2 50 160 http://moremuseum.org/omeka/files/original/d730477ddf23102b53417d7eb9f09884.tiff b116d744423ef001253c69a3c4fcca41 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource guerzoni_A010266_S_.tif Description An account of the resource Scan of photographic print, which was taken by the artist to study the optical effects derived from the machines used to water the fields. Format The file format, physical medium, or dimensions of the resource file tiff, 41,204 x 28,54 cm, 72 dpi http://moremuseum.org/omeka/files/original/7d21d90696b7c89351f608d4c9a954eb.tiff 3d05c5344d18beaa8fa6147ad07c4a13 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. 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Title A name given to the resource guerzoni_A010277_S_SNR14.tif Format The file format, physical medium, or dimensions of the resource file tiff, 9,227 x 12,992 cm, 400 dpi http://moremuseum.org/omeka/files/original/58c0f4d780405b391e3a61641281f9b5.tiff 89bcd6c0b4dd79116376135e90891926 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Scan of photographic print, which was taken by the artist to study the optical effects derived from the machines used to water the fields. Title A name given to the resource guerzoni_A010278_S.tif Format The file format, physical medium, or dimensions of the resource file tiff, 13,189 x 8,814 cm, 400 dpi http://moremuseum.org/omeka/files/original/b590c2866548f8d3cb8972f70a6ee4f2.tiff 6e525fb4c4edbe9bfb2355cec64addb0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Scan of photographic print, which was taken by the artist to study the optical effects derived from the machines used to water the fields. Title A name given to the resource guerzoni_A010279_S_NR15.tif Format The file format, physical medium, or dimensions of the resource file tiff, 24,028 x 18,072 cm, 400 dpi http://moremuseum.org/omeka/files/original/af0033114efc601651238d02219ce48d.tiff 3fc7fb22f5abf3b2c42135229c79e3df Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Scan of photographic print, which was taken by the artist to study the optical effects derived from the machines used to water the fields. Title A name given to the resource guerzoni_A010280_S_NR16.tif Format The file format, physical medium, or dimensions of the resource file tiff, 17,983 x 23,539 cm, 400 dpi http://moremuseum.org/omeka/files/original/1bba47f25d083451ba7e26eeb4fecf1d.tiff a7bee4254a86fe6d65c59e23bfc801b2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Scan of photographic print, which was taken by the artist to study the optical effects derived from the machines used to water the fields. Title A name given to the resource guerzoni_A010281_S_NR21.tif Format The file format, physical medium, or dimensions of the resource file tiff, 24,13 x 18,104 cm, 400 dpi http://moremuseum.org/omeka/files/original/b243e877d6bd28fe4b1f8bfa02825a71.tiff 580492dad63cc3f65e528ff9b3316a09 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Scan of photographic print, which was taken by the artist to study the optical effects derived from the machines used to water the fields. Title A name given to the resource guerzoni_A010282_S_NR20.tif Format The file format, physical medium, or dimensions of the resource file tiff, 23,603 x 17,342 cm, 400 dpi http://moremuseum.org/omeka/files/original/902826de6e51c49f10129dddd2c1089e.tiff 40dca0a0614a65d131477b55c0ef6632 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Scan of photographic print, which was taken by the artist to study the optical effects derived from the machines used to water the fields. Title A name given to the resource guerzoni_A010283_S_NR19.tif Format The file format, physical medium, or dimensions of the resource file tiff, 23,603 x 17,342 cm, 400 dpi http://moremuseum.org/omeka/files/original/1391b5f9d5c87ec0801d76980f4c7717.tiff 063eca4c371ff0563e55feb73fa853e7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Scan of photographic print, which was taken by the artist to study the optical effects derived from the machines used to water the fields. Title A name given to the resource guerzoni_A010284_S_NR18.tif Format The file format, physical medium, or dimensions of the resource file tiff, 23,99 x 18,218 cm, 400 dpi http://moremuseum.org/omeka/files/original/22f1d36b0ed0726f918e4fe1f79b44be.tiff 01b0431d9d7f0b3e2b1d652354d04948 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Scan of photographic print, which was taken by the artist to study the optical effects derived from the machines used to water the fields. Title A name given to the resource guerzoni_A010285_S_NR17.tif Format The file format, physical medium, or dimensions of the resource file tiff, 23,978 x 17,342 cm, 400 dpi http://moremuseum.org/omeka/files/original/1b4a136df0f30418f7ce6494b072e1ab.tiff 9f0a5317f5837b26650617e41d18395c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Recto scan of a letter, including a sketch drawing by Franco Guerzoni used to visualize the "fountain" in the space of a gallery Title A name given to the resource guerzoni_A010286_S_NR02recto.tif Format The file format, physical medium, or dimensions of the resource file tiff, 22,86 x 29,058 cm, 400 dpi http://moremuseum.org/omeka/files/original/c442626eb38e8360bd6953125ce1043e.tiff 50ac49d28ceff7ce7cbd6ad46dccd460 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Verso scan of a letter, including an handwritten message to a friend to present the project. Title A name given to the resource guerzoni_A010286_S_NR02Verso.tif Format The file format, physical medium, or dimensions of the resource file tiff, 22,86 x 29,058 cm, 400 dpi Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Franco Guerzoni Description An account of the resource Franco Guerzoni was born in 1948 in Modena. In the early seventies he uses photography as a means of representation. In 1972 his Frescoes, and in '73  his Archaeology, followed by Anthropology, are researches related to aspects of cultural stratification and the idea of “old” as a loss. In the eighties, he's engaged in the construction of large wall papers that explore the idea of an imaginary geography, Travel cards, Grotesque and The Forgotten Wall, at the end of the same years he worked on the surface intended as depth. Presents Decorations and ruins in a room at the Venice Biennale in 1990. Since then continues through the great cycles of works, his investigation on time and on the poetics of ruin, a kind of archeology without restoration. Since 2006, following the recovery of a body of works done with the use of photography by the author in the seventies, presents at GAM in Turin Landscapes powder, his research supported by a real work of reunion or transfer ranging from painting to the wall itself, chasing the dream that joins previous attempts aimed at the creation of a kind of bas-relief, constant in all his work, towards the idea of a slight sculpture, daughter of the new attention to the wall. So the Forgotten Wall becomes the real privileged place for his most current work. Creator An entity primarily responsible for making the resource Guerzoni, Franco Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fontana in galleria Description An account of the resource Since the beginning, the research of Franco Guerzoni was up-to-date and full of original ideas, even if in line with the most interesting experiences developing in Italy and abroad. Indeed, considering visual arts, that period was particularly rich and full of innovative solutions on both the conceptual and expressive level. This project, the fourth donated by the author to MoRE, dates back to a period between 1968 and 1969, when Guerzoni, then in his early twenties and at the end of his education, abandoned the traditional painting technique and started doing researches in the avant-garde, especially around Duchamp. He was spontaneously attracted by the most important international researches, such as the American Land Art and the Italian Arte Povera. These interests reflect in some of his works, not always realised, such as this project donated to MoRE. The concept behind the project was quite simple: Guerzoni wanted to bring inside the closed space of an art gallery a natural occurrence, the rainbow. The project included, as shown in the sketch, a field sprayer machine in the center of the room. It would have sprayed water, playing with the artificial light effects. The author, thinking about that installation – also with the collaboration of Luigi Ghirri, friend and companion of many art adventures – took some photographs in the countryside. These study series of water splashes investigated the nature of the rainbow and its visual perception. These conceptual photographs are the only evidence of the project. It remained unrealized due technical difficulties but also because it was more theoretical than realizable. The theme to bring the nature inside the culture was particularly strong in that period; Guerzoni itself thought to produce a black rose, as symbolic synthesis of the two elements. <a href="https://www.repository.unipr.it/bitstream/1889/3245/1/Guerzoni_Fontana%20in%20galleria.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Guerzoni, Franco Date A point or period of time associated with an event in the lifecycle of the resource 1969 Contributor An entity responsible for making contributions to the resource Casero, Cristina Format The file format, physical medium, or dimensions of the resource image/tiff Type The nature or genre of the resource Still Image Text Identifier An unambiguous reference to the resource within a given context <a href="http://dspace-unipr.cineca.it/handle/1889/3245" target="_blank" rel="noopener">http://dspace-unipr.cineca.it/handle/1889/3245</a> Rights Holder A person or organization owning or managing rights over the resource. Franco Guerzoni MoRE Museum Technical reasons Theoretical exercise http://moremuseum.org/omeka/files/original/70aafe69febc270b40bd91ac4320bc5a.jpg 23e3fadc0944c01a4da276f86047810d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ibro Hasanović Description An account of the resource Ibro Hasanović was born in Ljubovija (Yugoslavia) in 1981. He currently lives in Pristina, Kosovo. His works have been recently exhibited at Austrian Cultural Forum, New York, Künstlerhaus Vienna, Vienna; Munchner Stadtmuseum, Munich; Garage Museum of Contemporary Art, Moscow; Museum of Fine Arts, Split; Kunsthalle Wien, Wien; the 55th October Salon, Belgrade; National Gallery of Kosovo; Museum of Contemporary Art, Zagreb; Künstlerhaus - Halle für Kunst & Medien, Graz; the 2nd Project Biennial D-0 ARK Underground, Bosnia and Villa Romana, Florence. Creator An entity primarily responsible for making the resource Hasanović, Ibro Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lilium Bosniacum Description An account of the resource Lilium Bosniacum is a project that was thought to be realized in collaboration with scientists (e.g. botanist). It would include experiments in order to see if the Bosnian constitution - based upon the Dayton Peace Agreement in 1995 - could be translated, one way or another, into “natural law”. Dayton Peace Agreement was reached in November 1995 at USA Air Force Base near Dayton (Ohio), and formally signed on 14th December 1995 in Paris. It brought peace to the country torn up by war which started on 6th of April 1992. Today, this peace agreement which also serves as the Bosnian constitution has become a political nightmare. Its complex structure makes any kind of progress in Bosnia seem impossible. Lilium Bosniacum (a.k.a. golden lily or Bosnian lily) is a lily native to Bosnia and Herzegovina. Bosnian Lily is also a symbol that has been used in Bosnia since Middle Ages and it became especially popular during the rule of Bosnian king Tvrtko I Kotromanić. With the invasion of Ottomans into the region and the fall of Kotromanić Dynasty, the symbol went out of use. On 1st of March 1992, when Bosnia and Herzegovina gained independence from Yugoslavia, lilies were brought back onto the Bosnian flag. In 1998, after the protests of political representatives of the former Herceg-Bosna and Republika Srpska, the flag of the Republic of Bosnia and Herzegovina was replaced. The idea of the project is to try and create a set of rules and genetically modify Bosnian Lily in order that it complies with the complex structure of Dayton Peace Agreement. In collaboration with scientists (e.g. botanist), the project includes experiments in order to see if this specific “constitutional law” can be translated, one way or another, into “natural law”. All of the process would be photographically and video documented, in order to produce a book/herbarium and a short video documentary. Finally the goal would be to register this “hybrid lily”, if successfully created, to the EU database of registered plant varieties.  <a href="https://www.repository.unipr.it/bitstream/1889/2999/1/Ibro%20Hasanović_Lilium%20Bosniacum.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Hasanović , Ibro Date A point or period of time associated with an event in the lifecycle of the resource 2014 Contributor An entity responsible for making contributions to the resource Scipioni, Elena Lydia Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource English Type The nature or genre of the resource Still Image Rights Holder A person or organization owning or managing rights over the resource. Ibro Hasanović MoRE museum Identifier An unambiguous reference to the resource within a given context <a href="http://dspace-unipr.cineca.it/handle/1889/2999" target="_blank" rel="noopener">http://dspace-unipr.cineca.it/handle/1889/2999</a> Financial reasons http://moremuseum.org/omeka/files/original/8f716b008525ab533e60d4d8dd02945a.pdf 10c8407e51dc74b80127bd6361ef04d5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Foto 01.doc Subject The topic of the resource First of four digital images that show, from different urban perspectives, the visual result of the suggested installation and its interaction with the urban architecture of Caio Mario square in Turin. The images are numbered progressively from 1 to 4 according to an order defined by the artist. In the letter that accompanies the project donated to MoRE, the artist says to have recently looked in the web what is the current state of the Turin square: “[…] ‘frozen’ to the condition it had when I went there with architect Marco Della Torre”. Format The file format, physical medium, or dimensions of the resource file doc, archived in pdf. http://moremuseum.org/omeka/files/original/99ac8e2d27d5da8f565f769988488680.pdf a3ef5d7bd5040d6a42c71c758b69b63a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Foto02.doc Description An account of the resource Second of four digital images that show, from different urban perspectives, the visual result of the suggested installation and its interaction with the urban architecture of Caio Mario square in Turin. The images are numbered progressively from 1 to 4 according to an order defined by the artist. In the letter that accompanies the project donated to MoRE, the artist says to have recently looked in the web what is the current state of the Turin square: “[…] ‘frozen’ to the condition it had when I went there with architect Marco Della Torre”. Format The file format, physical medium, or dimensions of the resource file doc, archived in pdf. http://moremuseum.org/omeka/files/original/32ad58ab7d71fa99a65eb8fa6176b3a4.pdf 5f251dbf79f9ce441744da233036fd86 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Foto 03.doc Description An account of the resource Third of four digital images that show, from different urban perspectives, the visual result of the suggested installation and its interaction with the urban architecture of Caio Mario square in Turin. The images are numbered progressively from 1 to 4 according to an order defined by the artist. In the letter that accompanies the project donated to MoRE, the artist says to have recently looked in the web what is the current state of the Turin square: “[…] ‘frozen’ to the condition it had when I went there with architect Marco Della Torre”. Format The file format, physical medium, or dimensions of the resource file doc, archived in pdf. http://moremuseum.org/omeka/files/original/5004aa9b2da843b900830cbf5a844a0a.pdf 9817dabaff3cc0c34afe43b0aab753bd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Foto 04.doc Description An account of the resource Fourth of four digital images that show, from different urban perspectives, the visual result of the suggested installation and its interaction with the urban architecture of Caio Mario square in Turin. The images are numbered progressively from 1 to 4 according to an order defined by the artist. In the letter that accompanies the project donated to MoRE, the artist says to have recently looked in the web what is the current state of the Turin square: “[…] ‘frozen’ to the condition it had when I went there with architect Marco Della Torre”. Format The file format, physical medium, or dimensions of the resource file doc, archived in pdf. http://moremuseum.org/omeka/files/original/6cbdf68abc57222bfdbc5d0c351fb7fd.pdf 66c1716037d85b6d063cfe49646ecd96 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Progetto.doc Description An account of the resource Project presented by the artist for the contest, including an installation description, a poetics that reveals its objectives and its artistic and theoretical motivations, a detailed technical description with its realization costs and a four-page drawing of the project itself and of the “The Flower”. Format The file format, physical medium, or dimensions of the resource file doc, archived in pdf. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Debora Hirsch Description An account of the resource Born in São Paulo 19th August 1967. Lives and works between Milan and São Paulo. <a href="http://www.deborahirsch.com" target="_blank">http://www.deborahirsch.com</a> Creator An entity primarily responsible for making the resource Hirsch, Debora Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Il fiore e la pietra Description An account of the resource Il fiore e la pietra is a project of a urban sculpture for square in Turin, Italy. It was presented by the artist, on invitation by Gianni Romano, at the contest for young artists «Premio Artegiovane/Torino Incontra. Una porta per Torino» curated by Guido Curto, 6th Edition, 2002. The theme draws its first inspiration from B.C. comics by Johnny Hart: a frail flower dialogues with a stone. The ambiguity between solidity and frailty is symbolically set aside the then very adverse situation of FIAT, the most important manufacturing company of Turin, and the problem of the blue collar sleeping area. The environment in which the project was developed is typical of a still common situation in contemporary art: conceived to apply to a contest, it was never realized, as well as all the other projects presented, due to lack of funds. <a href="https://www.repository.unipr.it/bitstream/1889/1996/1/hirsch_il%20fiore%20e%20la%20pietra.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Hirsch, Debora Date A point or period of time associated with an event in the lifecycle of the resource 2002 Contributor An entity responsible for making contributions to the resource Bignotti, Ilaria Language A language of the resource Italian Format The file format, physical medium, or dimensions of the resource application/pdf Type The nature or genre of the resource Still Image Text Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/1996" target="_blank" rel="noopener"><code>http://hdl.handle.net/1889/1996</code></a> Rights Holder A person or organization owning or managing rights over the resource. Debora Hirsch MoRE Museum Financial reasons Project which wasn’t selected in a prize or competition http://moremuseum.org/omeka/files/original/98a736ab24dcc1c6b4c0b6945f4161a1.eml e21f682453afffe6b2abf97fe7ed2814 http://moremuseum.org/omeka/files/original/ce36a40158104eb256955a39166ed015.pdf 632cd0ce09405661fdba11c75b8a1e45 http://moremuseum.org/omeka/files/original/471b57af5177c685a7242c4f7905a4f8.m4a 1640594a678e42aa7a9848736172612e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource David Horvitz Description An account of the resource David Horvitz is an artist from Los Angeles Creator An entity primarily responsible for making the resource Horvitz, David Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Description An account of the resource This project, presented directly by the artist via email, consists of a single idea: to pull one of Los Angeles’s old trolley cars out of the ocean, where they were dumped after the closure of the city’s streetcar system. Reflecting on his native city—now completely devoted to cars—its past, and its processes of forgetting, Horvitz seeks to bring back to light an episode—the dumping of the trolleys into the ocean—that clearly serves as a metaphor. The Los Angeles Railway was a streetcar system that operated in central Los Angeles and the surrounding neighborhoods between 1901 and 1963. Several articles and photographs confirm that, during the 1950s, a few of the discarded streetcars from the Los Angeles Transit Lines (created in 1945) were thrown into the ocean. In particular, the July 1959 issue of Mass Transportation magazine<a href="applewebdata://63DD6E43-7BB1-4857-8260-ECDD6EC3FC5A#_ftn1" name="_ftnref1">[1]</a> featured an informative article about six “old” Los Angeles Transit Lines streetcars being placed off the coast at Redondo Beach to create an artificial reef. This work by David Horvitz can also be seen as part of a broader reflection by the artist on the concepts of water and time—one that draws upon conceptual practices and applies “the fluid and impermanent dimension of the Fluxus movement and of Oriental culture”<a href="applewebdata://63DD6E43-7BB1-4857-8260-ECDD6EC3FC5A#_ftn2" name="_ftnref2">[2]</a>. The search for and recovery of a discarded trolley car thus become a poetic and surreal performative gesture—an ephemeral action meant to leave several different traces, much like David Horvitz’s postal artworks, his stamps, or his attempts to mimic the sound of the ocean using the human voice. <a href="https://www.repository.unipr.it/bitstream/1889/3985/1/David%20Horvitz_untitled.pdf" target="_blank" rel="noopener">Read more</a>. <a href="applewebdata://63DD6E43-7BB1-4857-8260-ECDD6EC3FC5A#_ftnref1" name="_ftn1">[1]</a> Metro Digital Resources Librarian, Before “Subway To The Sea,” There Was “Streetcar In The Sea”: Creating Artificial Reefs Off The Los Angeles Coast In 1959,  Metro's Primary Resources, Los Angeles County Metropolitan Transportation Authority, May 18, 2011, Available at: <a href="https://metroprimaryresources.info/before-subway-to-the-sea-there-was-streetcar-in-the-sea-creating-artificial-reefs-off-the-los-angeles-coast-in-1959/1324/">https://metroprimaryresources.info/before-subway-to-the-sea-there-was-streetcar-in-the-sea-creating-artificial-reefs-off-the-los-angeles-coast-in-1959/1324/</a> <a href="applewebdata://63DD6E43-7BB1-4857-8260-ECDD6EC3FC5A#_ftnref2" name="_ftn2">[2]</a> M. Vecellio, The Water in you, in David Horvitz, nuvola, nuvola, oceano, nuvola, foschia, tu, Loom Gallery, Milano, 2018, s.p. Creator An entity primarily responsible for making the resource Horvitz, David Date A point or period of time associated with an event in the lifecycle of the resource 2009-2019 Contributor An entity responsible for making contributions to the resource Scotti, Marco Format The file format, physical medium, or dimensions of the resource text/html Language A language of the resource English Type The nature or genre of the resource Email Rights Holder A person or organization owning or managing rights over the resource. David Horvitz MoRE Museum Logistical reasons http://moremuseum.org/omeka/files/original/fbb64d23d53775fe15fc0d58f6ff959a.pdf 3b1c3dafa812385225bc37c6d559bacf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Invernomuto Description An account of the resource Simone Bertuzzi (b. Piacenza, 1983) and Simone Trabucchi (b. Piacenza, 1982) have been working together under the pseudonym Invernomuto since 2003. Moving images and sounds are the main tools they adopt when dealing with a precise, but wide variety of media. Invernomuto investigate sub-culture universes using different media in which common speech is both a sign of affection and a way to move closer to oral cultures and contemporary mythologies that are observed but also directly experienced. The declared inauthenticity of the materials they use plays a fundamental role in this process, which emphasizes the false and kitsch character of the mystifications by which they are inspired. Invernomuto has won numerous awards, including being finalists for the Furla Art Award in Bologna in 2013 and winning the MERU ART*SCIENCE Award at the GAMEC (Modern and Contemporary Art Gallery) in Bergamo. In 2014, they took part in Berlinale Talents in Berlin and received MIBAC funding to finish their first full-length film Negus, which was released in March 2016. Both artists also produce music individually, performing under the names Palm Wine and STILL. Creator An entity primarily responsible for making the resource Invernomuto Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Noises from above Description An account of the resource <div class="page" title="Page 3"> <div class="layoutArea"> <div class="column"> This project started from the interest of the artists around the village of San Damiano, near Piacenza, the birthplace of Simone Bertuzzi and Simone Trabucchi. This area hosts both a NATO military base and a sanctuary dedicated to an apparition of the Virgin Mary during the early 1960s: this research was born from an attention focused both on the sound produced by the warplanes' exercises and the nature of the military space, and on the collective religious imagination, in search of a possible dialogue and common points, in the context of a small village alongside the Po Valley. The first version of the project took the form of a documentary based on several interviews and filming of the surrounding landscape: at this stage just two trailers were produced, based on two interviews, and a parallel version was conceived as a live media performance composed of two video projections and a live soundtrack. In 2007, after a first stop decided by the artists themselves, the project was rethought as an installation on two screens, where they could have worked with loops and small variations, starting from shorter narrative models. This also included two structures for the vision of the films and an ambient soundtrack. In addition, during the research, the artists had the opportunity to confront themselves with the artist William Xerra - who was born in Piacenza too - who in 1976 staged Le Apparizioni (Verifica del Miracolo) in San Damiano, a piece related to the Marian apparitions in the area, which included as witnesses figures such as Pierre Restany, Renato Barilli and Vanni Scheiwiller. While being used by Invernomuto in several presentations, publications, showcases and works - with images and references - Noises from Above has never reached a final form and has never been completed: still today the artists consider it stuck in a standby phase.  <a href="https://www.repository.unipr.it/bitstream/1889/3449/1/Invernomuto_Noises%20from%20above.pdf" target="_blank" rel="noopener">Read more.</a> </div> </div> </div> Creator An entity primarily responsible for making the resource Invernomuto Date A point or period of time associated with an event in the lifecycle of the resource 2005-? Contributor An entity responsible for making contributions to the resource Scotti, Marco Language A language of the resource Italian Rights Holder A person or organization owning or managing rights over the resource. Invernomuto MoRE Museum project abandoned by the artist http://moremuseum.org/omeka/files/original/c0cd21e267ca78ab49c062555ed16866.tiff d9b1aecf039005bfb35b8018bc681477 http://moremuseum.org/omeka/files/original/cd2f1d0ceca1220ee4794afd818420bc.tiff 34d37251fc92cfe81fdb950384ba5a2a http://moremuseum.org/omeka/files/original/f448f4e2f1123ca916f390be26c209b6.tiff 77f60a8f475fbd619c0415f0e300563e http://moremuseum.org/omeka/files/original/0b4336aaf5a8952cd2cc138a77f68a98.tiff 7d9846fb0ca8b368f533851a1531dd72 http://moremuseum.org/omeka/files/original/c5d29b735bf5187898077b593799e8b8.rtf b8a1255a2c0901b3d5d733f9478ad500 http://moremuseum.org/omeka/files/original/3136e2ac37deaafc8f638fd3012fe4c3.rtf c5cadbf81287daa9a15c161ede4a448e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Emily Jacir Description An account of the resource Emily Jacir’s work investigates histories of colonization, exchange, translation, transformation, resistance, and movement. Jacir has built a complex and compelling œuvre through a diverse range of media and methodologies that include unearthing historical material, performative gestures and in-depth research. She was awarded a Golden Lion at the 52nd Venice Biennale (2007) for her work Material for a film; a Prince Claus Award from the Prince Claus Fund in The Hague (2007); the Hugo Boss Prize at the Guggenheim Museum (2008); the Alpert Award (2011) from the Herb Alpert Foundation; and the Andrew W. Mellon Foundation Rome Prize Fellow at the American Academy in Rome (2015). Emily Jacir has had recent solo exhibitions at Alexander and Bonin, New York (2018); IMMA (Irish Museum of Modern Art), Dublin (2016–17); Whitechapel Gallery, London (2015); Darat al Funun, Amman (2014–15); Beirut Art Center (2010); and the Guggenheim Museum, New York (2009). Her work has been in major international group exhibitions, including the Museum of Modern Art, New York; San Francisco Museum of Modern Art; Fondazione Sandretto Re Rebaudengo, Turin; dOCUMENTA (13) (2012); five consecutive Venice Biennales; Sharjah Biennial (2011); 29th Bienal de São Paulo, Brazil (2010); 15th Biennale of Sydney (2006); Sharjah Biennial 7 (2005); Whitney Biennial (2004); and the 8th Istanbul Biennial (2003). Creator An entity primarily responsible for making the resource Jacir, Emily Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource stazione Description An account of the resource stazione is the title of a public intervention conceived by Palestinian artist Emily Jacir for a collateral project of the 53rd Venice Biennale titled Palestine c/o Venice in 2009 but never realised. Jacir’s initial idea was to translate the names of each of the 24 vaporetti stops along route #1 of the water bus route into Arabic and to place the Arabic translations on all the stops next to their Italian counterparts.  <a href="https://www.repository.unipr.it/bitstream/1889/3844/1/jacir_lo%20pinto.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Jacir, Emily Date A point or period of time associated with an event in the lifecycle of the resource 2009-2010 Contributor An entity responsible for making contributions to the resource Lo Pinto, Luca Format The file format, physical medium, or dimensions of the resource image/tiff text/richtext Language A language of the resource English Type The nature or genre of the resource Text Still Image Rights Holder A person or organization owning or managing rights over the resource. Emily Jacir MoRE Museum Censored Political reasons http://moremuseum.org/omeka/files/original/e3959057d4fd694130db52a2ba75313c.jpg 0794412b5b74ed6fba9c4c2e3e93966f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jevsovar 01 cm 30 x 42.jpg Description An account of the resource Scan of the artwork realized in Brunnenburg, made by Archivio F. Conz. Format The file format, physical medium, or dimensions of the resource file jpg, 92,551x 130,651 cm, 96 dpi http://moremuseum.org/omeka/files/original/00e262b1f00eb59e4397190e8b92b732.jpg a7ff633800eca75374c54f3774ee97ec Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jevsovar 02 cm 30 x 42.jpg Description An account of the resource Scan of the artwork realized in Brunnenburg, made by Archivio F. Conz. Format The file format, physical medium, or dimensions of the resource file jpg, 92,551x 130,651 cm, 96 dpi http://moremuseum.org/omeka/files/original/c470ab41030444b046c57b7f635a1ea7.jpg 473f32c262286d366a750614eabe2e0d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jevsovar 03 cm 30 x 42.jpg Description An account of the resource Scan of the artwork realized in Brunnenburg, made by Archivio F. Conz. Format The file format, physical medium, or dimensions of the resource file jpg, 92,551x 130,651 cm, 96 dpi Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marijan Jevsovar Creator An entity primarily responsible for making the resource Jevšovar, Marijan Description An account of the resource Marijan Jevšovar (1922 - 1998) was a Croatian artist, born in Zagreb. He graduated from the Academy of Fine Arts of Zagreb in 1946. Between 1954 and 1956 he resided in France, where he approached the informal research, influenced in particular by Dubuffet. Since the late '50s he created paintings on surfaces which were coated in several layers of grey and white color, defined by the artist as a "negation of the form" obtained by "tainting the white surface of the canvas." During the '70s he also introduced the use of color in his works, though without ever distancing himself from this form of "anti-painting”. In parallel with this research, he has also created posters and art books. He has had exhibitions in Opatija (1959), Monaco (1960), Zagreb (1961, 1972, 1976, 1980, 1993), Dijon (1989), Varaždin (1990) and Umag (1993). Jevšovar was among the founders of the group Gorgona, active in Zagreb between 1959 and 1966. The group also included Josip Vaništa, Julije Knifer, the sculptor Ivan Ivan Kožarić, critics Radoslav Putar, Matko Meštrović, Dimitrije Bašičević Mangelos and architect Miljenko Horvat. Every one of the artists of Gorgona maintained, developed and enjoyed full creative autonomy. Gorgona has supported various unconventional forms of artistic activity, mainly divided into three sections: the exhibitions at the Studio G (1961-1963, Schira Salon, Zagreb, Croatia), the publication of the anti-magazine "Gorgona" (1961-1966 each edition was a work of art in itself), and the creation of concepts, projects and various forms of artistic communication. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Creator An entity primarily responsible for making the resource Jevšovar, Marijan Date A point or period of time associated with an event in the lifecycle of the resource 1991 Contributor An entity responsible for making contributions to the resource Scotti, Marco Zinelli, Anna Format The file format, physical medium, or dimensions of the resource image/jpeg image/jpeg image/jpeg Type The nature or genre of the resource Still Image Description An account of the resource In March 1991 the collector and publisher Francesco Conz, in collaboration with the Muzej Suvremene Umjetnosti - MSU Zagreb, invited a few artists who had been part of Gorgona, the Croatian avant-garde group active between 1959 and 1966, to an artistic residency at the castle of Brunnenburg in Merano, Italy. This residency should have resulted in a publication linked to the monumental project Conz dedicated to Ezra Pound - <a href="http://www.patriziopeterlini.it/conz/lalivre.htm" target="_blank" rel="noopener">La Livre,</a> which was never completed. During their residency, the five artists created thirteen works of art as well as fifteen hand-made copies of each work. All of which were created on the same size of paper. These works should have been part of a box, an art edition that initially should have included large-scale reproductions of seven of the group's old works, printed on canvas in Como, in addition to en eight obtained by merging the former in a continuous strip to create sort of a "collective work" - together with photographs documenting the residency, historical photographs and video interviews filmed in Brunnenburg. Conz died in 2010 but the box was never finished, although all of its components had been created, except for the folder that was supposed to contain them. The works of the artists have since remained in F. Conz's Archive. During his stay, Jevšovar created three different works of art. In two of them, both dated March 5th, he placed a quadrangular figure on the center of a white background, while in his third work, dated March 6th, he proposed a rectangular strip of color on a brown background. The works are therefore linked to the central theme of the artist's research, which is an attack on tradition - not ironically as it was in Dadaism, but rather looking at the surface as a central problem of pictorial structure. <a href="https://www.repository.unipr.it/bitstream/1889/2663/1/Jevšovar_untitled.pdf" target="_blank" rel="noopener">Read more.</a> Rights Holder A person or organization owning or managing rights over the resource. Marijan Jevsovar MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2663" target="_blank" rel="noopener">http://hdl.handle.net/1889/2663</a> Ideological reasons Logistical reasons http://moremuseum.org/omeka/files/original/97a2b371e61b6eda68b702be86525d72.m4a d9c8a266f258b9037e6461330debd554 http://moremuseum.org/omeka/files/original/65ca9b3a4ded844c5be8fc2d395a05b0.tif b93fb1a7bba6a87368b77e6ed7855eb5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource notes.tif Description An account of the resource The digital copy of a sheet of paper with drawings and words, hand made by the artist as a first study for the magazine. Format The file format, physical medium, or dimensions of the resource tiff file, 21,565 x 29,667 cm, 200 dpi Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hassan Khan Description An account of the resource Hassan Khan is an artist, musician and writer. He lives and works in Cairo, Egypt. Creator An entity primarily responsible for making the resource Khan, Hassan Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sketches for an unrealised magazine Description An account of the resource This project consists of an A4 sheet of paper with handwritten notes in both Arabic and English, along with sketches in black ink. It is the only existing document of a planned magazine that Hassan Khan intended to produce with some friends at the time, but which was never realized. Still a rough draft, this sketch can now be interpreted in light of Khan’s current practice – which includes visual arts, writing, and music – mapping themes related to the present geopolitical and social situation. Contemporary life in Cairo was a fundamental reference point, alongside diverse cultural influences including William Blake, punk, the philosophical mysticism of different traditions, various avant-garde movements of the twentieth century, modernist cinema, and experimental music. A magazine could have represented a way to subtly address these themes and engage with popular culture at the same time, without being explicit. <a href="https://www.repository.unipr.it/bitstream/1889/3242/1/Khan_Sketches%20for%20an%20unrealised%20magazine.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Khan, Hassan Date A point or period of time associated with an event in the lifecycle of the resource 1995 Contributor An entity responsible for making contributions to the resource Scotti, Marco Relation A related resource <a href="http://dspace-unipr.cineca.it/handle/1889/3242" target="_blank" rel="noopener">http://dspace-unipr.cineca.it/handle/1889/3242</a> Format The file format, physical medium, or dimensions of the resource image/tiff Language A language of the resource English Type The nature or genre of the resource Text Rights Holder A person or organization owning or managing rights over the resource. Hassan Khan MoRE Museum project abandoned by the artist http://moremuseum.org/omeka/files/original/09752801cdb72cff9411a048adba5ea4.pdf 036b2429cc90eba1cd9de645b99f4996 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource CRASH! A BETTER BRITAIN (spreads).pdf Description An account of the resource A digital version, in pdf format, of the original printed volume realized for the Serpentine Gallery Map Marathon – which took place 16th and 17th October 2010 at the Serpentine Pavillion – is present in the MoRE museum. This version doesn’t include some pages which were present in the original one and which contained the programme of the event and other connected information. All the texts and images which constituted the A Better Britain project are presented here. Format The file format, physical medium, or dimensions of the resource pdf http://moremuseum.org/omeka/files/original/78f20b11f64f8faa56e223d023c02a9b.m4a 809b080596d9bc65e4361720ac1e0d75 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource CRASH! – Scott King & Matthew Worley Description An account of the resource Scott King was born in 1969 in Goole, East Yorkshire, England. Past work includes: Art Director of i-D and Creative Director of Sleazenation magazines. King has also designed record sleeves for the Pet Shop Boys, Suicide and Morrissey; and in 2013 he finally produced a record of his own entitled You’re My Favorite Artist (Vinyl Factory). For over 15 years King has created work under the banner CRASH! with writer and historian Matthew Worley. King’s work has been exhibited worldwide at such institutions as the ICA and the Barbican, London; Kunst-Werke Berlin; The State Hermitage Museum, St Petersburg, Museum of Contemporary Art, Chicago and the Museum of Modern Art, New York. Matt Worley was born in 1970 and grew up in Norwich, where he still lives. He works as a professor of modern history at the University of Reading and continues to contribute to Crash! with Scott King when the need arises. Worley is currently writing a book on the connection between punk, politics and popular music in the late 1970s and early 1980s. Creator An entity primarily responsible for making the resource CRASH! – Scott King & Matthew Worley Document A resource consisting primarily of words for reading. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data paper Physical Dimensions The actual physical size of the original image 20,997 x 29,771 cm, 300 dpi. 17 pages. Text Any textual data included in the document Magazine, program for the 2010 Serpentine Gallery Map Marathon Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Better Britain Description An account of the resource Scott King developed this project as CRASH!, together with historian and writer Matthew Worley, for the <a href="http://www.serpentinegalleries.org/exhibitions-events/map-marathon" target="_blank" rel="noopener">Serpentine Map Marathon</a> event. A Better Britain is a series of 12 projects, published inside what appeared to be the programme for the Map Marathon, along with information about the event. Each project features an image—designed by Scott King with a xerox, collage-like aesthetic—and a text written by Matthew Worley presenting the idea. Each proposal addresses a specific aspect of contemporary Britain, adopting a utopian/dystopian and often satirical perspective. MoRE also conducted <a href="https://www.repository.unipr.it/bitstream/1889/2424/1/intervista%20a%20Scott%20King%20e%20Matt%20Worley.pdf" target="_blank" rel="noopener">an interview with the authors</a> about the projects, which was published on the museum’s website. <a href="https://www.repository.unipr.it/bitstream/1889/2410/1/Crash_A%20Better%20Britain.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource King, Scott Worley, Matthew CRASH! Date A point or period of time associated with an event in the lifecycle of the resource 2010 Contributor An entity responsible for making contributions to the resource Scotti, Marco Format The file format, physical medium, or dimensions of the resource application/pdf Language A language of the resource English Type The nature or genre of the resource Text Still Image Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2410" target="_blank" rel="noopener">http://hdl.handle.net/1889/2410</a> Rights Holder A person or organization owning or managing rights over the resource. CRASH! (Scott King & Matthew Worley) MoRE Museum Theoretical exercise http://moremuseum.org/omeka/files/original/575536c016fbb8f38a5a7f59e31d8ce1.jpg 178ec5c3a40f5f29519315aed9847a93 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Knifer cm 30 x 42.jpg Description An account of the resource Scan of the artwork realized in Brunnenburg, made by Archivio F. Conz. Format The file format, physical medium, or dimensions of the resource file jpg, 121,497 x 168, 487 cm, 72 dpi Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julije Knifer Description An account of the resource Julije Knifer (1924-2004) was a Croatian artist, who was born in Osijek and died in Paris, where he had lived since 1994. A graduate of the Academy of Fine Arts of Zagreb in 1956, by the late '50s he developed his research starting from the geometrical pattern of the "meander", which he reproduced in different formats and with different techniques, eventually introducing a practice of conceptual matrix imprinted on seriality and formal reductionism. His first production, influenced by Russian Suprematism and serial music, was characterized by the repetition of the meander's pattern in black and white paintings; from the late 60s he introduced other colors and adopted large sizes and even murals. The "meanders" were displayed for the first time in the exhibition "New Tendencies" at the Gallery of Contemporary Art in Zagreb in 1961, and later in “New Tendencies 2” in 1963, “New Tendencies 4” in 1969 and “New Tendencies 5" in 1973. He also participated in major international exhibitions such as the Art Abstrait Constructif International at the Denise René Gallery of Paris (1961-1962), Konstruktivisten at the Städtisches Museum in Leverkusen (1962), the VI International Art Biennale of San Marino “Beyond the Informal” (1963); he participated twice in the Venice Biennale (1976, 2001), and three times in the Sao Paulo Biennale (1973, 1979, 1981). His works are also included in major museum collections such as the MoMA in New York and the Centre Georges Pompidou in Paris. Knifer was among the founders of the group Gorgona, active in Zagreb between 1959 and 1966. The group also included Josip Vaništa, the sculptor Ivan Kozaric, critics Radoslav Putar, Matko Meštrović, Dimitrije Bašičević Mangelos and architect Miljenko Horvat. Every one of the artists of Gorgona maintained, developed and enjoyed full creative autonomy. Gorgona has supported various unconventional forms of artistic activity, mainly divided into three sections: the exhibitions at the Studio G (1961-1963, Schira Salon, Zagreb, Croatia), the publication of the anti-magazine "Gorgona" (1961-1966 each edition was a work of art in itself), and the creation of concepts, projects and various forms of artistic communication. Creator An entity primarily responsible for making the resource Knifer, Julije Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Creator An entity primarily responsible for making the resource Knifer, Julije Date A point or period of time associated with an event in the lifecycle of the resource 1991 Contributor An entity responsible for making contributions to the resource Scotti, Marco Zinelli, Anna Description An account of the resource In March 1991 the collector and publisher Francesco Conz, in collaboration with the <a href="http://www.msu.hr/" target="_blank" rel="noopener">Muzej Suvremene Umjetnosti - MSU Zagreb</a>, invited a few artists who had been part of Gorgona, the Croatian avant-garde group active between 1959 and 1966, to an artistic residency at the castle of Brunnenburg in Merano, Italy. This residency should have resulted in a publication linked to the monumental project Conz dedicated to Ezra Pound - <a href="http://www.patriziopeterlini.it/conz/lalivre.htm" target="_blank" rel="noopener">La Livre, </a>which was never completed. During their residency, the five artists created thirteen works of art as well as fifteen hand-made copies of each work. All of which were created on the same size of paper. These works should have been part of a box, an art edition that initially should have included large-scale reproductions of seven of the group's old works, printed on canvas in Como, in addition to en eight obtained by merging the former in a continuous strip to create sort of a "collective work" - together with photographs documenting the residency, historical photographs and video interviews filmed in Brunnenburg. Conz died in 2010 but the box was never finished, although all of its components had been created, except for the folder that was supposed to contain them. The works of the artists have since remained in F. Conz's Archive. At Brunnenburg, Knifer proposed his classic "meander" theme, a geometric structure characterized by the contrasts between black and white, which he introduced at the end of 1959 as a form of "anti-painting". Nena Dimitrijević identified it as a synonym of his "artistic identity" and claimed that he, inspired by Primary Painting and Hard Edge aesthetics, adopted a form of conceptualization of the artistic practice which identifies with a single pictorial solution, a symbol that is the sublimation of radical will. <a href="https://www.repository.unipr.it/bitstream/1889/2662/1/Knifer_untitled.pdf" target="_blank" rel="noopener">Read more.</a> Relation A related resource DSpace: <a href="http://dspace-unipr.cineca.it/handle/1889/2662" target="_blank" rel="noopener">http://dspace-unipr.cineca.it/handle/1889/2662</a> Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Language A language of the resource English Rights Holder A person or organization owning or managing rights over the resource. Julije Knifer MoRE Museum Ideological reasons Logistical reasons http://moremuseum.org/omeka/files/original/cc3de28a80374fa75986ae2367c549fd.pdf 2e3e976560efef3580bf7e3e80df3a71 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 01Kensuke-descrizione.docx Description An account of the resource Letter in which the artist describes the project Format The file format, physical medium, or dimensions of the resource File pdf http://moremuseum.org/omeka/files/original/b7617816fbfdaf250fb685b9f9d79227.jpg 0ec9fae1161521ea4146f7303185ab2b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 01container3.jpg Description An account of the resource Photograph of the first prototype of the work Format The file format, physical medium, or dimensions of the resource file jpeg, 28,222 x 35,278 cm, 72 dpi http://moremuseum.org/omeka/files/original/d960d18645f416e511a29dd073a5eca7.jpg 219d2e486cc3d26ef504ca6ba70ff6cb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource file jpeg, 28,222 x 35,278 cm, 72 dpi Description An account of the resource Photograph of the first prototype of the work Title A name given to the resource 01container4.jpg http://moremuseum.org/omeka/files/original/804dbbb4aa43ad2528d1afc4d37b9071.jpg 7be259142679cf5a9b22df7de2c87edf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource file jpeg, 28,222 x 35,278 cm, 72 dpi Title A name given to the resource 01container5.jpg Description An account of the resource Photograph of the first prototype of the work Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Kensuke Koike Description An account of the resource Kensuke Koike (born in Nagoya, Japan in 1980 – lives and works between Sempas, Nova Gorica and Venice). His artistic research focuses on the variations of imagination and human perception; he works mainly on collages, from the traditional and technically simple photo collage to a three dimensional collage in motion, realized by collecting a series of image-trouvé. But the appeal of his work often comes from the fact of adding to the image of the readymade the concept, borrowed from alchemy, of “finding value in nothing”. Creator An entity primarily responsible for making the resource Koike, Kensuke Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Containers Description An account of the resource A series of frames of big size are overlapped in order to create a new shape, that goes beyond the content of the frames itself. The project was part of a series of works focusing on representation, but the artist abandoned it because he was busy on other works and moreover he saw at Venice Biennale 2013 a similar project, Still the Same Place by Petra Feriancová and Zbyněk Baladrán inside the Czech pavilion. <a href="https://www.repository.unipr.it/bitstream/1889/2900/1/Kensuke%20Koike_Containers.