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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Antun Motika
Description
An account of the resource
<p>Croatian artist Antun Motika (Pula, 1902. – Zagreb, 1992.) is widely known mostly as a painter, but his experimental body of work including experiments with light and collages is being explored, rediscovered and contextualized past 10 years. Antun Motika studied at the Academy of Fine Arts in Zagreb, graduating in 1926 from the class of prof Maksimilijan Vanka and Ljubo Babić. Between 1928 – 1929 Motika published illustrations in the satirical magazine <em>Koprive / Nettles</em>. Between 1929 – 1940 he worked as a high school teacher in Mostar, and from 1941 to 1961 as a professor at the School of Applied Arts in Zagreb. Motika's art derived from the post-impressionist tradition of European painting. From the 1940s he began to experiment with collage, photocollage, decalcomania, smoke, photo-graphics, and became interested in different media and materials and organic matter, on the background of constructivist avantgarde and surrealist ideas. His exploration of nature and media culminated with experiments with organic matter and light which he began with first in 1942 and he then took a step into innovative models of the medium of the deliberation and presentation of arts, which the history of art until recently has situated on the margins of his artistic production. His parallel mostly painterly artistic practice in 1950s showed articulation of the field of painting and strong modernist syntax. His works are part of major public collections in Croatia and many private collections. He participated at the Venice Biennale in 1942. Motika exhibited extensively, and was awarded with major national awards. Two retrospective exhibitions of his work were held in 1975 and 2002. Antun Motika Collection was established in 2006 as a public collection, in his home town, City of Pula.</p>
<p><a href="http://www.zbirka-antun-motika.com/"><span>http://www.zbirka-antun-motika.com/</span></a></p>
Creator
An entity primarily responsible for making the resource
Motika, Antun
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Untitled (svjetlosni štafelaj, light easel)
Description
An account of the resource
<p>Attempting to find the “way out” of painting, and depict “the oscillation of matter”, Antun Motika tried to get closer to “the culture of light”. For Antun Motika one of the important and consistent fascinations was the obsession with “pure light” which in various manifestations stretches through his artistic production.</p>
<p>Antun Motika’s experiments with light and the optical fascination shape his idea of <em>liquid painting.</em></p>
<p>Motika formed his most important breakthrough outside the field of painting in his various experiments with projections, light and movement, his various lumino-kinetic experiments. <span> </span>Proposals and sketches for different light devices, like <em>light easel</em>, and different apparatuses of projection are found in Motika’s notebooks, gathering many notes on his utopian, imaginative propositions that remain that, designs of unrealized projects. Motika’s notebooks and experiments direct us outside the known artistic canon towards the the changes of artistic cartography of in 1960s. Pages from Motika’s notebook bring into light sketches for lumino-kinetic works, his experiments with light and projections, as plans for various dispositifs and possibilities of their display. Motika produced his projections with various customised projectors (slide projectors, diascopes, episcopes, overhead projectors), transparent backgrounds onto which he applied materials of different sources, organic and inorganic, insects, plants such as herbarium, then pigments, resin, liquids, in order to achieve surprising results upon their enlargement, projected to surfaces as screens.<br /><a href="https://www.repository.unipr.it/bitstream/1889/3984/1/Antun%20Motica_untitled.pdf" target="_blank" rel="noopener">Read more</a>.</p>
Creator
An entity primarily responsible for making the resource
Motika, Antun
Date
A point or period of time associated with an event in the lifecycle of the resource
s.d.
Contributor
An entity responsible for making contributions to the resource
Benčić, Branka
Format
The file format, physical medium, or dimensions of the resource
image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Still Image
Rights Holder
A person or organization owning or managing rights over the resource.
Antun Motika
MoRE Museum
Unknown
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Oreste
Description
An account of the resource
Oreste represents a variable group of people - mainly Italian artists - who under this shared name have worked for four years at the creation of a free space for the expression and realization of different projects. Born in July 1997 with the meetings of the Oreste 0 (zero) project at the Municipal Forestry of Paliano (FR) and declared "dead" after participating at the exhibition Le Tribù dell'Arte in Rome (2001), Oreste has seen among the various activities a participation at the Venice Biennale (1999) following the invitation of the curator Harald Szeemann, the publication of three volumes, the organization of the conference Come spiegare a mia madre che ciò che faccio serve a qualcosa? at Link, Bologna (1997). Oreste had the goal of creating the conditions for artists, curators, other cultural professionals and the public to meet in a context that combined work and pleasure. The concepts of networking and sharing were at the basis of the project, which also used an online space inside undo.net and had intuited the future potential and develpoments of the web, the emails and the digital media.
