been presented in numerous museums. Among the most recent exhibitions: Contropittura(La Galleria Nazionale d’Arte Moderna di Roma 2015-2016) and Du champ magnétique(Scala Contarini del Bovolo, Venezia 2017), Pablo Echaurren(Mart, Rovereto 2019). Creator An entity primarily responsible for making the resource Echaurren, Pablo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Looking for a Rembrandt Description An account of the resource This work by Echaurren also reflects some Duchampian elements and echoes. The unrealized project depicts a bronze sculpture of a monkey holding an iron with its right hand: if the animal is adherent to all the artist's work declined to the universe of primitives (such as the last film Pablo di Neanderthal, released in 2022 and directed by Antonello Matarazzo), the iron recalls in a veiled way Marcel Duchamp's famous phrase "Using a Rembrandt as an ironing board". As with the other works donated to MoRE, this project has no specific commission. The reasons for its not being realized are logistical and appear as theoretical exercises on which the artist continues to question himself. <a href="https://www.repository.unipr.it/bitstream/1889/5205/1/Pablo%20Echaurren_Looking%20for%20a%20Rembrandt.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Echaurren, Pablo Date A point or period of time associated with an event in the lifecycle of the resource 2018 Contributor An entity responsible for making contributions to the resource Casero, Cristina Rossi, Valentina Format The file format, physical medium, or dimensions of the resource image/jpeg Rights Holder A person or organization owning or managing rights over the resource. Pablo Echaurren MoRE museum Logistical reasons Theoretical exercise http://moremuseum.org/omeka/files/original/78873126c7feb55ddc667e235190ad54.jpg 0497c854a032ea4e21c80cc598216fff Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled 1.jpg Description An account of the resource Watercolor, specifically realised for MoRE by goldiechiari, that represent the Garbage Patch, subject of the unrealised work. Format The file format, physical medium, or dimensions of the resource 70 x 70 cm, 84,473dpi http://moremuseum.org/omeka/files/original/7bce3bc76da9f94508b4e79c89b51b7f.jpg 4760a123a31adb7868cce866a2fb0bd4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled 2.jpg Description An account of the resource Watercolor, specifically realised for MoRE by goldiechiari, that represent the Garbage Patch, subject of the unrealised work. Format The file format, physical medium, or dimensions of the resource 75 x 75 cm, 76,638dpi http://moremuseum.org/omeka/files/original/0238efa260333607159e014a22c4e40a.jpg 08b76a1dc2f1c9d26a12ebae4e4e2752 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled 3.jpg Description An account of the resource Watercolor, specifically realised for MoRE by goldiechiari, that represent the Garbage Patch, subject of the unrealised work. Format The file format, physical medium, or dimensions of the resource 50 x 50 cm, 104,851dpi http://moremuseum.org/omeka/files/original/b0e4fdf98e6dd5936e93895f4784e4e4.jpg cf1ee921ca426d54e9dba7f0ae6eb19f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled 4.jpg Description An account of the resource Watercolor, specifically realised for MoRE by goldiechiari, that represent the Garbage Patch, subject of the unrealised work. Format The file format, physical medium, or dimensions of the resource 50 x 50 cm, 111,76dpi http://moremuseum.org/omeka/files/original/cf95d8d3e2a41aa39c28f240aaf7997c.jpg ae6b54db9dde213a71fdeab0a40562f9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled 5.jpg Description An account of the resource Watercolor, specifically realised for MoRE by goldiechiari, that represent the Garbage Patch, subject of the unrealised work. Format The file format, physical medium, or dimensions of the resource 50 x 50 cm, 110,947dpi http://moremuseum.org/omeka/files/original/0b1a43f2b4eb764e99aa80208af7d7c2.jpg cdbd54c2409a55cccec18f2d526a5784 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Grafico 1.jpg Description An account of the resource Chart that analyze ocean currents, a preliminary study for the video. Format The file format, physical medium, or dimensions of the resource 28,22 x 15,91 cm, 72dpi http://moremuseum.org/omeka/files/original/3c2058f743c8918c6efcdbe711638c51.jpg f886ed96fde49ad2f48dee9e58a05b14 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Grafico 2.jpg Description An account of the resource Chart that analyze ocean currents, a preliminary study for the video. Format The file format, physical medium, or dimensions of the resource 17,99 x 13,26 cm, 72dpi http://moremuseum.org/omeka/files/original/288ddb38e05e0c83c2af3543fcce49c8.pdf bb34d98f890ebe548b49caa687373464 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource vortex.docx Description An account of the resource Project report. Format The file format, physical medium, or dimensions of the resource file docx, archived in pdf. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Goldschmied & Chiari Description An account of the resource Sara Goldschmied (1975, Arzignano VI) and Eleonora Chiari (1971, Roma), work as an artistic duo since 1997. They actually live and work between Rome and Milano. They gained critical success thanks to some selected national and international exhibitions. <a href="http://www.goldiechiari.com" target="_blank">http://www.goldiechiari.com</a>   Creator An entity primarily responsible for making the resource Goldschmied & Chiari Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Looking for the Island Description An account of the resource Looking for the island is a video project dedicated to the Garbage Patch, an ‘island “dump” located in the Pacific Ocean that began to form around 1950. This particular island, composed of polymers in the form of bottles, packaging, networks and other kinds of junk, is moved constantly by ocean waves that wear the matter down by reducing it to tiny particles dissolved in water. The floating mass of “particle waste”, which apparently resembles plankton becomes food for fish and birds, reintroduced into our food chain and consequently in our bodies. The artists projects is based right on this contrast between natural and artificial, landscape and industry; through the video they want to document the journey of these plastic particles that paradoxically become feed for fishes, and therefore food for human beings. Challenging the common perception of this place, that is often considered improperly as a real island, this video wanted to place a videocamera waving slowly inside the water, extending and shortening the length of the take from time to time through these fragments of memory. The artists realised specifically for MoRE a series of watercolors that represent the Garbage Patch; moreover, they donated two charts, part of the project, that analyze the ocean and its currents. All the five sketches present a circular design that reminds, indeed, the island or cloud of garbage, while the lines in subtle colors seem to remind a rarefied and immaterial universe The artists were invited to realise this project by Fondazione Hermes in 2007, but it wasn’t selected in the end. It's still unrealized due lack of funds. <a href="https://www.repository.unipr.it/bitstream/1889/2329/1/goldiechiari_Looking%20for%20the%20Island.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource goldiechiari Date A point or period of time associated with an event in the lifecycle of the resource 2007 Contributor An entity responsible for making contributions to the resource Rossi, Valentina Format The file format, physical medium, or dimensions of the resource image/jpeg application/pdf Language A language of the resource English Type The nature or genre of the resource Still Image Text Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2329" target="_blank" rel="noopener">http://hdl.handle.net/1889/2329</a> Rights Holder A person or organization owning or managing rights over the resource. goldiechiari MoRE museum Financial reasons http://moremuseum.org/omeka/files/original/f8f3b0deca9b288bef8dce4a463d119b.jpg 21af246802cee8910c43c8da9102a965 http://moremuseum.org/omeka/files/original/90f55830dca7297e17fa7dff684577da.jpg e7608cd9507eb59926d86ff1e46c4f28 http://moremuseum.org/omeka/files/original/e2a58b129779404beeb08b3320bc1c69.jpg 0a82223ecd5a9b2beb4f8de2c2734719 http://moremuseum.org/omeka/files/original/bec9f7e6b896216b52bede83ded152b1.jpg ffa91423ca4bfbebf85b97fa49c74998 http://moremuseum.org/omeka/files/original/1e879be7098fa96873c9f2f28ceb5ea5.jpg d66f0768690c375c1c39d7ae0dca2421 http://moremuseum.org/omeka/files/original/8be150cce5a4dd183379cd8f175cce7a.jpg 2114f6bb507d4f0193df5f3be59e0882 http://moremuseum.org/omeka/files/original/9ee8438d11cc13abb483059602fe216c.jpg b2baa891836dfe8fabfd4cf3f87cb7d7 http://moremuseum.org/omeka/files/original/c28e581362f708952013f98df24d2fcd.jpg bde81d6d15cdaeb7301c26f06f81ce54 http://moremuseum.org/omeka/files/original/9b5f05040cc76078ed2d8893448d40f0.jpg 53c8e7b5aa25a1260d12a29fe8193b29 http://moremuseum.org/omeka/files/original/2afe6124a3fe69580b27e0f75d669122.doc 21e1c9374460c6b9c3665153c4d75047 http://moremuseum.org/omeka/files/original/ed88bb5aa0852b0afa7070df0db4ed7c.doc 44290c1308655cf1ec77931882c29f08 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource David Maljković Description An account of the resource David Maljković is a Croatian artist known for his use of film, sculpture, collage, and installation. His work often explored themes related to time and the relationship between past and present through abstract structures and digital effects. He is most commonly associated with his video installation Out of Projection, which he describes various types of fissures, not only historical and generational, but narrative too. Therefore, he employs two projections to show two different cinema genres: science fiction and documentary. Through this he is able to generate both more interest in the viewer, and palpable frustration at not reaching an understanding of the historical message the leading characters are trying to portray. Born in 1973 in Rijeka, Croatia, he studied philosophy at the University of Rijeka and fine art at the University of Zagreb, before attending the Rijksakademie in Amsterdam. Since then, he has presented his work at number of exhibitions at major institutions around that world, including the Palais de Tokyo in Paris and the Museo Reina Sofía in Madrid. Today, his works are held in the collections of the Centre Georges Pompidou in Paris, the Stedelijk Museum in Amsterdam, The Museum of Modern Art in New York, and the Tate Gallery in London. Noticed to international attention as one of the most interesting contemporary artists, he is the protagonist of the 56th Venice Biennale, "All the World's Futures", directed by Okwui Enwezor. Maljković lives and works in Zagreb, Croatia. Creator An entity primarily responsible for making the resource Maljković, David Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lost Pavillion Description An account of the resource David Maljković's unrealized work was a reconstruction of the American Pavilion designed and built by John Johansen for the 1956 Zagreb Fair. The pavilion was meant to represent American presence at the fair, which had for many years, symbolized a bridge of exchange between Yugoslavia, Europe, the USA, USSR, Eastern and Western Bloc and non-alligned countries. David Maljković decontextualized the pavilion and proposed rebuilding it as part of a public art project in the city of Lyon, GrandLyon Habitat. <a href="https://www.repository.unipr.it/bitstream/1889/3689/4/David%20Maljković_Lost%20Pavillion.%20def.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Maljković, David Date A point or period of time associated with an event in the lifecycle of the resource 2009 Contributor An entity responsible for making contributions to the resource Rossi, Valentina Format The file format, physical medium, or dimensions of the resource image/jpeg application/msword Language A language of the resource French Type The nature or genre of the resource Text Still Image Rights Holder A person or organization owning or managing rights over the resource. David Maljković MoRE museum Unknown http://moremuseum.org/omeka/files/original/896d08072766b25940ad0b536f0093b6.pdf 4b22e223ca01c29b0d410e17cf4f47cf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Meteoritealcontrario.pdf Description An account of the resource Adobe PDF file Format The file format, physical medium, or dimensions of the resource Adobe PDF file, 500x700mm. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Davide Bertocchi Description An account of the resource Davide Bertocchi was born in Modena, Italy in 1969. From 1988 through 1993, he studied at the Academy of Fine Arts in Bologna with Alberto Garutti: his teaching had a big influence on the development of his future work. He concurrently also attended the University of Bologna’s DAMS (Discipline Art Music e Show). From 1993 through 1994, he studied at the Hogeschool voor de Kunsten, in Utrecht, Holland, and he started to experiment with sound and music. In 1996, after a short period in New York and Los Angeles, he moved to Milan, in Via Fiuggi. He shared this basement, converted into working and living space, with many contemporaries artists: Diego Perrone, Giuseppe Gabellone, Debora Ligorio, Sara Ciraci, Simone Berti, Stefania Galegati, Ettore Favini and Lara Favaretto. Later, a lot of people considered this the starting point of a new dynamic artistic scene in Milan. During this period he worked as a gallery assistant to Massimo De Carlo, where he collaborated with many artists that would make an important impact on his later work. From 1998 through 2000, he lived in the Milan flat of Maurizio Cattelan, who also advised him to apply to an artist in residence program at the Ecole de Beaux Arts de Nantes, France, and that was directed by Robert Fleck, Stephanie Moisdon and Philippe Lepeut. From that point to the present, he has lived and worked mainly in Paris. In 2000, he was chosen as one of the 10 Italian artists for the Studio Program at PS1-MoMa in New York. In 2002, he was an artist in residence at the National Contemporary Art Centre Villa Arson, Nice, France. From 2003 through 2004, he participated in the artist in residence program, “Le Pavillon”, at Palais De Tokyo, Paris. Creator An entity primarily responsible for making the resource Bertocchi, Davide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Meteorite al contrario Description An account of the resource David Bertocchi’s project, Meteorite al contrario (2010) is the launch into space of a normal stone of medium size, which would constitute a kind of meteorite, according to a trajectory opposite the one that usually leads an asteroid to accidentally stumble on our planet. With this project, in addition a to normal challenging of the scientific premises that describes the trajectory and the ablation with the atmosphere of an extraterrestrial impact directly on the ground, the artist is trying to subvert the classic paradigm of contemporary technology: the maximum technology in minimum space, which in this case would be the minimum technology in maximum “space”. The project is closely related to the poetic of the artist, since long time resident in Paris, and it is referable to a system of signs and meanings, an interest in the universe that started with a work in progres born in 1999 entitled precisely Space, which in more than ten years has involved Bertocchi in the creation of a parallel universe: around 3000 images of galaxies and planets invented by the artist. The project has not been realized yet because of its high costs. <a href="https://www.repository.unipr.it/bitstream/1889/1997/1/bertocchi_meteorite%20al%20contrario.