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Koike, Kensuke Date A point or period of time associated with an event in the lifecycle of the resource 2012 Contributor An entity responsible for making contributions to the resource Romano, Gianni Format The file format, physical medium, or dimensions of the resource application/pdf image/jpeg Language A language of the resource Italian Type The nature or genre of the resource Text Still Image Rights Holder A person or organization owning or managing rights over the resource. Kensuke Koike MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2900" target="_blank" rel="noopener">http://hdl.handle.net/1889/2900</a> project abandoned by the artist http://moremuseum.org/omeka/files/original/25df0b9f90f0e7887d0b7764658fe172.jpg e7235f6fa899cf290b1c22ce3bbd55b8 http://moremuseum.org/omeka/files/original/0f39fe90098305a93955f3e5f9a43866.jpg 58363cf664addd113f85ad401fddf9e6 http://moremuseum.org/omeka/files/original/8dc3a72832c2c198603523068864e32e.jpg e5c7a946a3b3f3d69f151485e5cf4dd4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ivan Kozaric Creator An entity primarily responsible for making the resource Kožarić, Ivan Description An account of the resource Ivan Kožarić (1921) (1921) is a Croatian artist who lives and works in Zagreb. His research has been focused mainly on sculpture, but he has also used other means of expression such as assemblage, painting, photography and installation. He was among the founders of the group Gorgona, active in Zagreb between 1959 and 1966. The group also included Josip Vaništa, Julije Knifer, Đuro Seder, critics Radoslav Putar, Matko Meštrović, Dimitrije Bašičević Mangelos and the architect Miljenko Horvat. Every one of the artists of Gorgona maintained, developed and enjoyed full creative autonomy. Gorgona has supported various unconventional forms of artistic activity, mainly divided into three sections: the exhibitions at the Studio G (1961-1963, Schira Salon, Zagreb, Croatia), the publication of the anti-magazine "Gorgona" (1961-1966 each edition was a work of art in itself) and the creation of concepts, projects and various forms of artistic communication. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image Kozaric 01 cm 30 x 42.jpg (file jpeg, 92,234x131,128cm, 96 dpi) Kozaric 02 cm 30 x 42.jpg (file jpeg, 92,551x130,651cm, 96 dpi) Kozaric 03 cm 30 x 42.jpg (file jpeg, 92,551x130,651cm, 96 dpi) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Date A point or period of time associated with an event in the lifecycle of the resource 1991 Description An account of the resource In March 1991 the collector and publisher Francesco Conz, in collaboration with the Muzej Suvremene Umjetnosti - MSU Zagreb, invited a few artists who had been part of Gorgona, the Croatian avant-garde group active between 1959 and 1966, to an artistic residency at the castle of Brunnenburg in Merano, Italy. During their residency, the five artists created thirteen works of art as well as fifteen hand-made copies of each work. All of which were created on the same size of paper. These works should have been part of a box, an art edition that initially should have included large-scale reproductions of seven of the group's old works, printed on canvas in Como, in addition to en eight obtained by merging the former in a continuous strip to create sort of a "collective work" - together with photographs documenting the residency, historical photographs and video interviews filmed in Brunnenburg. Conz died in 2010 but the box was never finished, although all of its components had been created, except for the folder that was supposed to contain them. The works of the artists have since remained in F. Conz's Archive. Kozaric's three works are in line with his research, which investigates – both through painting and sculpturing - the relationship between positive and negative: in one particular work, the artist reuses a cropped shape as a graphic mask in order to achieve what Seder calls "imperfect surfaces", a theme that traces back to the Gorgona period. Kožarić's particular interest in the valley of Merano, which is in relation to his personal memories, emerges both through the video interview taped in Brunnenburg as well the testimonies of the artists who participated in the residency. <a href="https://www.repository.unipr.it/bitstream/1889/2664/1/Ivan%20Kožarić_untitled.pdf" target="_blank" rel="noopener">Read more.</a> Contributor An entity responsible for making contributions to the resource Scotti, Marco Zinelli, Anna Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource English Type The nature or genre of the resource Still Image Rights Holder A person or organization owning or managing rights over the resource. Ivan Kožarić MoRE Museum Creator An entity primarily responsible for making the resource Kožarić, Ivan Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2664" target="_blank" rel="noopener">http://hdl.handle.net/1889/2664</a> Ideological reasons Logistical reasons http://moremuseum.org/omeka/files/original/851bf3ab50b693f8ff1b64a26f7ac788.jpg c25dea86be74b43d92c74cef8b36e359 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Till Krause Description An account of the resource Till Krause lives in Hamburg. Together with the artist project space GFLK Galerie für Landschaftskunst and in many other cooperations he works on artistic ideas of urban and landscape spaces. Long-term projects such as Free River Zone, Land for Five Final Acts, Hamburg Mapping Project, illegalevecht. <a href="http://www.gflk.de/">www.gflk.de</a> Creator An entity primarily responsible for making the resource Krause, Till Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Square Opposite the Townhouse Description An account of the resource City centre of Hamburg, Germany. Until the early 1990's there were still "empty places", brownfields, remains of World War II. One of these wastelands I loved very much. A square in the middle of the business centre. It was raw and unkempt, hardly used. Significantly, it had (unlike today) no name. It was so beautiful, because it was a rare place of the unresolved and unclear in the chic, rich inner city. On it the hidden traces of its past paired with the still unthinking possibilities of a future. I began to observe and document it closely. I went into archives and searched for everything that had ever been on this square in past years and centuries. Around 1990, new buildings began to be erected in the immediate vicinity and on the larger part of the square. Office, commercial and hotel buildings. Thus the inner city centre lost its last (aesthetically) open, disorganized area. I made two suggestions for the remaining part of the square. A) The remaining wasteland was to be surrounded by an extremely high fence. I should have the only key to the piece of land. B) A panorama building was to be erected on the square for my extensive archive on the fallow land and on "everything that had ever been there". <a href="https://www.repository.unipr.it/bitstream/1889/3717/1/Till%20Krause_The%20Square%20Opposite%20the%20Townhouse.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Krause, Till Date A point or period of time associated with an event in the lifecycle of the resource 1987-1995 Contributor An entity responsible for making contributions to the resource Krause, Till Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource Deutsch Type The nature or genre of the resource Still Image Rights Holder A person or organization owning or managing rights over the resource. Till Krause MoRE museum http://moremuseum.org/omeka/files/original/dce071a417ac7efe3e2838a5bf5c0968.jpg 7a3f18c42fe97da658690fa14d5cb1c1 http://moremuseum.org/omeka/files/original/e05e98ebbddacc8b43571cbac13619d7.jpg 9d3b48dd94ce0c3fc1ba9f9834a68577 http://moremuseum.org/omeka/files/original/ef79a1afe43a7f9d6867943e4e75ec99.jpg c1114176e4ed5bdf437eb74788a33cd0 http://moremuseum.org/omeka/files/original/ea31ad5416e80f7c0edbd6e096fc0e13.jpg 9b547ce2fc3b63c762355b64c641b5cc http://moremuseum.org/omeka/files/original/0b3bb80e8b99aaf5377fea491f6e5b20.jpg ec1f3f6623402bd512b0f069dbe80d63 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource G. Küng Description An account of the resource G. Küng (born 1982, New York) lives and works in Brussels since her 2013 residency at Wiels Contemporary Art Centre. She earned a BFA from The Cooper Union for the Advancement of Science and Art in New York in 2004 and an MFA from The Glasgow School of Art in 2012. Recent exhibitions include Luigi Ghirri/G.Küng: Looking in and a solo exhibition, Inexhaustible Gifts of Celebratory Fruits, both at Galerie Antoine Levi, Paris where she is represented. She was one of ten participants in the national competition of The Young Belgian Art Prize in 2015. Creator An entity primarily responsible for making the resource Küng, Georgia Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource as yet untitled (Stairs) Description An account of the resource The idea was to reflect on the art fair context which is a recurring impulse in the artist's work. Context is not neutral, and can sometimes be oppressive as in the case of an art fair. The proposal for Frieze London made reference to ambition and the competitive, attention grabbing motivation behind many projects for these art fairs. It would point to the competition for limited places and the curators’ power. The artist, caring very little about making a name for herself, uses the abbreviated 'G. Küng', which is meant to encapsulate a stance of resistance. The project would consist of really oversized photographic prints on the theme of "stairs.” She would photograph models in board or plaster, variations on the stair form. They would be difficult stairs, treacherous ones or impossible to climb stairs: their shape would mean that if you tried to climb them, they would topple over, or a step would have a broken part, or they would get taller and taller as you climbed. Enlarging the photos hugely, the images would be too tall for the pseudo-walls of the art fair, and the prints would stick out above the walls. <a href="https://www.repository.unipr.it/bitstream/1889/2998/1/G.Kung_as%20yet%20untitled%20%28Stairs%29.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Küng, Georgia Date A point or period of time associated with an event in the lifecycle of the resource 2015 Contributor An entity responsible for making contributions to the resource Scipioni, Elena Lydia Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource English Type The nature or genre of the resource Still Image Rights Holder A person or organization owning or managing rights over the resource. G. Küng MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://dspace-unipr.cineca.it/handle/1889/2998" target="_blank" rel="noopener">http://dspace-unipr.cineca.it/handle/1889/2998</a> Project which wasn’t selected in a prize or competition http://moremuseum.org/omeka/files/original/5c71b5e284548afe9b941817b533d1a0.jpg c575beff3136171830678597ce8189e0 http://moremuseum.org/omeka/files/original/7643590c9d71fbf29e6f02febb81ad21.jpg b647c10866b0259f110f43a554d164b6 http://moremuseum.org/omeka/files/original/002e3918f16b552bbcf3d10778bb0122.jpg 484fc2b12c6aab94eddd28154907fa09 http://moremuseum.org/omeka/files/original/1fb0f4658d5ac167767772e1e66ad667.jpg 10a0b3dc39423351ce629a9552540629 http://moremuseum.org/omeka/files/original/d010a35026fdf70c8fe4ced0899041cd.jpg f1e3b4e19a926eea912ce839ddc3597a http://moremuseum.org/omeka/files/original/ac118293042ba7671fa2429a21fc8c87.jpg 96b46703a755d0bfdb4d8217b76bbc13 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Andrea Kvas Description An account of the resource Andrea Kvas was born in 1986 in Trieste, he currently lives and works in Italy. His personal exhibitions include: the 2015 Staring Contest, Ermes-Ermes in Vienna, the double solo show Andrea Kvas and Nicola Martini at the Kaufmann Repetto gallery in Milan and in 2013 Campo the exhibition at the Museo Marino Marini in Florence. He has also participated in numerous collective exhibitions in various areas in Italy and abroad, such as the galleries Bugada & Cargnel in Paris, Francesca Minini in Milan, Chert in Berlin, CAR DRDE in Bologna and ZERO ... in Milan. He has presented his work in institutional spaces such as the Fondazione Bevilacqua la Masa in Venice, the Municipal Gallery of Contemporary Art in Monfalcone and the Macro in Rome, and in independent spaces such as Brown Project Space and Peep-Hole in Milan, and Cripta 747 in Turin. Creator An entity primarily responsible for making the resource Kvas, Andrea Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Taccuino 2015 Description An account of the resource Andrea Kvas donated to MoRE some unrealized works from his notebook. The design material in these sheets is very varied and includes sketches of shapes, the conception, and development of a new alphabetical code and some self-supporting pictorial structures. Although the projects are heterogeneous, the critical point of this material would seem to be the alphabetical code studied by the artist, this created by him to answer a question concerning abstract art.  <a href="https://www.repository.unipr.it/bitstream/1889/3474/1/Andrea%20Kvas_Taccuino%202015.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Kvas, Andrea Date A point or period of time associated with an event in the lifecycle of the resource 2015 Contributor An entity responsible for making contributions to the resource Rossi, Valentina Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource Italian Type The nature or genre of the resource Text Still Image Rights Holder A person or organization owning or managing rights over the resource. Andrea Kvas MoRE Museum http://moremuseum.org/omeka/files/original/c8b949368806a6806aec3000ef7e612b.jpg 7c18f0012f0fb585e2a7c5434bd20a7e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ULP_casascultore1964.jpg Format The file format, physical medium, or dimensions of the resource drawing on squared paper http://moremuseum.org/omeka/files/original/58103f35499fa0a3f637b4d9c895d5ab.jpg 2d344d8073e03108cc666dc42a95aba3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 16_casa-scultore.jpg Format The file format, physical medium, or dimensions of the resource perspective, pen drawing http://moremuseum.org/omeka/files/original/888cccc3720297489dfe09f8f9cbde2d.jpg 7bea4612e869ecbbd1e81adb60043136 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 15_casa-scultore.jpg Format The file format, physical medium, or dimensions of the resource charcoal drawing, a variant to 16-casascultore.jpg, signed and dated 1961 http://moremuseum.org/omeka/files/original/64d61f540490d59c8ce28b01f33297c5.jpg 307204a6968890fa2214785383e1eb8d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 14_casa-scultore.jpg Format The file format, physical medium, or dimensions of the resource photo of the model http://moremuseum.org/omeka/files/original/d48c8d3d482a53ccb0a0c615b6e06943.jpg b6f66182f378f756a24232006ac8ad2f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 13_casa-scultore.jpg Format The file format, physical medium, or dimensions of the resource charcoal drawing, signed and dated on the lower right corner 1961 http://moremuseum.org/omeka/files/original/4da716865bdca22c5df237c2ca3e4e62.jpg 2adcee4b5f22d0ea83986d8d777dca7b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource signed sheet, dated on the lower right corner 23/01/1962 Title A name given to the resource 12_casa-scultore.jpg http://moremuseum.org/omeka/files/original/5fd15eb166dc72cca320ff5ae0b7eb98.jpg 87d5bbf7aeb60023227e32cb73231c0a http://moremuseum.org/omeka/files/original/703b017fb3448ab81b6ffff8c51b87d8.jpg 8ada4f746702da7ddffd11e72f8074d3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ugo La Pietra Description An account of the resource Born in 1938, in Bussi sul Tirino, Pescara, Ugo La Pietra graduated from Milan’s Politecnico in 1964. In 1962 his artistic research attempts to clarify the relationship “individual-environment.” Within the framework of this process he develops knowledge tools (“models for understanding”) that seek to transform the traditional “artwork-viewer” relationship. He always acted inside and outside disciplines, describing himself as a “researcher in visual arts”; an unconventional and peculiar artist, not easy to classify. Since 1960 he embraced different art movements with his researches. He spread his thoughts and experiences through an intense editorial and academic activity. Moreover he was a founding member of several groups, such as Gruppo del Cenobio, Gruppo Design Radicale and Global Tools, and promoter of many exhibitions that involved a great number of professionals (artists, designers and architects). <a href="http://www.ugolapietra.com" target="_blank">http://www.ugolapietra.com</a> Creator An entity primarily responsible for making the resource La Pietra, Ugo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Casa per uno Scultore (Casa per lo scultore Carmelo Cappello) Description An account of the resource The project of the house for the sculptor Carmelo Cappello (Casa per lo scultore Carmelo Cappello) has for its own nature of academic exercise to be inevitably assigned to the sphere of 'unrealised'. However, if we leave out an analysis limited to the development of the theme proposed to the students for the course of interior design at the Faculty of Architecture, Politecnico di Milano, hosted by Carlo De Carli, we realize that this project and in particular the set of drawings Ugo La Pietra has entrusted to MoRE could be brought back within a path of continuous experimental exercise than in the earlier years of his research is aimed at proposing a reformulation of the relationship between the arts. <a href="https://www.repository.unipr.it/bitstream/1889/1770/1/UGO%20LA%20PIETRA_Casa%20per%20uno%20scultore.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource La Pietra, Ugo Date A point or period of time associated with an event in the lifecycle of the resource 1960-1962 Contributor An entity responsible for making contributions to the resource Zanella, Francesca Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource English Type The nature or genre of the resource Still Image Rights Holder A person or organization owning or managing rights over the resource. Ugo La Pietra MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/1770" target="_blank" rel="noopener">http://hdl.handle.net/1889/1770</a> Theoretical exercise http://moremuseum.org/omeka/files/original/5cebb2fe1b5bf21a9c94d4c966669b6a.jpg 071a8398085e4641a3ce261eb5784e98 http://moremuseum.org/omeka/files/original/03d5e4fc7ab49280d0e5c1937fa0b8ee.jpg 016918fdff471614bacad5ffb40914e9 http://moremuseum.org/omeka/files/original/bde6447c2d28abe1074612d066ad2e66.jpg 0b6c9347e3aa9e6005b777d40a9c2f2f http://moremuseum.org/omeka/files/original/fcf50047f8705e1d0d32d10963a069d8.jpg 8f52054dcf1914d8cfb2e53402fa3736 http://moremuseum.org/omeka/files/original/5d8c1b15117e1def4a2af87aba03c9ca.jpg 8a30d08ff00d6ba9770876023ea6f5d9 http://moremuseum.org/omeka/files/original/be4ca74999b612725e57c6ef9e2df551.jpg d4cfa14f73c339d8f1c3f8429297aeee http://moremuseum.org/omeka/files/original/ee3f50d06ac17c2b5b87b4ff5ddb0623.jpg 7c711a365d5891f03db339800d2b024c http://moremuseum.org/omeka/files/original/7741dc8b9a95bb1e5a0f73ccc48c7cb6.jpg 40c34bc4ba4d53254b1189ff8224859b http://moremuseum.org/omeka/files/original/7c686de81494ec91df1a42bd7db8af7e.jpg 78fd545ed0b94822cf63bb7fd80cd398 http://moremuseum.org/omeka/files/original/5224a5373e1e626183be9f11fa186c9c.jpg a9da09ee7c838e1edd67f54bb2440eef http://moremuseum.org/omeka/files/original/6e68cf772cdc134c387a080fbd8969cb.jpg 2c2d52015c3477ebe13458c55b800c28 http://moremuseum.org/omeka/files/original/3ca32241f7bd5ccd96b3fa1dd12df9ef.jpg 2b7b7460acba70f3631c508cc87691b9 http://moremuseum.org/omeka/files/original/611dfdda124441e3022dd15a8812d37b.jpg f5257b73609ba5ca583e221d04d6ffc7 http://moremuseum.org/omeka/files/original/2daf95f4715a68ca8e1ef3013c449cd8.jpg 8c789d05d7d8565547d1db59c930a5f0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ugo La Pietra Description An account of the resource Born in 1938, in Bussi sul Tirino, Pescara, Ugo La Pietra graduated from Milan’s Politecnico in 1964. In 1962 his artistic research attempts to clarify the relationship “individual-environment.” Within the framework of this process he develops knowledge tools (“models for understanding”) that seek to transform the traditional “artwork-viewer” relationship. He always acted inside and outside disciplines, describing himself as a “researcher in visual arts”; an unconventional and peculiar artist, not easy to classify. Since 1960 he embraced different art movements with his researches. He spread his thoughts and experiences through an intense editorial and academic activity. Moreover he was a founding member of several groups, such as Gruppo del Cenobio, Gruppo Design Radicale and Global Tools, and promoter of many exhibitions that involved a great number of professionals (artists, designers and architects). <a href="http://www.ugolapietra.com" target="_blank">http://www.ugolapietra.com</a> Creator An entity primarily responsible for making the resource La Pietra, Ugo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Nodi Urbani Description An account of the resource The documents donated by Ugo La Pietra and named Nodi Urbani constitutes, compared to the Progetto per la Casa dello Scultore Cappello, a further variation of the 'unrealised'. If the casa per uno scultore is a ‘theoretical’ academic exercise that engages even the pictorial research of La Pietra, the drawings titled Nodi Urbani represent the 'frame' of a series of lexperiments carried out in the years following his graduating in architecture at the Politecnico di Milano. <a href="https://www.repository.unipr.it/bitstream/1889/1771/1/UGO%20LA%20PIETRA_Nodi%20urbani.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource La Pietra, Ugo Date A point or period of time associated with an event in the lifecycle of the resource 1965-1968 Contributor An entity responsible for making contributions to the resource Zanella, Francesca Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource English Type The nature or genre of the resource Still Image Rights Holder A person or organization owning or managing rights over the resource. Ugo La Pietra MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/1771" target="_blank" rel="noopener">http://hdl.handle.net/1889/1771</a> Theoretical exercise http://moremuseum.org/omeka/files/original/b3ea04ee21b6b7ec5df21c4198ece750.jpg 91812c601bd19b0e6b7049bec4aae11f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource map.jpg Description An account of the resource A photography of a map of the world, tattooed on a bottom. Format The file format, physical medium, or dimensions of the resource jpg file, 21,565 x 29,667 cm, 200 dpi http://moremuseum.org/omeka/files/original/00e2fb01c356b3af4ba824d48f82672c.pdf 2d4d1d4d58334a18be71d87b7ba70f1d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dear Tattooist.docx Description An account of the resource Letter used by the artist to present the project and invite the tatooists to contribute. Format The file format, physical medium, or dimensions of the resource MS Word file/ PDF Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Runo Lagomarsino Description An account of the resource Runo Lagomarsino (b. 1977, Sweden) lives and works in Malmö and São Paulo. He participated in the Whitney Museum of American Art Independent Study Program in 2007-2008 and received his MFA at the Malmö Art Academy in 2003. The artist tries to construct frictions between language, representation, and dominant narratives by investigating fractures and blind paths from where to tell other stories, unlearn, read the past, and name the future. Lagomarsino has participated in numerous solo and group exhibitions across the world, including West is everywhere you look, Francesca Minini, Milano (2016); Carla Zaccagnini & Runo Lagomarsino, Malmö Konsthall (2015); Against My Ruins, Nils Stærk, Copenhagen (2014); We have everything, but that’s all we have, Mendes Wood DM, São Paulo (2013), and For Each Light a Shadow, Ignacio Liprandi, Buenos Aires (2013); the World’s Futures, the 56th Venice Biennale (2015); Really useful knowledge, Museo Nacional Centro de Arte Reina Sofía, Madrid (2014); Under the Same Sun, Guggenheim Museum, New York (2014); The 30th São Paulo Biennial – The Imminence of Poetics (2013); Untitled – 12th Istanbul Biennial (2011) and The Moderna Exhibition, Moderna Museet, Stockholm (2010). Creator An entity primarily responsible for making the resource Lagomarsino, Runo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dear Tattooist Description An account of the resource This project moves from the interest of the artist in the map - a recurring theme inside his research - and wants to explore this form of historical representation with tattoos, a declared fascination of Runo Lagomarsino: in fact his idea was to invite several tattooists from all around the world to draw a world map, and in particular “a personal interpretation of the world map”, without any limit or rule. This work, that has never been realized, could be seen as part of a series of practices through which the artist “examines how we come to know and speak about the conflicting geographies and temporalities of power”<a title="" name="_ftnref1" href="#_ftn1"></a>, investigating the map as way to measure, represent and control a territory, that contains in itself several contradictory truths and is strictly connected with an ideology, a vision or a point of view. In particular the use of metaphors and representations to study political and social environments<a title="" name="_ftnref2" href="#_ftn2"></a> here is declined through the potential multiple authorship of the tattooists that could have drawn the maps, and through the introduction of a technique usually connected with the idea of traveling and with the concept of identity. The tattoo, here a personal interpretation of something usually considered fixed, could have been another mean aimed at “the investigation of the historiographic, geographic and mathematical models that helped to ensure the colonialist domination of the world by Western modernity”. <a href="https://www.repository.unipr.it/bitstream/1889/3241/1/Lagomarsino_Dear%20Tattooist.pdf" target="_blank" rel="noopener">Read more.