Creator
An entity primarily responsible for making the resource
Oreste
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tate Event
Description
An account of the resource
<p>The project, which can only be reconstructed today through a series of e-mails preserved inside the archive of Giancarlo Norese, consists of a proposal for an event at the Tate Modern in London andstarted from an invitation sent by the curator of the events section of the museum, which opened the previous year. The project should have initially taken place in June 2001 and initiaaly consisted in two days dedicated to the creation of relationships between spaces, artist-run and independent ventures, at an international level, through a convivial moment that should also have included the sharing of food, as well as content, publications and projects. Subsequently reduced to a single day, it is not finally realized because the responsible curator finds a lack of focus in the project.<br /><a href="https://www.repository.unipr.it/bitstream/1889/3699/1/Oreste_Tate%20Event.pdf">Read more.</a></p>
Creator
An entity primarily responsible for making the resource
Oreste
Date
A point or period of time associated with an event in the lifecycle of the resource
2001
Contributor
An entity responsible for making contributions to the resource
Scotti, Marco
Format
The file format, physical medium, or dimensions of the resource
text/html
text/plain
Language
A language of the resource
Italian
English
Type
The nature or genre of the resource
Text
Email
Rights Holder
A person or organization owning or managing rights over the resource.
Oreste
MoRE Museum
Failure to meet the commissioner's demands
Unknown
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Oreste
Description
An account of the resource
Oreste represents a variable group of people - mainly Italian artists - who under this shared name have worked for four years at the creation of a free space for the expression and realization of different projects. Born in July 1997 with the meetings of the Oreste 0 (zero) project at the Municipal Forestry of Paliano (FR) and declared "dead" after participating at the exhibition Le Tribù dell'Arte in Rome (2001), Oreste has seen among the various activities a participation at the Venice Biennale (1999) following the invitation of the curator Harald Szeemann, the publication of three volumes, the organization of the conference Come spiegare a mia madre che ciò che faccio serve a qualcosa? at Link, Bologna (1997). Oreste had the goal of creating the conditions for artists, curators, other cultural professionals and the public to meet in a context that combined work and pleasure. The concepts of networking and sharing were at the basis of the project, which also used an online space inside undo.net and had intuited the future potential and develpoments of the web, the emails and the digital media.
Creator
An entity primarily responsible for making the resource
Oreste
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Porto Rico
Description
An account of the resource
<p>The project was born upon request and on the initiative of Michy Marxuach, curator that in the summer 2000 invites Oreste to participate at <i>PR ' 00 [intervenciones múltiples - múltiples intervenciones] </i>in San Juan (Porto Rico). The one-week event provided a program of shows and activities dedicated to the affirmation of an alternative art scene, where local artists were joined by international artists, curators, critics and institutions. Oreste proposed an installation made of objects, texts, photocopies and images displayed on a wall, that would have interacted with the public like an analogical hypertext: after the selection of an element a member of Oreste would have told its story to the visitor. The curator never answered to this proposal and the project remained unrealised for reasons that have not been clarified.<br /><a href="https://www.repository.unipr.it/bitstream/1889/3700/1/Oreste_Porto%20Rico.pdf" target="_blank" rel="noopener">Read more.</a></p>
Creator
An entity primarily responsible for making the resource
Oreste
Date
A point or period of time associated with an event in the lifecycle of the resource
2000
Contributor
An entity responsible for making contributions to the resource
Scotti, Marco
Format
The file format, physical medium, or dimensions of the resource
image/jpeg
text/html
Language
A language of the resource
English
Italian
Type
The nature or genre of the resource
Text
Still Image
Website
Rights Holder
A person or organization owning or managing rights over the resource.
