3 50 160 http://moremuseum.org/omeka/files/original/0c655fe3c23ef1f6b0bd7e2cb7c4e5e2.pdf 13c65f5d28fe8557bdf9469219b854a1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Matthew Darbyshire Description An account of the resource Matthew Darbyshire was born in the UK in 1977. He studied Fine Art at the Slade School of Art and at the Royal Academy Schools in London. He has had solo public exhibitions at Gasworks, London; The Hayward, London; The Zabludowicz Collection, London; Kettles Yard, Cambridge; Tramway, Glasgow; GAM, Turin; The FRAC, Dunkirk and The Hepworth, Wakefield. Darbyshire has exhibited in various major UK survey shows including the ICA’s Nought to Sixty programme curated by Mark Slaydon in 2008, Tate Britains Triennial Altermodern, curated by Nicolas Bourriaud in 2009, and the British Art Show 7 Days of the Comet, curated by Tom Morton and Lisa Le Feuvre 2010. Darbyshire's work has been exhibited worldwide at institutions including Bangkok Cultural Centre, Thailand; Fundacion Miro, Spain, Marco Museum, Spain and The FRAC pas de Calais, France. He is currently preparing a survey exhibition for Manchester City Art Gallery and in the process of realizing two large-scale public commissions – one for the Dutch government in Amsterdam and the other for Cambridge University here in the UK. Matthew is represented by Herald St Gallery in London and Jousse Enterprise in Paris. Creator An entity primarily responsible for making the resource Darbyshire, Matthew Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource CAPTCHA Creator An entity primarily responsible for making the resource Darbyshire, Matthew Date A point or period of time associated with an event in the lifecycle of the resource 2014 Contributor An entity responsible for making contributions to the resource Scotti, Marco Format The file format, physical medium, or dimensions of the resource application/pdf Language A language of the resource English Type The nature or genre of the resource Text Still Image Description An account of the resource CAPTCHA is the project for a sculpture that reproduces a sports car  - a Mercedes SL600 - through layers of transparent polycarbonate, and should have been installed inside the Jardin des Plantes in Paris. The project, which focuses on the “striking formal aspects” of such a sculpture in a specific historical context, can be considered alongside Matthew Darbyshire works and researches on the optical potential of different materials and manufacturing processes, many of which looks at the printing technologies and the three-dimensional modeling of the prototypes used in the automotive industry. The polycarbonate in particular has different reactions to the light, and would allow the sculpture to "oscillate between the transparent and the opaque, or the solid and the empty". Even the choice of the subject can be included in the poetic and the iconography of Darbyshire, as it remains suspended between an intrinsic and ironic social commentary and a formal reflection on the object, the luxury, and its symbolic and subjective values. The FIAC Committee rejected the project, which should have been also supported by the Swarovski company, within the off program of the fair. However the artist was asked if he would make and install it anyway with his commercial galleries resources. <a href="https://www.repository.unipr.it/bitstream/1889/2655/1/Matt%20Darbyshire_CAPTCHA%20–%20Mercedes%20SL600.pdf" target="_blank" rel="noopener">Read more.</a> Rights Holder A person or organization owning or managing rights over the resource. Matthew Darbyshire MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2655" target="_blank" rel="noopener">http://hdl.handle.net/1889/2655</a> Project which wasn’t selected in a prize or competition http://moremuseum.org/omeka/files/original/2a23df4f5a52a1474fb4ad805a17a85d.pdf 1357328e328e5a4cc1537e60f075a7ce Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Matthew Darbyshire Description An account of the resource Matthew Darbyshire was born in the UK in 1977. He studied Fine Art at the Slade School of Art and at the Royal Academy Schools in London. He has had solo public exhibitions at Gasworks, London; The Hayward, London; The Zabludowicz Collection, London; Kettles Yard, Cambridge; Tramway, Glasgow; GAM, Turin; The FRAC, Dunkirk and The Hepworth, Wakefield. Darbyshire has exhibited in various major UK survey shows including the ICA’s Nought to Sixty programme curated by Mark Slaydon in 2008, Tate Britains Triennial Altermodern, curated by Nicolas Bourriaud in 2009, and the British Art Show 7 Days of the Comet, curated by Tom Morton and Lisa Le Feuvre 2010. Darbyshire's work has been exhibited worldwide at institutions including Bangkok Cultural Centre, Thailand; Fundacion Miro, Spain, Marco Museum, Spain and The FRAC pas de Calais, France. He is currently preparing a survey exhibition for Manchester City Art Gallery and in the process of realizing two large-scale public commissions – one for the Dutch government in Amsterdam and the other for Cambridge University here in the UK. Matthew is represented by Herald St Gallery in London and Jousse Enterprise in Paris. Creator An entity primarily responsible for making the resource Darbyshire, Matthew Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Knick Knacks - A Proposal for Trafalgar Square's Fourth Plinth Creator An entity primarily responsible for making the resource Darbyshire, Matthew Date A point or period of time associated with an event in the lifecycle of the resource 2012 Contributor An entity responsible for making contributions to the resource