</a> <a title="" name="_ftnref3" href="#_ftn3"></a> Creator An entity primarily responsible for making the resource Lagomarsino, Runo Date A point or period of time associated with an event in the lifecycle of the resource 2013 Contributor An entity responsible for making contributions to the resource Scotti, Marco Format The file format, physical medium, or dimensions of the resource application/msword image/jpeg Language A language of the resource English Type The nature or genre of the resource Text Still Image Identifier An unambiguous reference to the resource within a given context <a href="http://dspace-unipr.cineca.it/handle/1889/3241" target="_blank" rel="noopener">http://dspace-unipr.cineca.it/handle/1889/3241http</a> Rights Holder A person or organization owning or managing rights over the resource. Runo Lagomarsino MoRE Museum project abandoned by the artist http://moremuseum.org/omeka/files/original/826e394020e080841f9700acd53809ae.jpg d1097a20ecf62d1e1290f8e30b9e12c4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource L'omaggio - 2005.jpg Format The file format, physical medium, or dimensions of the resource file jpeg, 10,837x7,214 cm, 300 dpi Description An account of the resource Montage of the work for the funeral of Pope John Paul II. http://moremuseum.org/omeka/files/original/bbec47775b018deb9c169fd5d4165304.jpg d4e84eb66bd211273dd5da95d27e34ef Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource L'omaggio 2 - 2005.jpg Format The file format, physical medium, or dimensions of the resource file jpeg, 25,468x 16,933 cm, 300 dpi Description An account of the resource Montage of the work for the funeral of Pope John Paul II. http://moremuseum.org/omeka/files/original/ab25f6ab3d284e32ffc9566ba0ca9540.jpg b2deec6bbc1938bf6fe472228f386407 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource L'omaggio 3 - 2005.jpg Format The file format, physical medium, or dimensions of the resource file jpeg, 10,837x7,214 cm, 300 dpi Description An account of the resource Montage of the work for the funeral of Pope John Paul II. http://moremuseum.org/omeka/files/original/ef6f2b425710cc904856d60e08d1307d.pdf 469c50d38d5f624ce213e33caf72eb81 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource file.pdf Format The file format, physical medium, or dimensions of the resource File pdf Description An account of the resource Online article published on EXIBART.com covering H.H. Lim's car accident. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource H.H. Lim Creator An entity primarily responsible for making the resource Lim, H.H. Description An account of the resource H.H. Lim was born in Malaysia and graduated from the Academy of Fine Arts in Rome. Since 1976 he has been living and working between Rome and Penang. He is the founder and organizer of the exhibition space Edicola Notte, which has been one of the most dynamic and proactive realities in the capital since 1990. He has participated in numerous solo and group exhibitions: Oltre. Il primo piano, Italian Cultural Institute, Budapest (2015); Brera in contemporaneo Accademy of Brera, Milan (2015); No coffee no cigarettes, Paola Verrengia Gallery, Salerno (2015); Passaggi, Musée d'Art Modern et Contemporain, Saint- Etienne (2015); Mirare Giacomo Leopardi, Idill'io No. 13, Recanati (2015); Mirare, Idill'io No. 11, Recanati (2015); RI-FLESSIONI, R.A.M. radioartemobile, Rome (2015); National Visual Arts Gallery, Kuala Lumpur, Malaysia (2015); Migrating Forms and Migrating Gods, The Museum of Goa, a side event of the Biennale of Muziris Kochi, India (2014); Tornare al Senso Costruttivo, performance at the Verdi Theatre, Milan (2014); Open Museum Open City, project for R.A.M. radioartemobile and for the collection Maxxi, Rome (2014); Sconfinamenti, the 57th Festival of the Two Worlds, Spoleto (2014), Politicamente Parlando, Bianconi Gallery, Milan (2014); La Nuit Blanche, La Gaite Lyrique, Paris (2013); 6th Prague Biennale, Prague (2013); 55th International Art Exhibition of the Venice Biennale, Pavilion of the Republic of Cuba, Venice (2013); John Cage Experiments And Its Context, NCCA National Center of Contemporary Art, Moscow (2013); Landscape on the Move, De Vleeshal & De Kabinetten van de Vleeshal, Middelburg, The Netherlands (2012); Il tesoro nascosto, GNAM National Gallery of Modern Art, Rome (2011); Hidden Treasure, Tang Gallery, Bangkok (2011); 12th International Architecture Exhibition of the Venice Biennale, Venice (2010); 3 Camere, R.A.M radioartemobile, Rome (2010); Gone with the Wind, UCCA Ullens Center for Contemporary Art, Beijing (2010); Onda Anomala, a side event of Manifesta 7, Von Morenberg, Trento (2008); Guangdong Station, Art Museum, Guangdong (2008); Emergency Biennale, the Istanbul Biennial, Istanbul (2007); Wherever We Go, Walter & McBean Galleries, San Francisco (2007); The 5th Ink Painting Biennial of Shenzhen, He Xiangning Art Museum, Shenzhen (2006); "Sweet Taboos" "Go Inside", 3rd Tirana Biennale, National Art Gallery, Tirana (2005); À l'ouest du sud de l'est, CRAC Regional Center of Contemporary Languedoc-Roussillon Art, Sète, France (2004); Villa Arson, Nice (2004); Le Opere e i Giorni, Certosa of San Lorenzo, Padula (2002); Tribù dell'Arte, MACRO Museum of Contemporary Art, Rome (2001). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Omaggio a Wojtyla Creator An entity primarily responsible for making the resource Lim, H.H. Date A point or period of time associated with an event in the lifecycle of the resource 2005 Contributor An entity responsible for making contributions to the resource Scotti, Marco Format The file format, physical medium, or dimensions of the resource image/jpeg application/pdf Language A language of the resource Italian Type The nature or genre of the resource Still Image Text Description An account of the resource This project was born in the aftermath of HH Lim's car accident which occurred on the highway on March 26th in 2005, while he was on his way from Rome to Naples for the opening of the inaugural exhibition of the PAN - Palazzo delle Arti di Napoli, The Giving Person. Il dono dell'artista, curated by Lóránd Hegyi, invited by the artist Yan Pei Ming who had visited Lim's exhibition at Fondazione Volume! in Rome a few days earlier. Despite the severity of the accident, Lim was unharmed and decided to proceed his journey abandoning the destroyed car on the side of the highway. The project was inspired by a series of events that occurred before the departure and during the trip, as well as a work of art by his friend Yan Pei Ming on display in the exhibition - a large red figure of a Buddha, similar to the one Lim has always been wearing on his neck - and ultimately the death of the pope a few days later. The project was never actually developed  as it remained a mere thought, an idea the artist had. Lim imagined a large public exhibition to thank the Pope: the work would have consisted of a series of montages made using Photoshop, showing some drawings of Lim – linked to the series of Words - superimposed on the front pages of the newspapers and posted during the funeral of Wojtyla, which took place on April 8th 2005 in the St. Peter's Square. <a href="https://www.repository.unipr.it/bitstream/1889/2898/1/HH%20Lim_Omaggio%20a%20Wojtyla.pdf" target="_blank" rel="noopener">Read more</a>.   Rights Holder A person or organization owning or managing rights over the resource. H.H. Lim MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2898" target="_blank" rel="noopener">http://hdl.handle.net/1889/2898</a> Logistical reasons Theoretical exercise http://moremuseum.org/omeka/files/original/f0bceb8f89e8ea8fedb8cf304207b184.m4a bc10d17623c26ee470fa2e8696769077 http://moremuseum.org/omeka/files/original/3da77560fcbe9e1eda035e08afd5394e.JPG 7a1ee697dad0d362b772754fd5eb096f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource fasilunari.jpg Description An account of the resource Images of the various phases of the moon from full moon to waning moon to crescent moon. Format The file format, physical medium, or dimensions of the resource file jpg, 4,86x28,01 cm, 300 dpi http://moremuseum.org/omeka/files/original/0fe49878a91bad7f6b4fc0019dde9217.JPG e80f90542bb3c38a2b6b2c0667a45891 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Luna BN.jpg. Description An account of the resource Image of the lunar surface visible. Format The file format, physical medium, or dimensions of the resource file jpg, 18x18 cm, 150 dpi http://moremuseum.org/omeka/files/original/db6216a78861f8d53abae6e80ce52fb1.jpg 879e6b648e0bfd40703274ddbf43180e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Prima.jpg. Description An account of the resource Face of a boy with image of the moon. Format The file format, physical medium, or dimensions of the resource file jpg, 53,56x48,58, 150 dpi http://moremuseum.org/omeka/files/original/94f9722f297931989acef134dfeca719.jpg f19291ed6f57d782d0bddfa9a5b4a85b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Seconda.jpg Description An account of the resource Face of a girl with image of the moon. Format The file format, physical medium, or dimensions of the resource file jpg 53,34x48,26 cm, 300 dpi http://moremuseum.org/omeka/files/original/43368bbec920a6d39223bad079ab7a0e.jpg a22a2afdb730c4d96410e2217b01458a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Quarta.jpg Description An account of the resource Face of a girl with image of the moon. Format The file format, physical medium, or dimensions of the resource file jpg 53,34x48,26 cm, 300 dpi http://moremuseum.org/omeka/files/original/a411ec4ba01b97ba5f40328c86eee324.pdf e987cd5428d1794cae6a3c3d5e3bc64f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 6_Testi.pdf Description An account of the resource Texts relating to the four-page catalog published on the Spa-SALUS PER ART, exhibition catalog edited by Roberto Daolio, Galleria d'Arte Moderna, Bologna, Italy, 16 June to 5 September 2004 Book no. 36, Bologna, Danilo Montanari Publisher 2004. Format The file format, physical medium, or dimensions of the resource file pdf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Claudia Losi Creator An entity primarily responsible for making the resource Losi, Claudia Description An account of the resource Claudia Losi (Piacenza, 1971). Her interest focuses on the relationship between man and the environment that surrounds him, on the relation between the individual and the community to which he belongs, the collective imagination in which he is identified. She has a strong interest in natural sciences and literature and is often involved in multidisciplinary projects and collaborations. Among the recent solo and group exhibitions: Biology of Proximity, Monica de Cardenas Gallery, Zuoz, Switzerland; Women for Life. Regina José Galindo - Claudia Losi , The Maréchalerie - center d'art contemporain de l' ENSA V, Versailles, 2013; "More from things", Musei Civici, Modena, 2012; "Les Funérailles de la Baleine " _Balena Project, at Viafarini - Docva, Milan; Cinema Massimo, Turin; Cesac CESAC _Il Filatoio di Caraglio Museum, Caraglio, Cuneo, 2011; Monica de Cardenas, Milan and Les Funerailles de la Baleine, Biella, 2010; Here and nowhere else. Here, a local communities project, ArtePollino, Basilicata, 2009; Museo Marino Marini, Florence, Stenersen Museum, Oslo, Ikon Gallery, Birmingham, 2008; Space, MAXXI, Rome, GSK -Aware, Royal Academy, London, SI Sindrome Italiana, MAGASIN, Grenoble; AiuolaTransatlantico, Mirafiori North, Turin, New Principals program, sponsored by the Fondation de France, 2008. In 2007 participates in the Sharjah Biennial 8, United Arab Emirates. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Caleidoscopi; Allora la luna Description An account of the resource The project was commissioned by curator Roberto Daolio as part of a series of artworks intended for the top floor of the Department of Pediatric Oncology at Sant’Orsola Hospital in Bologna, in collaboration with the AGEOP Association. The invited artists were Silvia Cini, Emilio Fantin, Claudia Losi, Eva Marisaldi, Sabrina Mezzaqui, Sabrina Torelli, and Marco Vaglieri. For the hospital department, Losi conceived two projects: Caleidoscopi — colored prisms to play with, enclosed in balsa wood cases — and Allora la luna, a sort of luminous sign about two meters in diameter, designed for outdoor installation on one of the buildings facing the department windows. Both projects were meant to stimulate the imagination of young patients and help them forget their condition, even if only for a moment. The project was never realized due to various economic, technical, and logistical reasons. <a href="https://www.repository.unipr.it/bitstream/1889/2444/1/Losi_Caleidoscopi%20e%20Allora%20la%20luna..pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Losi, Claudia Date A point or period of time associated with an event in the lifecycle of the resource 2004 Contributor An entity responsible for making contributions to the resource Modena, Elisabetta Format The file format, physical medium, or dimensions of the resource image/jpeg application/pdf Language A language of the resource Italian Type The nature or genre of the resource Still Image Text Rights Holder A person or organization owning or managing rights over the resource. Claudia Losi MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2444" target="_blank" rel="noopener">http://hdl.handle.net/1889/2444</a> Financial reasons Logistical reasons Regulatory/juridical/administrative reasons Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Daniel Maier-Reimer Description An account of the resource Journeys: Apennin 2017, Castelnuovo d'Elsa - Florenz 2017, Christchurch - Bluff 2016,Auckland - Christchurch 2015, Journey to Tbilisi 2014, Apuan Alps 2013, Vom Tyrrhenischen Meer zur Adria 2013, Arno 2013, Florence city boundary line 2012, Great Wall, China 2011, Schwäbische Alb 2011, Bialowieza, Poland 2011, Pamir 2010, Iran 2009, Iran 2008, Dessau 2007. Caucasus 2007, Tajikistan 2006, Yarlung Tsangpo 2006, Caucasus 2005, Yarlung Tsangpo 2004, Hamburg state boundary 2003, Moldova / Ukraine 2003, Japan 2002, Great Wall of China 2001, Russia 2001, Amur 2000, Great Wall of China 2000, Yellow River 1998, Yarlung Tsangpo 1997, Yangtze River 1996, Iceland 1995, Poland 1995, Mackenzie River 1994, Vorderrhein 1993, Colorado River 1993, Bay of Biscay 1992, Irish Sea 1992, Scandinavia – autumn 1991, Scandinavia – spring 1991, Scandinavia – winter 1991, Germany 1990, Lapland 1990. Creator An entity primarily responsible for making the resource Maier-Reimer, Daniel Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Journey from the Yellow Sea to the Sea of Japan Description An account of the resource Daniel Maier-Reimer's art is travel. Most journeys are summarized in a single photo, some in a small group of pictures. There is no picture of some journeys. Since 2013, Daniel Maier-Reimer leaves it to others to determine how his travels appear in exhibitions and publications. <a href="https://www.repository.unipr.it/bitstream/1889/3719/1/Daniel%20Maier-Reimer_Journey%20from%20the%20Yellow%20Sea%20to%20the%20Sea%20of%20Japan.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Maier-Reimer, Daniel Date A point or period of time associated with an event in the lifecycle of the resource 2015 Contributor An entity responsible for making contributions to the resource Krause, Till Rights Holder A person or organization owning or managing rights over the resource. Daniel Maier-Reimer MoRE museum http://moremuseum.org/omeka/files/original/f8f3b0deca9b288bef8dce4a463d119b.jpg 21af246802cee8910c43c8da9102a965 http://moremuseum.org/omeka/files/original/90f55830dca7297e17fa7dff684577da.jpg e7608cd9507eb59926d86ff1e46c4f28 http://moremuseum.org/omeka/files/original/e2a58b129779404beeb08b3320bc1c69.jpg 0a82223ecd5a9b2beb4f8de2c2734719 http://moremuseum.org/omeka/files/original/bec9f7e6b896216b52bede83ded152b1.jpg ffa91423ca4bfbebf85b97fa49c74998 http://moremuseum.org/omeka/files/original/1e879be7098fa96873c9f2f28ceb5ea5.jpg d66f0768690c375c1c39d7ae0dca2421 http://moremuseum.org/omeka/files/original/8be150cce5a4dd183379cd8f175cce7a.jpg 2114f6bb507d4f0193df5f3be59e0882 http://moremuseum.org/omeka/files/original/9ee8438d11cc13abb483059602fe216c.jpg b2baa891836dfe8fabfd4cf3f87cb7d7 http://moremuseum.org/omeka/files/original/c28e581362f708952013f98df24d2fcd.jpg bde81d6d15cdaeb7301c26f06f81ce54 http://moremuseum.org/omeka/files/original/9b5f05040cc76078ed2d8893448d40f0.jpg 53c8e7b5aa25a1260d12a29fe8193b29 http://moremuseum.org/omeka/files/original/2afe6124a3fe69580b27e0f75d669122.doc 21e1c9374460c6b9c3665153c4d75047 http://moremuseum.org/omeka/files/original/ed88bb5aa0852b0afa7070df0db4ed7c.doc 44290c1308655cf1ec77931882c29f08 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource David Maljković Description An account of the resource David Maljković is a Croatian artist known for his use of film, sculpture, collage, and installation. His work often explored themes related to time and the relationship between past and present through abstract structures and digital effects. He is most commonly associated with his video installation Out of Projection, which he describes various types of fissures, not only historical and generational, but narrative too. Therefore, he employs two projections to show two different cinema genres: science fiction and documentary. Through this he is able to generate both more interest in the viewer, and palpable frustration at not reaching an understanding of the historical message the leading characters are trying to portray. Born in 1973 in Rijeka, Croatia, he studied philosophy at the University of Rijeka and fine art at the University of Zagreb, before attending the Rijksakademie in Amsterdam. Since then, he has presented his work at number of exhibitions at major institutions around that world, including the Palais de Tokyo in Paris and the Museo Reina Sofía in Madrid. Today, his works are held in the collections of the Centre Georges Pompidou in Paris, the Stedelijk Museum in Amsterdam, The Museum of Modern Art in New York, and the Tate Gallery in London. Noticed to international attention as one of the most interesting contemporary artists, he is the protagonist of the 56th Venice Biennale, "All the World's Futures", directed by Okwui Enwezor. Maljković lives and works in Zagreb, Croatia. Creator An entity primarily responsible for making the resource Maljković, David Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lost Pavillion Description An account of the resource David Maljković's unrealized work was a reconstruction of the American Pavilion designed and built by John Johansen for the 1956 Zagreb Fair. The pavilion was meant to represent American presence at the fair, which had for many years, symbolized a bridge of exchange between Yugoslavia, Europe, the USA, USSR, Eastern and Western Bloc and non-alligned countries. David Maljković decontextualized the pavilion and proposed rebuilding it as part of a public art project in the city of Lyon, GrandLyon Habitat. <a href="https://www.repository.unipr.it/bitstream/1889/3689/4/David%20Maljković_Lost%20Pavillion.%20def.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Maljković, David Date A point or period of time associated with an event in the lifecycle of the resource 2009 Contributor An entity responsible for making contributions to the resource Rossi, Valentina Format The file format, physical medium, or dimensions of the resource image/jpeg application/msword Language A language of the resource French Type The nature or genre of the resource Text Still Image Rights Holder A person or organization owning or managing rights over the resource. David Maljković MoRE museum Unknown http://moremuseum.org/omeka/files/original/7de785875e819f3178b704abc2873104.jpg ad57a68e039e525390c34bb1125f3f20 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mangelos 01 cm 30 x 42.jpg Description An account of the resource Scan of the artwork realized in Brunnenburg, made by Archivio F. Conz. Format The file format, physical medium, or dimensions of the resource file jpg, 123, 402 x 173,567 cm, 72 dpi http://moremuseum.org/omeka/files/original/72fdc86fdb2b0fd649ee761e69fa7f72.jpg fe9c019154293d99f41cdb6e58ad1581 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Scan of the artwork realized in Brunnenburg, made by Archivio F. Conz. Title A name given to the resource Mangelos 02 cm 30 x 42.jpg Format The file format, physical medium, or dimensions of the resource file jpg, 29,845x 42,192 cm, 72 dpi http://moremuseum.org/omeka/files/original/5e370d00befbc04e951ae83d7436d744.jpg 6d0e65123af6ba18aa1f0b68fea0eb7c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mangelos 03 cm 30 x 42.jpg Description An account of the resource Scan of the artwork realized in Brunnenburg, made by Archivio F. Conz. Format The file format, physical medium, or dimensions of the resource file jpg, 29,986 x 173,567 cm, 72 dpi Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mangelos Description An account of the resource Mangelos, pseudonym of Dimitrije Bašičević (1921 - 1987), was a Croatian artist, curator and art historian. Born in Šid, Serbia, he studied history and philosophy at the University of Vienna (between 1942 and 1944) and later in Zagreb (between 1945 and 1949) and earned a doctorate from the University of Philosophy in Zagreb (1957), focusing his thesis on the work of the artist Sava Šumanović. In 1952 he founded the Peasant Art Gallery, currently Croatian Museum of Naive Art, while simultaneously serving as assistant and curator at the Yugoslav Academy of Arts and Sciences. He was among the founders of the group Gorgona, active in Zagreb between 1959 and 1966. Parallel to his activities as a critic and curator, he proposed researches - defined by the artist himself as a "No-Art" - focused on the contrast between writing and painting, developing a series of posters dedicated to topics such as "functional thinking", "energy", "instinct" and “memory". In the essay dedicated to this specific artistic production, Stipančić says: “Many of them, regardless of the scope of the subject, included his notion of there being two civilization - a “handmade civilization” and a “mechanical” one. The latter, he believed, is based on “functional thought” and is, therefore, in opposition to the old “handmade civilization. In order to express his theses on the “death of art”, Mangelos engaged in a dialogue with numerous philosophers and theoreticians, from Hegel to W. Benjamin”. Mangelos was among the founders of the group Gorgona, active in Zagreb between 1959 and 1966. The group also included Josip Vaništa, Marijan Jevšovar, Julije Knifer, the sculptor Ivan Kozaric, critics Radoslav Putar, Matko Meštrović and architect Miljenko Horvat. Every one of the artists of Gorgona maintained, developed and enjoyed full creative autonomy. Gorgona has supported various unconventional forms of artistic activity, mainly divided into three sections: the exhibitions at the Studio G (1961-1963, Schira Salon, Zagreb, Croatia), the publication of the anti-magazine "Gorgona" (1961-1966 each edition was a work of art in itself), and the creation of concepts, projects and various forms of artistic communication. Creator An entity primarily responsible for making the resource Mangelos Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Creator An entity primarily responsible for making the resource Mangelos Date A point or period of time associated with an event in the lifecycle of the resource [1991] Contributor An entity responsible for making contributions to the resource Scotti, Marco Zinelli, Anna Description An account of the resource In March 1991 the collector and publisher Francesco Conz, in collaboration with the <a href="http://www.msu.hr/" target="_blank" rel="noopener">Muzej Suvremene Umjetnosti - MSU Zagreb</a>, invited a few artists who had been part of Gorgona, the Croatian avant-garde group active between 1959 and 1966, to an artistic residency at the castle of Brunnenburg in Merano, Italy. This residency should have resulted in a publication linked to the monumental project Conz dedicated to Ezra Pound - <a href="http://www.patriziopeterlini.it/conz/lalivre.htm" target="_blank" rel="noopener">La Livre, </a>which was never completed. During their residency, the five artists created thirteen works of art as well as fifteen hand-made copies of each work. All of which were created on the same size of paper. These works should have been part of a box, an art edition that initially should have included large-scale reproductions of seven of the group's old works, printed on canvas in Como, in addition to en eight obtained by merging the former in a continuous strip to create sort of a "collective work" - together with photographs documenting the residency, historical photographs and video interviews filmed in Brunnenburg. Conz died in 2010 but the box was never finished, although all of its components had been created, except for the folder that was supposed to contain them. The works of the artists have since remained in F. Conz's Archive. Conz decided to include the works of Mangelos, who died in 1987, asking the remaining members of the group to place their signature on the back as sort of an homage. The three works signed by the members of Gorgona and presented for the exhibition are respectively attributed to the manifesto for energy, the series of landscapes dedicated to Pythagoras and the series dedicated to the dialogues. <a href="https://www.repository.unipr.it/bitstream/1889/2661/1/Mangelos_untitled.pdf" target="_blank" rel="noopener">Read more.