Oreste
MoRE museum
Unknown
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
David Maljković
Description
An account of the resource
<p>David Maljković is a Croatian artist known for his use of film, sculpture, collage, and installation. His work often explored themes related to time and the relationship between past and present through abstract structures and digital effects. He is most commonly associated with his video installation Out of Projection, which he describes various types of fissures, not only historical and generational, but narrative too. Therefore, he employs two projections to show two different cinema genres: science fiction and documentary. Through this he is able to generate both more interest in the viewer, and palpable frustration at not reaching an understanding of the historical message the leading characters are trying to portray. Born in 1973 in Rijeka, Croatia, he studied philosophy at the University of Rijeka and fine art at the University of Zagreb, before attending the Rijksakademie in Amsterdam. Since then, he has presented his work at number of exhibitions at major institutions around that world, including the Palais de Tokyo in Paris and the Museo Reina Sofía in Madrid. Today, his works are held in the collections of the Centre Georges Pompidou in Paris, the Stedelijk Museum in Amsterdam, The Museum of Modern Art in New York, and the Tate Gallery in London. Noticed to international attention as one of the most interesting contemporary artists, he is the protagonist of the 56th Venice Biennale, "All the World's Futures", directed by Okwui Enwezor. Maljković lives and works in Zagreb, Croatia.</p>
Creator
An entity primarily responsible for making the resource
Maljković, David
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lost Pavillion
Description
An account of the resource
<p>David Maljković's unrealized work was a reconstruction of the American Pavilion designed and built by John Johansen for the 1956 Zagreb Fair. The pavilion was meant to represent American presence at the fair, which had for many years, symbolized a bridge of exchange between Yugoslavia, Europe, the USA, USSR, Eastern and Western Bloc and non-alligned countries.<br />David Maljković decontextualized the pavilion and proposed rebuilding it as part of a public art project in the city of Lyon, <i>GrandLyon Habitat</i>. <br /><a href="https://www.repository.unipr.it/bitstream/1889/3689/4/David%20Maljković_Lost%20Pavillion.%20def.pdf" target="_blank" rel="noopener">Read more.</a></p>
Creator
An entity primarily responsible for making the resource
Maljković, David
Date
A point or period of time associated with an event in the lifecycle of the resource
2009
Contributor
An entity responsible for making contributions to the resource
Rossi, Valentina
Format
The file format, physical medium, or dimensions of the resource
image/jpeg
application/msword
Language
A language of the resource
French
Type
The nature or genre of the resource
Text
Still Image
Rights Holder
A person or organization owning or managing rights over the resource.
David Maljković
MoRE museum
Unknown
-
http://moremuseum.org/omeka/files/original/c2cca40b897afcae41211efd217f7500.jpg
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http://moremuseum.org/omeka/files/original/a1be8c44647c460c44a00beaf6686eb8.docx
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tomislav Gotovac
Description
An account of the resource
<p>The art practice of Tomislav Gotovac was marked by a wide media diversity: he was a filmmaker and a photographer, he made collages, objects and installations, he changed his own appearance, he staged actions and performances in public spaces and made provocative appearances in mass media. <br />Gotovac was born in 1937 in Sombor. His father Ivan was from the Dalmatian highlands, while mother Elizabeta (Beška) came from a Sombor family of German origin. In the summer of 1941, after the beginning of World War II and the breakdown of the Kingdom of Yugoslavia, Gotovac’s family moved to Zagreb, into the flat in Krajiška 29. Gotovac’s childhood and adolescence were marked by a strong interest in film. After finishing high school, Gotovac began to study architecture in Zagreb, but he abandoned the study after a year. In 1954, he became an active member of Kinoklub Zagreb, a gathering place of cinephiles and amateur filmmakers. He did his first works in photography (<i>Heads</i>1960, 1960.; <i>Showing Elle</i>, <i>Breathing the Air</i>, 1962; <i>Posing, Suitcase, The Trio, Hands</i>, 1964). He made his first film in 1962 (<i>Death</i>), and in 1963 he made a manifest documentary-experimental film <i>The Forenoon of a Faun</i>. Gotovac filmed his famous trilogy, consisting of <i>Straight Line</i>(Stevens-Duke), <i>Blue Rider</i>(Godard-Art) and <i>Circle</i>(Jutkevič-Count) in Belgrade in 1964. He took part in all editions of the Genre Film Festival (GEFF), held in Zagreb from 1963 to 1970, and received several awards. During 1964 and 1965, he worked intensively on a series of collages inspired by the work of Kurt Schwitters. In 1967, Gotovac enrolled in film directing at the Academy of Theatre, Film, Radio and Television in Belgrade. The event that marked his work in numerous ways was his participation in Lazar Stojanović’s film <i>Plastic Jesus</i>(1971), where Gotovac was both the lead actor and the assistant director. Gotovac finished his studies in 1976. In the same year, he had his first exhibition in SKC Gallery in Belgrade, where he gave an overview of his fifteen-year-long art practice (photographs, collages, films, documentations