Scotti, Marco Format The file format, physical medium, or dimensions of the resource application/pdf Language A language of the resource English Type The nature or genre of the resource Text Still Image Description An account of the resource Knick Knacks is Matthew Darbyshire proposal for the Fourth Plinth public art program in Trafalgar Square, London. The concept builds on an image designed by the artist himself as a christmas card for "The Guardian" newspaper and wants to transform the monumental sculptural base in a shelf that refers to a domestic space. Here Darbyshire presents eight sculptures in coloured polyurethane foam, reproductions of household objects in a different scale. The eight opaque elements would be 3D scanned and modeled from the original objects, CNC routed in polyurethane foam and then laminated in fibre-glass before being chromed, sprayed and flocked. The single clear element would be modeled in much the same way but then cast in clear tinted resin. This installation is a reflection on two feelings which are deeply contemporary, "emptiness"  and "nostalgia", and in particular a nostalgia that is expressed through reproductions of objects than - in respect to the original ones  - try to mask some of the values that were in present and that remain somewhat hidden below the reproductions’ surface: “From the pop to the patriotic and the colonial to the kitsch”. A composition which could be read on different levels and which presents different layers, which could appear simply ironic but actually refers to some unsettling aspects of the British national identity through "a sort of ‘seduction and repulsion’ mechanism with its critique buried safely beneath the surface The project was not selected for the commission. <a href="https://www.repository.unipr.it/bitstream/1889/2656/1/Matt%20Darbyshire_%20Knick%20Knacks.pdf" target="_blank" rel="noopener">Read more.</a>   Rights Holder A person or organization owning or managing rights over the resource. Matthew Darbyshire MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2656" target="_blank" rel="noopener">http://hdl.handle.net/1889/2656</a> Project which wasn’t selected in a prize or competition http://moremuseum.org/omeka/files/original/173f69535e013855950953b252f0f775.jpg b529a38533b4cdbba9123ed5d8b1de95 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Josip Vanista Description An account of the resource Josip Vaništa (Karlovac, May 17, 1924) is an artist, graphic designer, writer, academic and retired university professor. He lives and works in Zagreb. He attended school at Rakovcu and continued his studies at the Academy of Fine Arts of Zagreb, where he graduated in 1950. His first exhibition was held in 1952 with Miljenko Stančić at the Museum of Arts and Crafts in Zagreb, which now has more than fifty monographic exhibitions dedicated to him. In 2013, the MSU Museum dedicated him a retrospective entitled Josip Vaništa: Abolition Of Retrospective. He was among the founders of the group Gorgona, active in Zagreb between 1959 and 1966. The group also included Julije Knifer, Đuro Seder, the sculptor Ivan Kozaric, critics Radoslav Putar, Matko Meštrović, Dimitrije Bašičević Mangelos and the architect Miljenko Horvat. Every one of the artists of Gorgona maintained, developed and enjoyed full creative autonomy. Gorgona has supported various unconventional forms of artistic activity, mainly divided into three sections: the exhibitions at the Studio G (1961-1963, Schira Salon, Zagreb, Croatia), the publication of the anti-magazine "Gorgona" (1961-1966 each edition was a work of art in itself) and the creation of concepts, projects and various forms of artistic communication. Throughout Europe numerous monographic exhibitions have been dedicated to Vaništa, who is considered one of the most important Croatian artists. Creator An entity primarily responsible for making the resource Vaništa, Josip Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data image/jpeg Physical Dimensions The actual physical size of the original image 185,102x130,651 cm, 96 dpi Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Erased Line Creator An entity primarily responsible for making the resource Vaništa, Josip Date A point or period of time associated with an event in the lifecycle of the resource 1991 Description An account of the resource In March 1991 the collector and publisher Francesco Conz, in collaboration with the Muzej Suvremene Umjetnosti - MSU Zagreb, invited a few artists who had been part of Gorgona, the Croatian avant-garde group active between 1959 and 1966, to an artistic residency at the castle of Brunnenburg in Merano, Italy. During their residency, the five artists created thirteen works of art as well as fifteen hand-made copies of each work. All of which were created on the same size of paper. These works should have been part of a box, an art edition that initially should have included large-scale reproductions of seven of the group's old works, printed on canvas in Como, in addition to en eight obtained by merging the former in a continuous strip to create sort of a "collective work" - together with photographs documenting the residency, historical photographs and video interviews filmed in Brunnenburg. Conz died in 2010 but the box was never finished, although all of its components had been created, except for the folder that was supposed to contain them. The works of the artists have since remained in F. Conz's Archive. For this work Vaništa combines two cardboards, dividing the first one longitudinally with a line, which is a pattern that he had begun to use in 1961 and had become a symbol of his painting tecnique, devoted to simplicity, searching for essentiality and at the same time marked by a detached and often ironic attitude. Unlike his earlier technique, which he often re-adopted since the 60s and involved a soft pencil and a ruler, at Brunnenburg Vaništa created his work using a collage technique. <a href="https://www.repository.unipr.it/bitstream/1889/2659/1/Vaništa_Erased%20Line.pdf" target="_blank" rel="noopener">Read more.