</a> Format The file format, physical medium, or dimensions of the resource image/jpeg image/jpeg image/jpeg Type The nature or genre of the resource Still Image Language A language of the resource English Rights Holder A person or organization owning or managing rights over the resource. Mangelos MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://dspace-unipr.cineca.it/handle/1889/2661" target="_blank" rel="noopener">http://dspace-unipr.cineca.it/handle/1889/2661</a> Ideological reasons Logistical reasons http://moremuseum.org/omeka/files/original/0baaa6bde318fe9f6515a7e3a252b5ad.jpg 1a85bc1102bad1173998e27dd556c0e6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Progetto x Gibellina.jpg Format The file format, physical medium, or dimensions of the resource file jpeg, 20,003 x 18,256 cm, 240 dpi Subject The topic of the resource Photo of the model of the sculpture http://moremuseum.org/omeka/files/original/6498d9f793a56d7a301f3c5ebef7ae43.jpg 6e61b01323edccd6b9920370e5d37ff9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Progetto x Gibellina 001.jpg Format The file format, physical medium, or dimensions of the resource file jpeg, 6,363 x 10,173 cm, 200 dpi Description An account of the resource Photo showing Elio Marchegiani and Carola Pandolfo during the presentation of the model to the mayor of Gibellina, Ludovico Corrao. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Elio Marchegiani Description An account of the resource Elio Marchegiani was born in Syracuse in 1929 to Sicilian parents. In 1934 his family settled in Livorno, where he spent his childhood and youth. He began painting as an autodidact. Following the family tradition, he received a classical eduction and enrolled at the Law Faculty of the University of Pisa. However, Mario Nigro's acquaintance made him change his path. He began to organize exhibitions and cultural events, but it's his friendship with Gianni Bertini that convinced him to leave the province behind and pursue artistic adventures in cities such as Paris, Milan, Rome and Bologna. The island of Favignana is where he preferred to spend the summers. For several years now he has been living in Pianoro Vecchio, a residential area on the hills, on Via Toscana, alternating the summers in Misano Adriatico and the island of Ischia. <a href="http://www.eliomarchegiani.com" target="_blank">http://www.eliomarchegiani.com</a> Creator An entity primarily responsible for making the resource Marchegiani, Elio Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monolite in bilico Creator An entity primarily responsible for making the resource Marchegiani, Elio Date A point or period of time associated with an event in the lifecycle of the resource 1979 Contributor An entity responsible for making contributions to the resource Scotti, Marco Relation A related resource Dspace: Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Description An account of the resource Monolite in bilico consists of a block of slate or lava stone resting on its edge on top of an egg made of travertine from Trapani, and placed on a pedestal of white cement destined for an open space in the city of Gibellina. The exact placement and measurements were yet to be determined. The artist donated his project to MoRE and – given the occasion - recounted the complex history of his work: "After visiting the new town of Gibellina way back in December of 1979, invited by the mayor Ludovico Corrao, I thought of erecting a large monolith made of slate or better yet of volcanic lava, balanced on top of a travertine egg, which was then to be placed in one of the city squares as a symbol of rebirth and a representation of the force of nature. The egg is an archetype of mysterious and symbolic significance, the Sun in the yolk and the Moon in the glare, gold and silver, a reassembled dualism. From this union life is born and perpetuated. The egg prevails over the force of nature by holding up the monolith. That's why it is in the balance. Enthusiastic about the idea, the mayor immediately ordered works to be carried out on the egg. I even had the chance to see it finished, but I never got an answer about the monolith itself, which therefore remained unexecuted. Each time I inquired about the project, I've been given excuses and evasive answers. Thus I ceased to insist because I realized that something or someone was hindering the project. They even went so far as to deny that the egg had ever been made." <a href="https://www.repository.unipr.it/bitstream/1889/2901/1/Elio%20Marchegiani_Monolite%20in%20bilico.pdf" target="_blank" rel="noopener">Read more</a>. Rights Holder A person or organization owning or managing rights over the resource. Elio Marchegiani MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="%20http://hdl.handle.net/1889/2901" target="_blank" rel="noopener">http://hdl.handle.net/1889/2901</a> Logistical reasons http://moremuseum.org/omeka/files/original/7ff390665a5d0d510bb2e1b279b6de0f.jpg ed49ff08e56af586b6cc9845658c555e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 2002_Progetto Rotonda Torino.jpg Description An account of the resource Render of the project. Format The file format, physical medium, or dimensions of the resource ile jpeg, 70,56×52,92 cm 72 dpi Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eva Marisaldi Description An account of the resource Eva Marisaldi was born in 1966. She lives and works in Bologna. She graduated from the Academy of Fine Arts in Bologna. Her research is articulated, frequently through an open and participatory process, through different languages and media, such as drawings, videos, installations, performances, photography and sculpture, to approachdifferent and multiple perspectives on usual things and everyday life. Amongst her most recent solo show we can recall Gestein-gestalt, MIMA, Newcastle (2012), Democratic Psychedelia, Galleria Minini, Brescia (2011), Tjoloholm Castle, Goteborg (2009), Ghost track #2, S.A.L.E.S., Roma (2008), Jumps, MAMbo, Bologna (2007), Services, Galleria Massimo De Carlo, Milano (2007), Parties 3, Art positions, Art Basel Miami, Miami, USA (2006). Her works have been included in many important exhibitions, such as the 1993 and 2001 Venice Biennale; Soggetto Soggetto, Castello di Rivoli Museo d’Arte Contemporanea, Rivoli (1994), L’hiver de l’amour, ARC Musèe d’Arte Moderne de la Ville de Paris and PS1, New York (1994), Manifesta, Witte de With, Rotterdam (1996), Exchanging interiors, Museum van Loon, Amsterdam (1996), Fatto in Italia, Centre d’Art Contemporain, Geneva and ICA London (1997), The 504 show, Braunschweig Kunsthalle, Zentrum fur Kunst, Brauschweig (1997), Che cosa sono le nuvole, Fondazione Sandretto Re Rebaudengo, Guarene-Torino (1997), Officina Italia, Galleria Comunale d’Arte Moderna, Bologna (1997), La ville, le jardin, la memoire, Villa Medici, Rome (1998), Istanbul Biennial (1999), Alessandria Biennial, Egypt (1999), Gwangju Biennial, South Korea, (2004), Invisible Exports, New York (2007), Voyage Sentimentale, FRAC Languedoc Roussillon, (2009), Il confine evanescente, MAXXI, Roma (2011), No Soul for Sale, Tate Modern, London (2011), Think Twice, Whitechapel, London (2012), The Wordly House, Documenta, Kassel (2012). Creator An entity primarily responsible for making the resource Marisaldi, Eva Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 18.20 (Progetto per il Piazzale Caio Mario) Description An account of the resource The project, originally conceived for the public contest «Premio Artegiovane/Torino Incontra. Una porta per Torino», proposed to realize a kind of silent room in the middle of the traffic congestion, with walls made of streams of air that rise toward the high and create a total sound proofing. To delimit the area Marisaldi plans to position a balaustre that works as a boundary. The idea, as the artists explains, is to create a kind of shelter in the middle of the traffic that can become a place for a date or be reached by tram. <a href="https://www.repository.unipr.it/bitstream/1889/2421/1/Marisaldi_piazzale%20caio%20mario.pdf" target="_blank" rel="noopener">Read more</a>. Date A point or period of time associated with an event in the lifecycle of the resource 2002 Contributor An entity responsible for making contributions to the resource Modena, Elisabetta Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource English Type The nature or genre of the resource Still Image Creator An entity primarily responsible for making the resource Marisaldi, Eva Rights Holder A person or organization owning or managing rights over the resource. Eva Marisaldi MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2421" target="_blank" rel="noopener">http://hdl.handle.net/1889/2421</a> Project which wasn’t selected in a prize or competition http://moremuseum.org/omeka/files/original/11b9f201de71ead996549d3494b52f1d.jpg 44585ff391a1901ab81c8dc99b63c555 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 007_ progetto museion.jpg Description An account of the resource Photomontage of the project in its context Format The file format, physical medium, or dimensions of the resource file jpeg, 33,87×52,92 cm 120 dpi Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eva Marisaldi Description An account of the resource Eva Marisaldi was born in 1966. She lives and works in Bologna. She graduated from the Academy of Fine Arts in Bologna. Her research is articulated, frequently through an open and participatory process, through different languages and media, such as drawings, videos, installations, performances, photography and sculpture, to approachdifferent and multiple perspectives on usual things and everyday life. Amongst her most recent solo show we can recall Gestein-gestalt, MIMA, Newcastle (2012), Democratic Psychedelia, Galleria Minini, Brescia (2011), Tjoloholm Castle, Goteborg (2009), Ghost track #2, S.A.L.E.S., Roma (2008), Jumps, MAMbo, Bologna (2007), Services, Galleria Massimo De Carlo, Milano (2007), Parties 3, Art positions, Art Basel Miami, Miami, USA (2006). Her works have been included in many important exhibitions, such as the 1993 and 2001 Venice Biennale; Soggetto Soggetto, Castello di Rivoli Museo d’Arte Contemporanea, Rivoli (1994), L’hiver de l’amour, ARC Musèe d’Arte Moderne de la Ville de Paris and PS1, New York (1994), Manifesta, Witte de With, Rotterdam (1996), Exchanging interiors, Museum van Loon, Amsterdam (1996), Fatto in Italia, Centre d’Art Contemporain, Geneva and ICA London (1997), The 504 show, Braunschweig Kunsthalle, Zentrum fur Kunst, Brauschweig (1997), Che cosa sono le nuvole, Fondazione Sandretto Re Rebaudengo, Guarene-Torino (1997), Officina Italia, Galleria Comunale d’Arte Moderna, Bologna (1997), La ville, le jardin, la memoire, Villa Medici, Rome (1998), Istanbul Biennial (1999), Alessandria Biennial, Egypt (1999), Gwangju Biennial, South Korea, (2004), Invisible Exports, New York (2007), Voyage Sentimentale, FRAC Languedoc Roussillon, (2009), Il confine evanescente, MAXXI, Roma (2011), No Soul for Sale, Tate Modern, London (2011), Think Twice, Whitechapel, London (2012), The Wordly House, Documenta, Kassel (2012). Creator An entity primarily responsible for making the resource Marisaldi, Eva Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Promise. Progetto per la recinzione del cantiere del Museion di Bolzano Description An account of the resource The project was proposed for the enclosure of the construction site of the museum contemporary art in Bolzano in 2008, on the occasion of the inauguration of its new location realised by the Berlin studio KSV Krüger Schuberth Vandreike in the city centre. The artist was invited to take part to an initiative called Arte in cantiere together with some other artists; the chosen project in the end was the work A Change Of Mind by the Scandinavian artist duo Elmgreen & Dragset. The Promise project is an allusion, explicit in its title, to a promise, an expectation introduced by a series of small resin sculptures (20 cm high) hold in 12 plexiglass display cases placed on the perimeter of the museum’s fence, every 2,20 meters. Inside the cases (round-shaped, 25 x 30 x 20 cm) an hostess show the twelve movements of the “pre flight briefing”, performed by the flight assistants before each take off. Two cases present an the back tent open with a view on the museum construction site. The idea was to realise the small sculptures with a software for 3D-modelling through a process of rapid prototyping (a technique already used by the artist in some other projects). The cases were supposed to be illuminated from below with neon lights, as in a light box, to make the artist’s work visible at night. <a href="https://www.repository.unipr.it/bitstream/1889/2422/1/Marisaldi_promise.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Marisaldi, Eva Date A point or period of time associated with an event in the lifecycle of the resource 2007 Contributor An entity responsible for making contributions to the resource Modena, Elisabetta Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Relation A related resource DSpace: <a href="http://dspace-unipr.cilea.it/handle/1889/2422" target="_blank" rel="noopener">http://dspace-unipr.cilea.it/handle/1889/2422</a> Rights Holder A person or organization owning or managing rights over the resource. Eva Marisaldi MoRE Museum Project which wasn’t selected in a prize or competition http://moremuseum.org/omeka/files/original/84559e459b0ab70fc87e9813e0a1a9a5.jpg a7af8d0f7da11ee4e5b4ac42e3644061 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 2005_progetto pav.jpg Description An account of the resource The artist realises a sketch of the facade outlined on a white-painted wall. On the facade are two entrance doors with their tents and lamps placed on each side, while on the top of it can be seen a decoration with three figures that ironically represent three reindeers as they usually appear on Christmas illuminations and decorations and that frame the sign “Cinema Italia”. Format The file format, physical medium, or dimensions of the resource file jpeg, 25,3×19,78 cm 300 dpi Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eva Marisaldi Description An account of the resource Eva Marisaldi was born in 1966. She lives and works in Bologna. She graduated from the Academy of Fine Arts in Bologna. Her research is articulated, frequently through an open and participatory process, through different languages and media, such as drawings, videos, installations, performances, photography and sculpture, to approachdifferent and multiple perspectives on usual things and everyday life. Amongst her most recent solo show we can recall Gestein-gestalt, MIMA, Newcastle (2012), Democratic Psychedelia, Galleria Minini, Brescia (2011), Tjoloholm Castle, Goteborg (2009), Ghost track #2, S.A.L.E.S., Roma (2008), Jumps, MAMbo, Bologna (2007), Services, Galleria Massimo De Carlo, Milano (2007), Parties 3, Art positions, Art Basel Miami, Miami, USA (2006). Her works have been included in many important exhibitions, such as the 1993 and 2001 Venice Biennale; Soggetto Soggetto, Castello di Rivoli Museo d’Arte Contemporanea, Rivoli (1994), L’hiver de l’amour, ARC Musèe d’Arte Moderne de la Ville de Paris and PS1, New York (1994), Manifesta, Witte de With, Rotterdam (1996), Exchanging interiors, Museum van Loon, Amsterdam (1996), Fatto in Italia, Centre d’Art Contemporain, Geneva and ICA London (1997), The 504 show, Braunschweig Kunsthalle, Zentrum fur Kunst, Brauschweig (1997), Che cosa sono le nuvole, Fondazione Sandretto Re Rebaudengo, Guarene-Torino (1997), Officina Italia, Galleria Comunale d’Arte Moderna, Bologna (1997), La ville, le jardin, la memoire, Villa Medici, Rome (1998), Istanbul Biennial (1999), Alessandria Biennial, Egypt (1999), Gwangju Biennial, South Korea, (2004), Invisible Exports, New York (2007), Voyage Sentimentale, FRAC Languedoc Roussillon, (2009), Il confine evanescente, MAXXI, Roma (2011), No Soul for Sale, Tate Modern, London (2011), Think Twice, Whitechapel, London (2012), The Wordly House, Documenta, Kassel (2012). Creator An entity primarily responsible for making the resource Marisaldi, Eva Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cinema Italia Description An account of the resource This unrealised project has to be considered in relation with <a href="http://moremuseum.org/omeka/items/show/id/29" target="_blank" rel="noopener">Ritz</a>, a project for the realization of an outdoor movie theatre inside a park in Trento proposed the year before (2004), and it consist in the proposal to place of a permanent movie theatre at the P.A.V. (Parco d’Arte Vivente) of Torino, project of the artist Piero Gilardi realized in collaboration with the landscape architect Gianluca Cosmacini. The project, unrealized due lack of sponsorship, consisted in the facade of a movie theatre in deco style outlined in black on a white background, that recalls a movie theatre seen by the artist in the small city of Anzola Emilia (Bo), on a 4 x 3 meters wing made of painted bricks (as “a big A4 paper sheet”), as can be seen in the sketch that documents this work. On the facade are two entrance doors with their tents and lamps placed on each side, while on the top of it can be seen a decoration with three figures that ironically represent three reindeers as they usually appear on Christmas illuminations and decorations and that frame the sign “Cinema Italia”. <a href="https://www.repository.unipr.it/bitstream/1889/2418/1/Marisaldi_cinema%20italia.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Marisaldi, Eva Date A point or period of time associated with an event in the lifecycle of the resource 2005 Contributor An entity responsible for making contributions to the resource Modena, Elisabetta Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Relation A related resource DSpace: <a href="http://dspace-unipr.cilea.it/handle/1889/2418" target="_blank" rel="noopener">http://dspace-unipr.cilea.it/handle/1889/2418</a> Rights Holder A person or organization owning or managing rights over the resource. Eva Marisaldi MoRE Museum Financial reasons http://moremuseum.org/omeka/files/original/66a1ab2aff35e1e117dd9a9529bb4534.jpg 8e18e7c7db6026b244a3c9c278eb50b7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 2004_progetto Parco Trento.jpg Description An account of the resource drawing Format The file format, physical medium, or dimensions of the resource file jpeg, 25,81×20,8 cm 300 dpi Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eva Marisaldi Description An account of the resource Eva Marisaldi was born in 1966. She lives and works in Bologna. She graduated from the Academy of Fine Arts in Bologna. Her research is articulated, frequently through an open and participatory process, through different languages and media, such as drawings, videos, installations, performances, photography and sculpture, to approachdifferent and multiple perspectives on usual things and everyday life. Amongst her most recent solo show we can recall Gestein-gestalt, MIMA, Newcastle (2012), Democratic Psychedelia, Galleria Minini, Brescia (2011), Tjoloholm Castle, Goteborg (2009), Ghost track #2, S.A.L.E.S., Roma (2008), Jumps, MAMbo, Bologna (2007), Services, Galleria Massimo De Carlo, Milano (2007), Parties 3, Art positions, Art Basel Miami, Miami, USA (2006). Her works have been included in many important exhibitions, such as the 1993 and 2001 Venice Biennale; Soggetto Soggetto, Castello di Rivoli Museo d’Arte Contemporanea, Rivoli (1994), L’hiver de l’amour, ARC Musèe d’Arte Moderne de la Ville de Paris and PS1, New York (1994), Manifesta, Witte de With, Rotterdam (1996), Exchanging interiors, Museum van Loon, Amsterdam (1996), Fatto in Italia, Centre d’Art Contemporain, Geneva and ICA London (1997), The 504 show, Braunschweig Kunsthalle, Zentrum fur Kunst, Brauschweig (1997), Che cosa sono le nuvole, Fondazione Sandretto Re Rebaudengo, Guarene-Torino (1997), Officina Italia, Galleria Comunale d’Arte Moderna, Bologna (1997), La ville, le jardin, la memoire, Villa Medici, Rome (1998), Istanbul Biennial (1999), Alessandria Biennial, Egypt (1999), Gwangju Biennial, South Korea, (2004), Invisible Exports, New York (2007), Voyage Sentimentale, FRAC Languedoc Roussillon, (2009), Il confine evanescente, MAXXI, Roma (2011), No Soul for Sale, Tate Modern, London (2011), Think Twice, Whitechapel, London (2012), The Wordly House, Documenta, Kassel (2012). Creator An entity primarily responsible for making the resource Marisaldi, Eva Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ritz Description An account of the resource Ritz is a project conceived for the installation of an outdoor movie theatre inside a park in Trento, commissioned by the cultural association Numero Civico. The project, that was not realised, <a href="http://moremuseum.org/omeka/admin/items/show/28" target="_blank" rel="noopener">is proposed by the artist the following year with some changes for the P.A.V. (Parco d’Arte Vivente) of Turin</a>. The project, originally thought to be placed inside a wood, consists in the facade of a movie theatre outlined in black on a white background, on a 4 x 3 meters wing made of painted bricks (as the artist explains, “a big A4 paper sheet”). The facade recalls a liberty-decò style building, with the introduction of eclectic elements, and it refers to a movie theatre the artist saw in Antananarivo, Madagascar. To enter the theatre the audience needs to move around the wall, beyond which are placed four seats in concrete destined to be covered with moss. The seats address the landscape instead of the wall, that therefore becomes a wing and hides the watchers. Even though the project won the competition, it was not realised in the end because it was not possible to find an agreement with the neighbour that lived nearby the place that was identified as the most suitable for the realization and for other logistic and organizational reasons. <a href="https://www.repository.unipr.it/bitstream/1889/2417/1/Marisaldi_ritz.