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Bertocchi, Davide Date A point or period of time associated with an event in the lifecycle of the resource 2010 Contributor An entity responsible for making contributions to the resource Rossi, Valentina Format The file format, physical medium, or dimensions of the resource application/pdf Language A language of the resource Italian Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/1997" target="_blank" rel="noopener">http://hdl.handle.net/1889/1997</a> Rights Holder A person or organization owning or managing rights over the resource. Davide Bertocchi MoRE Museum Financial reasons http://moremuseum.org/omeka/files/original/2bc53a73e95c18489c5b10398a1a9235.jpg 12fe0cb8b0c4d803804a74aee7e8a5cf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1_2004_progetto ageop EVA.jpg Description An account of the resource Photos selected by the artist for the booklet to be printed and placed in the bedside tables. Format The file format, physical medium, or dimensions of the resource file jpg, 13,38x19,69 cm, 300 dpi http://moremuseum.org/omeka/files/original/b76c601de2ebcffff9cdf2a9dad5de5f.jpg 01d1d08a5c1a04718cf15f6949d8c7ac Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 2_2004_progetto ageop enrico.jpg Description An account of the resource Photo donated by artist Enrico Serotti. Format The file format, physical medium, or dimensions of the resource file jpg, 13,55x10,16 cm, 300 dpi http://moremuseum.org/omeka/files/original/f3954cf03151bed8af0fccbb12edb045.JPG a36effe850c83b398e7cb6e41bb4bfcf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 3_2004_progetto ageop.jpg. Description An account of the resource Photos of the textile suitcase Format The file format, physical medium, or dimensions of the resource file jpg, 8,67x10,84 cm, 300 dpi http://moremuseum.org/omeka/files/original/9996023161b153eb9657fbce9260c0c5.jpg 85d3db752d9be622bf3fc280fb296a64 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 4_2004_progetto ageop.jpg Description An account of the resource Photos of the textile suitcase Format The file format, physical medium, or dimensions of the resource file jpg, 12, 7x15,88 cm, 72 dpi http://moremuseum.org/omeka/files/original/c7707f101ce210e213cafaecca4f7dee.JPG 50f2b53d2bb4622ca24fc9c420cdb7ae Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 5_2004_progetto ageop LAYOUT.jpg Description An account of the resource Sketches and project notes Format The file format, physical medium, or dimensions of the resource file jpg, 29, 7x21 cm, 150 dpi Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eva Marisaldi Description An account of the resource Eva Marisaldi was born in 1966. She lives and works in Bologna. She graduated from the Academy of Fine Arts in Bologna. Her research is articulated, frequently through an open and participatory process, through different languages and media, such as drawings, videos, installations, performances, photography and sculpture, to approachdifferent and multiple perspectives on usual things and everyday life. Amongst her most recent solo show we can recall Gestein-gestalt, MIMA, Newcastle (2012), Democratic Psychedelia, Galleria Minini, Brescia (2011), Tjoloholm Castle, Goteborg (2009), Ghost track #2, S.A.L.E.S., Roma (2008), Jumps, MAMbo, Bologna (2007), Services, Galleria Massimo De Carlo, Milano (2007), Parties 3, Art positions, Art Basel Miami, Miami, USA (2006). Her works have been included in many important exhibitions, such as the 1993 and 2001 Venice Biennale; Soggetto Soggetto, Castello di Rivoli Museo d’Arte Contemporanea, Rivoli (1994), L’hiver de l’amour, ARC Musèe d’Arte Moderne de la Ville de Paris and PS1, New York (1994), Manifesta, Witte de With, Rotterdam (1996), Exchanging interiors, Museum van Loon, Amsterdam (1996), Fatto in Italia, Centre d’Art Contemporain, Geneva and ICA London (1997), The 504 show, Braunschweig Kunsthalle, Zentrum fur Kunst, Brauschweig (1997), Che cosa sono le nuvole, Fondazione Sandretto Re Rebaudengo, Guarene-Torino (1997), Officina Italia, Galleria Comunale d’Arte Moderna, Bologna (1997), La ville, le jardin, la memoire, Villa Medici, Rome (1998), Istanbul Biennial (1999), Alessandria Biennial, Egypt (1999), Gwangju Biennial, South Korea, (2004), Invisible Exports, New York (2007), Voyage Sentimentale, FRAC Languedoc Roussillon, (2009), Il confine evanescente, MAXXI, Roma (2011), No Soul for Sale, Tate Modern, London (2011), Think Twice, Whitechapel, London (2012), The Wordly House, Documenta, Kassel (2012). Creator An entity primarily responsible for making the resource Marisaldi, Eva Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Metto in moto il prato e partiamo Description An account of the resource The project was commissioned by Roberto Daolio as part of a series of art works to be placed on the top floor of the Department of Pediatric Oncology of the Sant’Orsola Hospital in Bologna, in collaboration with the Association AGEOP. The invited artists are Silvia Cini, Emilio Fantin, Claudia Losi, Eva Marisaldi, Sabrina Mezzaqui, Sabrina Torelli and Marco Vaglieri. Marisaldi structures the project into two proposals: the first consists in the publication of a book of pictures to be placed in the bedside tables of the rooms of the parents of the children staying in the hospital, while the second is the production of a textile bag – convertible into a chair - to be filled with toys that could be taken home once the children recovered and were discharged from the hospital. The project was not realized due to a series of economical, technical and logistic reasons. <a href="https://www.repository.unipr.it/bitstream/1889/2447/1/Marisaldi_Metto%20in%20moto%20il%20prato.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Marisaldi, Eva Date A point or period of time associated with an event in the lifecycle of the resource 2004 Contributor An entity responsible for making contributions to the resource Modena, Elisabetta Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Language A language of the resource Italian Rights Holder A person or organization owning or managing rights over the resource. Eva Marisaldi MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2447" target="_blank" rel="noopener">http://hdl.handle.net/1889/2447</a> Financial reasons Logistical reasons Regulatory/juridical/administrative reasons http://moremuseum.org/omeka/files/original/dd9c72e57136b8f2d46b4dcf7a3ecb56.jpg d1a5a0e43b3ce1032f35da619c9582d4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mindbubbles.jpg Description An account of the resource Image of the rendering of the installation in the entrance hall. Format The file format, physical medium, or dimensions of the resource jpg, 21,49 x 27,17 cm, 200dpi http://moremuseum.org/omeka/files/original/3e30b04d911e05a8d03f5a3156361212.jpg 10cca28c60c865db7b2e50597d5974de Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mindbubbles-2.jpg Description An account of the resource Image of the rendering of the installation in the entrance hall. Format The file format, physical medium, or dimensions of the resource jpg, 20,37 x 27,17 cm, 200dpi http://moremuseum.org/omeka/files/original/1ec1435854dcd65eb6971fbd908a60a8.jpg aab7f8f8b0bbbcc177ac3b0df88a6c9b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mindbubbles-3.jpg Description An account of the resource Image of the rendering of the installation in the entrance hall. Format The file format, physical medium, or dimensions of the resource jpg, 20,27 x 27,17 cm, 200dpi http://moremuseum.org/omeka/files/original/db7346d54cbf609a9740f09cf78933fe.jpg 07d2b1a4e5e3ef1ba013dbcb2a4d1f9d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mindbubbles-4.jpg Description An account of the resource Image of the rendering of the installation in the entrance hall. Format The file format, physical medium, or dimensions of the resource jpg, 39,46 x 27,17 cm, 200dpi Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Erwin Wurm Description An account of the resource Erwin Wurm (born 1954) is an Austrian artist. He lives and works in Vienna and Limberg in Austria; Hydra, Greece; and in New York City. Creator An entity primarily responsible for making the resource Wurm, Erwin Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mind Bubbles Description An account of the resource Mind Bubbles is a project designed as an installation for the entrance hall of the head office of the Volksbank Wien, a building by the german architect Carsten Roth.The sculptures seem to be suspended in the air, as if a device had frozen them: a process that inflates, distorts, makes things bigger and smaller, creates unexpected shapes and new realities that become an inspiration for our everyday life. The reasons why the project remained unrealized haven’t been specified by the artist. <a href="https://www.repository.unipr.it/bitstream/1889/2363/1/Wurm_mind%20bubbles.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Wurm, Erwin Contributor An entity responsible for making contributions to the resource Rossi, Valentina Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2008 Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2363" target="_blank" rel="noopener">http://hdl.handle.net/1889/2363</a> Rights Holder A person or organization owning or managing rights over the resource. Erwin Wurm MoRE Museum Unknown http://moremuseum.org/omeka/files/original/cac9261a4856137097ccd5b50c4047d4.jpg 8c2c164761aae11883d1831618cdc004 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource comesidiventa1.jpg Description An account of the resource Cover of the book entitled Come si diventa artisti, published by Centro Studi Jartrakor, which Pietroiusti helped to found in 1992. http://moremuseum.org/omeka/files/original/64c63106f658e0f9d1a87b802b98ef3a.jpg 66f1cc78743b379ebea00371aac15dda Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource comesidiventa2.jpg Description An account of the resource Project file inside the book entitled Come si diventa artisti, published by Centro Studi Jartrakor, which Pietroiusti helped to found in 1992. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cesare Pietroiusti Description An account of the resource The artistic research of Cesare Pietroiusti, born in Rome in 1958, a degree in medicine with an essay on psychiatry, focuses on the analysis of paradoxical and problematic situations that are hidden in ordinary life and at the same time of the art system. Visual artist, founder and coordinator of research centers (e.g. the artist-run space Jartrakor in Rome), art projects and conferences, since 1977 he exhibited in public and private spaces, conventional and not, in Italy and abroad. In 2007 he founded, in collaboration with the collective Space of Bratislava, “Evolution de l’art”, the first art gallery to sell exclusively immaterial works and in 2011 the Museum of exiled Italian contemporary art, a project for the collection of works, documents and records on artistic experiences that are deliberately marginal or non acknowledged by the museum system. Creator An entity primarily responsible for making the resource Pietroiusti, Cesare Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mine Vaganti Description An account of the resource The projects, partially realised, aimed at creating arbitrarily identities of not existing artists and critics who actively took part to the art system with their pretended and artificial professionalism through fake works and statements or even exhibition well communicated and promoted. The goal was to cause a short circuit in the art system to stress the subtle borderline between reality and fiction, but also between what is arbitrary and what belongs to the specific art system in order to prove its predictability. The projects dates back to 1987-88 and has been described also in the publication How to become an artist in 1992. A partial realisation of the project has been the creation, together with a team of curators, of an invented artist who realised some works and took part to some experimental exhibitions. <a href="https://www.repository.unipr.it/bitstream/1889/1776/1/CESARE%20PIETROIUSTI_Mine%20Vaganti.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Pietroiusti, Cesare Date A point or period of time associated with an event in the lifecycle of the resource 1987-1988 Contributor An entity responsible for making contributions to the resource Modena, Elisabetta Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/1776">http://hdl.handle.net/1889/1776</a> Rights Holder A person or organization owning or managing rights over the resource. Cesare Pietroiusti MoRE Museum Logistical reasons http://moremuseum.org/omeka/files/original/3faf9503eb0ae5e09dcf9c2f7975b423.jpg c1a4debcc3f93368c50ab1d14ef98a65 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Vlado Martek Creator An entity primarily responsible for making the resource Martek, Vlado Description An account of the resource Poet, artist and writer, Vlado Martek (Zagreb, 1951) founded the Group of Six Artists (active between 1975 and 1980), together with Mladen and Sven Stilinović, Fedor Vučemilović, Boris Demur and Željko Jerman. The artist describes his work as pre-Poetry and focuses his artistic research on the founding elements of writing, considering at the same time the performative side of poetry and experimenting its connections with visual arts. He published a number of art books, monographies and essays as a form of activism. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mislim na umjetnost Description An account of the resource Mislim na umjetnost (I think of art) should be considered as an element of the artistic process, and the project documentation for some of a group of works not (yet) realized. <a href="https://www.repository.unipr.it/bitstream/1889/3682/4/Vlado%20Martek_Mislim%20na%20umjetnost%20eng.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Martek, Vlado Date A point or period of time associated with an event in the lifecycle of the resource 2017 Contributor An entity responsible for making contributions to the resource Modena, Elisabetta Format The file format, physical medium, or dimensions of the resource image/tiff Type The nature or genre of the resource Text Still Image Rights Holder A person or organization owning or managing rights over the resource. Vlado Martek MoRE museum Theoretical exercise http://moremuseum.org/omeka/files/original/77bf7b330f0d353be9ba0fd36381679f.jpg f73afb9553795d1246b4e414c01629f0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource MissionAccomplished.jpg Format The file format, physical medium, or dimensions of the resource file jpg, 1600 × 861 pixel, 150 dpi Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jeremy Deller Description An account of the resource Jeremy Deller (born 30 March 1966) is an English conceptual, video and installation artist. Much of Deller's work is collaborative; it has a strong political aspect, in the subjects dealt with and also the devaluation of artistic ego through the involvement of other people in the creative process. He won the Turner Prize in 2004 and represented Great Britain at the 55th Venice Biennale in 2013.