</a> Contributor An entity responsible for making contributions to the resource Scotti, Marco Zinelli, Anna Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource English Type The nature or genre of the resource Still Image Rights Holder A person or organization owning or managing rights over the resource. Josip Vaništa MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2659" target="_blank" rel="noopener">http://hdl.handle.net/1889/2659</a> Ideological reasons Logistical reasons http://moremuseum.org/omeka/files/original/25df0b9f90f0e7887d0b7764658fe172.jpg e7235f6fa899cf290b1c22ce3bbd55b8 http://moremuseum.org/omeka/files/original/0f39fe90098305a93955f3e5f9a43866.jpg 58363cf664addd113f85ad401fddf9e6 http://moremuseum.org/omeka/files/original/8dc3a72832c2c198603523068864e32e.jpg e5c7a946a3b3f3d69f151485e5cf4dd4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ivan Kozaric Creator An entity primarily responsible for making the resource Kožarić, Ivan Description An account of the resource Ivan Kožarić (1921) (1921) is a Croatian artist who lives and works in Zagreb. His research has been focused mainly on sculpture, but he has also used other means of expression such as assemblage, painting, photography and installation. He was among the founders of the group Gorgona, active in Zagreb between 1959 and 1966. The group also included Josip Vaništa, Julije Knifer, Đuro Seder, critics Radoslav Putar, Matko Meštrović, Dimitrije Bašičević Mangelos and the architect Miljenko Horvat. Every one of the artists of Gorgona maintained, developed and enjoyed full creative autonomy. Gorgona has supported various unconventional forms of artistic activity, mainly divided into three sections: the exhibitions at the Studio G (1961-1963, Schira Salon, Zagreb, Croatia), the publication of the anti-magazine "Gorgona" (1961-1966 each edition was a work of art in itself) and the creation of concepts, projects and various forms of artistic communication. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image Kozaric 01 cm 30 x 42.jpg (file jpeg, 92,234x131,128cm, 96 dpi) Kozaric 02 cm 30 x 42.jpg (file jpeg, 92,551x130,651cm, 96 dpi) Kozaric 03 cm 30 x 42.jpg (file jpeg, 92,551x130,651cm, 96 dpi) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Date A point or period of time associated with an event in the lifecycle of the resource 1991 Description An account of the resource In March 1991 the collector and publisher Francesco Conz, in collaboration with the Muzej Suvremene Umjetnosti - MSU Zagreb, invited a few artists who had been part of Gorgona, the Croatian avant-garde group active between 1959 and 1966, to an artistic residency at the castle of Brunnenburg in Merano, Italy. During their residency, the five artists created thirteen works of art as well as fifteen hand-made copies of each work. All of which were created on the same size of paper. These works should have been part of a box, an art edition that initially should have included large-scale reproductions of seven of the group's old works, printed on canvas in Como, in addition to en eight obtained by merging the former in a continuous strip to create sort of a "collective work" - together with photographs documenting the residency, historical photographs and video interviews filmed in Brunnenburg. Conz died in 2010 but the box was never finished, although all of its components had been created, except for the folder that was supposed to contain them. The works of the artists have since remained in F. Conz's Archive. Kozaric's three works are in line with his research, which investigates – both through painting and sculpturing - the relationship between positive and negative: in one particular work, the artist reuses a cropped shape as a graphic mask in order to achieve what Seder calls "imperfect surfaces", a theme that traces back to the Gorgona period. Kožarić's particular interest in the valley of Merano, which is in relation to his personal memories, emerges both through the video interview taped in Brunnenburg as well the testimonies of the artists who participated in the residency. <a href="https://www.repository.unipr.it/bitstream/1889/2664/1/Ivan%20Kožarić_untitled.pdf" target="_blank" rel="noopener">Read more.</a> Contributor An entity responsible for making contributions to the resource Scotti, Marco Zinelli, Anna Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource English Type The nature or genre of the resource Still Image Rights Holder A person or organization owning or managing rights over the resource. Ivan Kožarić MoRE Museum Creator An entity primarily responsible for making the resource Kožarić, Ivan Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2664" target="_blank" rel="noopener">http://hdl.handle.net/1889/2664</a> Ideological reasons Logistical reasons http://moremuseum.org/omeka/files/original/78fbf026d6db389ebd49b725aa008acb.jpg bea1d87ceacf98fe5fc6f3ad1be4a6a5 http://moremuseum.org/omeka/files/original/6ec0944f1d0b39ab9d96298cd7f6a8b6.jpg 746ce5dc29956940ca3a9cec78734057 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Duro Seder Description An account of the resource Đuro