of public actions). After returning to Zagreb, Gotovac’s presence on the art scene began to increase and he took part in numerous exhibitions in the country and abroad. From 1979 onwards, he did numerous performances in public space, in Zagreb, Beograd, Osijek, Rijeka and Ljubljana, using public media as an integral part of his art practice. In the beginning, those were student and youth magazines such as “Student”, “Vidici”, “Studentski list”, “Polet”, but later he began to make appearances in top-selling magazines and TV. These actions and the deliberate manipulation of his own character were directly related to his questioning of his own identity within the confines of patriarchal society and his stance on eliminating the boundaries between art and everyday life. At the end of the 1980s, he began to re-decorate his parents’ flat in Krajiška 29, creating an installation out of his own works and various objects. In 2004, he officially changed his name to Antonio Lauer, taking his Christian name and his mother’s maiden name. He worked under this name in the last period of his artistic production, from 2005 to the end of 2009. Tomislav Gotovac won numerous film recognitions. After 1976, he was showing his works at different exhibitions in the country and abroad. His work presented Croatia at the 54th Venice Biennial (2011), and it was included in Documenta 14 in Athens and Kassel (2017). Retrospective exhibition Tomislav Gotovac: Crisis Anticipator was held at the Museum of Modern and Contemporary Art in Rijeka in 2017 and later travel to House of Art in Usti nad Labem and City art Gallery in Ljubljana. His works are in collections of Museum of Contemporary Art in Zagreb, Museum of Contemporary in Belgrade, Museum of Modern and Contemporary Art in Rijeka, Modern Gallery in Ljubljana, Kontakt – Art Collection of Erste Bank Group in Vienna, Centre Pompidou in Paris, Museum of Modern Art in New York, Art Institute of Chicago and several private collections.</p>
Creator
An entity primarily responsible for making the resource
Gotovac, Tomislav
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Totalni portret grada Zagreba
Description
An account of the resource
<p><i>Total Portrait of the City of Zagreb</i> was a project for a documentary film on the city of Zagreb. The only document which has survived is a sheet of paper typed and signed by Tomislav Gotovac himself. He states his intention to observe the city as though it were a human being. The aim was to produce a “21<sup>st</sup>-century” film, a total vision of the city as a living organism. <br /><a href="https://www.repository.unipr.it/bitstream/1889/3690/1/Tomislav%20Gotovac_The%20Total%20Portrait%20of%20City%20of%20Zagreb.pdf" target="_blank" rel="noopener">Read more.</a></p>
Creator
An entity primarily responsible for making the resource
Gotovac, Tomislav
Date
A point or period of time associated with an event in the lifecycle of the resource
1979
Contributor
An entity responsible for making contributions to the resource
Scotti, Marco
Rights Holder
A person or organization owning or managing rights over the resource.
Tomislav Gotovac
MoRE museum
Format
The file format, physical medium, or dimensions of the resource
image/jpeg
Type
The nature or genre of the resource
Text
Unknown
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Marko Pogačnik
Description
An account of the resource
<p>Marko Pogačnik is a contemporary Slovenian artist. He studied at the Academy of Arts in Ljubljana where he graduated in 1967. He was co-founder of the OHO group between 1965 and 1971, alongsideMilenko Matanović, David Nez, Marko Pogačnik, and Andraž Šalamun.He lives and works in the village of Šempas (Nova Gorica).</p>
Creator
An entity primarily responsible for making the resource
Pogačnik, Marko
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lithopuncture Zagreb
Description
An account of the resource
<p>In October 2004, Marko Pogačnik created a series of urban sculptures in Zagreb as part of the "Urban Intervention" project. They were part of a cycle that the Slovenian artist had been developing since the 1980s, entitled <i>Lithopuncture. </i> He saw this as a kind of acupuncture applied directly to the Earth's surface at certain "energy points", rather like acupuncture practised on the human body in relation to the chakras. Four years later the works were partially removed.<br /><a href="https://www.repository.unipr.it/bitstream/1889/3687/4/Marko%20Pogačnik_Lithopuncture%20Zagreb_.pdf" target="_blank" rel="noopener">Read more.</a></p>
Creator
An entity primarily responsible for making the resource
Pogačnik, Marko
Date
A point or period of time associated with an event in the lifecycle of the resource
2004
Contributor
An entity responsible for making contributions to the resource
Zinelli, Anna
Format
The file format, physical medium, or dimensions of the resource
image/jpeg
Rights Holder
A person or organization owning or managing rights over the resource.
Marko Pogačnik
MoRE museum
Removal / Destruction
Unknown
-
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d1a5a0e43b3ce1032f35da619c9582d4
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Mindbubbles.jpg
Description
An account of the resource
Image of the rendering of the installation in the entrance hall.
Format
The file format, physical medium, or dimensions of the resource
jpg, 21,49 x 27,17 cm, 200dpi
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Mindbubbles-2.jpg
Description
An account of the resource
Image of the rendering of the installation in the entrance hall.