<o:p></o:p> Creator An entity primarily responsible for making the resource Deller, Jeremy Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mission Accomplished Description An account of the resource Jeremy Deller, invited to the Carnegie International in 2004, presented this project—which can be linked to a broader series of research and reflections on the contemporary war in Iraq—with the intention of displaying one of his large banners on the museum’s façade, recalling the one used as a backdrop by President George W. Bush during a speech. This banner bore the words “Mission Accomplished.” In the image, beside the banner, there are two Post-it notes referring, respectively, to the display—also on the façade—of a photograph (taken from existing documentation) showing Donald Rumsfeld, then President Reagan’s special envoy to the Middle East, meeting Saddam Hussein in 1983; and to an ambiguous flyer posted on the doors of some houses in Florida during the 2000 presidential election, which refers to what the artist considers a Republican Party strategy to discourage opposing voters. The flyer falsely stated that, in order to vote, all fines had to be paid, and also indicated an incorrect election date. As reported by the artist himself, the theme of the work was “just too raw at the time.” Instead, for the exhibition Breaking News (Dedicated to Peter Watkins), he created a site-specific work for the miniature rooms at the Carnegie Museum of Art, where he overlapped models and reconstructions of ancient battles with architectural elements, period furnishings, and a television transmitting images. <a href="https://www.repository.unipr.it/bitstream/1889/2097/1/deller_mission%20accomplished.pdf" target="_blank" rel="noopener">Read more</a>. Date A point or period of time associated with an event in the lifecycle of the resource 2004 Contributor An entity responsible for making contributions to the resource Scotti, Marco Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource English Creator An entity primarily responsible for making the resource Deller, Jeremy Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2097" target="_blank" rel="noopener">http://hdl.handle.net/1889/2097</a> Rights Holder A person or organization owning or managing rights over the resource. Jeremy Deller MoRE Museum Ideological reasons http://moremuseum.org/omeka/files/original/7290cca4324f5c076c88ee447e61bb7c.pdf ada1ef0b40681079501c8a072c35ab42 http://moremuseum.org/omeka/files/original/36492cfdf01537b72474748607a960ef.mp4 112575b635546f9a8951d20a94c628a1 http://moremuseum.org/omeka/files/original/d58c9a02b7dc4573c418ab5d2c583ee4.mp4 563eff09db5e7e1126b6442b9a9f6d94 http://moremuseum.org/omeka/files/original/8b1caaa7ffa2cfb7070562b2dc19c3e7.mp4 4632d0e4f8126e88a1ac83da88e22fa7 http://moremuseum.org/omeka/files/original/7c0efd4172868b0c1b16446c02788027.mp4 f5c9d63c5c623db03c8ae91f6db89104 http://moremuseum.org/omeka/files/original/708c4586146684e4167428fa40dc038d.mp4 b7c6b6af5304557e0bae1b68a6da20ef http://moremuseum.org/omeka/files/original/1ebf6882ac3fdb2a7e3e6ec2be2db8c9.pdf e523e8c6962d27a03a6baf30872bfe5b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mario Cresci Creator An entity primarily responsible for making the resource Cresci, Mario Description An account of the resource Mario Cresci (Chiavari, 1942) has created since the Sixties a complex body of work characterized by the freedom of his research, ranging from drawing to photography, installations, video and site-specific installations. He is among the first authors of his generation to apply the design culture and methodology to photography, combining it with an experimental research applied to visual languages, and attributing to the use of the photographic medium an opposite value, in respect to its role of proof of the truthfulness of reality. Between 1964 and 1967 he applies the theories of design to photography through experiments on models of non-Euclidean geometry, partly anticipating Ugo Mulas 1972 Verifiche. In 1968, while in Rome, he joined the group of artists who work at Galleria l’Attico, together with Pascali, Mattiacci, Kounellis and Luca Patella. During the seventies, his experience and studies at the Corso Superiore di Industrial Design in Venice stand side by side with his works in the field of ethnic and anthropological researches in the south of Italy. In 1969 he made his first photo environment at the Galleria Il Diaframma in Milan, and in the early Seventies he associated and worked with Luciano Inga-Pin at his Galleria Il Diagramma, Milan, where he exhibited in the historical show Campo Dieci. From 1991 to 2000 he directed the Accademia Carrara di Belle Arti in Bergamo. In 1996 he realised Opus Gypsicum, a large installation at the Teatro Sociale di Bergamo with the plaster casts of the Accademia Carrara. In those years Cresci collaborates with the Sunday insert of the newspaper "Il Sole 24 Ore". Among the most important moments of his activity stand his participation at the Venice Biennale in 1971, 1979, 1993 with Muri di carta, fotografia e paesaggio and Viaggio in Italia in 2013. In 2004 there is the anthological exhibition The houses of photography at GAM, Turin. From 2010 to 2012 he carries out the project Forse Fotografia: attraverso l'arte, atraverso la traccia, attraverso l'umano inside the museums of Bologna, Rome, Matera. In 2011 there is the personal site-specific exhibition Dentro le cose at Palazzo Pio in Carpi. His works are present in several collections of contemporary art and photography, and in the permanent collections of Italian and international museums. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Misurazioni Description An account of the resource Mario Cresci started between 1977 and 1979 a meaningful and interesting experience that was interrupted because of the lack of support from the institutions and can therefore be conceived as an unrealised or at least unfinished project. In Basilicata, where the author was already developing the project Misurazioni, a photographic research with a social and anthropological approach, Cresci started teaching in an unusual school. A design school, founded by Regione Basilicata in application of the law n. 285 of June 1st 1977, devoted to the vocational training in craftsmanship techniques. A school that aimed at using creativity as an economic resource. Unfortunately the project was interrupted almost immediately, remaining therefore unrealized, since the institutions suspended their support to the school. <a href="https://www.repository.unipr.it/bitstream/1889/2705/1/Mario%20Cresci_Misurazioni.pdf" target="_blank" rel="noopener">Read more.</a><a href="http://hdl.handle.net/1889/2705" target="_blank" rel="noopener"> </a> Creator An entity primarily responsible for making the resource Cresci, Mario Date A point or period of time associated with an event in the lifecycle of the resource 1977 - 1979 Contributor An entity responsible for making contributions to the resource Casero, Cristina Format The file format, physical medium, or dimensions of the resource application/pdf video/mpeg Language A language of the resource Italian Type The nature or genre of the resource Text Still Image Oral History Moving Image Document Rights Holder A person or organization owning or managing rights over the resource. Mario Cresci MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2705" target="_blank" rel="noopener">http://hdl.handle.net/1889/2705</a> Political reasons http://moremuseum.org/omeka/files/original/d1dd921cb6bcb570680b8ce3580e5ada.pdf 1da79d48e19a769b95c6cb8b2a0e4a78 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Matthew Darbyshire Description An account of the resource Matthew Darbyshire was born in the UK in 1977. He studied Fine Art at the Slade School of Art and at the Royal Academy Schools in London. He has had solo public exhibitions at Gasworks, London; The Hayward, London; The Zabludowicz Collection, London; Kettles Yard, Cambridge; Tramway, Glasgow; GAM, Turin; The FRAC, Dunkirk and The Hepworth, Wakefield. Darbyshire has exhibited in various major UK survey shows including the ICA’s Nought to Sixty programme curated by Mark Slaydon in 2008, Tate Britains Triennial Altermodern, curated by Nicolas Bourriaud in 2009, and the British Art Show 7 Days of the Comet, curated by Tom Morton and Lisa Le Feuvre 2010. Darbyshire's work has been exhibited worldwide at institutions including Bangkok Cultural Centre, Thailand; Fundacion Miro, Spain, Marco Museum, Spain and The FRAC pas de Calais, France. He is currently preparing a survey exhibition for Manchester City Art Gallery and in the process of realizing two large-scale public commissions – one for the Dutch government in Amsterdam and the other for Cambridge University here in the UK. Matthew is represented by Herald St Gallery in London and Jousse Enterprise in Paris. Creator An entity primarily responsible for making the resource Darbyshire, Matthew Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mojo Creator An entity primarily responsible for making the resource Darbyshire, Matthew Date A point or period of time associated with an event in the lifecycle of the resource 2011 Contributor An entity responsible for making contributions to the resource Scotti, Marco Format The file format, physical medium, or dimensions of the resource application/pdf Language A language of the resource English Type The nature or genre of the resource Text Still Image Description An account of the resource Mojo is a project for the Fosters & Partners designed <a href="http://www.fosterandpartners.com/projects/bloomberg-hq-50-finsbury-square/" target="_blank" rel="noopener">Bloomberg headquarters</a> at 50 Finsbury Square, London, and consists of banners and an interactive space. A first intervention would "reproduce" inside the atrium of the commissioner’s London headquarters the central courtyard of one of the most famous and poor social housing estate in London, Pembury Estate, which is located in Hackney and results very similar in its size and plans to the City of London building.  From the technical point of view, the three sides of the "new and improved" Pembury Estate would be printed on three large “building wraps”, similar to those perforated banners used for covering the scaffolding inside construction sites, linstalled on the north, south and west side of the great inner atrium of Bloomsberg HQ. The fourth side, made of curved glass, would be covered by several smaller banners corresponding to the different walkways, to create the image of a new luxury residential building to confront the facades of Pembury Estate. The "reconstruction" of the social housing estate would thus be realized by adding some details - new balconies, wood paneling, glass coloured surfaces - to renew its image. This aspect is a reference to several projects which in recent years "renewed" this typology of buildings all over England, through architectonical interventions and real estate operations, making them "funky and affordable" but at the same time causing the more or less forced departure of the majority of its original inhabitants. Similarly the east side of the atrium itself would represent a new batch of luxury apartments. Darbyshire also designed a 3D interactive "show home" environment: this installation would occupy the mezzanine of the north side of the Bloomberg HQ and would reproduce an apartment of this new, renewed, social housing estate, ready to be shown to the - imaginary - potential customers. It would reproduce exactly the volumes and plans of a typical Pembury Estate 50 square meters apartment, which will be furnished with contemporary objects, images and design pieces that would, through their non-specificity, manage “to epitomize and critique the aspirations and taste preferences of our time”, as we can see in other works of the artist such as Blades House (2008) or <a href="http://www.bloombergspace.com/artists/past/matthew-darbyshire/" target="_blank" rel="noopener">Oak Effect</a> (2012). <a href="https://www.repository.unipr.it/bitstream/1889/2653/1/Matt%20Darbyshire_Mojo.pdf" target="_blank" rel="noopener">Read more.</a> Rights Holder A person or organization owning or managing rights over the resource. Matthew Darbyshire MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2653" target="_blank" rel="noopener">http://hdl.handle.net/1889/2653</a> Failure to meet the commissioner's demands http://moremuseum.org/omeka/files/original/0c21042ad8441a1357cc1b858b3a4d16.jpg defb3d0e5264a15c1196d8fcb713c5cd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pablo Echaurren Description An account of the resource Pablo Echaurren was born in Rome in 1951. He started to paint at the age of 18, inspired by Gianfranco Baruchello, and was soon discovered by the critic and gallerist Arturo Schwarz, who promoted his work in Italy and abroad. His work was initially characterized by a certain minimalism, with a conceptual approach and a rejection of pictorial conventions, offering an alternative to the idea of the work of art as fetish. Since then, he has always been looking for new languages and new forms of expression, never resting on his laurels.  Not just a painter, he has engaged in a wide range of activities, such as illustrations, writing, as well as the creation of “metacomics” that investigate the possible relationship between avant-garde and popular art, seeking that necessary and fertile short-circuit between “high” and “low,” culture and frivolity. His work has been presented in numerous museums. Among the most recent exhibitions: Contropittura(La Galleria Nazionale d’Arte Moderna di Roma 2015-2016) and Du champ magnétique(Scala Contarini del Bovolo, Venezia 2017), Pablo Echaurren(Mart, Rovereto 2019). Creator An entity primarily responsible for making the resource Echaurren, Pablo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mon Alice Description An account of the resource Mon Alice is a small plastic sculpture measuring a few centimeters (8 x 4 x 3 cm); it is a maquette for a larger sculpture designed by Echaurren in 2018. The sculpture represents Alice in Wonderland in the Disney version, the one now ingrained in the collective imagination of adults and children alike. To this small sculpture, the artist has painted in ink on the face two mustaches and a slight stubble. Right from the start the work recalls the famous L.H.O.O.Q. the rectified ready-made made in 1919 by Duchamp that depicts Leonardo da Vinci's Mona Lisa with a fine mustache and a goatee drawn on her face by the French artist. A game of ambiguity is hidden in both works. Indeed, both Mona Lisa and Alice change identities by adopting elements typical of the male sphere, Echaurren as Duchamp adopts a well-known figure, an icon of contemporaneity to make changes dictated by a simple and essential gesture. If Duchamp works on language through the play on words in the title (L.H.O.O.Q. pronounced in French sounds like Elle a chaud au cul - She is hot in the ass), Echaurren always works through a written part but only mentioning Leonardo's work in the title of the work, Mon Alice instead of Mona Lisa. The medium clearly changes from two-dimensional to three-dimensional, but Echaurren's intentions would seem to be the same as those that moved the French artist. <a href="https://www.repository.unipr.it/bitstream/1889/5206/1/Pablo%20Echaurren_Mon%20Alice.