Seder (1927, Zagreb) is a Croatian artist who lives and works in Zagreb. He graduated from the Academy of Fine Arts of Zagreb in 1951 in the class of Antun Mezdjic, in 1953 he completed a painting course with Marino Tartaglia. In 1981 he became a teacher, and in 1983, a professor at the Academy of Fine Arts. He worked as an illustrator, graphic designer, editor of art magazines and was among the founders of the group Gorgona, active in Zagreb between 1959 and 1966. The group also included Josip Vaništa, Julije Knifer, the sculptor Ivan Kozaric, critics Radoslav Putar, Matko Meštrović, Dimitrije Bašičević Mangelos and the architect Miljenko Horvat. Every one of the artists of Gorgona maintained, developed and enjoyed full creative autonomy. Gorgona has supported various unconventional forms of artistic activity, mainly divided into three sections: the exhibitions at the Studio G (1961-1963, Schira Salon, Zagreb, Croatia), the publication of the anti-magazine "Gorgona" (1961-1966 each edition was a work of art in itself), and the creation of concepts, projects and various forms of artistic communication. Creator An entity primarily responsible for making the resource Seder, Đuro Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Creator An entity primarily responsible for making the resource Seder, Đuro Date A point or period of time associated with an event in the lifecycle of the resource 1991 Contributor An entity responsible for making contributions to the resource Scotti, Marco Zinelli, Anna Description An account of the resource In March 1991 the collector and publisher Francesco Conz, in collaboration with the Muzej Suvremene Umjetnosti - MSU Zagreb, invited a few artists who had been part of Gorgona, the Croatian avant-garde group active between 1959 and 1966, to an artistic residency at the castle of Brunnenburg in Merano, Italy. During their residency, the five artists created thirteen works of art as well as fifteen hand-made copies of each work. All of which were created on the same size of paper. These works should have been part of a box, an art edition that initially should have included large-scale reproductions of seven of the group's old works, printed on canvas in Como, in addition to en eight obtained by merging the former in a continuous strip to create sort of a "collective work" - together with photographs documenting the residency, historical photographs and video interviews filmed in Brunnenburg. Conz died in 2010 but the box was never finished, although all of its components had been created, except for the folder that was supposed to contain them. The works of the artists have since remained in F. Conz's Archive. The two works created by Đuro Seder do not seem to resemble the production of his Gorgona years, as stated by the artist himself in an interview published in the monographic dossier of the magazine Ricerche di S/Confine. In fact, he proposes a drawing with his characteristic use of irregular shapes and semicircular lines, to which he adds a graphic element with the repetition of the word "peace". The second drawing is derived from a previous painting in which two profiles are merging into a single face. Seder himself remembers how during his residency, which immediately preceeded the war in Croatia, there was "a hint of intolerance in the air" and how the work was meant to hilight "the importance of unity among people". <a href="https://www.repository.unipr.it/bitstream/1889/2660/1/Seder_untitled.pdf" target="_blank" rel="noopener">Read more.</a> Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource English Type The nature or genre of the resource Still Image Rights Holder A person or organization owning or managing rights over the resource. Đuro Seder MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2660" target="_blank" rel="noopener">http://hdl.handle.net/1889/2660</a> Ideological reasons Logistical reasons http://moremuseum.org/omeka/files/original/575536c016fbb8f38a5a7f59e31d8ce1.jpg 178ec5c3a40f5f29519315aed9847a93 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Knifer cm 30 x 42.jpg Description An account of the resource Scan of the artwork realized in Brunnenburg, made by Archivio F. Conz. Format The file format, physical medium, or dimensions of the resource file jpg, 121,497 x 168, 487 cm, 72 dpi Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julije Knifer Description An account of the resource Julije Knifer (1924-2004) was a Croatian artist, who was born in Osijek and died in Paris, where he had lived since 1994. A graduate of the Academy of Fine Arts of Zagreb in 1956, by the late '50s he developed his research starting from the geometrical pattern of the "meander", which he reproduced in different formats and with different techniques, eventually introducing a practice of conceptual matrix imprinted on seriality and formal reductionism. His first production, influenced by Russian Suprematism and serial music, was characterized by the repetition of the meander's pattern in black and white paintings; from the late 60s he introduced other colors and adopted large sizes and even murals. The "meanders" were displayed for the first time in the exhibition "New Tendencies" at the Gallery of Contemporary Art in Zagreb in 1961, and later in “New Tendencies 2” in 1963, “New Tendencies 4” in 1969 and “New Tendencies 5" in 1973. He also participated in major international exhibitions such as the Art Abstrait Constructif International at the Denise René Gallery of Paris (1961-1962), Konstruktivisten at the Städtisches Museum in Leverkusen (1962), the VI International Art Biennale of San Marino “Beyond the Informal” (1963); he participated twice in the Venice Biennale (1976, 2001), and three times in the Sao Paulo Biennale (1973, 1979, 1981). His works are also included in major museum collections such as the MoMA in New York and the Centre Georges Pompidou in Paris. Knifer was among the founders of the group Gorgona, active in Zagreb between 1959 and 1966. The group also included Josip Vaništa, the sculptor Ivan Kozaric, critics Radoslav Putar, Matko Meštrović, Dimitrije Bašičević Mangelos and architect Miljenko Horvat. Every one of the artists of Gorgona maintained, developed and enjoyed full creative autonomy. Gorgona has supported various unconventional forms of artistic activity, mainly divided into three sections: the exhibitions at the Studio G (1961-1963, Schira Salon, Zagreb, Croatia), the publication of the anti-magazine "Gorgona" (1961-1966 each edition was a work of art in itself), and the creation of concepts, projects and various forms of artistic communication. Creator An entity primarily responsible for making the resource Knifer, Julije Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Creator An entity primarily responsible for making the resource Knifer, Julije Date A point or period of time associated with an event in the lifecycle of the resource 1991 Contributor An entity responsible for making contributions to the resource Scotti, Marco Zinelli, Anna Description An account of the resource In March 1991 the collector and publisher Francesco Conz, in collaboration with the <a href="http://www.msu.hr/" target="_blank" rel="noopener">Muzej Suvremene Umjetnosti - MSU Zagreb</a>, invited a few artists who had been part of Gorgona, the Croatian avant-garde group active between 1959 and 1966, to an artistic residency at the castle of Brunnenburg in Merano, Italy. This residency should have resulted in a publication linked to the monumental project Conz dedicated to Ezra Pound - <a href="http://www.patriziopeterlini.it/conz/lalivre.htm" target="_blank" rel="noopener">La Livre, </a>which was never completed. During their residency, the five artists created thirteen works of art as well as fifteen hand-made copies of each work. All of which were created on the same size of paper. These works should have been part of a box, an art edition that initially should have included large-scale reproductions of seven of the group's old works, printed on canvas in Como, in addition to en eight obtained by merging the former in a continuous strip to create sort of a "collective work" - together with photographs documenting the residency, historical photographs and video interviews filmed in Brunnenburg. Conz died in 2010 but the box was never finished, although all of its components had been created, except for the folder that was supposed to contain them. The works of the artists have since remained in F. Conz's Archive. At Brunnenburg, Knifer proposed his classic "meander" theme, a geometric structure characterized by the contrasts between black and white, which he introduced at the end of 1959 as a form of "anti-painting". Nena Dimitrijević identified it as a synonym of his "artistic identity" and claimed that he, inspired by Primary Painting and Hard Edge aesthetics, adopted a form of conceptualization of the artistic practice which identifies with a single pictorial solution, a symbol that is the sublimation of radical will. <a href="https://www.repository.unipr.it/bitstream/1889/2662/1/Knifer_untitled.pdf" target="_blank" rel="noopener">Read more.</a> Relation A related resource DSpace: <a href="http://dspace-unipr.cineca.it/handle/1889/2662" target="_blank" rel="noopener">http://dspace-unipr.cineca.it/handle/1889/2662</a> Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Language A language of the resource English Rights Holder A person or organization owning or managing rights over the resource. Julije Knifer MoRE Museum Ideological reasons Logistical reasons http://moremuseum.org/omeka/files/original/7de785875e819f3178b704abc2873104.jpg ad57a68e039e525390c34bb1125f3f20 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mangelos 01 cm 30 x 42.jpg Description An account of the resource Scan of the artwork realized in Brunnenburg, made by Archivio F. Conz. Format The file format, physical medium, or dimensions of the resource file jpg, 123, 402 x 173,567 cm, 72 dpi http://moremuseum.org/omeka/files/original/72fdc86fdb2b0fd649ee761e69fa7f72.jpg fe9c019154293d99f41cdb6e58ad1581 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Scan of the artwork realized in Brunnenburg, made by Archivio F. Conz. Title A name given to the resource Mangelos 02 cm 30 x 42.jpg Format The file format, physical medium, or dimensions of the resource file jpg, 29,845x 42,192 cm, 72 dpi http://moremuseum.org/omeka/files/original/5e370d00befbc04e951ae83d7436d744.jpg 6d0e65123af6ba18aa1f0b68fea0eb7c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mangelos 03 cm 30 x 42.jpg Description An account of the resource Scan of the artwork realized in Brunnenburg, made by Archivio F. Conz. Format The file format, physical medium, or dimensions of the resource file jpg, 29,986 x 173,567 cm, 72 dpi Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mangelos Description An account of the resource Mangelos, pseudonym of Dimitrije Bašičević (1921 - 1987), was a Croatian artist, curator and art historian. Born in Šid, Serbia, he studied history and philosophy at the University of Vienna (between 1942 and 1944) and later in Zagreb (between 1945 and 1949) and earned a doctorate from the University of Philosophy in Zagreb (1957), focusing his thesis on