Format
The file format, physical medium, or dimensions of the resource
jpg, 20,37 x 27,17 cm, 200dpi
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Mindbubbles-3.jpg
Description
An account of the resource
Image of the rendering of the installation in the entrance hall.
Format
The file format, physical medium, or dimensions of the resource
jpg, 20,27 x 27,17 cm, 200dpi
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Mindbubbles-4.jpg
Description
An account of the resource
Image of the rendering of the installation in the entrance hall.
Format
The file format, physical medium, or dimensions of the resource
jpg, 39,46 x 27,17 cm, 200dpi
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Erwin Wurm
Description
An account of the resource
<span>Born in 1954. </span><span>Lives in Vienna and Limberg, Austria.<br /></span><a href="http://www.erwinwurm.at" target="_blank">http://www.erwinwurm.at</a>
Creator
An entity primarily responsible for making the resource
Wurm, Erwin
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Mind Bubbles
Description
An account of the resource
<em>Mind Bubbles </em>is a project designed as an installation for the entrance hall of the head office of the Volksbank Wien, a building by the german architect Carsten Roth.The sculptures seem to be suspended in the air, as if a device had frozen them: a process that inflates, distorts, makes things bigger and smaller, creates unexpected shapes and new realities that become an inspiration for our everyday life. The reasons why the project remained unrealized haven’t been specified by the artist. <br /><a href="https://www.repository.unipr.it/bitstream/1889/2363/1/Wurm_mind%20bubbles.pdf" target="_blank" rel="noopener">Read more</a>.
Creator
An entity primarily responsible for making the resource
Wurm, Erwin
Contributor
An entity responsible for making contributions to the resource
Rossi, Valentina
Format
The file format, physical medium, or dimensions of the resource
image/jpeg
Type
The nature or genre of the resource
Still Image
Date
A point or period of time associated with an event in the lifecycle of the resource
2008
Identifier
An unambiguous reference to the resource within a given context
<a href="http://hdl.handle.net/1889/2363" target="_blank" rel="noopener">http://hdl.handle.net/1889/2363</a>
Rights Holder
A person or organization owning or managing rights over the resource.
Erwin Wurm
MoRE Museum
Unknown
-
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26bf688d6b316d8d87006263dfea7ccd
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
EnBW_boot_01.tif
Description
An account of the resource
rendering, section of the building with the lateral view of the sculpture.
Format
The file format, physical medium, or dimensions of the resource
75 x 56,44 cm, 72 dpi
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
EnBW_boot_02e.tif
Description
An account of the resource
rendering, view of the work.
Format
The file format, physical medium, or dimensions of the resource
45,37 x 32,53 cm, 72 dpi
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Erwin Wurm
Description
An account of the resource
<span>Born in 1954. </span><span>Lives in Vienna and Limberg, Austria.<br /></span><a href="http://www.erwinwurm.at" target="_blank">http://www.erwinwurm.at</a>
Creator
An entity primarily responsible for making the resource
Wurm, Erwin
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Karlsruhe Boat
Description
An account of the resource
Karlsruhe Boat is a project for the main venue in the German city of EnBW, a society dealing with and trading energy, and consists of a real size boat – situated in a small fountain-like pool of water indoor – that paradoxically deforms itself climbing up on the wall of the building. Even this sculpture creates a decompensation of perception, which is typical of the Austrian artist, where an object totally defunctionalized subverts its normal role and does something ironic and totally out of the ordinary logic. In this case the boat stands on a small and thin layer of water, placed almost vertically to the floor itself, and magically folds, almost crashing against the wall, in a process of deformation that we can find in some important series of the artist’s work. This “absurd” situation reflects a kind of broken up narrative that is typical of the way the artist operates; his works seem to tell a story that suddenly stops and whose ending is left to the interpretation of the viewer. Instead of the classic final apotheosis of the happy ending, for Wurm’s project we could talk about the apotheosis of paradox; the end is certainly not dictated by the victory of good over evil but rather an event that subverts the rules of the classic interpretation of the user. The artist is giving us a different interpretation of reality, that subverts the traditional forms of sculpture and perception. The reasons why the project remained unrealized aren't specified. <br /><a href="https://www.repository.unipr.it/bitstream/1889/2330/1/Wurm_Karlsruhe%20Boat.pdf" target="_blank" rel="noopener">Read more</a>.
Creator
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Wurm, Erwin
Date
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2008
Contributor
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Rossi, Valentina
Format
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image/tiff
Type
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Still Image
Identifier
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<a href="http://hdl.handle.net/1889/2330" target="_blank" rel="noopener">http://hdl.handle.net/1889/2330</a>
Rights Holder
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Erwin Wurm
MoRE Museum
Unknown