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Echaurren, Pablo Date A point or period of time associated with an event in the lifecycle of the resource 2018 Contributor An entity responsible for making contributions to the resource Casero, Cristina Rossi, Valentina Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Rights Holder A person or organization owning or managing rights over the resource. Pablo Echaurren MoRE museum http://moremuseum.org/omeka/files/original/0baaa6bde318fe9f6515a7e3a252b5ad.jpg 1a85bc1102bad1173998e27dd556c0e6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Progetto x Gibellina.jpg Format The file format, physical medium, or dimensions of the resource file jpeg, 20,003 x 18,256 cm, 240 dpi Subject The topic of the resource Photo of the model of the sculpture http://moremuseum.org/omeka/files/original/6498d9f793a56d7a301f3c5ebef7ae43.jpg 6e61b01323edccd6b9920370e5d37ff9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Progetto x Gibellina 001.jpg Format The file format, physical medium, or dimensions of the resource file jpeg, 6,363 x 10,173 cm, 200 dpi Description An account of the resource Photo showing Elio Marchegiani and Carola Pandolfo during the presentation of the model to the mayor of Gibellina, Ludovico Corrao. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Elio Marchegiani Description An account of the resource Elio Marchegiani was born in Syracuse in 1929 to Sicilian parents. In 1934 his family settled in Livorno, where he spent his childhood and youth. He began painting as an autodidact. Following the family tradition, he received a classical eduction and enrolled at the Law Faculty of the University of Pisa. However, Mario Nigro's acquaintance made him change his path. He began to organize exhibitions and cultural events, but it's his friendship with Gianni Bertini that convinced him to leave the province behind and pursue artistic adventures in cities such as Paris, Milan, Rome and Bologna. The island of Favignana is where he preferred to spend the summers. For several years now he has been living in Pianoro Vecchio, a residential area on the hills, on Via Toscana, alternating the summers in Misano Adriatico and the island of Ischia. <a href="http://www.eliomarchegiani.com" target="_blank">http://www.eliomarchegiani.com</a> Creator An entity primarily responsible for making the resource Marchegiani, Elio Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monolite in bilico Creator An entity primarily responsible for making the resource Marchegiani, Elio Date A point or period of time associated with an event in the lifecycle of the resource 1979 Contributor An entity responsible for making contributions to the resource Scotti, Marco Relation A related resource Dspace: Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Description An account of the resource Monolite in bilico consists of a block of slate or lava stone resting on its edge on top of an egg made of travertine from Trapani, and placed on a pedestal of white cement destined for an open space in the city of Gibellina. The exact placement and measurements were yet to be determined. The artist donated his project to MoRE and – given the occasion - recounted the complex history of his work: "After visiting the new town of Gibellina way back in December of 1979, invited by the mayor Ludovico Corrao, I thought of erecting a large monolith made of slate or better yet of volcanic lava, balanced on top of a travertine egg, which was then to be placed in one of the city squares as a symbol of rebirth and a representation of the force of nature. The egg is an archetype of mysterious and symbolic significance, the Sun in the yolk and the Moon in the glare, gold and silver, a reassembled dualism. From this union life is born and perpetuated. The egg prevails over the force of nature by holding up the monolith. That's why it is in the balance. Enthusiastic about the idea, the mayor immediately ordered works to be carried out on the egg. I even had the chance to see it finished, but I never got an answer about the monolith itself, which therefore remained unexecuted. Each time I inquired about the project, I've been given excuses and evasive answers. Thus I ceased to insist because I realized that something or someone was hindering the project. They even went so far as to deny that the egg had ever been made." <a href="https://www.repository.unipr.it/bitstream/1889/2901/1/Elio%20Marchegiani_Monolite%20in%20bilico.pdf" target="_blank" rel="noopener">Read more</a>. Rights Holder A person or organization owning or managing rights over the resource. Elio Marchegiani MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="%20http://hdl.handle.net/1889/2901" target="_blank" rel="noopener">http://hdl.handle.net/1889/2901</a> Logistical reasons http://moremuseum.org/omeka/files/original/5bea5629327db8f13222106a5320e08e.jpg 46f036a720b148a7e00bd357fbdbf2ba http://moremuseum.org/omeka/files/original/4a671a9224d056322aeabf7ad1047812.jpg d7d3cb64e8ecf62da6128db4f92aec75 http://moremuseum.org/omeka/files/original/a5f79782d81e2f2c4fd5156a9e41838d.jpg db55f867f6cb35e5b5404f7b6f5d7345 http://moremuseum.org/omeka/files/original/317d49c40069ccec681f47df91c07d36.jpg e2f932d997cff23c8b80cb7f351b8d78 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Kostis Velonis Description An account of the resource Kostis Velonis received his Doctorate in architecture from the N.T.U.A University of Athens (2009). He studied Cultural Studies at the London Consortium (A A, Birckbeck College, ICA) and visual Arts at the Paris VIII University, Maitrise, D.E.A. Among the recent SOLO shows: This probably will not work Lothringer 13 - Städtische Kunsthalle München, Munich, 2015; Mount the Air, Kalfayan Galleries, Athens, 2015; The Grammary of Puppetry, Monitor Gallery, Rome, 2012; The promise of Happiness, Signal Center for Contemporary Art, Malmo, Sweden, 2011. Among the group shows: Adventures of the Black Square: Abstract Art and Society 1915- 2015, Whitechapel Gallery, London, 2015; Supersuperstudio, Padiglione Arte Contemporanea, Milan, Italy; In the Name of Le Corbusier, Spiteris Residence, School of Architecture N.T.U.A, Athens, 2015; The Theater of the World, Museo Tamayo, Mexico City, 2015; This is Not My Beautiful House, Kunsthalle Athena, Athens, 2014; No Country for Young Men, BOZAR, Brussels, 2014; Tout Feu Tout Flamme, Lefebvre & Fils, Paris, 2014; Direct Democracy, MUMA /Monash University Museum of Art, Melbourne, 2013; Hell as a Pavillion, Palais de Tokyo, Paris, 2013; Newtopia. The State of Human Rights, Mechelen Cultural Centre, The Academy of Fine Arts, Scheppers Institute Mechelen, Belgium, 2012; Material and Culture - MAK Center for Art and Architecture-Schindler, California. Creator An entity primarily responsible for making the resource Velonis, Kostis Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monument for a Forgotten Education (based on Goeritz's and Barragan's “Torres de Satélite”,1958) Description An account of the resource Monument for a Forgotten Education is a model version of the public monument of Mathias Goeritz and Luis Baraggan Torres de satellite (satellite towers) which is located in Mexico City and is assumed to be one of the most characteristic public projects of Mexican modernity. Monument for a Forgotten Education is conceived with the aim to replace the walls of the Monument “Torres de satellite" made from reinforced concrete with chalkboard paint on wood, giving an emphasis to the educational awareness, rewriting the history of a certain modernity that deals with abstraction and collective amnesia. The aesthetic values of public monuments have thus been reverted as by the substitution of the original material as well as the different scale of the model. Monument for a Forgotten Education is included to a production of works under the general title of Part Company. These works combine antithetical approaches to community living and social participation by two distinct figures of Mexican Modernism, Greek-Mexican activist Plotino Rhodakanaty (1828-1892) and Mexican artist of German origin Mathias Goeritz (1915-1990). The artist adapts models of public sculptures by Goeritz informed by research on Rhodakanatys’ political concepts. The constructions explore a broader context around social class, politics of sculpture, architecture and design, encompassing rather than isolating these two separate ideologies. Understanding modernity's discourse through Goeritz's approach is an intriguing way to justify the rejection of memory (from collective to interpersonal relationships) and complements Rhodakanaty's ethics through which Goeritz cannot be restricted exclusively to the field of aesthetics, just as socialist narratives may not be solely perceived through a passive reception of a political message. <a href="https://www.repository.unipr.it/bitstream/1889/3002/1/Kostis%20Velonis_Monument%20for%20a%20Forgotten%20Education.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Velonis, Kostis Date A point or period of time associated with an event in the lifecycle of the resource 2016 Contributor An entity responsible for making contributions to the resource Scipioni, Lydia Elena Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Rights Holder A person or organization owning or managing rights over the resource. Kostis Velonis MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://dspace-unipr.cineca.it/handle/1889/3002" target="_blank" rel="noopener">http://dspace-unipr.cineca.it/handle/1889/3002</a> Theoretical exercise http://moremuseum.org/omeka/files/original/3d808ff6d4ced25252343e688274562b.jpg 3315f2bc6f3b678aea41d5f2c23395ca http://moremuseum.org/omeka/files/original/8df64e4ca7d7da54fa7fedeebbffc55a.jpg 6380d733daa7bc1acfa9e876000d04e8 http://moremuseum.org/omeka/files/original/4c33bcb1a2cfe0fd4dd680cf36aedc57.jpg 0f04378aafc9d57918baaf2eda1a0fd5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pablo Echaurren Description An account of the resource Pablo Echaurren was born in Rome in 1951. He started to paint at the age of 18, inspired by Gianfranco Baruchello, and was soon discovered by the critic and gallerist Arturo Schwarz, who promoted his work in Italy and abroad. His work was initially characterized by a certain minimalism, with a conceptual approach and a rejection of pictorial conventions, offering an alternative to the idea of the work of art as fetish. Since then, he has always been looking for new languages and new forms of expression, never resting on his laurels.  Not just a painter, he has engaged in a wide range of activities, such as illustrations, writing, as well as the creation of “metacomics” that investigate the possible relationship between avant-garde and popular art, seeking that necessary and fertile short-circuit between “high” and “low,” culture and frivolity. His work has been presented in numerous museums. Among the most recent exhibitions: Contropittura(La Galleria Nazionale d’Arte Moderna di Roma 2015-2016) and Du champ magnétique(Scala Contarini del Bovolo, Venezia 2017), Pablo Echaurren(Mart, Rovereto 2019). Creator An entity primarily responsible for making the resource Echaurren, Pablo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Fortuito Description An account of the resource Pablo Echaurren's project, like many others, is elaborated through notes written in blue pen on a page of a squared notebook. The artist's intent is already clear from the title "Monumento Fortuito". In fact, in 2015 the artist plans to create a monument dedicated to Marcel Duchamp, an artistic operation that is rooted in the intentions and artistic methods typical of the French artist. For this work Echaurren thinks of the concept of “chance”, wanting to create the monument through the action of "picking up a leftover, a human waste from the street and electing it as an urban monument. The words "rectify it" and "place it on a pedestal" also emerges from the short text, all definitions come to Duchamp's work. With this operation, Echaurren works in the conceptual framework of the French artist, dedicating a work to him with his own design methods. <a href="https://www.repository.unipr.it/bitstream/1889/5207/1/Pablo%20Echaurren_Monumento%20Fortuito.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Echaurren, Pablo Date A point or period of time associated with an event in the lifecycle of the resource 2015 Contributor An entity responsible for making contributions to the resource Casero, Cristina Rossi, Valentina Format The file format, physical medium, or dimensions of the resource image/tiff Language A language of the resource Italian Type The nature or genre of the resource Text Rights Holder A person or organization owning or managing rights over the resource. Pablo Echaurren MoRE museum Logistical reasons Theoretical exercise http://moremuseum.org/omeka/files/original/5a8ea808b89191fd64473276d58de5a8.jpg 947b7f162e06f88a518b3610f602126e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource taccuino ottobre2000.jpg Description An account of the resource Scan of a notebook page where the artist appointed ideas about the project, as it happens for most of Pietroiusti’s projects http://moremuseum.org/omeka/files/original/2c5b48f27df44e7def98210778b62b99.jpg 7e4f722744d6a7a97cf4b76b09dc4a90 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource taccuino 1_f.jpg Description An account of the resource Scan of a notebook page where the artist appointed ideas about the project, as it happens for most of Pietroiusti’s projects Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cesare Pietroiusti Description An account of the resource The artistic research of Cesare Pietroiusti, born in Rome in 1958, a degree in medicine with an essay on psychiatry, focuses on the analysis of paradoxical and problematic situations that are hidden in ordinary life and at the same time of the art system. Visual artist, founder and coordinator of research centers (e.g. the artist-run space Jartrakor in Rome), art projects and conferences, since 1977 he exhibited in public and private spaces, conventional and not, in Italy and abroad. In 2007 he founded, in collaboration with the collective Space of Bratislava, “Evolution de l’art”, the first art gallery to sell exclusively immaterial works and in 2011 the Museum of exiled Italian contemporary art, a project for the collection of works, documents and records on artistic experiences that are deliberately marginal or non acknowledged by the museum system. Creator An entity primarily responsible for making the resource Pietroiusti, Cesare Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museo degli artisti dimenticati Description An account of the resource In 2000 Pietroiusti prepares the draft of a project for a "Museum of forgotten artists”; the idea was to look for artists which were very valuable but forgotten, in order to write an alternative history of italian contemporary art for the last three decades. This project was never realized, but it is possible to find similarities with some other projects realized by the artist. Coherently with his research on the art system, Pietroiusti has indeed imagined an exhibition of artists who gave up working. This idea too is linked to the enquiry on the social role of the artist and his function; for this reason, the idea described in a notebook comes together with a later note that refers to an exhibition of artists that are not recognized by the system, but by a limited and non influential number of people or even just one single person, simply because they produced some art works. Through this project Pietroiusti underlines the importance of one element of the system, that is the necessity to be recognized as an artist, an event that in most cases requires a first acknowledgement by the members of the system itself, a theme on which the artists returns with the institution of a Museum of exiled Italian contemporary art, an itinerant museum without a place that collects marginal and ignored artistic experiences. The project of an exhibition of artists who gave up working was then partially realized thanks to the collaboration with two curators, M. Clark and M. Dickenson, on the occasion of the exhibition democracy! Socially Engaged Art at London's Royal College of Arts in May 2000. <a href="https://www.repository.unipr.it/bitstream/1889/1777/1/CESARE%20PIETROIUSTI_Museo%20degli%20artisti%20dimenticati.