the work of the artist Sava Šumanović. In 1952 he founded the Peasant Art Gallery, currently Croatian Museum of Naive Art, while simultaneously serving as assistant and curator at the Yugoslav Academy of Arts and Sciences. He was among the founders of the group Gorgona, active in Zagreb between 1959 and 1966. Parallel to his activities as a critic and curator, he proposed researches - defined by the artist himself as a "No-Art" - focused on the contrast between writing and painting, developing a series of posters dedicated to topics such as "functional thinking", "energy", "instinct" and “memory". In the essay dedicated to this specific artistic production, Stipančić says: “Many of them, regardless of the scope of the subject, included his notion of there being two civilization - a “handmade civilization” and a “mechanical” one. The latter, he believed, is based on “functional thought” and is, therefore, in opposition to the old “handmade civilization. In order to express his theses on the “death of art”, Mangelos engaged in a dialogue with numerous philosophers and theoreticians, from Hegel to W. Benjamin”. Mangelos was among the founders of the group Gorgona, active in Zagreb between 1959 and 1966. The group also included Josip Vaništa, Marijan Jevšovar, Julije Knifer, the sculptor Ivan Kozaric, critics Radoslav Putar, Matko Meštrović and architect Miljenko Horvat. Every one of the artists of Gorgona maintained, developed and enjoyed full creative autonomy. Gorgona has supported various unconventional forms of artistic activity, mainly divided into three sections: the exhibitions at the Studio G (1961-1963, Schira Salon, Zagreb, Croatia), the publication of the anti-magazine "Gorgona" (1961-1966 each edition was a work of art in itself), and the creation of concepts, projects and various forms of artistic communication. Creator An entity primarily responsible for making the resource Mangelos Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Creator An entity primarily responsible for making the resource Mangelos Date A point or period of time associated with an event in the lifecycle of the resource [1991] Contributor An entity responsible for making contributions to the resource Scotti, Marco Zinelli, Anna Description An account of the resource In March 1991 the collector and publisher Francesco Conz, in collaboration with the <a href="http://www.msu.hr/" target="_blank" rel="noopener">Muzej Suvremene Umjetnosti - MSU Zagreb</a>, invited a few artists who had been part of Gorgona, the Croatian avant-garde group active between 1959 and 1966, to an artistic residency at the castle of Brunnenburg in Merano, Italy. This residency should have resulted in a publication linked to the monumental project Conz dedicated to Ezra Pound - <a href="http://www.patriziopeterlini.it/conz/lalivre.htm" target="_blank" rel="noopener">La Livre, </a>which was never completed. During their residency, the five artists created thirteen works of art as well as fifteen hand-made copies of each work. All of which were created on the same size of paper. These works should have been part of a box, an art edition that initially should have included large-scale reproductions of seven of the group's old works, printed on canvas in Como, in addition to en eight obtained by merging the former in a continuous strip to create sort of a "collective work" - together with photographs documenting the residency, historical photographs and video interviews filmed in Brunnenburg. Conz died in 2010 but the box was never finished, although all of its components had been created, except for the folder that was supposed to contain them. The works of the artists have since remained in F. Conz's Archive. Conz decided to include the works of Mangelos, who died in 1987, asking the remaining members of the group to place their signature on the back as sort of an homage. The three works signed by the members of Gorgona and presented for the exhibition are respectively attributed to the manifesto for energy, the series of landscapes dedicated to Pythagoras and the series dedicated to the dialogues. <a href="https://www.repository.unipr.it/bitstream/1889/2661/1/Mangelos_untitled.pdf" target="_blank" rel="noopener">Read more.</a> Format The file format, physical medium, or dimensions of the resource image/jpeg image/jpeg image/jpeg Type The nature or genre of the resource Still Image Language A language of the resource English Rights Holder A person or organization owning or managing rights over the resource. Mangelos MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://dspace-unipr.cineca.it/handle/1889/2661" target="_blank" rel="noopener">http://dspace-unipr.cineca.it/handle/1889/2661</a> Ideological reasons Logistical reasons http://moremuseum.org/omeka/files/original/e3959057d4fd694130db52a2ba75313c.jpg 0794412b5b74ed6fba9c4c2e3e93966f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jevsovar 01 cm 30 x 42.jpg Description An account of the resource Scan of the artwork realized in Brunnenburg, made by Archivio F. Conz. Format The file format, physical medium, or dimensions of the resource file jpg, 92,551x 130,651 cm, 96 dpi http://moremuseum.org/omeka/files/original/00e262b1f00eb59e4397190e8b92b732.jpg a7ff633800eca75374c54f3774ee97ec Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jevsovar 02 cm 30 x 42.jpg Description An account of the resource Scan of the artwork realized in Brunnenburg, made by Archivio F. Conz. Format The file format, physical medium, or dimensions of the resource file jpg, 92,551x 130,651 cm, 96 dpi http://moremuseum.org/omeka/files/original/c470ab41030444b046c57b7f635a1ea7.jpg 