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Marisaldi, Eva Date A point or period of time associated with an event in the lifecycle of the resource 2004 Contributor An entity responsible for making contributions to the resource Modena, Elisabetta Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Relation A related resource DSpace: <a href="http://dspace-unipr.cilea.it/handle/1889/2417" target="_blank" rel="noopener">http://dspace-unipr.cilea.it/handle/1889/2417</a> Rights Holder A person or organization owning or managing rights over the resource. Eva Marisaldi MoRE Museum Logistical reasons http://moremuseum.org/omeka/files/original/2bc53a73e95c18489c5b10398a1a9235.jpg 12fe0cb8b0c4d803804a74aee7e8a5cf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1_2004_progetto ageop EVA.jpg Description An account of the resource Photos selected by the artist for the booklet to be printed and placed in the bedside tables. Format The file format, physical medium, or dimensions of the resource file jpg, 13,38x19,69 cm, 300 dpi http://moremuseum.org/omeka/files/original/b76c601de2ebcffff9cdf2a9dad5de5f.jpg 01d1d08a5c1a04718cf15f6949d8c7ac Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 2_2004_progetto ageop enrico.jpg Description An account of the resource Photo donated by artist Enrico Serotti. Format The file format, physical medium, or dimensions of the resource file jpg, 13,55x10,16 cm, 300 dpi http://moremuseum.org/omeka/files/original/f3954cf03151bed8af0fccbb12edb045.JPG a36effe850c83b398e7cb6e41bb4bfcf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 3_2004_progetto ageop.jpg. Description An account of the resource Photos of the textile suitcase Format The file format, physical medium, or dimensions of the resource file jpg, 8,67x10,84 cm, 300 dpi http://moremuseum.org/omeka/files/original/9996023161b153eb9657fbce9260c0c5.jpg 85d3db752d9be622bf3fc280fb296a64 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 4_2004_progetto ageop.jpg Description An account of the resource Photos of the textile suitcase Format The file format, physical medium, or dimensions of the resource file jpg, 12, 7x15,88 cm, 72 dpi http://moremuseum.org/omeka/files/original/c7707f101ce210e213cafaecca4f7dee.JPG 50f2b53d2bb4622ca24fc9c420cdb7ae Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 5_2004_progetto ageop LAYOUT.jpg Description An account of the resource Sketches and project notes Format The file format, physical medium, or dimensions of the resource file jpg, 29, 7x21 cm, 150 dpi Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eva Marisaldi Description An account of the resource Eva Marisaldi was born in 1966. She lives and works in Bologna. She graduated from the Academy of Fine Arts in Bologna. Her research is articulated, frequently through an open and participatory process, through different languages and media, such as drawings, videos, installations, performances, photography and sculpture, to approachdifferent and multiple perspectives on usual things and everyday life. Amongst her most recent solo show we can recall Gestein-gestalt, MIMA, Newcastle (2012), Democratic Psychedelia, Galleria Minini, Brescia (2011), Tjoloholm Castle, Goteborg (2009), Ghost track #2, S.A.L.E.S., Roma (2008), Jumps, MAMbo, Bologna (2007), Services, Galleria Massimo De Carlo, Milano (2007), Parties 3, Art positions, Art Basel Miami, Miami, USA (2006). Her works have been included in many important exhibitions, such as the 1993 and 2001 Venice Biennale; Soggetto Soggetto, Castello di Rivoli Museo d’Arte Contemporanea, Rivoli (1994), L’hiver de l’amour, ARC Musèe d’Arte Moderne de la Ville de Paris and PS1, New York (1994), Manifesta, Witte de With, Rotterdam (1996), Exchanging interiors, Museum van Loon, Amsterdam (1996), Fatto in Italia, Centre d’Art Contemporain, Geneva and ICA London (1997), The 504 show, Braunschweig Kunsthalle, Zentrum fur Kunst, Brauschweig (1997), Che cosa sono le nuvole, Fondazione Sandretto Re Rebaudengo, Guarene-Torino (1997), Officina Italia, Galleria Comunale d’Arte Moderna, Bologna (1997), La ville, le jardin, la memoire, Villa Medici, Rome (1998), Istanbul Biennial (1999), Alessandria Biennial, Egypt (1999), Gwangju Biennial, South Korea, (2004), Invisible Exports, New York (2007), Voyage Sentimentale, FRAC Languedoc Roussillon, (2009), Il confine evanescente, MAXXI, Roma (2011), No Soul for Sale, Tate Modern, London (2011), Think Twice, Whitechapel, London (2012), The Wordly House, Documenta, Kassel (2012). Creator An entity primarily responsible for making the resource Marisaldi, Eva Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Metto in moto il prato e partiamo Description An account of the resource The project was commissioned by Roberto Daolio as part of a series of art works to be placed on the top floor of the Department of Pediatric Oncology of the Sant’Orsola Hospital in Bologna, in collaboration with the Association AGEOP. The invited artists are Silvia Cini, Emilio Fantin, Claudia Losi, Eva Marisaldi, Sabrina Mezzaqui, Sabrina Torelli and Marco Vaglieri. Marisaldi structures the project into two proposals: the first consists in the publication of a book of pictures to be placed in the bedside tables of the rooms of the parents of the children staying in the hospital, while the second is the production of a textile bag – convertible into a chair - to be filled with toys that could be taken home once the children recovered and were discharged from the hospital. The project was not realized due to a series of economical, technical and logistic reasons. <a href="https://www.repository.unipr.it/bitstream/1889/2447/1/Marisaldi_Metto%20in%20moto%20il%20prato.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Marisaldi, Eva Date A point or period of time associated with an event in the lifecycle of the resource 2004 Contributor An entity responsible for making contributions to the resource Modena, Elisabetta Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Language A language of the resource Italian Rights Holder A person or organization owning or managing rights over the resource. Eva Marisaldi MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2447" target="_blank" rel="noopener">http://hdl.handle.net/1889/2447</a> Financial reasons Logistical reasons Regulatory/juridical/administrative reasons http://moremuseum.org/omeka/files/original/f6b23f4e401d12562ead00aea0b966f4.jpg 2898d4d72897468e14bf8b7532294c98 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Vlado Martek Creator An entity primarily responsible for making the resource Martek, Vlado Description An account of the resource Poet, artist and writer, Vlado Martek (Zagreb, 1951) founded the Group of Six Artists (active between 1975 and 1980), together with Mladen and Sven Stilinović, Fedor Vučemilović, Boris Demur and Željko Jerman. The artist describes his work as pre-Poetry and focuses his artistic research on the founding elements of writing, considering at the same time the performative side of poetry and experimenting its connections with visual arts. He published a number of art books, monographies and essays as a form of activism. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ambivalentna tautologija Description An account of the resource Ambivalentna tautologija is dated 2013. The idea was to display a picture of Martek’s studio in the studio of Goran Trbuljak (Varaždin, Croatia, 1948). Although it was never carried out, thanks to documents describing it, we can say that the work was realised in the form of a statement. <a href="https://www.repository.unipr.it/bitstream/1889/3684/4/vlado%20martek_Ambivalentna%20tautologija.ING.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Martek, Vlado Date A point or period of time associated with an event in the lifecycle of the resource 2013-2014 Contributor An entity responsible for making contributions to the resource Modena, Elisabetta Format The file format, physical medium, or dimensions of the resource image/tiff Rights Holder A person or organization owning or managing rights over the resource. Vlado Martek MoRE Museum Type The nature or genre of the resource Text Still Image Theoretical exercise http://moremuseum.org/omeka/files/original/a1632d1332276cfbf144df6610421c1e.jpg fee113a5caaa4fedfd1e1b2bc9199959 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Vlado Martek Creator An entity primarily responsible for making the resource Martek, Vlado Description An account of the resource Poet, artist and writer, Vlado Martek (Zagreb, 1951) founded the Group of Six Artists (active between 1975 and 1980), together with Mladen and Sven Stilinović, Fedor Vučemilović, Boris Demur and Željko Jerman. The artist describes his work as pre-Poetry and focuses his artistic research on the founding elements of writing, considering at the same time the performative side of poetry and experimenting its connections with visual arts. He published a number of art books, monographies and essays as a form of activism. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource arte arte arte Description An account of the resource arte arte arte  (art art art) should be considered as an element of the artistic process, and the project documentation for some of a group of works not (yet) realized. <a href="https://www.repository.unipr.it/bitstream/1889/3683/6/Vlado%20Martek_arte%20arte%20arte%20eng.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Martek, Vlado Date A point or period of time associated with an event in the lifecycle of the resource 2003 Contributor An entity responsible for making contributions to the resource Modena, Elisabetta Format The file format, physical medium, or dimensions of the resource image/tiff Rights Holder A person or organization owning or managing rights over the resource. Vlado Martek MoRE museum Type The nature or genre of the resource Text Still Image Theoretical exercise http://moremuseum.org/omeka/files/original/3faf9503eb0ae5e09dcf9c2f7975b423.jpg c1a4debcc3f93368c50ab1d14ef98a65 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Vlado Martek Creator An entity primarily responsible for making the resource Martek, Vlado Description An account of the resource Poet, artist and writer, Vlado Martek (Zagreb, 1951) founded the Group of Six Artists (active between 1975 and 1980), together with Mladen and Sven Stilinović, Fedor Vučemilović, Boris Demur and Željko Jerman. The artist describes his work as pre-Poetry and focuses his artistic research on the founding elements of writing, considering at the same time the performative side of poetry and experimenting its connections with visual arts. He published a number of art books, monographies and essays as a form of activism. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mislim na umjetnost Description An account of the resource Mislim na umjetnost (I think of art) should be considered as an element of the artistic process, and the project documentation for some of a group of works not (yet) realized. <a href="https://www.repository.unipr.it/bitstream/1889/3682/4/Vlado%20Martek_Mislim%20na%20umjetnost%20eng.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Martek, Vlado Date A point or period of time associated with an event in the lifecycle of the resource 2017 Contributor An entity responsible for making contributions to the resource Modena, Elisabetta Format The file format, physical medium, or dimensions of the resource image/tiff Type The nature or genre of the resource Text Still Image Rights Holder A person or organization owning or managing rights over the resource. Vlado Martek MoRE museum Theoretical exercise http://moremuseum.org/omeka/files/original/1d076a77e55bc7f487aec77271e06973.jpg 4b23b6a8dcf9e260beb2f417044ed244 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Vlado Martek Creator An entity primarily responsible for making the resource Martek, Vlado Description An account of the resource Poet, artist and writer, Vlado Martek (Zagreb, 1951) founded the Group of Six Artists (active between 1975 and 1980), together with Mladen and Sven Stilinović, Fedor Vučemilović, Boris Demur and Željko Jerman. The artist describes his work as pre-Poetry and focuses his artistic research on the founding elements of writing, considering at the same time the performative side of poetry and experimenting its connections with visual arts. He published a number of art books, monographies and essays as a form of activism. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pjesma se ne vraća u abecedu Description An account of the resource Pjesma se ne vraća u abecedu (Poem is not coming back into the Alphabet) should be considered as an element of the artistic process, and the project documentation for some of a group of works not (yet) realized. <a href="https://www.repository.unipr.it/bitstream/1889/3680/6/Vlado%20Martek_Pjesma%20se%20ne%20vraća%20u%20abecedu%20eng.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Martek, Vlado Date A point or period of time associated with an event in the lifecycle of the resource 2012 Contributor An entity responsible for making contributions to the resource Modena, Elisabetta Format The file format, physical medium, or dimensions of the resource image/tiff Rights Holder A person or organization owning or managing rights over the resource. Vlado Martek MoRE museum Theoretical exercise http://moremuseum.org/omeka/files/original/cbfa3ace08757fb88f31c987175e2f00.jpg 39f4208e32f64653f4c5979e56284f8b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Vlado Martek Creator An entity primarily responsible for making the resource Martek, Vlado Description An account of the resource Poet, artist and writer, Vlado Martek (Zagreb, 1951) founded the Group of Six Artists (active between 1975 and 1980), together with Mladen and Sven Stilinović, Fedor Vučemilović, Boris Demur and Željko Jerman. The artist describes his work as pre-Poetry and focuses his artistic research on the founding elements of writing, considering at the same time the performative side of poetry and experimenting its connections with visual arts. He published a number of art books, monographies and essays as a form of activism. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Prazno miesto Description An account of the resource Prazno miesto [Empty mind] should be considered as an element of the artistic process, and the project documentation for some of a group of works not (yet) realized. <a href="https://www.repository.unipr.it/bitstream/1889/3679/4/Vlado%20Martek_Prazno%20miesto%20ing.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Martek, Vlado Date A point or period of time associated with an event in the lifecycle of the resource 2014 Contributor An entity responsible for making contributions to the resource Modena, Elisabetta Format The file format, physical medium, or dimensions of the resource image/tiff Type The nature or genre of the resource Text Still Image Rights Holder A person or organization owning or managing rights over the resource. Vlado Martek MoRE museum Theoretical exercise http://moremuseum.org/omeka/files/original/75f90980e702d721af2df70602177a3f.jpg 11cb055b0698017d8c556a95f4f207d0 http://moremuseum.org/omeka/files/original/76643f6444aff111144105c8e6bbe833.jpg 02b71f37fcf0d729c5ac40c0c436a427 http://moremuseum.org/omeka/files/original/eb9d3d84ea3ed3669b2049f24934a1dd.jpg 18bc2b11ad20d1c710c8e02fef2cb73f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Vlado Martek Creator An entity primarily responsible for making the resource Martek, Vlado Description An account of the resource Poet, artist and writer, Vlado Martek (Zagreb, 1951) founded the Group of Six Artists (active between 1975 and 1980), together with Mladen and Sven Stilinović, Fedor Vučemilović, Boris Demur and Željko Jerman. The artist describes his work as pre-Poetry and focuses his artistic research on the founding elements of writing, considering at the same time the performative side of poetry and experimenting its connections with visual arts. He published a number of art books, monographies and essays as a form of activism. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Project for a book] Description An account of the resource Project for a book (2017) consists of three A4 sheets of paper, the draft for a book which was never published, donated as source of inspiration and research. <a href="https://www.repository.unipr.it/bitstream/1889/3678/4/Vlado%20Martek_Project%20for%20a%20book%20eng.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Martek, Vlado Date A point or period of time associated with an event in the lifecycle of the resource 2017 Contributor An entity responsible for making contributions to the resource Modena, Elisabetta Format The file format, physical medium, or dimensions of the resource image/tiff Type The nature or genre of the resource Text Still Image Rights Holder A person or organization owning or managing rights over the resource. Vlado Martek MoRE museum Theoretical exercise http://moremuseum.org/omeka/files/original/de5c95c512f381715cb330a01b884801.pdf bae393152af593256c24b7ae47842bea Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource MASBEDO Description An account of the resource MASBEDO are Nicolò Massazza (1973) and Iacopo Bedogni (1970). They live in Milan and work together since 1999. The two artists have worked together since 1999, focusing on video art and installations. They express themselves through the language of video, in different forms such as performance, theater, installation, photography and recently cinema. In Italy they are recognized among the most important video artists and innovators in the field of contemporary art. Thanks to their unique feature of re-union of different arts the multiplicity of languages becomes a single chorus. Their artistic research has focused on the theme of incommunicability, highlighting the paradox of our communication society. This has led them to produce very intimate pieces alongside work with a greater anthropological, social, and political feel. They strive to engage their audience by using the moving image as an immersive installation. MASBEDO have also worked with video-performances to engage their audience within the creative space and gestures created by the video itself. The work is a synthesis of theatre, performance, architecture, and video. MASBEDO’S artworks are collected by many important private foundations and the following public institutions: MART Museo d’arte Moderna e Contemporanea di Trento e Rovereto. Fondazione Merz, Turin. GAM Galleria d’arte Moderna Torino, Turin. Tel Aviv Art Museum. Da2 Museum, Salamanca. CAAM Centro Atlantico de Arte Moderno, Las Palmas. MACRO Museum of Contemporary Art, Rome. Junta de Andalucia, Spain. CAIRN Centre d’art contemporain, Digne. Creator An entity primarily responsible for making the resource MASBEDO Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Degna di Goebbels Description An account of the resource This project for an unrealised film was based on a Reiner Werner  Fassbinder 1975 piece, Der Muell, die Stadt und der Tod (Garbage, the City and Death), an adaptation of Gerhard Zwerenz's novel Erde ist unbewohnbar wie der Mond (1973). The film's working title, Degna di Goebbels, is taken from one of the signs exposed during the violent protests that broke out in Germany and prevented the show from being staged in the country until 2009, due to accusations of anti-Semitism, linked to the character of the rich Jewish businessman, one of the main character of the representation, and the violent monologues  on this theme. MASBEDO's work consisted in staging and shooting a performance with an actress, Silvia Calderoni, in a wood performing the theatrical text with a megaphone, until she reach a tombstone where the title phrase has been engraved, surrounded by a pack of wolves. The film should have had an original soundtrack composed by Carlo Boccadoro. This project is particularly significant inside the research of Nicolò Massazza and Iacopo Bedogni between video and performative, and can now be reconstructed through some photos from the set -  -, several e-mails excerpts which reconstruct the various processing and - also graphic - design phases of the tombstone. As declared by the same artists, "The shooting was interrupted during the first day, and the tombstone thrown into the trash”. <a href="https://www.repository.unipr.it/bitstream/1889/3448/1/Masbedo_Degna%20di%20Goebbels.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource MASBEDO Contributor An entity responsible for making contributions to the resource Scotti, Marco Language A language of the resource Italian Rights Holder A person or organization owning or managing rights over the resource. MASBEDO MoRE Museum Relation A related resource DSpace: <a href="http://hdl.handle.net/1889/3448" target="_blank" rel="noopener">http://hdl.handle.net/1889/3448</a> Date A point or period of time associated with an event in the lifecycle of the resource 2011 http://moremuseum.org/omeka/files/original/e2cf900f19f4652435d7001d56fbf646.tif 1f4e3e4bc1e882a2a7f98493a6eafe26 http://moremuseum.org/omeka/files/original/3e737c9202f0d996878e4a6b487fe8a2.tif eb7b302532e853e8db54d400d39a257f http://moremuseum.org/omeka/files/original/38a55626ed3723245514b28a25261804.tif 7fdcd77cdadd8996125adf904305d333 http://moremuseum.org/omeka/files/original/332fe4df5ed7c0b16fcebd3c9a64df12.tif 4ac8898678eddf5af31996aa3c2c45e3 http://moremuseum.org/omeka/files/original/ecceb19deacb4d5147bb576396b21bb3.tif b1fc29065f529ec16760a446193fbda1 http://moremuseum.org/omeka/files/original/954255c177dd3338dd1e96d0e1a2cbfc.tif 9b189664262f9058abcda413a5fefc8c http://moremuseum.org/omeka/files/original/fea17b44ade937d0d2a7892d8717e53a.tif dc23b14077d6e57b2e357a5ff9b6f511 http://moremuseum.org/omeka/files/original/1042058b874ab5e65d1ea856a35a624a.tif 0bc6c568758001f30320aa2260b9f850 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sandro Mele Description An account of the resource Born in Melendugno (Lecce) 1970, he lives and works in Rome. After graduating from the Academy of Fine Arts in Venice in 1994, he worked as an assistant to Fabio Mauri. Solo exhibitions: Aquì todo bien, 2016, Morelli Contemporary, Brussels; “Spunti per l’avvenire” Galleria Artforum Contemporary, Bologna 2015; "The American Brothers" Galleria Michela Rizzo, Venice, 2013; "Ventinovegiorni (di resistenza)" Menexa,Rome, 2012; “Lucha” fondazione Volume!, Rome, 2010; “Campo Argentino” galleria L’Union-fondazione Volume! Rome, 2006; “Argentina 2000” SACI Gallery, Florence, 2001. His works have been included in the following collettive exhibitions: "Lavoro/Work/Vore" Villa di Toppo Florio, Buttrio (UD), 2013; “GAP Generazioni a confronto” MAXXI B.A.S.E. Rome – 2012; Video Arte Italiana 2004-2012_Mamba Buenos Aires, 2012; “Hear Me Out” Castello Colonna, Genazzano, Rome, 2011; “Premiata officina trevana”  Palazzo Lucarini Contemporary – Centro per l’arte contemporanea, 2011; “Non tutto è in vendita” via farini 33, Bologna 2011; Ente comunale di consumo” Galleria Nazionale palazzo Arnone, Cosenza, 2011; “Ente comunale di consumo” Palazzo Vittoriano, Rome – curated by Claudi Libero Pisano, 2011; “Ente comunale di consumo” castello Colonna, Genazzano (Rome), 2010; “I colori del territorio”, Spoltore (Pe) 2010;  “Arts for the Earth/Natura Naturans”, Cellino San Marco,  Brindisi, 2010; “Il caos” Isola di San Servolo, Venice, 2009; “Mediterranean” Roma the road to contemporary art, Rome, 2009; Social forum europeo, Malmo –Sweden, 2008; “Latinolatino” Castello di Barletta, 2008; “Tracce del contemporaneo” Bos’art, Bosa, Alghero, 2007; “Todi arte festival “, Todi, 2006; “Querria cambiar el color a vuestro objeto mas querido?“, Puerto Lumbreras, Spain, 1999.  Creator An entity primarily responsible for making the resource Mele, Sandro Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cartoneros - Buenos Aires Description An account of the resource The idea behind Cartoneros, which came to him whilst travelling to Argentina in 2006 to implement the project on the Fasinpat ceramic factory (Fabrica sin patrones), an example of corporate self-management among the most significant of the country. Mele had been following the labor movement since 2000, after attending a demonstration staged by local workers, until he decided to return to Argentina in 2006. On this occasion he noticed the reality of the “cartoneros”. The economic crisis of 2001 caused the foreclosure of thousands of industrial plants and shops in Argentina, with a subsequent dramatic increase of 3,500 improvised workers for the collection of waste paper and cardboard around the cities. These workers seamlessly blended in with the blind frenzy of the metropolis, rummaging through the trash or dragging stacks of cartons. The project was supposed to include a large installation made of cardboard, stacked from and compressed between the floor to the ceiling, along with some paintings that the artist had painted during his stay in Argentina’s capital as well as an extensive photographic documentation of the workers’ lives, often carried out in secret among the city's neighborhoods. <a href="https://www.repository.unipr.it/bitstream/1889/3000/1/Sandro%20Mele_Cartoneros%20–%20Buenos%20Aires.