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Pietroiusti, Cesare Date A point or period of time associated with an event in the lifecycle of the resource 2000 ca. Contributor An entity responsible for making contributions to the resource Modena, Elisabetta Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource Italian Type The nature or genre of the resource Still Image Rights Holder A person or organization owning or managing rights over the resource. Cesare Pietroiusti MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/1777" target="_blank" rel="noopener">http://hdl.handle.net/1889/1777</a> Logistical reasons http://moremuseum.org/omeka/files/original/465463ffb6ec9ced29f135b253b5f9d4.jpg 4da0c6d3ad4c978c596da4f5d07c32c3 http://moremuseum.org/omeka/files/original/011a0106dbbba730077ca1ad8d455790.jpg 5d3c6c8d1076a2b5451be876e58ecdff http://moremuseum.org/omeka/files/original/85de864b364381b7e861e2806df09cd5.jpg f387be79bae45a43e1763d04d2b21b8e http://moremuseum.org/omeka/files/original/a9647271bf5b9e49a400c14ffd48c2eb.jpg 5fbdcce26539b8933a7262587bed4dd1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Petar Dabac Description An account of the resource Petar Dabac was born in 1942 in Zagreb. He graduated from the Faculty of Mechanical Engineering and Naval Architecture in Zagreb. He started working in photography in 1960 as an associate in Tošo Dabac’s studio - Tošo Dabac is one of the most important Croa-tian photograph of the post-war period, documenting the cultural transformations and the artistic and social events of his country - which he took over after Tošo’s death in 1970. He’s been working as an independent artist since 1966 and he’s been a member of ULU-PUH (The Croatian Association of Artists of Applied Arts) since 1970. From 1980 to 1987, he organized around 40 photo exhibitions of local and international authors at the gallery established within Tošo Dabac’s Studio. During the 1990s and early 2000s, it was increasingly difficult to maintain the Tošo Dabac Archive, so that Petar Dabac launched negotiations with the City of Zagreb on the purcha-se of the collection. He is one of the founders of SPOT, a photography magazine, launched in 1972. Frm 1990 to 2008, he teached Photography at the Academy of Fine Arts in Ljubljana. In the sixties, he began working on a series of black-and-white portraits of artists, acquaintances, friends and members of the art scene, which he continued to create during the following decades. He belongs to a generation of artists who introduced the conceptual approach to photography in the 1970s by creating spatial installations and doing experiments with photocopies and photograms. Creator An entity primarily responsible for making the resource Dabac, Petar Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum of Photography Description An account of the resource Petar Dabac began by tackling the issue of conserving photographic heritage to protect the legacy of Tošo Dabac, his uncle. He proposed the establishment of a Museum of Photography in Zagreb to collect, store and copy photographic documents. The Museum would also have exhibitions, a library and a permanent display. <a href="https://www.repository.unipr.it/bitstream/1889/3688/4/Petar%20Dabac_Museum%20of%20Photography.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Dabac, Petar Date A point or period of time associated with an event in the lifecycle of the resource 1986 Contributor An entity responsible for making contributions to the resource Bignotti, Ilaria Remondina, Camilla Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Text Still Image Rights Holder A person or organization owning or managing rights over the resource. Petar Dabac MoRE museum Financial reasons Logistical reasons http://moremuseum.org/omeka/files/original/f553b7d31cde6e0b2f32aee6fd5da0af.jpg c590770a078bf23b187b1a42195ed2d9 http://moremuseum.org/omeka/files/original/fa6bfc404f16a66c495134a86a10267c.jpg 8301b48e99a5113cd0eeb1256e031d75 http://moremuseum.org/omeka/files/original/b79c9359bd61a799e35a6aea08f658b1.jpg fba5f224e5b4e89fc75d7f3dfd8bbfa8 http://moremuseum.org/omeka/files/original/c0d3e8bd3fa43987af8fa1ba736bf9dd.jpg 89973f099b342dc07f0a6b829b3ddf77 http://moremuseum.org/omeka/files/original/c96905bc07411c0403551faf1cd1795e.jpg 07da7a5d2ea6ec1e500cfe329292c3e5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Aleksandra Mir Description An account of the resource Aleksandra Mir (born 1967) is a Swedish-American contemporary artist known for her collaborative installations and projects. Her work deals with travel, time, placehood, language, gender, identity, locality, nationality, globality, mobility, connectivity, performativity, representation, transition, translation and transgression. She is known for her large scale collaborative projects and for her anthropological methods, involving rigorous archival research, oral history and field work. She has exhibited at Kunsthaus Zurich (2006), Tate Modern, London (2014), Tate Liverpool (2017), Modern Art Oxford (2017), Schirn Kunsthalle, Frankfurt (2009), M – Museum Leuven (2013), Whitney Museum of American Art (2014), Solomon R. Guggenheim Museum (2007), MoMA, New York City (2012), YUZ Museum, Shanghai (2018), Whitney Biennial (2004), Biennale of Sydney (2002), Biennale di Venezia (2009), and Mercosul Biennial, Porto Alegre (2015), Tai Kwun Contemporary, Hong Kong (2020). Creator An entity primarily responsible for making the resource Mir, Alexandra Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Narvik Superstars Description An account of the resource This project, commissioned by the Narvik City Council and Artscape Nordland, proposed to realise a star in the pavement for every child born in during the next 5-7 years in Narvik. This Norwegian city threatened to become vacated, with this work the harborfront would have been covered in stars, made by the same company that provides those for Hollywood's Walk of Fame, and every year a ceremony would have been held to reveal the new ones. The goal of the project is to turn the exclusive into the popular through a local recycling of the "star culture", where every newborn baby will become a star in its own life. Simultaneously the project represented a local mobilization to increase the population of Narvik. Due to budget cuts, the project was cancelled in 2006. <o:p></o:p><a href="https://www.repository.unipr.it/bitstream/1889/5199/1/Aleksandra%20Mir_Narvik%20Superstars.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Mir, Aleksandra Date A point or period of time associated with an event in the lifecycle of the resource 2004 Contributor An entity responsible for making contributions to the resource Mir, Aleksandra Scotti, Marco Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Rights Holder A person or organization owning or managing rights over the resource. Aleksandra Mir MoRE museum Financial reasons http://moremuseum.org/omeka/files/original/69ca073973dde62b8eb76be74546bd5b.jpg f32607adc1998de4e3b23b2de047c310 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Vlado Martek Creator An entity primarily responsible for making the resource Martek, Vlado Description An account of the resource Poet, artist and writer, Vlado Martek (Zagreb, 1951) founded the Group of Six Artists (active between 1975 and 1980), together with Mladen and Sven Stilinović, Fedor Vučemilović, Boris Demur and Željko Jerman. The artist describes his work as pre-Poetry and focuses his artistic research on the founding elements of writing, considering at the same time the performative side of poetry and experimenting its connections with visual arts. He published a number of art books, monographies and essays as a form of activism. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ništa Description An account of the resource Ništa [Nothing] should be considered as an element of the artistic process, and the project documentation for some of a group of works not (yet) realized. <a href="https://www.repository.unipr.it/bitstream/1889/3681/4/Vlado%20Martek_Ništa%20eng.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Vlado Martek Date A point or period of time associated with an event in the lifecycle of the resource 2015 Contributor An entity responsible for making contributions to the resource Modena, Elisabetta Rights Holder A person or organization owning or managing rights over the resource. Vlado Martek MoRe museum Format The file format, physical medium, or dimensions of the resource image/tiff Type The nature or genre of the resource Text Still Image Theoretical exercise http://moremuseum.org/omeka/files/original/5cebb2fe1b5bf21a9c94d4c966669b6a.jpg 071a8398085e4641a3ce261eb5784e98 http://moremuseum.org/omeka/files/original/03d5e4fc7ab49280d0e5c1937fa0b8ee.jpg 016918fdff471614bacad5ffb40914e9 http://moremuseum.org/omeka/files/original/bde6447c2d28abe1074612d066ad2e66.jpg 0b6c9347e3aa9e6005b777d40a9c2f2f http://moremuseum.org/omeka/files/original/fcf50047f8705e1d0d32d10963a069d8.jpg 8f52054dcf1914d8cfb2e53402fa3736 http://moremuseum.org/omeka/files/original/5d8c1b15117e1def4a2af87aba03c9ca.jpg 8a30d08ff00d6ba9770876023ea6f5d9 http://moremuseum.org/omeka/files/original/be4ca74999b612725e57c6ef9e2df551.jpg d4cfa14f73c339d8f1c3f8429297aeee http://moremuseum.org/omeka/files/original/ee3f50d06ac17c2b5b87b4ff5ddb0623.jpg 7c711a365d5891f03db339800d2b024c http://moremuseum.org/omeka/files/original/7741dc8b9a95bb1e5a0f73ccc48c7cb6.jpg 40c34bc4ba4d53254b1189ff8224859b http://moremuseum.org/omeka/files/original/7c686de81494ec91df1a42bd7db8af7e.jpg 78fd545ed0b94822cf63bb7fd80cd398 http://moremuseum.org/omeka/files/original/5224a5373e1e626183be9f11fa186c9c.jpg a9da09ee7c838e1edd67f54bb2440eef http://moremuseum.org/omeka/files/original/6e68cf772cdc134c387a080fbd8969cb.jpg 2c2d52015c3477ebe13458c55b800c28 http://moremuseum.org/omeka/files/original/3ca32241f7bd5ccd96b3fa1dd12df9ef.jpg 2b7b7460acba70f3631c508cc87691b9 http://moremuseum.org/omeka/files/original/611dfdda124441e3022dd15a8812d37b.jpg f5257b73609ba5ca583e221d04d6ffc7 http://moremuseum.org/omeka/files/original/2daf95f4715a68ca8e1ef3013c449cd8.jpg 8c789d05d7d8565547d1db59c930a5f0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ugo La Pietra Description An account of the resource Born in 1938, in Bussi sul Tirino, Pescara, Ugo La Pietra graduated from Milan’s Politecnico in 1964. In 1962 his artistic research attempts to clarify the relationship “individual-environment.” Within the framework of this process he develops knowledge tools (“models for understanding”) that seek to transform the traditional “artwork-viewer” relationship. He always acted inside and outside disciplines, describing himself as a “researcher in visual arts”; an unconventional and peculiar artist, not easy to classify. Since 1960 he embraced different art movements with his researches. He spread his thoughts and experiences through an intense editorial and academic activity. Moreover he was a founding member of several groups, such as Gruppo del Cenobio, Gruppo Design Radicale and Global Tools, and promoter of many exhibitions that involved a great number of professionals (artists, designers and architects). <a href="http://www.ugolapietra.com" target="_blank">http://www.ugolapietra.com</a> Creator An entity primarily responsible for making the resource La Pietra, Ugo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Nodi Urbani Description An account of the resource The documents donated by Ugo La Pietra and named Nodi Urbani constitutes, compared to the Progetto per la Casa dello Scultore Cappello, a further variation of the 'unrealised'. If the casa per uno scultore is a ‘theoretical’ academic exercise that engages even the pictorial research of La Pietra, the drawings titled Nodi Urbani represent the 'frame' of a series of lexperiments carried out in the years following his graduating in architecture at the Politecnico di Milano. <a href="https://www.repository.unipr.it/bitstream/1889/1771/1/UGO%20LA%20PIETRA_Nodi%20urbani.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource La Pietra, Ugo Date A point or period of time associated with an event in the lifecycle of the resource 1965-1968 Contributor An entity responsible for making contributions to the resource Zanella, Francesca Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource English Type The nature or genre of the resource Still Image Rights Holder A person or organization owning or managing rights over the resource. Ugo La Pietra MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/1771" target="_blank" rel="noopener">http://hdl.handle.net/1889/1771</a> Theoretical exercise http://moremuseum.org/omeka/files/original/fbb64d23d53775fe15fc0d58f6ff959a.pdf 3b1c3dafa812385225bc37c6d559bacf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Invernomuto Description An account of the resource Simone Bertuzzi (b. Piacenza, 1983) and Simone Trabucchi (b. Piacenza, 1982) have been working together under the pseudonym Invernomuto since 2003. Moving images and sounds are the main tools they adopt when dealing with a precise, but wide variety of media. Invernomuto investigate sub-culture universes using different media in which common speech is both a sign of affection and a way to move closer to oral cultures and contemporary mythologies that are observed but also directly experienced. The declared inauthenticity of the materials they use plays a fundamental role in this process, which emphasizes the false and kitsch character of the mystifications by which they are inspired. Invernomuto has won numerous awards, including being finalists for the Furla Art Award in Bologna in 2013 and winning the MERU ART*SCIENCE Award at the GAMEC (Modern and Contemporary Art Gallery) in Bergamo. In 2014, they took part in Berlinale Talents in Berlin and received MIBAC funding to finish their first full-length film Negus, which was released in March 2016. Both artists also produce music individually, performing under the names Palm Wine and STILL. Creator An entity primarily responsible for making the resource Invernomuto Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Noises from above Description An account of the resource <div class="page" title="Page 3"> <div class="layoutArea"> <div class="column"> This project started from the interest of the artists around the village of San Damiano, near Piacenza, the birthplace of Simone Bertuzzi and Simone Trabucchi. This area hosts both a NATO military base and a sanctuary dedicated to an apparition of the Virgin Mary during the early 1960s: this research was born from an attention focused both on the sound produced by the warplanes' exercises and the nature of the military space, and on the collective religious imagination, in search of a possible dialogue and common points, in the context of a small village alongside the Po Valley. The first version of the project took the form of a documentary based on several interviews and filming of the surrounding landscape: at this stage just two trailers were produced, based on two interviews, and a parallel version was conceived as a live media performance composed of two video projections and a live soundtrack. In 2007, after a first stop decided by the artists themselves, the project was rethought as an installation on two screens, where they could have worked with loops and small variations, starting from shorter narrative models. This also included two structures for the vision of the films and an ambient soundtrack. In addition, during the research, the artists had the opportunity to confront themselves with the artist William Xerra - who was born in Piacenza too - who in 1976 staged Le Apparizioni (Verifica del Miracolo) in San Damiano, a piece related to the Marian apparitions in the area, which included as witnesses figures such as Pierre Restany, Renato Barilli and Vanni Scheiwiller. While being used by Invernomuto in several presentations, publications, showcases and works - with images and references - Noises from Above has never reached a final form and has never been completed: still today the artists consider it stuck in a standby phase.  <a href="https://www.repository.unipr.it/bitstream/1889/3449/1/Invernomuto_Noises%20from%20above.pdf" target="_blank" rel="noopener">Read more.</a> </div> </div> </div> Creator An entity primarily responsible for making the resource Invernomuto Date A point or period of time associated with an event in the lifecycle of the resource 2005-? Contributor An entity responsible for making contributions to the resource Scotti, Marco Language A language of the resource Italian Rights Holder A person or organization owning or managing rights over the resource. Invernomuto MoRE Museum project abandoned by the artist http://moremuseum.org/omeka/files/original/ebead3094cfe452c0707e1735872540b.jpg 17d5f4ec85376c8215c85e2953169a02 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource David Casini Description An account of the resource David Casini (Montevarchi, 1973) is a visual artist, his work includes sculptures and site-specific installations. He has exhibited in several solo shows at Gallery CAR Projects (Bologna)MAR Museum of Modern and Contemporary Art (Ravenna), Analix Forever Gallery (Geneva), Galleria T293 (Naples). He has participated to important group exhibitions including Everywhere but Now Thessaloniki Biennale of Contemporary Art 4, 2013, Oceanomania at Nouveau Musée National de Monaco and The Mediterranean Approach (Zenobio Palace, Venice) in 2011, Celebration at Macedoniam Museum of Contemporary Art in Athens in 2010, Through the Looking Glass Italian Cultural Institute in Belgrade. He won the Talent Prize in 2009. Creator An entity primarily responsible for making the resource Casini, David Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image file jpeg, 25x15 cm, 192,024 dpi Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Non Piango Mai Description An account of the resource Drawing realized to design a children's playground. The elements of the game park are inspired by drawings of biologist, zoologist, philosopher and also German artist Ernst Haeckel, who designed more than 100 polychromatic illustrations of animals and sea creatures. Some elements of the drawings, in three-dimensional transposition, are designed to be modified with the aim of making movable some parts, recreate circular movements, extension and elastic. The elements are designed with an internal steel frame to resist several requests, while the exterior is covered by colored rubber, resin, wood, concrete, to recreate different texture to the touch. The project is designed to be installed in a public place, park, square, museum or school. <a href="https://www.repository.unipr.it/bitstream/1889/2665/1/Casini%2c%20Non%20piango%20mai.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Casini, David Date A point or period of time associated with an event in the lifecycle of the resource 2010 Contributor An entity responsible for making contributions to the resource Rossi, Valentina Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource English Type The nature or genre of the resource Still Image Rights Holder A person or organization owning or managing rights over the resource. David Casini MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://dspace-unipr.cineca.it/handle/1889/2665" target="_blank" rel="noopener">http://dspace-unipr.cineca.it/handle/1889/2665</a> Financial reasons http://moremuseum.org/omeka/files/original/826e394020e080841f9700acd53809ae.jpg d1097a20ecf62d1e1290f8e30b9e12c4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource L'omaggio - 2005.jpg Format The file format, physical medium, or dimensions of the resource file jpeg, 10,837x7,214 cm, 300 dpi Description An account of the resource Montage of the work for the funeral of Pope John Paul II. http://moremuseum.org/omeka/files/original/bbec47775b018deb9c169fd5d4165304.jpg d4e84eb66bd211273dd5da95d27e34ef Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource L'omaggio 2 - 2005.jpg Format The file format, physical medium, or dimensions of the resource file jpeg, 25,468x 16,933 cm, 300 dpi Description An account of the resource Montage of the work for the funeral of Pope John Paul II. http://moremuseum.org/omeka/files/original/ab25f6ab3d284e32ffc9566ba0ca9540.jpg b2deec6bbc1938bf6fe472228f386407 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource L'omaggio 3 - 2005.jpg Format The file format, physical medium, or dimensions of the resource file jpeg, 10,837x7,214 cm, 300 dpi Description An account of the resource Montage of the work for the funeral of Pope John Paul II. http://moremuseum.org/omeka/files/original/ef6f2b425710cc904856d60e08d1307d.pdf 469c50d38d5f624ce213e33caf72eb81 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource file.pdf Format The file format, physical medium, or dimensions of the resource File pdf Description An account of the resource Online article published on EXIBART.com covering H.H. Lim's car accident. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource H.H. Lim Creator An entity primarily responsible for making the resource Lim, H.H. Description An account of the resource H.H. Lim was born in Malaysia and graduated from the Academy of Fine Arts in Rome. Since 1976 he has been living and working between Rome and Penang. He is the founder and organizer of the exhibition space Edicola Notte, which has been one of the most dynamic and proactive realities in the capital since 1990. He has participated in numerous solo and group exhibitions: Oltre. Il primo piano, Italian Cultural Institute, Budapest (2015); Brera in contemporaneo Accademy of Brera, Milan (2015); No coffee no cigarettes, Paola Verrengia Gallery, Salerno (2015); Passaggi, Musée d'Art Modern et Contemporain, Saint- Etienne (2015); Mirare Giacomo Leopardi, Idill'io No. 13, Recanati (2015); Mirare, Idill'io No. 11, Recanati (2015); RI-FLESSIONI, R.A.M. radioartemobile, Rome (2015); National Visual Arts Gallery, Kuala Lumpur, Malaysia (2015); Migrating Forms and Migrating Gods, The Museum of Goa, a side event of the Biennale of Muziris Kochi, India (2014); Tornare al Senso Costruttivo, performance at the Verdi Theatre, Milan (2014); Open Museum Open City, project for R.A.M. radioartemobile and for the collection Maxxi, Rome (2014); Sconfinamenti, the 57th Festival of the Two Worlds, Spoleto (2014), Politicamente Parlando, Bianconi Gallery, Milan (2014); La Nuit Blanche, La Gaite Lyrique, Paris (2013); 6th Prague Biennale, Prague (2013); 55th International Art Exhibition of the Venice Biennale, Pavilion of the Republic of Cuba, Venice (2013); John Cage Experiments And Its Context, NCCA National Center of Contemporary Art, Moscow (2013); Landscape on the Move, De Vleeshal & De Kabinetten van de Vleeshal, Middelburg, The Netherlands (2012); Il tesoro nascosto, GNAM National Gallery of Modern Art, Rome (2011); Hidden Treasure, Tang Gallery, Bangkok (2011); 12th International Architecture Exhibition of the Venice Biennale, Venice (2010); 3 Camere, R.A.M radioartemobile, Rome (2010); Gone with the Wind, UCCA Ullens Center for Contemporary Art, Beijing (2010); Onda Anomala, a side event of Manifesta 7, Von Morenberg, Trento (2008); Guangdong Station, Art Museum, Guangdong (2008); Emergency Biennale, the Istanbul Biennial, Istanbul (2007); Wherever We Go, Walter & McBean Galleries, San Francisco (2007); The 5th Ink Painting Biennial of Shenzhen, He Xiangning Art Museum, Shenzhen (2006); "Sweet Taboos" "Go Inside", 3rd Tirana Biennale, National Art Gallery, Tirana (2005); À l'ouest du sud de l'est, CRAC Regional Center of Contemporary Languedoc-Roussillon Art, Sète, France (2004); Villa Arson, Nice (2004); Le Opere e i Giorni, Certosa of San Lorenzo, Padula (2002); Tribù dell'Arte, MACRO Museum of Contemporary Art, Rome (2001). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Omaggio a Wojtyla Creator An entity primarily responsible for making the resource Lim, H.H. Date A point or period of time associated with an event in the lifecycle of the resource 2005 Contributor An entity responsible for making contributions to the resource Scotti, Marco Format The file format, physical medium, or dimensions of the resource image/jpeg application/pdf Language A language of the resource Italian Type The nature or genre of the resource Still Image Text Description An account of the resource This project was born in the aftermath of HH Lim's car accident which occurred on the highway on March 26th in 2005, while he was on his way from Rome to Naples for the opening of the inaugural exhibition of the PAN - Palazzo delle Arti di Napoli, The Giving Person. Il dono dell'artista, curated by Lóránd Hegyi, invited by the artist Yan Pei Ming who had visited Lim's exhibition at Fondazione Volume! in Rome a few days earlier. Despite the severity of the accident, Lim was unharmed and decided to proceed his journey abandoning the destroyed car on the side of the highway. The project was inspired by a series of events that occurred before the departure and during the trip, as well as a work of art by his friend Yan Pei Ming on display in the exhibition - a large red figure of a Buddha, similar to the one Lim has always been wearing on his neck - and ultimately the death of the pope a few days later. The project was never actually developed  as it remained a mere thought, an idea the artist had. Lim imagined a large public exhibition to thank the Pope: the work would have consisted of a series of montages made using Photoshop, showing some drawings of Lim – linked to the series of Words - superimposed on the front pages of the newspapers and posted during the funeral of Wojtyla, which took place on April 8th 2005 in the St. Peter's Square. <a href="https://www.repository.unipr.it/bitstream/1889/2898/1/HH%20Lim_Omaggio%20a%20Wojtyla.pdf" target="_blank" rel="noopener">Read more</a>.   Rights Holder A person or organization owning or managing rights over the resource. H.H. Lim MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2898" target="_blank" rel="noopener">http://hdl.handle.net/1889/2898</a> Logistical reasons Theoretical exercise http://moremuseum.org/omeka/files/original/5e31e148632b9ace6c4f168f6ff2b0e8.jpg 2affcc3be0afee083e0d8d645e98795e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UBERTI_orbite_SE.jpg Description An account of the resource rendering for the Orbite project, on the South-East façade of the Palazzo della Regione Lombardia, Milan Format The file format, physical medium, or dimensions of the resource .jpg file, 22,61 x 16,02 cm, 72dpi http://moremuseum.org/omeka/files/original/cb252e9360ec959713f82c6c84bd374b.jpg fd54c6a271e21d97b3f310972fdef6b7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UBERTI_orbite_NO.jpg Description An account of the resource rendering for the Orbite project, on the North-West façade of the Palazzo della Regione Lombardia, Milan Format The file format, physical medium, or dimensions of the resource .jpeg file, 20,81 x 16,62 cm, 72dpi http://moremuseum.org/omeka/files/original/082520dd1de6cf090808037e49c93a48.pdf 139ac2135476476317573e6c6594c9ea Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 84: "UBERTI_latoSE.pdf Description An account of the resource technical drawing for the Orbite project, on the South-East façade of the Palazzo della Regione Lombardia, Milan Format The file format, physical medium, or dimensions of the resource .pdf file, 28,27 x 19,99 cm, 100dpi http://moremuseum.org/omeka/files/original/4f6095a1a38ee74133036e0c696b32e3.pdf b5426dd3bdb6cdb80f94968e3a6f7464 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UBERTI_latoNO.pdf Description An account of the resource technical drawing for the Orbite project, on the North-West façade of the Palazzo della Regione Lombardia, Milan Format The file format, physical medium, or dimensions of the resource .pdf file, 28,27 x 19,99 cm, 100dpi Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Massimo Uberti Description An account of the resource Massimo Uberti (Brescia, 1966-2024), graduated at the Brera Academy of Fine Arts. He made his debut in the early 1990s after his experience as a member of the group of artists of the Lazzaro Palazzi space in Milan, an artistic movement that became part of the archives of the Museo del 900. In 2008, he realised the large sculpture "Tendente Infinito" in the exhibition Dreams of the possible city, at the Fondazione Stelline in Milan. In 2013, he was selected by the European Commission for two workshops in Milan and Berlin on the theme: New Narrative for Europe. He has taken part in many solo and group exhibitions in recent years: "Spazio Amato" at the Galleria d'arte Moderna in Rome (2015), in the same year "Today I love You" exhibited in Amsterdam, Manchester, Ontario, Washington, Shanghai and Dubai and "Drawing of drawing" during Miami Art Basel. He then created "ESSERE SPAZIO" (2017) in collaboration with the Superintendency of Archaeological Heritage of Naples and created "Prospectum" (2018) on the occasion of the Winter Olympics in South Korea. In 2020 he created "SPAZIO AMATO", a permanent work exhibited in the WWF Oasis of Lake Burano. During the Dante Year, he collaborated with UNESCO for the City of Verona, creating "PARRAN FAVILLE" and "DA SPONDA A SPONDA" (2021). Winner of the MIBACT competition for the Contemporary Art Plan, he created "ORBITA" (2022), a permanent work located at the Gamba Castle in Chatillon. <a href="http://massimouberti.it" target="_blank" rel="noopener">http://massimouberti.it</a> Creator An entity primarily responsible for making the resource Uberti, Massimo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Orbite Description An account of the resource Orbite is a site-specific project designed for the Palazzo della Regione Lombardia in Milan: on two of its façades (the south-east and north-west one) Uberti wanted to install the light drawing of a portion of the orbits of the solar system. The orbital map was taken from the NASA site and redesigned, scaled. The request was made to Massimo Uberti, along with four other international artists, by a manager of the Lombardy Region in 2009. The goal was the development of the new headquarters of the Lombardy Region with large, site-specific contemporary art works. The project Orbite was developed by Uberti in collaboration with N.O. Gallery, directed by Ilaria Barbieri Marchi. The cost of the project was € 200,000 and covered all expenses, from concept design to the set up and the communication plan. Until the delivery of the executive projects, the work was feasible. Once delivered, the reasons for non-completion have never been made public. <a href="https://www.repository.unipr.it/bitstream/1889/2341/1/uberti_orbite.