473f32c262286d366a750614eabe2e0d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jevsovar 03 cm 30 x 42.jpg Description An account of the resource Scan of the artwork realized in Brunnenburg, made by Archivio F. Conz. Format The file format, physical medium, or dimensions of the resource file jpg, 92,551x 130,651 cm, 96 dpi Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marijan Jevsovar Creator An entity primarily responsible for making the resource Jevšovar, Marijan Description An account of the resource Marijan Jevšovar (1922 - 1998) was a Croatian artist, born in Zagreb. He graduated from the Academy of Fine Arts of Zagreb in 1946. Between 1954 and 1956 he resided in France, where he approached the informal research, influenced in particular by Dubuffet. Since the late '50s he created paintings on surfaces which were coated in several layers of grey and white color, defined by the artist as a "negation of the form" obtained by "tainting the white surface of the canvas." During the '70s he also introduced the use of color in his works, though without ever distancing himself from this form of "anti-painting”. In parallel with this research, he has also created posters and art books. He has had exhibitions in Opatija (1959), Monaco (1960), Zagreb (1961, 1972, 1976, 1980, 1993), Dijon (1989), Varaždin (1990) and Umag (1993). Jevšovar was among the founders of the group Gorgona, active in Zagreb between 1959 and 1966. The group also included Josip Vaništa, Julije Knifer, the sculptor Ivan Ivan Kožarić, critics Radoslav Putar, Matko Meštrović, Dimitrije Bašičević Mangelos and architect Miljenko Horvat. Every one of the artists of Gorgona maintained, developed and enjoyed full creative autonomy. Gorgona has supported various unconventional forms of artistic activity, mainly divided into three sections: the exhibitions at the Studio G (1961-1963, Schira Salon, Zagreb, Croatia), the publication of the anti-magazine "Gorgona" (1961-1966 each edition was a work of art in itself), and the creation of concepts, projects and various forms of artistic communication. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Creator An entity primarily responsible for making the resource Jevšovar, Marijan Date A point or period of time associated with an event in the lifecycle of the resource 1991 Contributor An entity responsible for making contributions to the resource Scotti, Marco Zinelli, Anna Format The file format, physical medium, or dimensions of the resource image/jpeg image/jpeg image/jpeg Type The nature or genre of the resource Still Image Description An account of the resource In March 1991 the collector and publisher Francesco Conz, in collaboration with the Muzej Suvremene Umjetnosti - MSU Zagreb, invited a few artists who had been part of Gorgona, the Croatian avant-garde group active between 1959 and 1966, to an artistic residency at the castle of Brunnenburg in Merano, Italy. This residency should have resulted in a publication linked to the monumental project Conz dedicated to Ezra Pound - <a href="http://www.patriziopeterlini.it/conz/lalivre.htm" target="_blank" rel="noopener">La Livre,</a> which was never completed. During their residency, the five artists created thirteen works of art as well as fifteen hand-made copies of each work. All of which were created on the same size of paper. These works should have been part of a box, an art edition that initially should have included large-scale reproductions of seven of the group's old works, printed on canvas in Como, in addition to en eight obtained by merging the former in a continuous strip to create sort of a "collective work" - together with photographs documenting the residency, historical photographs and video interviews filmed in Brunnenburg. Conz died in 2010 but the box was never finished, although all of its components had been created, except for the folder that was supposed to contain them. The works of the artists have since remained in F. Conz's Archive. During his stay, Jevšovar created three different works of art. In two of them, both dated March 5th, he placed a quadrangular figure on the center of a white background, while in his third work, dated March 6th, he proposed a rectangular strip of color on a brown background. The works are therefore linked to the central theme of the artist's research, which is an attack on tradition - not ironically as it was in Dadaism, but rather looking at the surface as a central problem of pictorial structure. <a href="https://www.repository.unipr.it/bitstream/1889/2663/1/Jevšovar_untitled.pdf" target="_blank" rel="noopener">Read more.</a> Rights Holder A person or organization owning or managing rights over the resource. Marijan Jevsovar MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2663" target="_blank" rel="noopener">http://hdl.handle.net/1889/2663</a> Ideological reasons Logistical reasons http://moremuseum.org/omeka/files/original/333ffa0d21b98d436987c29e7809f97f.jpg ea25d7307fe854591b9699e147a79d91 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Plastic Oplalà 2004 - 1 - Gam Bologna Daolio.jpg Description An account of the resource Details of the garden - 3D botanical garden Format The file format, physical medium, or dimensions of the resource file jpg, 4,5x7,82 cm, 576 dpi http://moremuseum.org/omeka/files/original/a312228291cd7f72f9a30d78ef787d0d.jpg 3f46e04b9e0f4621580e22fe38b87318 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Plastic Oplalà 2004- 2- GAM R. Daolio Silvia Cini.jpg Description An account of the resource Details of the garden - 3D botanical garden Format The