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Mele, Sandro Date A point or period of time associated with an event in the lifecycle of the resource 2006 Contributor An entity responsible for making contributions to the resource Scipioni, Lydia Elena Format The file format, physical medium, or dimensions of the resource image/tiff Language A language of the resource Italian Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context <a href="http://dspace-unipr.cineca.it/handle/1889/3000" target="_blank" rel="noopener">http://dspace-unipr.cineca.it/handle/1889/3000</a> Rights Holder A person or organization owning or managing rights over the resource. Sandro Mele MoRE Museum Financial reasons Logistical reasons http://moremuseum.org/omeka/files/original/0355aafe539b10baf3aba40b68f7ba23.jpg 43a439ba71eb0fdb6e3e233580afd0eb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Page catalog with an introduction to the project. Title A name given to the resource 1_img024.jpg Format The file format, physical medium, or dimensions of the resource file jpg, 18,53 x17,83 cm, 300 dpi http://moremuseum.org/omeka/files/original/6cee13598511c52a09da30164034a7bf.jpg 63c14a68369dbdf1c8391dad6939d114 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 2_img025.jpg Description An account of the resource Catalog page with render of a baby in a bed in a dark room. Format The file format, physical medium, or dimensions of the resource file jpg, 18,53 x 17,99 cm, 300 dpi http://moremuseum.org/omeka/files/original/d67c17ac269ce5a2d28d5694316b58f8.jpg 44b503e0508f9ca1e5536401b522ec3d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 3_img026.jpg Description An account of the resource Catalog page with the story of the project of the table lamp. Format The file format, physical medium, or dimensions of the resource file jpg, 18,53 x 17,72 cm, 300 dpi http://moremuseum.org/omeka/files/original/4239dff8c58ae75523e7a89e3ae0cfba.jpg 5c469d938f01916a1b5e5e949fda88e3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 4_img027.jpg Description An account of the resource Catalog page with render of a baby in a bed in a bright room with the bedside Format The file format, physical medium, or dimensions of the resource file jpg, 18,53x18,31 cm, 300 dpi http://moremuseum.org/omeka/files/original/e73b4dd07dbdff70964a7d54baba8e94.jpg 302a62e4de4c706a339492a60f49ff8a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 5_img028.jpg Description An account of the resource Render color of the table lamp in which they are distinguishable designs imagined for the lamp itself. Format The file format, physical medium, or dimensions of the resource file jpg, 18,15x18,31 cm, 300 dpi Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sabrina Mezzaqui Creator An entity primarily responsible for making the resource Mezzaqui, Sabrina Description An account of the resource Sabrina Mezzaqui (Bologna, 1964) lives and works in Marzabotto (BO ). Many of her works are a materialization of the passing of time, bringing into play the sense of manual works in the repetition of little gestures for hours and hours (stringing beads, cutting, bending, drawing small motifs...). Writing often appears in the works (in the form of short texts, memoirs, literary references, rearranged books...). Even her videos tell of slow times, recording changes in the light or simple natural phenomena like the dust near a window or the stars reflected on the waves from the sun or the falling snow. She work with Galleria Massimo Minini Brescia (Messaggi inviati, 1999; Il pomeriggio è troppo azzurro, 2001; Quando le parole atterrano, 2006; Giocatori di perle, 2010) and the Galleria Continua in San Gimignano (Carezze, 2001; Ecco adesso, 2004; Sottolineature, 2005; Mettere a dimora, 2008; ciò che la primavera fa con i ciliegi, 2011). She has exhibited in public spaces and cultural associations in Italy (GAM - Civic Gallery of Modern Art in Turin; Maxxi, Rome; Castel Sant 'Elmo, Naples; Papesse Palace, Siena; Museion, Bolzano; Open Space - GAM, Bologna; ViaFarini and Care of Milan; Scratch Gallery, Bologna ...) and abroad (PS1, New York; INOVA, Milwaukee, Wisconsin - WI; Modern Art Museum, Saint-Etienne - F; One Severn Street, Birmingham – UK; Raid Projects Gallery, Los Angeles - CA; Italian Institute of Culture - MOCA, Buenos Aires; Bengal Art Lounge, Dhaka - Bangladesh ...). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Abat-jour Description An account of the resource The project was commissioned by Roberto Daolio as part of a series of art works to be placed on the top floor of the Department of Pediatric Oncology of the Sant’Orsola Hospital in Bologna, in collaboration with the Association AGEOP. The invited artists are Silvia Cini, Emilio Fantin, Claudia Losi, Eva Marisaldi, Sabrina Mezzaqui, Sabrina Torelli and Marco Vaglieri. Mezzaqui proposes the creation of an abat-jour lamp to the placed on the bedside tables of the patients’ rooms, in the memory of her childhood. The project was not realized as a result of a number of economical, technical and logistic reasons. <a href="https://www.repository.unipr.it/bitstream/1889/2448/1/Mezzaqui_Abat%20jour.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Mezzaqui, Sabrina Date A point or period of time associated with an event in the lifecycle of the resource 2004 Contributor An entity responsible for making contributions to the resource Modena, Elisabetta Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Language A language of the resource Italian Rights Holder A person or organization owning or managing rights over the resource. Sabrina Mezzaqui MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2448" target="_blank" rel="noopener">http://hdl.handle.net/1889/2448</a> Financial reasons Logistical reasons Regulatory/juridical/administrative reasons http://moremuseum.org/omeka/files/original/f91e0be9a825a5458be642ef72677ef1.jpg 330de33e3a3672179a8b344348d354b4 http://moremuseum.org/omeka/files/original/82f5f563bbc5352d0993b7e982355768.jpg 6f9768e5145480cb3fa1ccdb8d55092d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Aleksandra Mir Description An account of the resource Aleksandra Mir (born 1967) is a Swedish-American contemporary artist known for her collaborative installations and projects. Her work deals with travel, time, placehood, language, gender, identity, locality, nationality, globality, mobility, connectivity, performativity, representation, transition, translation and transgression. She is known for her large scale collaborative projects and for her anthropological methods, involving rigorous archival research, oral history and field work. She has exhibited at Kunsthaus Zurich (2006), Tate Modern, London (2014), Tate Liverpool (2017), Modern Art Oxford (2017), Schirn Kunsthalle, Frankfurt (2009), M – Museum Leuven (2013), Whitney Museum of American Art (2014), Solomon R. Guggenheim Museum (2007), MoMA, New York City (2012), YUZ Museum, Shanghai (2018), Whitney Biennial (2004), Biennale of Sydney (2002), Biennale di Venezia (2009), and Mercosul Biennial, Porto Alegre (2015), Tai Kwun Contemporary, Hong Kong (2020). Creator An entity primarily responsible for making the resource Mir, Alexandra Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Great Ears Description An account of the resource Proposed as part of the Monuments for the USA exhibition in 2005, the project involved the construction of two monumental ears, respectively placed on the East and West coasts of the United States. <a href="https://www.repository.unipr.it/bitstream/1889/5201/1/Aleksandra%20Mir_The%20Great%20Ears.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Mir, Aleksandra Date A point or period of time associated with an event in the lifecycle of the resource 2005 Contributor An entity responsible for making contributions to the resource Mir, Aleksandra Scotti, Marco Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource English Type The nature or genre of the resource Still Image Text Rights Holder A person or organization owning or managing rights over the resource. 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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Aleksandra Mir Description An account of the resource Aleksandra Mir (born 1967) is a Swedish-American contemporary artist known for her collaborative installations and projects. Her work deals with travel, time, placehood, language, gender, identity, locality, nationality, globality, mobility, connectivity, performativity, representation, transition, translation and transgression. She is known for her large scale collaborative projects and for her anthropological methods, involving rigorous archival research, oral history and field work. She has exhibited at Kunsthaus Zurich (2006), Tate Modern, London (2014), Tate Liverpool (2017), Modern Art Oxford (2017), Schirn Kunsthalle, Frankfurt (2009), M – Museum Leuven (2013), Whitney Museum of American Art (2014), Solomon R. Guggenheim Museum (2007), MoMA, New York City (2012), YUZ Museum, Shanghai (2018), Whitney Biennial (2004), Biennale of Sydney (2002), Biennale di Venezia (2009), and Mercosul Biennial, Porto Alegre (2015), Tai Kwun Contemporary, Hong Kong (2020). Creator An entity primarily responsible for making the resource Mir, Alexandra Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wildflower Meadow Description An account of the resource This project consists in a proposal for the redevelopment of the Gorbals Partnership, Glasgow. Inspired by the lyrical settings in which Ingmar Bergman often placed his romancing youth, isolated in nature, protected from judgement and convention, the artist aimed at creating a site that could encompass all stages of a lifetime and maintain the same soft touch and beauty throughout. The artist statement was: “I would like to propose the creation of a wildflower meadow. For children to play, for teens to have sex, for adults to take walks and for seniors to remind them of their youth”. Aleksandra Mir should have worked with a botanist to develop a meadow in five years, planting local species and restoring the traditional cycles of mowing and grazing. <a href="https://www.repository.unipr.it/bitstream/1889/5202/1/Aleksandra%20Mir_Wildflower%20Meadow.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Mir, Aleksandra Date A point or period of time associated with an event in the lifecycle of the resource 2001 Contributor An entity responsible for making contributions to the resource Mir, Aleksandra Scotti, Marco Format The file format, physical medium, or dimensions of the resource image/jpeg application/pdf Language A language of the resource English Type The nature or genre of the resource Still Image Text Rights Holder A person or organization owning or managing rights over the resource. Aleksandra Mir MoRE museum Censored Failure to meet the commissioner's demands Failure to reach an institutional agreement Rejected http://moremuseum.org/omeka/files/original/393de1a2bea0f071186dede8f2885b1d.jpg 4aad82feae29dba5b055f0e92ff99318 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Aleksandra Mir Description An account of the resource Aleksandra Mir (born 1967) is a Swedish-American contemporary artist known for her collaborative installations and projects. Her work deals with travel, time, placehood, language, gender, identity, locality, nationality, globality, mobility, connectivity, performativity, representation, transition, translation and transgression. She is known for her large scale collaborative projects and for her anthropological methods, involving rigorous archival research, oral history and field work. She has exhibited at Kunsthaus Zurich (2006), Tate Modern, London (2014), Tate Liverpool (2017), Modern Art Oxford (2017), Schirn Kunsthalle, Frankfurt (2009), M – Museum Leuven (2013), Whitney Museum of American Art (2014), Solomon R. Guggenheim Museum (2007), MoMA, New York City (2012), YUZ Museum, Shanghai (2018), Whitney Biennial (2004), Biennale of Sydney (2002), Biennale di Venezia (2009), and Mercosul Biennial, Porto Alegre (2015), Tai Kwun Contemporary, Hong Kong (2020). Creator An entity primarily responsible for making the resource Mir, Alexandra Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource CityForest Description An account of the resource In 1997, Aleksandra Mir proposed to the Public Art Fund to collect trees thrown away from the streets of New York City after the Christmas holidays and replant them in a common area until they had dried out completely. The project, while welcomed, was blocked by the city's fire department. <a href="https://www.repository.unipr.it/bitstream/1889/5198/1/Aleksandra%20Mir_CityForest.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Mir, Aleksandra Date A point or period of time associated with an event in the lifecycle of the resource 1997 Contributor An entity responsible for making contributions to the resource Mir, Aleksandra Scotti, Marco Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Rights Holder A person or organization owning or managing rights over the resource. Aleksandra Mir MoRE museum Logistical reasons http://moremuseum.org/omeka/files/original/f553b7d31cde6e0b2f32aee6fd5da0af.jpg c590770a078bf23b187b1a42195ed2d9 http://moremuseum.org/omeka/files/original/fa6bfc404f16a66c495134a86a10267c.jpg 8301b48e99a5113cd0eeb1256e031d75 http://moremuseum.org/omeka/files/original/b79c9359bd61a799e35a6aea08f658b1.jpg fba5f224e5b4e89fc75d7f3dfd8bbfa8 http://moremuseum.org/omeka/files/original/c0d3e8bd3fa43987af8fa1ba736bf9dd.jpg 89973f099b342dc07f0a6b829b3ddf77 http://moremuseum.org/omeka/files/original/c96905bc07411c0403551faf1cd1795e.jpg 07da7a5d2ea6ec1e500cfe329292c3e5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Aleksandra Mir Description An account of the resource Aleksandra Mir (born 1967) is a Swedish-American contemporary artist known for her collaborative installations and projects. Her work deals with travel, time, placehood, language, gender, identity, locality, nationality, globality, mobility, connectivity, performativity, representation, transition, translation and transgression. She is known for her large scale collaborative projects and for her anthropological methods, involving rigorous archival research, oral history and field work. She has exhibited at Kunsthaus Zurich (2006), Tate Modern, London (2014), Tate Liverpool (2017), Modern Art Oxford (2017), Schirn Kunsthalle, Frankfurt (2009), M – Museum Leuven (2013), Whitney Museum of American Art (2014), Solomon R. Guggenheim Museum (2007), MoMA, New York City (2012), YUZ Museum, Shanghai (2018), Whitney Biennial (2004), Biennale of Sydney (2002), Biennale di Venezia (2009), and Mercosul Biennial, Porto Alegre (2015), Tai Kwun Contemporary, Hong Kong (2020). Creator An entity primarily responsible for making the resource Mir, Alexandra Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Narvik Superstars Description An account of the resource This project, commissioned by the Narvik City Council and Artscape Nordland, proposed to realise a star in the pavement for every child born in during the next 5-7 years in Narvik. This Norwegian city threatened to become vacated, with this work the harborfront would have been covered in stars, made by the same company that provides those for Hollywood's Walk of Fame, and every year a ceremony would have been held to reveal the new ones. The goal of the project is to turn the exclusive into the popular through a local recycling of the "star culture", where every newborn baby will become a star in its own life. Simultaneously the project represented a local mobilization to increase the population of Narvik. Due to budget cuts, the project was cancelled in 2006. <o:p></o:p><a href="https://www.repository.unipr.it/bitstream/1889/5199/1/Aleksandra%20Mir_Narvik%20Superstars.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Mir, Aleksandra Date A point or period of time associated with an event in the lifecycle of the resource 2004 Contributor An entity responsible for making contributions to the resource Mir, Aleksandra Scotti, Marco Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Rights Holder A person or organization owning or managing rights over the resource. Aleksandra Mir MoRE museum Financial reasons http://moremuseum.org/omeka/files/original/85ad5c1ad875a662925b1741dda1bd42.jpg 3fab9cbe4dc83cd7a61602abd8ec1add http://moremuseum.org/omeka/files/original/050e07ce84bdd3223a97232b7a526cad.jpg ca8a33287f9665b119c530476e1fd8c4 http://moremuseum.org/omeka/files/original/85fe9c459f0a61e6d54437fcc02cd03e.jpg 15b420d8eac2719134112131b5e2c075 http://moremuseum.org/omeka/files/original/132f63ecb96582f1da9e9967e2b20f8e.jpg 36e22e1690de761d8389306c2e4a2a4d http://moremuseum.org/omeka/files/original/a4d35fa3bd1614eaa2329833f3d3e6c9.jpg 17f56e9f96022d7b3de0a2c28cbad212 http://moremuseum.org/omeka/files/original/1f9dbc4a7591682a1ad32a52b178ab57.jpg b53d608c14e5b72350d56519709e06a6 http://moremuseum.org/omeka/files/original/656643be2fa9919e9382e7a7eefb0cee.jpg d41d8cd98f00b204e9800998ecf8427e http://moremuseum.org/omeka/files/original/809edafaccd6e7418651bc5bbac66a68.jpg d3a5d6aec3b4afc6df9ae0e111b42563 http://moremuseum.org/omeka/files/original/3a944246e19049edb6cb1e63835f184d.jpg 9afb10c833f4c9c9e5a446edb6668f89 http://moremuseum.org/omeka/files/original/0a89014a2527f22a8bc15f1fb1385133.jpg a8a61e5eecc2e1ae03d021801616030c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Aleksandra Mir Description An account of the resource Aleksandra Mir (born 1967) is a Swedish-American contemporary artist known for her collaborative installations and projects. Her work deals with travel, time, placehood, language, gender, identity, locality, nationality, globality, mobility, connectivity, performativity, representation, transition, translation and transgression. She is known for her large scale collaborative projects and for her anthropological methods, involving rigorous archival research, oral history and field work. She has exhibited at Kunsthaus Zurich (2006), Tate Modern, London (2014), Tate Liverpool (2017), Modern Art Oxford (2017), Schirn Kunsthalle, Frankfurt (2009), M – Museum Leuven (2013), Whitney Museum of American Art (2014), Solomon R. Guggenheim Museum (2007), MoMA, New York City (2012), YUZ Museum, Shanghai (2018), Whitney Biennial (2004), Biennale of Sydney (2002), Biennale di Venezia (2009), and Mercosul Biennial, Porto Alegre (2015), Tai Kwun Contemporary, Hong Kong (2020). Creator An entity primarily responsible for making the resource Mir, Alexandra Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Stonehenge II Description An account of the resource Stonehenge II is a proposal for a work in a public space by Aleksandra Mir. Originally presented to the Artangel/Times open commission in 1998 (and subsequently rejected), the proposal was to build a Stonehenge replica close to the original, to reduce the volume of pedestrian traffic and save this piece of cultural heritage from further destruction. To compensate for the necessary limited access to Stonehenge I, Stonehenge II would allow full access and promote a wide range of activities on its grounds. The project was proposed a second time to students on the Royal College of Art curating course, who were asked to join the artist in the production of the project over the summer of 2001 (also rejected). The scale model was constructed in 2002–03. Aleksandra Mir continues to further her ambition to realize this work and hopes to make contact with interested parties who wish to assist. <a href="https://www.repository.unipr.it/bitstream/1889/5200/1/Aleksandra%20Mir_Stonehenge%20II.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Mir, Alexandra Date A point or period of time associated with an event in the lifecycle of the resource 1998-2001 Contributor An entity responsible for making contributions to the resource Mir, Alexandra Scotti, Marco Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Rights Holder A person or organization owning or managing rights over the resource. Aleksandra Mir MoRE museum Project which wasn’t selected in a prize or competition Rejected http://moremuseum.org/omeka/files/original/ca54c9a635d64666b2f41ebcb5d0c96b.pdf 794ab998fd164998d78e27af9da9b6fe Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Helen Mirra Description An account of the resource Helen Mirra’s art practice is based in walking, primarily in the mountains, in nature. But also cities could be a place for her walks – as for example in the exhibition series „gehend, Field Recordings (1-3)“ Mirra did in 2011 in Kunst Werke Berlin, Bonner Kunstverein and Haus Konstruktiv in Zurich. Her works are generated from making these walks – her perceptive experiences in the landscape, and the activity of her body. They develop in parallel. Not only is moving, walking, fundamental to Mirra’s work, but the places where the walks happen are essential elements.  Helen Mirra work was shown in solo exhibitions at Renaissance Society, Chicago, Kunst Werken, Berlin, Haus Konstruktiv, Zürich and Berkley Art Museum. Mirra participated in the 50th Venice Biennial, the 20th Sao Paulo Art Biennial and the 12th Havana Biennial. Creator An entity primarily responsible for making the resource Mirra, Helen Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Die Kristallader Description An account of the resource Die Kristallader (The Crystal Vein) is a project in public space that Helen Mirra developed in 2014 as part of a competition for the city of St. Gallen in Switzerland. The assignment of the competition was that the artistic intervention should connect the newly built Natural History Museum, which is located in the periphery, with the city center. Helen Mirra's project proposal was an irregular "line", a crack in the asphalt filled with a shiny metal that leads from the city center to the Natural History Museum on a path carefully defined by the artist. The shiny crystal vein guides the visitors on a 3 km long walk through St. Gallen, allowing them to perceive the surroundings, time and movement in a different way. The jury ultimately chose another submitted project, so that the Crystal Vein was never realised. <a href="https://www.repository.unipr.it/bitstream/1889/3843/1/rekade_mirra.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Mirra, Helen Date A point or period of time associated with an event in the lifecycle of the resource 2014 Contributor An entity responsible for making contributions to the resource Rekade, Christiane Format The file format, physical medium, or dimensions of the resource application/pdf Language A language of the resource English Type The nature or genre of the resource Text Still Image Rights Holder A person or organization owning or managing rights over the resource. Helen Mirra MoRE Museum Project which wasn’t selected in a prize or competition http://moremuseum.org/omeka/files/original/5d83ea91d8a17c9c0fedfde48dba734f.jpg 5199817bd7c5b58f9438ae0369b896cc http://moremuseum.org/omeka/files/original/f061779a018a51e30469f2752c891933.jpg c6118d936f506de48d24899ada90ba24 http://moremuseum.org/omeka/files/original/fb511aa09b2cd93b1dc3c3b35ef196e9.jpg 5be77caeaaf417b5ad13a8dc0c239046 http://moremuseum.org/omeka/files/original/ab5d737f82285aa56ad3f847b16e0456.jpg b6f46cb723c35ac4d73d90aecf164184 http://moremuseum.org/omeka/files/original/33410847607181728992d1456e64ec9d.jpg 30e813aa7abea2fd7c58eb15f80814e6 http://moremuseum.org/omeka/files/original/0b1dc8fa412207cc04a515e06c332566.jpg 3d01c05c80dbe2d8d3f97d23ca73a3ec http://moremuseum.org/omeka/files/original/60aa627e3217a82d00e7653c40782bd2.jpg 7b7b69cb8f28ec9439f22dddc4f5aa27 http://moremuseum.org/omeka/files/original/7f3ffcbc9876b047c6902398ff55774a.jpg b2cdaf3dbeb6d14ae565aa8c06966756 http://moremuseum.org/omeka/files/original/150d0ed564b5559ff91808205b8fdad4.jpg 0199301df62a9ff1155cdafc465a5ae2 http://moremuseum.org/omeka/files/original/87aa00afd2bed33fc9b8b11e55414376.jpg 10a0106fcff4852f5f1160fc12efd6c8 http://moremuseum.org/omeka/files/original/39e1901b7999bea0d7b37f1fe90c5b74.jpg 2a0cdd3696b409f4ee5ea0549f3cdbae http://moremuseum.org/omeka/files/original/d361996d5f95c689fad71726bff7d215.jpg d3ceb58df3071a2f11c3b7fd6621e415 http://moremuseum.org/omeka/files/original/00bf38f32cebed71d4258eef52319e4e.pdf ce39dec806140bac9929163a25f8fc1a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jonathan Monk Description An account of the resource Jonathan Monk, 1969, born in Leicester, Great Britain. Lives and works in Berlin, Germany. Monk replays, recasts and re-examines seminal works of Conceptual and Minimal art by variously witty, ingenious and irreverent means. Speaking in 2009, he said, “Appropriation is something I have used or worked with in my art since starting art school in 1987. At this time (and still now) I realised that being original was almost impossible, so I tried using what was already available as source material for my own work.” Through wall paintings, monochromes, ephemeral sculpture and photography he reflects on the tendency of contemporary art to devour references, simultaneously paying homage to figures such as Sol LeWitt, Ed Ruscha, Bruce Nauman and Lawrence Weiner, while demystifying the creative process. Monk is constantly asking ‘what next?’. His stainless steel series entitled Deflated Sculpture (2009) refigures Jeff Koon’s iconic balloon rabbit in various stages of collapse; letting the air out isn’t an act of iconoclasm so much as giving the original idea new life. So too Monk documented the period he lived in Los Angeles with a series of photographs titled None of the Buildings on Sunset Strip (1997–99), showing only the roads between buildings – a follow-up to Ed Ruscha’s artist book from 30 years before, All of the Buildings on Sunset Strip. But his conceptual configurations are also grounded in the personal: ‘what next?’ takes on a poignancy in the slide projection In Search of Gregory Peck (1997), where Monk brought together a collection of photographs taken by his late father in the 1950s, preceding him as a tourist in the US. Language A language of the resource Italian, English Creator An entity primarily responsible for making the resource Monk, Jonathan Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data hand-bound book, unique copy made by the artist himself. Physical Dimensions The actual physical size of the original image various (approximately 21,5x30cm.) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Small Proposals Book Description An account of the resource This project represents, first and foremost, a reflection on the feasibility of art projects and on the relationship between the artist and the commissioning body within the contemporary art system. Through the irony and poetic approach that would characterize his later projects, the artist ultimately questions broader dynamics and meanings. In this work, conceived when Jonathan Monk was still a student at the Glasgow School of Art, the artist presents a series of proposals for projects that are, by their very nature, impossible to realize — crazy, as he himself describes them. Closely connected to the designation of Glasgow as European Capital of Culture in 1990, Small Proposals Book is a handmade book containing the presentation of six public art interventions for the Scottish city. These are bound together with a (fake) response letter for each proposal from the official to whom the artist would supposedly have submitted the project, the Visual Arts Officer Tessa Jackson. Both the images and the response letters were, of course, produced by the artist himself. The visual part, through the reuse of everyday images that are exaggerated and stereotypical, aims to emphasize the deep irony and the implicit critique of the dynamics associated with this type of intervention. Jonathan Monk pretends to propose bringing the pyramids to Glasgow Green, moving the Golden Gate Bridge over the River Clyde (although the image used was actually that of the Humber Bridge, which is why the proposal is rejected in the fictional response letter), restoring driving orientation to continental standards, transplanting one of the giant sequoias from Redwood National and State Parks, moving Stonehenge to redevelop the fountain in Kelvingrove Park, and finally relocating Disneyland for a year to the parking lot of the St. Enoch Centre. <a href="https://moremuseum.org/omeka/files/original/00bf38f32cebed71d4258eef52319e4e.