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Uberti, Massimo Date A point or period of time associated with an event in the lifecycle of the resource 2009 Contributor An entity responsible for making contributions to the resource Bignotti, Ilaria Format The file format, physical medium, or dimensions of the resource image/jpeg application/pdf Language A language of the resource English Type The nature or genre of the resource Still Image Rights Holder A person or organization owning or managing rights over the resource. Massimo Uberti MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2341" target="_blank" rel="noopener">http://hdl.handle.net/1889/2341</a> Failure to meet the commissioner's demands http://moremuseum.org/omeka/files/original/1d076a77e55bc7f487aec77271e06973.jpg 4b23b6a8dcf9e260beb2f417044ed244 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Vlado Martek Creator An entity primarily responsible for making the resource Martek, Vlado Description An account of the resource Poet, artist and writer, Vlado Martek (Zagreb, 1951) founded the Group of Six Artists (active between 1975 and 1980), together with Mladen and Sven Stilinović, Fedor Vučemilović, Boris Demur and Željko Jerman. The artist describes his work as pre-Poetry and focuses his artistic research on the founding elements of writing, considering at the same time the performative side of poetry and experimenting its connections with visual arts. He published a number of art books, monographies and essays as a form of activism. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pjesma se ne vraća u abecedu Description An account of the resource Pjesma se ne vraća u abecedu (Poem is not coming back into the Alphabet) should be considered as an element of the artistic process, and the project documentation for some of a group of works not (yet) realized. <a href="https://www.repository.unipr.it/bitstream/1889/3680/6/Vlado%20Martek_Pjesma%20se%20ne%20vraća%20u%20abecedu%20eng.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Martek, Vlado Date A point or period of time associated with an event in the lifecycle of the resource 2012 Contributor An entity responsible for making contributions to the resource Modena, Elisabetta Format The file format, physical medium, or dimensions of the resource image/tiff Rights Holder A person or organization owning or managing rights over the resource. Vlado Martek MoRE museum Theoretical exercise http://moremuseum.org/omeka/files/original/333ffa0d21b98d436987c29e7809f97f.jpg ea25d7307fe854591b9699e147a79d91 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Plastic Oplalà 2004 - 1 - Gam Bologna Daolio.jpg Description An account of the resource Details of the garden - 3D botanical garden Format The file format, physical medium, or dimensions of the resource file jpg, 4,5x7,82 cm, 576 dpi http://moremuseum.org/omeka/files/original/a312228291cd7f72f9a30d78ef787d0d.jpg 3f46e04b9e0f4621580e22fe38b87318 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Plastic Oplalà 2004- 2- GAM R. Daolio Silvia Cini.jpg Description An account of the resource Details of the garden - 3D botanical garden Format The file format, physical medium, or dimensions of the resource file jpg, 4,49x7,82 cm, 576 dpi http://moremuseum.org/omeka/files/original/6259e25a31d929f04c0327e826be9fdd.jpg 331360a9813620221ba82a25747279bc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Plastic Oplalà 2004- 3- Gam Bologna Daolio.jpg Description An account of the resource Details of the garden - 3D botanical garden Format The file format, physical medium, or dimensions of the resource file jpg, 2,16x3,75 cm, 576 dpi http://moremuseum.org/omeka/files/original/d56a62c3c7babc9cfd80735b99b646c0.jpg 4b5f06b4c58cc76da34037f59a1c6ae3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Plastic Oplalà 2004-4- GAM R. Daolio Silvia Cini.jpg Description An account of the resource Details of the garden - 3D botanical garden Format The file format, physical medium, or dimensions of the resource file jpg, 7,14x7,14 cm, 576 dpi http://moremuseum.org/omeka/files/original/29ef24a225d9bf873e7130754d13c990.jpg 42e905ca5924e08442b5a270e813709f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Plastic Oplalà 2004-5 cubi- GAM R. Daolio Silvia Cini.jpg Description An account of the resource PlasticOplalà # 2 seven inflatable cubes covered with canvas Format The file format, physical medium, or dimensions of the resource file jpg, 1,89x2,83 cm, 576 dpi http://moremuseum.org/omeka/files/original/96724a329cfb66fb4120102f628d7499.pdf 419508a2c1961bfe3186372129a753a7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Intervista a Silvia Cini, Dialoghi, a cura di UnDo.net.pdf Format The file format, physical medium, or dimensions of the resource file pdf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Silvia Cini Creator An entity primarily responsible for making the resource Cini, Silvia Description An account of the resource Silvia Cini (Pisa, 1972) is an artist and independent curator. She graduated from the Academy of Fine Arts in Rome and then continued her studies as an Operator of Cultural Heritage at the Pontifical Gregorian University; thanks to a thesis on the cataloging of contemporary art works, she started working at the ICCD Central Institute for Documentation and the Catalogue of the Ministry of Culture, contributing to the drafting of the law on cataloging OAC Opera contemporary Art as a consultant of the then director Maria Luisa Polichetti. One of the founders of the Gruppo Immagini, she collaborated with Keith Haring to the event that lead to the mural of Pisa. At the same time she began studying theater with Stefano Vercelli and Luisa Pasello at the Piccolo Teatro di Pontedera, under the direction of Roberto Bacci and supervision of Jersy Grotosky. Her first exhibition was in Milan in 1994, when she created the group AAVV with Salvatore Falci, then in Rome where she collaborated with Cesare Pietroiusti to DisorsordinAzioni il Gioco del Senso and Non senso (XII Quadrennial of Rome), and with the Gruppo Oreste with which she took part to the 48 Venice Biennale. In 1997 she curated her first series of exhibitions at the Ferro di Cavallo, in collaboration with the Academy of Fine Arts in Rome, signing the beginning of the art of relationship and public art in Italy. She continued to work as a curator, as collaborator of Carolyn Christov Bakargiev and Hans Hulrich Obrist to the French Academy in Rome and in other curatorial activities (Milan Triennale, Invideo, Icityperiferiche, Palazzo Re Enzo, Bologna, Genoa Loggia of the Merchants, Cartabianca, Museum of Contemporary Art Villa Croce, Genoa) side by side with the exhibiting activity. Since the end of the nineties she works with the Neon Gallery, alternating solo and group exhibitions (Continua, Zero, GoldanKauf) in Italy and abroad. Her works are inspired by the dialogue, often intimate, that they create with the audience. Her interest focuses often on the landscape as a metaphor of society, integrating environmental audio installations and botanical research. She collaborated over the years with the Faculty of Landscape Architecture in Genoa holding workshops and seminars. In 2000 she received the Prize Atelier from Fabio Mauri, at the Galleria Comunale d'Arte Moderna in Rome. The city of Genoa, on the occasion of Genoa 2004 European Capital of Culture, assigned her the Duchess Galliera Award for best artist working on the territory of Liguria. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Plastic Oplalà Description An account of the resource The project was commissioned by Roberto Daolio as part of a series of art works to be placed on the top floor of the Department of Pediatric Oncology of the Sant’Orsola Hospital in Bologna, in collaboration with the Association AGEOP. Cini was invited to be part of the project together with artists Emilio Fantin, Eva Marisaldi, Sabrina Mezzaqui, Sabrina Torelli and Marco Vaglieri. For the department Cini thinks the project PlasticOplalà 1, 2, 3, a series of site-specific interventions whose idea is to create a small botanical garden outside of the pavilion, in the semi-abandoned garden of the pediatrics department. The project was not realized as a result of a number of economical, technical and logistic reasons. <a href="https://www.repository.unipr.it/bitstream/1889/2451/1/Cini_Plastic%20Oplalà.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Cini, Silvia Date A point or period of time associated with an event in the lifecycle of the resource 2004 Contributor An entity responsible for making contributions to the resource Modena, Elisabetta Format The file format, physical medium, or dimensions of the resource image/jpeg application/pdf Language A language of the resource Italian Type The nature or genre of the resource Still Image Text Rights Holder A person or organization owning or managing rights over the resource. Silvia Cini MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2451" target="_blank" rel="noopener">http://hdl.handle.net/1889/2451</a> Financial reasons Logistical reasons Regulatory/juridical/administrative reasons http://moremuseum.org/omeka/files/original/c96b6713e0084d93d078e2a7a8230b81.jpg 00d8378074b1a9caab758f7363eb8a58 http://moremuseum.org/omeka/files/original/228bc77a363eac6d60241cfcad2273c2.jpg 5bd6a32e0fe4cea5447b31dc37e770b7 http://moremuseum.org/omeka/files/original/ab12f94d7de6f842e8bded04fb32fc7d.jpg 268ed7e9fbe8123570417f519cfec412 http://moremuseum.org/omeka/files/original/207064436c780aa00e8d1c199cccf1f7.jpg 3328179504988c9aeee4beb82e7316d3 http://moremuseum.org/omeka/files/original/36e73b3ae2ff88b0f0b8011c5f0971b0.jpg 9732e978b15fa07180bc42ab6f6fea06 http://moremuseum.org/omeka/files/original/48cf9d21d58d249f51fc6139927ac47a.jpg 1d560c57388b678fd5b4fc61f97a9f62 http://moremuseum.org/omeka/files/original/c7fda40dfee0d072f71b2059adb78eaf.htm ad984929f053f27f62664bd3c7628640 http://moremuseum.org/omeka/files/original/15807210010bc7c92c35754f63dc2d65.htm 08aa3dcce3bdb165fed4336ee5ddccaf http://moremuseum.org/omeka/files/original/026168ce45b828ffb97c455ea84b7275.htm f62e149f571324d491a157d02b98d882 http://moremuseum.org/omeka/files/original/cc133ba630b88026716464a69b6b32b8.htm 34412fc273b6a0786c1fd02ea132c33f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Oreste Description An account of the resource Oreste represents a variable group of people - mainly Italian artists - who under this shared name have worked for four years at the creation of a free space for the expression and realization of different projects. Born in July 1997 with the meetings of the Oreste 0 (zero) project at the Municipal Forestry of Paliano (FR) and declared "dead" after participating at the exhibition Le Tribù dell'Arte in Rome (2001), Oreste has seen among the various activities a participation at the Venice Biennale (1999) following the invitation of the curator Harald Szeemann, the publication of three volumes, the organization of the conference Come spiegare a mia madre che ciò che faccio serve a qualcosa? at Link, Bologna (1997). Oreste had the goal of creating the conditions for artists, curators, other cultural professionals and the public to meet in a context that combined work and pleasure. The concepts of networking and sharing were at the basis of the project, which also used an online space inside undo.net and had intuited the future potential and develpoments of the web, the emails and the digital media. Creator An entity primarily responsible for making the resource Oreste Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Porto Rico Description An account of the resource The project was born upon request and on the initiative of Michy Marxuach, curator that in the summer 2000 invites Oreste to participate at PR ' 00 [intervenciones múltiples - múltiples intervenciones] in San Juan (Porto Rico). The one-week event provided a program of shows and activities dedicated to the affirmation of an alternative art scene, where local artists were joined by international artists, curators, critics and institutions. Oreste proposed an installation made of objects, texts, photocopies and images displayed on a wall, that would have interacted with the public like an analogical hypertext: after the selection of an element a member of Oreste would have told its story to the visitor. The curator never answered to this proposal and the project remained unrealised for reasons that have not been clarified. <a href="https://www.repository.unipr.it/bitstream/1889/3700/1/Oreste_Porto%20Rico.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Oreste Date A point or period of time associated with an event in the lifecycle of the resource 2000 Contributor An entity responsible for making contributions to the resource Scotti, Marco Format The file format, physical medium, or dimensions of the resource image/jpeg text/html Language A language of the resource English Italian Type The nature or genre of the resource Text Still Image Website Rights Holder A person or organization owning or managing rights over the resource. Oreste MoRE museum Unknown http://moremuseum.org/omeka/files/original/3dd6a69b6a496c6e418133dd9ae4dad1.jpg 01ab3809f91a168c8de4ba9cd7fde097 http://moremuseum.org/omeka/files/original/4693d1ce6614531f69b88215b8eb54e4.jpg 6e13e6d7431062282fe9476048190358 http://moremuseum.org/omeka/files/original/4830d6f5c7bfeb6b32f7a6084dfabdae.m4a eba332e88e7a76db7b65a5f7310bba7f http://moremuseum.org/omeka/files/original/cfacf4d01608f7cd14eb3c4097b1e32a.pdf 05f7609bf79552c38278aadbeebe2cb4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jonathan Monk Description An account of the resource Jonathan Monk, 1969, born in Leicester, Great Britain. Lives and works in Berlin, Germany. Monk replays, recasts and re-examines seminal works of Conceptual and Minimal art by variously witty, ingenious and irreverent means. Speaking in 2009, he said, “Appropriation is something I have used or worked with in my art since starting art school in 1987. At this time (and still now) I realised that being original was almost impossible, so I tried using what was already available as source material for my own work.” Through wall paintings, monochromes, ephemeral sculpture and photography he reflects on the tendency of contemporary art to devour references, simultaneously paying homage to figures such as Sol LeWitt, Ed Ruscha, Bruce Nauman and Lawrence Weiner, while demystifying the creative process. Monk is constantly asking ‘what next?’. His stainless steel series entitled Deflated Sculpture (2009) refigures Jeff Koon’s iconic balloon rabbit in various stages of collapse; letting the air out isn’t an act of iconoclasm so much as giving the original idea new life. So too Monk documented the period he lived in Los Angeles with a series of photographs titled None of the Buildings on Sunset Strip (1997–99), showing only the roads between buildings – a follow-up to Ed Ruscha’s artist book from 30 years before, All of the Buildings on Sunset Strip. But his conceptual configurations are also grounded in the personal: ‘what next?’ takes on a poignancy in the slide projection In Search of Gregory Peck (1997), where Monk brought together a collection of photographs taken by his late father in the 1950s, preceding him as a tourist in the US. Language A language of the resource Italian, English Creator An entity primarily responsible for making the resource Monk, Jonathan Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portrait of the Artist in a Building Description An account of the resource This project consists of a series of portraits of the artist, made exclusively from photographs of buildings taken while Jonathan Monk was inside them. The artist was not meant to be the only person in the building, but the only one involved in the project. The selected buildings were the Eiffel Tower in Paris, the TV Tower in Berlin, the BT Tower in London, the CN Tower in Toronto, and the Empire State Building in New York. The result would have been a series of photographs of these buildings, with the artist invisible in the image yet actually portrayed at the top of each structure, looking directly into the camera lens. The project was ultimately abandoned by the artist. <a href="http://moremuseum.org/omeka/files/original/cfacf4d01608f7cd14eb3c4097b1e32a.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Monk, Jonathan Date A point or period of time associated with an event in the lifecycle of the resource 2002 Contributor An entity responsible for making contributions to the resource Scotti, Marco Format The file format, physical medium, or dimensions of the resource audio/mpeg Language A language of the resource English Type The nature or genre of the resource Oral History Rights Holder A person or organization owning or managing rights over the resource. Jonathan Monk MoRE Museum http://moremuseum.org/omeka/files/original/cbfa3ace08757fb88f31c987175e2f00.jpg 39f4208e32f64653f4c5979e56284f8b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Vlado Martek Creator An entity primarily responsible for making the resource Martek, Vlado Description An account of the resource Poet, artist and writer, Vlado Martek (Zagreb, 1951) founded the Group of Six Artists (active between 1975 and 1980), together with Mladen and Sven Stilinović, Fedor Vučemilović, Boris Demur and Željko Jerman. The artist describes his work as pre-Poetry and focuses his artistic research on the founding elements of writing, considering at the same time the performative side of poetry and experimenting its connections with visual arts. He published a number of art books, monographies and essays as a form of activism. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Prazno miesto Description An account of the resource Prazno miesto [Empty mind] should be considered as an element of the artistic process, and the project documentation for some of a group of works not (yet) realized. <a href="https://www.repository.unipr.it/bitstream/1889/3679/4/Vlado%20Martek_Prazno%20miesto%20ing.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Martek, Vlado Date A point or period of time associated with an event in the lifecycle of the resource 2014 Contributor An entity responsible for making contributions to the resource Modena, Elisabetta Format The file format, physical medium, or dimensions of the resource image/tiff Type The nature or genre of the resource Text Still Image Rights Holder A person or organization owning or managing rights over the resource. Vlado Martek MoRE museum Theoretical exercise http://moremuseum.org/omeka/files/original/83d6ec93eb64c7bd12a9b96ad1b43c98.pdf 2495daec64e7afbd091afbda1e72fc51 http://moremuseum.org/omeka/files/original/f2ccccb9969f52dd9f238b1c27ad8298.jpg fc16fc888788bd86153fc85227666ae6 http://moremuseum.org/omeka/files/original/75067341224d8aa2c896f1e554a75332.jpg cd715e5d7b056bbbc7d9d1ededfbb778 http://moremuseum.org/omeka/files/original/0e4b1d402f94c080050403fffb6dfea9.jpg ca56507f69172818e7e6681f2694a7ef http://moremuseum.org/omeka/files/original/8a7793944b796490c0833b77333b5d22.jpg a24eef777d9282727e09719e609428d4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Liliana Moro Description An account of the resource Liliana Moro was born in 1961 in Milan, where she lives and works. She graduated from the Accademia di Belle Arti di Brera, where she studied with Luciano Fabro. In 1989 she founded, with other artists, the Spazio di Via Lazzaro Palazzi in Milan, active until 1993. Encountering the works of Liliana Moro we have the perception that only what is strictly necessary is present. Sound, words, sculptures, objects and performance, compose a world that "stages" a reality simultaneously raw and poetic. These are territories of an individual experience (that of the artist but mainly that of the viewer) that ask for going beyond what is visible. The reduction to the essential understood as an attitude, a practice and a positioning, does not result from a retake of a minimal language: it is rather something the artist triggers both when choosing to use elaborated techniques, and when opting by using existent materials and objects of everyday use. A prominent element in Liliana Moro's research is the political dimension, not translated in the illustration of contents, but related to the forms of addressing the recipients; for example by placing her work on the ground she implicitly asks the viewer to bend down to see it. Freedom of action is an important aspect of the work, but it only defines it partially: what creates an interesting difference is the relation between the university of possibilities and a tension - both physical and poetical - produced from this relation. Liliana Moro has shown in major international group exhibitions including Documenta IX, Kassel (1992); Aperto XLV Venice Biennale (1993); Castello di Rivoli, Turin (1994); Quadriennale, Rome (1996/2008); Moderna Museet, Stockholm (1998); PS1, New York (1999); De Appel, Amsterdam (1999), and the Bienal de Valencia (2001). She held several of solo shows at Galleria Emi Fontana, Milan; Greta Meert, Brussels; MUHKA, Antwerp, and Fondazione Ambrosetti, Brescia. Recently, Liliana Moro has showed at the Italian Cultural Institute of Los Angeles (2008), and Fabbrica del Vapore, Milan (2008), and has participated in important group exhibitions, including Italics, Palazzo Grassi, Venice (2008); Focus on Contemporary Italian Art, Mambo, Bologna (2008); Save Venice, Magazzini del Sale, side event of the 53. Venice Biennale (2009), and Celebration, Institution, Critique, Galleria Civica di Trento (2009). Creator An entity primarily responsible for making the resource Moro, Liliana Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Preferisco il rumore del mare. Concorso di progettazione Piazza Verdi - La Spezia Description An account of the resource The project, realised in collaboration with Studio 5 + 1 AA, was presented in 2009 on the occasion of the design contest to renovate Piazza Giuseppe Verdi from an architectural and artistic point of view. The contest was promoted by city of di La Spezia and P.A.A.L.M.A. (Premio Artista Architetto La Marrana Arte Ambientale) in collaboration with Fondazione Cassa di Risparmio della Spezia. The project was shortlisted among the top five entries.  The title-manifesto of the project, I prefer the sound of the sea, is the title of a film directed by Mimmo Calopresti (2000), inspired by a verse of Dino Campana. The idea was to realise a flooring with a decoration made of tiles and rubberized asphalt whose colours were inspired by the mosaics of Fillia, Prampolini e Mazzoni inside Palazzo della Posta. Moreover, they wanted to place inside the square 99 red and blue trumpets, connected to the tide predictions centre in Genoa. The trumpets would have emitted a whistle, registered by the artist, in case of high tide. <a href="https://www.repository.unipr.it/bitstream/1889/3444/1/Liliana%20Moro_Concorso%20di%20progettazione%20Piazza%20Verdi%20-%20La%20Spezia%20def.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Moro, Liliana Studio 5+1AA Date A point or period of time associated with an event in the lifecycle of the resource 2009 Contributor An entity responsible for making contributions to the resource Modena, Elisabetta Format The file format, physical medium, or dimensions of the resource image/jpeg application/pdf Language A language of the resource Italian Type The nature or genre of the resource Text Still Image Rights Holder A person or organization owning or managing rights over the resource. Liliana Moro MoRE Museum Relation A related resource DSpace: <a href="http://hdl.handle.net/1889/3444" target="_blank" rel="noopener">http://hdl.handle.net/1889/3444</a> Project which wasn’t selected in a prize or competition http://moremuseum.org/omeka/files/original/6339ee1a1bbe56e93f8ef855b80e3d8a.pdf c08db6638102d43a4529a38e09b0eeea Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 03Bianco-Valente descrizione.doc Format The file format, physical medium, or dimensions of the resource File pdf Description An account of the resource Project description, wrote by the artists http://moremuseum.org/omeka/files/original/c80e003c80973953bd5e23479bd43c3a.jpg 42d2f7b0ed97fd99fdb0bb53d566fe42 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 03BiancoValente, Schizzo per progetto senza titolo 1999-2001.jpg Format The file format, physical medium, or dimensions of the resource file jpeg, 40,682 x 28,296 cm, 300 dpi Description An account of the resource Bianco-Valente, Sketch for progetto senza titolo, 1999-2001 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bianco-Valente Description An account of the resource Since the Nineties, the two artists Bianco-Valente test the reaction of our minds to the new technological landscape that surrounds us. Their work combines aesthetic, technologic and humanistic knowledge in such a precise way that we can consider them anthropologists in a contemporary scenario where the digital divide also means a difficulty in perception between what it was and what it is. Their installations and performances often investigates what gets lost or what we gain in terms of awareness, understanding and relationship. Creator An entity primarily responsible for making the resource Bianco-Valente Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Progetto senza titolo Creator An entity primarily responsible for making the resource Bianco-Valente (Bianco, Giovanna & Valente, Pino) Date A point or period of time associated with an event in the lifecycle of the resource 1999-2001 Contributor An entity responsible for making contributions to the resource Romano, Gianni Format The file format, physical medium, or dimensions of the resource application/pdf image/jpeg Language A language of the resource Italian Type The nature or genre of the resource Text Still Image Description An account of the resource This project derives from the artists’ research around the Turing Test. Two computers set up with basic complementary knowledge responded to the visual inputs that the visitor showed to one of them: the first computer processed the image and then verbally communicated it to the second computer, in fact the first computer spoke to the second describing the image. The second computer, on the basis of information stored in its memory, activated a process of representation of the description, which it then actually represented through a projector next to the image that had been shown to the first computer. The two images were finally exposed side by side, showing the translation process image> word> image. The project needed a great number of technical and scientific partnerships to make the data transmission possible. However, the concept behind the project came to life with two performances the artists realized in 2011 and 2014. <a href="https://www.repository.unipr.it/bitstream/1889/2899/1/Bianco-Valente_Progetto%20senza%20titolo.pdf" target="_blank" rel="noopener">Read more</a>. Rights Holder A person or organization owning or managing rights over the resource. Bianco-Valente MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2899" target="_blank" rel="noopener">http://hdl.handle.net/1889/2899</a> http://moremuseum.org/omeka/files/original/11b9f201de71ead996549d3494b52f1d.jpg 44585ff391a1901ab81c8dc99b63c555 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 007_ progetto museion.jpg Description An account of the resource Photomontage of the project in its context Format The file format, physical medium, or dimensions of the resource file jpeg, 33,87×52,92 cm 120 dpi Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eva Marisaldi Description An account of the resource Eva Marisaldi was born in 1966. She lives and works in Bologna. She graduated from the Academy of Fine Arts in Bologna. Her research is articulated, frequently through an open and participatory process, through different languages and media, such as drawings, videos, installations, performances, photography and sculpture, to approachdifferent and multiple perspectives on usual things and everyday life. Amongst her most recent solo show we can recall Gestein-gestalt, MIMA, Newcastle (2012), Democratic Psychedelia, Galleria Minini, Brescia (2011), Tjoloholm Castle, Goteborg (2009), Ghost track #2, S.A.L.E.S., Roma (2008), Jumps, MAMbo, Bologna (2007), Services, Galleria Massimo De Carlo, Milano (2007), Parties 3, Art positions, Art Basel Miami, Miami, USA (2006). Her works have been included in many important exhibitions, such as the 1993 and 2001 Venice Biennale; Soggetto Soggetto, Castello di Rivoli Museo d’Arte Contemporanea, Rivoli (1994), L’hiver de l’amour, ARC Musèe d’Arte Moderne de la Ville de Paris and PS1, New York (1994), Manifesta, Witte de With, Rotterdam (1996), Exchanging interiors, Museum van Loon, Amsterdam (1996), Fatto in Italia, Centre d’Art Contemporain, Geneva and ICA London (1997), The 504 show, Braunschweig Kunsthalle, Zentrum fur Kunst, Brauschweig (1997), Che cosa sono le nuvole, Fondazione Sandretto Re Rebaudengo, Guarene-Torino (1997), Officina Italia, Galleria Comunale d’Arte Moderna, Bologna (1997), La ville, le jardin, la memoire, Villa Medici, Rome (1998), Istanbul Biennial (1999), Alessandria Biennial, Egypt (1999), Gwangju Biennial, South Korea, (2004), Invisible Exports, New York (2007), Voyage Sentimentale, FRAC Languedoc Roussillon, (2009), Il confine evanescente, MAXXI, Roma (2011), No Soul for Sale, Tate Modern, London (2011), Think Twice, Whitechapel, London (2012), The Wordly House, Documenta, Kassel (2012). Creator An entity primarily responsible for making the resource Marisaldi, Eva Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Promise. Progetto per la recinzione del cantiere del Museion di Bolzano Description An account of the resource The project was proposed for the enclosure of the construction site of the museum contemporary art in Bolzano in 2008, on the occasion of the inauguration of its new location realised by the Berlin studio KSV Krüger Schuberth Vandreike in the city centre. The artist was invited to take part to an initiative called Arte in cantiere together with some other artists; the chosen project in the end was the work A Change Of Mind by the Scandinavian artist duo Elmgreen & Dragset. The Promise project is an allusion, explicit in its title, to a promise, an expectation introduced by a series of small resin sculptures (20 cm high) hold in 12 plexiglass display cases placed on the perimeter of the museum’s fence, every 2,20 meters. Inside the cases (round-shaped, 25 x 30 x 20 cm) an hostess show the twelve movements of the “pre flight briefing”, performed by the flight assistants before each take off. Two cases present an the back tent open with a view on the museum construction site. The idea was to realise the small sculptures with a software for 3D-modelling through a process of rapid prototyping (a technique already used by the artist in some other projects). The cases were supposed to be illuminated from below with neon lights, as in a light box, to make the artist’s work visible at night. <a href="https://www.repository.unipr.it/bitstream/1889/2422/1/Marisaldi_promise.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Marisaldi, Eva Date A point or period of time associated with an event in the lifecycle of the resource 2007 Contributor An entity responsible for making contributions to the resource Modena, Elisabetta Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Relation A related resource DSpace: <a href="http://dspace-unipr.cilea.it/handle/1889/2422" target="_blank" rel="noopener">http://dspace-unipr.cilea.it/handle/1889/2422</a> Rights Holder A person or organization owning or managing rights over the resource. Eva Marisaldi MoRE Museum Project which wasn’t selected in a prize or competition