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Monk, Jonathan Date A point or period of time associated with an event in the lifecycle of the resource 1990 Contributor An entity responsible for making contributions to the resource Scotti, Marco Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/1757" target="_blank" rel="noopener">http://hdl.handle.net/1889/1757</a> Rights Holder A person or organization owning or managing rights over the resource. Jonathan Monk MoRE Museum Theoretical exercise http://moremuseum.org/omeka/files/original/3dd6a69b6a496c6e418133dd9ae4dad1.jpg 01ab3809f91a168c8de4ba9cd7fde097 http://moremuseum.org/omeka/files/original/4693d1ce6614531f69b88215b8eb54e4.jpg 6e13e6d7431062282fe9476048190358 http://moremuseum.org/omeka/files/original/4830d6f5c7bfeb6b32f7a6084dfabdae.m4a eba332e88e7a76db7b65a5f7310bba7f http://moremuseum.org/omeka/files/original/cfacf4d01608f7cd14eb3c4097b1e32a.pdf 05f7609bf79552c38278aadbeebe2cb4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jonathan Monk Description An account of the resource Jonathan Monk, 1969, born in Leicester, Great Britain. Lives and works in Berlin, Germany. Monk replays, recasts and re-examines seminal works of Conceptual and Minimal art by variously witty, ingenious and irreverent means. Speaking in 2009, he said, “Appropriation is something I have used or worked with in my art since starting art school in 1987. At this time (and still now) I realised that being original was almost impossible, so I tried using what was already available as source material for my own work.” Through wall paintings, monochromes, ephemeral sculpture and photography he reflects on the tendency of contemporary art to devour references, simultaneously paying homage to figures such as Sol LeWitt, Ed Ruscha, Bruce Nauman and Lawrence Weiner, while demystifying the creative process. Monk is constantly asking ‘what next?’. His stainless steel series entitled Deflated Sculpture (2009) refigures Jeff Koon’s iconic balloon rabbit in various stages of collapse; letting the air out isn’t an act of iconoclasm so much as giving the original idea new life. So too Monk documented the period he lived in Los Angeles with a series of photographs titled None of the Buildings on Sunset Strip (1997–99), showing only the roads between buildings – a follow-up to Ed Ruscha’s artist book from 30 years before, All of the Buildings on Sunset Strip. But his conceptual configurations are also grounded in the personal: ‘what next?’ takes on a poignancy in the slide projection In Search of Gregory Peck (1997), where Monk brought together a collection of photographs taken by his late father in the 1950s, preceding him as a tourist in the US. Language A language of the resource Italian, English Creator An entity primarily responsible for making the resource Monk, Jonathan Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portrait of the Artist in a Building Description An account of the resource This project consists of a series of portraits of the artist, made exclusively from photographs of buildings taken while Jonathan Monk was inside them. The artist was not meant to be the only person in the building, but the only one involved in the project. The selected buildings were the Eiffel Tower in Paris, the TV Tower in Berlin, the BT Tower in London, the CN Tower in Toronto, and the Empire State Building in New York. The result would have been a series of photographs of these buildings, with the artist invisible in the image yet actually portrayed at the top of each structure, looking directly into the camera lens. The project was ultimately abandoned by the artist. <a href="http://moremuseum.org/omeka/files/original/cfacf4d01608f7cd14eb3c4097b1e32a.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Monk, Jonathan Date A point or period of time associated with an event in the lifecycle of the resource 2002 Contributor An entity responsible for making contributions to the resource Scotti, Marco Format The file format, physical medium, or dimensions of the resource audio/mpeg Language A language of the resource English Type The nature or genre of the resource Oral History Rights Holder A person or organization owning or managing rights over the resource. Jonathan Monk MoRE Museum http://moremuseum.org/omeka/files/original/7223d7e65070f6de111f93e59836e6e6.JPG 8427676c58bf3e8615944df806188ca2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource progetto-kassel.JPG Description An account of the resource Collage of the unrealized project, that consisted in stretching a steel cable - anchored at the artist’s car with the engine running (a red Fiat 126) - till the museum’s opposite wall, where it would be fixed so that it would pass through the whole length of the building. Format The file format, physical medium, or dimensions of the resource jpg file, 19,236 x 14,427 cm, 300 dpi http://moremuseum.org/omeka/files/original/7c2519e97968f70ddab6244648de2893.jpg febf3b1b9a4cc574b66c2a6d3910df2d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource disegno 1992 Description An account of the resource A drawing of the project, taken by the artist in a sketchbook in 1992. Format The file format, physical medium, or dimensions of the resource jpg file, 115,147 x 86,36 cm, 72 dpi Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Liliana Moro Description An account of the resource Liliana Moro was born in 1961 in Milan, where she lives and works. She graduated from the Accademia di Belle Arti di Brera, where she studied with Luciano Fabro. In 1989 she founded, with other artists, the Spazio di Via Lazzaro Palazzi in Milan, active until 1993. Encountering the works of Liliana Moro we have the perception that only what is strictly necessary is present. Sound, words, sculptures, objects and performance, compose a world that "stages" a reality simultaneously raw and poetic. These are territories of an individual experience (that of the artist but mainly that of the viewer) that ask for going beyond what is visible. The reduction to the essential understood as an attitude, a practice and a positioning, does not result from a retake of a minimal language: it is rather something the artist triggers both when choosing to use elaborated techniques, and when opting by using existent materials and objects of everyday use. A prominent element in Liliana Moro's research is the political dimension, not translated in the illustration of contents, but related to the forms of addressing the recipients; for example by placing her work on the ground she implicitly asks the viewer to bend down to see it. Freedom of action is an important aspect of the work, but it only defines it partially: what creates an interesting difference is the relation between the university of possibilities and a tension - both physical and poetical - produced from this relation. Liliana Moro has shown in major international group exhibitions including Documenta IX, Kassel (1992); Aperto XLV Venice Biennale (1993); Castello di Rivoli, Turin (1994); Quadriennale, Rome (1996/2008); Moderna Museet, Stockholm (1998); PS1, New York (1999); De Appel, Amsterdam (1999), and the Bienal de Valencia (2001). She held several of solo shows at Galleria Emi Fontana, Milan; Greta Meert, Brussels; MUHKA, Antwerp, and Fondazione Ambrosetti, Brescia. Recently, Liliana Moro has showed at the Italian Cultural Institute of Los Angeles (2008), and Fabbrica del Vapore, Milan (2008), and has participated in important group exhibitions, including Italics, Palazzo Grassi, Venice (2008); Focus on Contemporary Italian Art, Mambo, Bologna (2008); Save Venice, Magazzini del Sale, side event of the 53. Venice Biennale (2009), and Celebration, Institution, Critique, Galleria Civica di Trento (2009). Creator An entity primarily responsible for making the resource Moro, Liliana Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tiramolla 92 Description An account of the resource Tiramolla 1992 is a project presented by Liliana at the <a href="http://www.kassel.de/miniwebs/documentaarchiv_e/08204/index.html" target="_blank" rel="noopener">documenta 9</a> of Kassel, directed by Jan Hoet with a team constituted by Pier Luigi Tazzi, Denys Zacharopoulos e Bart de Baere. The place chosen for the work was the Neue Galerie and the project was particularly complex and elaborated with the support of an engineer of a specialized firm. The plan was to stretch a steel cable till the museum’s last wall; this should go through the whole length of the building and come outside, where it should be anchored at the artist’s car, a red Fiat 126, left turned on with the engine running. The steel cable (that has been reproposed in the work exhibited in Kassel instead of this project, Tiramolla) would have passed therefore through the whole exhibition’s space, suggesting to the viewer a different understanding of the place and converging outside towards an object connected with the artist’s everyday life: her car. Technical and structural problems were the main reason it hasn't been realized; the project was also considered too dangerous. <a href="https://www.repository.unipr.it/bitstream/1889/2442/1/Liliana%20Moro_Tiramolla%2092.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Moro, Liliana Date A point or period of time associated with an event in the lifecycle of the resource 1992 Contributor An entity responsible for making contributions to the resource Zinelli, Anna Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Language A language of the resource Italian Rights Holder A person or organization owning or managing rights over the resource. Liliana Moro MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2442" target="_blank" rel="noopener">http://hdl.handle.net/1889/2442</a> Logistical reasons Regulatory/juridical/administrative reasons http://moremuseum.org/omeka/files/original/83d6ec93eb64c7bd12a9b96ad1b43c98.pdf 2495daec64e7afbd091afbda1e72fc51 http://moremuseum.org/omeka/files/original/f2ccccb9969f52dd9f238b1c27ad8298.jpg fc16fc888788bd86153fc85227666ae6 http://moremuseum.org/omeka/files/original/75067341224d8aa2c896f1e554a75332.jpg cd715e5d7b056bbbc7d9d1ededfbb778 http://moremuseum.org/omeka/files/original/0e4b1d402f94c080050403fffb6dfea9.jpg ca56507f69172818e7e6681f2694a7ef http://moremuseum.org/omeka/files/original/8a7793944b796490c0833b77333b5d22.jpg a24eef777d9282727e09719e609428d4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Liliana Moro Description An account of the resource Liliana Moro was born in 1961 in Milan, where she lives and works. She graduated from the Accademia di Belle Arti di Brera, where she studied with Luciano Fabro. In 1989 she founded, with other artists, the Spazio di Via Lazzaro Palazzi in Milan, active until 1993. Encountering the works of Liliana Moro we have the perception that only what is strictly necessary is present. Sound, words, sculptures, objects and performance, compose a world that "stages" a reality simultaneously raw and poetic. These are territories of an individual experience (that of the artist but mainly that of the viewer) that ask for going beyond what is visible. The reduction to the essential understood as an attitude, a practice and a positioning, does not result from a retake of a minimal language: it is rather something the artist triggers both when choosing to use elaborated techniques, and when opting by using existent materials and objects of everyday use. A prominent element in Liliana Moro's research is the political dimension, not translated in the illustration of contents, but related to the forms of addressing the recipients; for example by placing her work on the ground she implicitly asks the viewer to bend down to see it. Freedom of action is an important aspect of the work, but it only defines it partially: what creates an interesting difference is the relation between the university of possibilities and a tension - both physical and poetical - produced from this relation. Liliana Moro has shown in major international group exhibitions including Documenta IX, Kassel (1992); Aperto XLV Venice Biennale (1993); Castello di Rivoli, Turin (1994); Quadriennale, Rome (1996/2008); Moderna Museet, Stockholm (1998); PS1, New York (1999); De Appel, Amsterdam (1999), and the Bienal de Valencia (2001). She held several of solo shows at Galleria Emi Fontana, Milan; Greta Meert, Brussels; MUHKA, Antwerp, and Fondazione Ambrosetti, Brescia. Recently, Liliana Moro has showed at the Italian Cultural Institute of Los Angeles (2008), and Fabbrica del Vapore, Milan (2008), and has participated in important group exhibitions, including Italics, Palazzo Grassi, Venice (2008); Focus on Contemporary Italian Art, Mambo, Bologna (2008); Save Venice, Magazzini del Sale, side event of the 53. Venice Biennale (2009), and Celebration, Institution, Critique, Galleria Civica di Trento (2009). Creator An entity primarily responsible for making the resource Moro, Liliana Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Preferisco il rumore del mare. Concorso di progettazione Piazza Verdi - La Spezia Description An account of the resource The project, realised in collaboration with Studio 5 + 1 AA, was presented in 2009 on the occasion of the design contest to renovate Piazza Giuseppe Verdi from an architectural and artistic point of view. The contest was promoted by city of di La Spezia and P.A.A.L.M.A. (Premio Artista Architetto La Marrana Arte Ambientale) in collaboration with Fondazione Cassa di Risparmio della Spezia. The project was shortlisted among the top five entries.  The title-manifesto of the project, I prefer the sound of the sea, is the title of a film directed by Mimmo Calopresti (2000), inspired by a verse of Dino Campana. The idea was to realise a flooring with a decoration made of tiles and rubberized asphalt whose colours were inspired by the mosaics of Fillia, Prampolini e Mazzoni inside Palazzo della Posta. Moreover, they wanted to place inside the square 99 red and blue trumpets, connected to the tide predictions centre in Genoa. The trumpets would have emitted a whistle, registered by the artist, in case of high tide. <a href="https://www.repository.unipr.it/bitstream/1889/3444/1/Liliana%20Moro_Concorso%20di%20progettazione%20Piazza%20Verdi%20-%20La%20Spezia%20def.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Moro, Liliana Studio 5+1AA Date A point or period of time associated with an event in the lifecycle of the resource 2009 Contributor An entity responsible for making contributions to the resource Modena, Elisabetta Format The file format, physical medium, or dimensions of the resource image/jpeg application/pdf Language A language of the resource Italian Type The nature or genre of the resource Text Still Image Rights Holder A person or organization owning or managing rights over the resource. Liliana Moro MoRE Museum Relation A related resource DSpace: <a href="http://hdl.handle.net/1889/3444" target="_blank" rel="noopener">http://hdl.handle.net/1889/3444</a> Project which wasn’t selected in a prize or competition http://moremuseum.org/omeka/files/original/87109793fc8f95cabc234fbb626df3d8.jpg f0dd34ae94b2f084ef8d088717d53c9f http://moremuseum.org/omeka/files/original/e236f31fde0d8161a8f1fbcd92e7fbbf.jpg 9c6d6a5ea053cd0505d33822a81f673a http://moremuseum.org/omeka/files/original/3835ede0a766f9e597b0f7845d75aee9.jpg bf120a8abac92d00ae466edaaaf8eb93 http://moremuseum.org/omeka/files/original/3a3280e06ecccd0976211b129a43606a.jpg f49cb917dbcb33dd5c2c1b31b626378f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Liliana Moro Description An account of the resource Liliana Moro was born in 1961 in Milan, where she lives and works. She graduated from the Accademia di Belle Arti di Brera, where she studied with Luciano Fabro. In 1989 she founded, with other artists, the Spazio di Via Lazzaro Palazzi in Milan, active until 1993. Encountering the works of Liliana Moro we have the perception that only what is strictly necessary is present. Sound, words, sculptures, objects and performance, compose a world that "stages" a reality simultaneously raw and poetic. These are territories of an individual experience (that of the artist but mainly that of the viewer) that ask for going beyond what is visible. The reduction to the essential understood as an attitude, a practice and a positioning, does not result from a retake of a minimal language: it is rather something the artist triggers both when choosing to use elaborated techniques, and when opting by using existent materials and objects of everyday use. A prominent element in Liliana Moro's research is the political dimension, not translated in the illustration of contents, but related to the forms of addressing the recipients; for example by placing her work on the ground she implicitly asks the viewer to bend down to see it. Freedom of action is an important aspect of the work, but it only defines it partially: what creates an interesting difference is the relation between the university of possibilities and a tension - both physical and poetical - produced from this relation. Liliana Moro has shown in major international group exhibitions including Documenta IX, Kassel (1992); Aperto XLV Venice Biennale (1993); Castello di Rivoli, Turin (1994); Quadriennale, Rome (1996/2008); Moderna Museet, Stockholm (1998); PS1, New York (1999); De Appel, Amsterdam (1999), and the Bienal de Valencia (2001). She held several of solo shows at Galleria Emi Fontana, Milan; Greta Meert, Brussels; MUHKA, Antwerp, and Fondazione Ambrosetti, Brescia. Recently, Liliana Moro has showed at the Italian Cultural Institute of Los Angeles (2008), and Fabbrica del Vapore, Milan (2008), and has participated in important group exhibitions, including Italics, Palazzo Grassi, Venice (2008); Focus on Contemporary Italian Art, Mambo, Bologna (2008); Save Venice, Magazzini del Sale, side event of the 53. Venice Biennale (2009), and Celebration, Institution, Critique, Galleria Civica di Trento (2009). Creator An entity primarily responsible for making the resource Moro, Liliana Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In bocca al lupo Description An account of the resource In bocca al lupo – (ed. “in the mouth of wolf” that is a way to wish good luck in Italian) isan artwork proposed by Liliana Moro for the 3rd International Sculpture Award of the Piemonte Region in Italy, promoted by the Piemonte Region and organized by the Association Piemontese Arte. The project included the creation of a large sculpture in the shape of a wolf in the public park of Savigliano, which could be accessed through a spiral staircase. Like Testa di Pinocchio (the Pinocchio's Head), in this work Moro referred to an iconographic repertoire linked to the world of childhood, combining it with a reflection on public space and with the relationship between interior and exterior. <a href="https://www.repository.unipr.it/bitstream/1889/3442/1/Liliana%20Moro_In%20bocca%20al%20lupo.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Moro, Liliana Date A point or period of time associated with an event in the lifecycle of the resource 2002 Contributor An entity responsible for making contributions to the resource Zinelli, Anna Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource Italian Type The nature or genre of the resource Still Image Text Rights Holder A person or organization owning or managing rights over the resource. Liliana Moro MoRE Museum Relation A related resource DSpace: <a href="http://dspace-unipr.cineca.it/handle/1889/3442" target="_blank" rel="noopener">http://dspace-unipr.cineca.it/handle/1889/3442</a> Project which wasn’t selected in a prize or competition http://moremuseum.org/omeka/files/original/c3ade9270c8926b7933f41e1fe005d05.jpg e59323752cf511227715fdc2a080be6a http://moremuseum.org/omeka/files/original/7254a682434e7f0a41abad5ee73e4f20.jpg 6efae7c7dcab794b87cf21ac6a5a0911 http://moremuseum.org/omeka/files/original/672117049053673e3545f9fed87af7c4.jpg bb4abf0463941ed47872a83094f829a4 http://moremuseum.org/omeka/files/original/7f2dcb4eef7aa9106b25b10e817051bc.doc cba7ce2f9610ef6729b8c1ecb67bc075 http://moremuseum.org/omeka/files/original/f7aba46ccc0f342f0bf87b692a3c6107.jpg 102a584b5be4c86752eb131f91af615a http://moremuseum.org/omeka/files/original/4592ff2f1019257e7e87e70440397e18.jpg 00769adac067531c7859a0fda3dd8227 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Liliana Moro Description An account of the resource Liliana Moro was born in 1961 in Milan, where she lives and works. She graduated from the Accademia di Belle Arti di Brera, where she studied with Luciano Fabro. In 1989 she founded, with other artists, the Spazio di Via Lazzaro Palazzi in Milan, active until 1993. Encountering the works of Liliana Moro we have the perception that only what is strictly necessary is present. Sound, words, sculptures, objects and performance, compose a world that "stages" a reality simultaneously raw and poetic. These are territories of an individual experience (that of the artist but mainly that of the viewer) that ask for going beyond what is visible. The reduction to the essential understood as an attitude, a practice and a positioning, does not result from a retake of a minimal language: it is rather something the artist triggers both when choosing to use elaborated techniques, and when opting by using existent materials and objects of everyday use. A prominent element in Liliana Moro's research is the political dimension, not translated in the illustration of contents, but related to the forms of addressing the recipients; for example by placing her work on the ground she implicitly asks the viewer to bend down to see it. Freedom of action is an important aspect of the work, but it only defines it partially: what creates an interesting difference is the relation between the university of possibilities and a tension - both physical and poetical - produced from this relation. Liliana Moro has shown in major international group exhibitions including Documenta IX, Kassel (1992); Aperto XLV Venice Biennale (1993); Castello di Rivoli, Turin (1994); Quadriennale, Rome (1996/2008); Moderna Museet, Stockholm (1998); PS1, New York (1999); De Appel, Amsterdam (1999), and the Bienal de Valencia (2001). She held several of solo shows at Galleria Emi Fontana, Milan; Greta Meert, Brussels; MUHKA, Antwerp, and Fondazione Ambrosetti, Brescia. Recently, Liliana Moro has showed at the Italian Cultural Institute of Los Angeles (2008), and Fabbrica del Vapore, Milan (2008), and has participated in important group exhibitions, including Italics, Palazzo Grassi, Venice (2008); Focus on Contemporary Italian Art, Mambo, Bologna (2008); Save Venice, Magazzini del Sale, side event of the 53. Venice Biennale (2009), and Celebration, Institution, Critique, Galleria Civica di Trento (2009). Creator An entity primarily responsible for making the resource Moro, Liliana Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Testa di Pinocchio Description An account of the resource Testa di Pinocchio è il progetto proposto da Liliana Moro in occasione della mostra itinerante Playgrounds and Toys, organizzata dall’associazione con sede a Ginevra <a href="http://www.artfortheworld.net/">Art for the World</a> e curata da Adelina von Fürstenberg, con l’intento di sensibilizzare il pubblico sul gioco come diritto fondamentale, spesso negato, di ogni bambino. In particolare la rassegna invitava artisti, architetti e designer di tutto il mondo a proporre progetti di parchi giochi e giocattoli destinati a bambini costretti a vivere in condizioni di ingiustizia sociale. Il progetto, proposto in occasione della tappa all’Hangar Bicocca nel 2005, prevedeva la realizzazione di una “casa gioco” per bambini a forma di testa di Pinocchio, con un’apertura sulla bocca da cui sarebbe dovuto partire uno scivolo, delle altalene realizzate con pneumatici pendenti dalle orecchie e dei finti mattoncini sulle pareti laterali per permettere ai bambini di arrampicarsi. <a href="https://www.repository.unipr.it/bitstream/1889/3443/1/Liliana%20Moro_Moro_Testa%20di%20Pinocchio.pdf" target="_blank" rel="noopener">Read more.</a>   Creator An entity primarily responsible for making the resource Moro, Liliana Date A point or period of time associated with an event in the lifecycle of the resource 2003 Contributor An entity responsible for making contributions to the resource Zinelli, Anna Format The file format, physical medium, or dimensions of the resource image/jpeg application/msword Language A language of the resource Italian Type The nature or genre of the resource Still Image Text Rights Holder A person or organization owning or managing rights over the resource. Liliana Moro MoRE Museum Relation A related resource DSpace: <a href="http://dspace-unipr.cineca.it/handle/1889/3443" target="_blank" rel="noopener">http://dspace-unipr.cineca.it/handle/1889/3443</a> Project which wasn’t selected in a prize or competition