file format, physical medium, or dimensions of the resource file jpg, 4,49x7,82 cm, 576 dpi http://moremuseum.org/omeka/files/original/6259e25a31d929f04c0327e826be9fdd.jpg 331360a9813620221ba82a25747279bc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Plastic Oplalà 2004- 3- Gam Bologna Daolio.jpg Description An account of the resource Details of the garden - 3D botanical garden Format The file format, physical medium, or dimensions of the resource file jpg, 2,16x3,75 cm, 576 dpi http://moremuseum.org/omeka/files/original/d56a62c3c7babc9cfd80735b99b646c0.jpg 4b5f06b4c58cc76da34037f59a1c6ae3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Plastic Oplalà 2004-4- GAM R. Daolio Silvia Cini.jpg Description An account of the resource Details of the garden - 3D botanical garden Format The file format, physical medium, or dimensions of the resource file jpg, 7,14x7,14 cm, 576 dpi http://moremuseum.org/omeka/files/original/29ef24a225d9bf873e7130754d13c990.jpg 42e905ca5924e08442b5a270e813709f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Plastic Oplalà 2004-5 cubi- GAM R. Daolio Silvia Cini.jpg Description An account of the resource PlasticOplalà # 2 seven inflatable cubes covered with canvas Format The file format, physical medium, or dimensions of the resource file jpg, 1,89x2,83 cm, 576 dpi http://moremuseum.org/omeka/files/original/96724a329cfb66fb4120102f628d7499.pdf 419508a2c1961bfe3186372129a753a7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Intervista a Silvia Cini, Dialoghi, a cura di UnDo.net.pdf Format The file format, physical medium, or dimensions of the resource file pdf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Silvia Cini Creator An entity primarily responsible for making the resource Cini, Silvia Description An account of the resource Silvia Cini (Pisa, 1972) is an artist and independent curator. She graduated from the Academy of Fine Arts in Rome and then continued her studies as an Operator of Cultural Heritage at the Pontifical Gregorian University; thanks to a thesis on the cataloging of contemporary art works, she started working at the ICCD Central Institute for Documentation and the Catalogue of the Ministry of Culture, contributing to the drafting of the law on cataloging OAC Opera contemporary Art as a consultant of the then director Maria Luisa Polichetti. One of the founders of the Gruppo Immagini, she collaborated with Keith Haring to the event that lead to the mural of Pisa. At the same time she began studying theater with Stefano Vercelli and Luisa Pasello at the Piccolo Teatro di Pontedera, under the direction of Roberto Bacci and supervision of Jersy Grotosky. Her first exhibition was in Milan in 1994, when she created the group AAVV with Salvatore Falci, then in Rome where she collaborated with Cesare Pietroiusti to DisorsordinAzioni il Gioco del Senso and Non senso (XII Quadrennial of Rome), and with the Gruppo Oreste with which she took part to the 48 Venice Biennale. In 1997 she curated her first series of exhibitions at the Ferro di Cavallo, in collaboration with the Academy of Fine Arts in Rome, signing the beginning of the art of relationship and public art in Italy. She continued to work as a curator, as collaborator of Carolyn Christov Bakargiev and Hans Hulrich Obrist to the French Academy in Rome and in other curatorial activities (Milan Triennale, Invideo, Icityperiferiche, Palazzo Re Enzo, Bologna, Genoa Loggia of the Merchants, Cartabianca, Museum of Contemporary Art Villa Croce, Genoa) side by side with the exhibiting activity. Since the end of the nineties she works with the Neon Gallery, alternating solo and group exhibitions (Continua, Zero, GoldanKauf) in Italy and abroad. Her works are inspired by the dialogue, often intimate, that they create with the audience. Her interest focuses often on the landscape as a metaphor of society, integrating environmental audio installations and botanical research. She collaborated over the years with the Faculty of Landscape Architecture in Genoa holding workshops and seminars. In 2000 she received the Prize Atelier from Fabio Mauri, at the Galleria Comunale d'Arte Moderna in Rome. The city of Genoa, on the occasion of Genoa 2004 European Capital of Culture, assigned her the Duchess Galliera Award for best artist working on the territory of Liguria. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Plastic Oplalà Description An account of the resource The project was commissioned by Roberto Daolio as part of a series of art works to be placed on the top floor of the Department of Pediatric Oncology of the Sant’Orsola Hospital in Bologna, in collaboration with the Association AGEOP. Cini was invited to be part of the project together with artists Emilio Fantin, Eva Marisaldi, Sabrina Mezzaqui, Sabrina Torelli and Marco Vaglieri. For the department Cini thinks the project PlasticOplalà 1, 2, 3, a series of site-specific interventions whose idea is to create a small botanical garden outside of the pavilion, in the semi-abandoned garden of the pediatrics department. The project was not realized as a result of a number of economical, technical and logistic reasons. <a href="https://www.repository.unipr.it/bitstream/1889/2451/1/Cini_Plastic%20Oplalà.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Cini, Silvia Date A point or period of time associated with an event in the lifecycle of the resource 2004 Contributor An entity responsible for making contributions to the resource Modena, Elisabetta Format The file format, physical medium, or dimensions of the resource image/jpeg application/pdf Language A language of the resource Italian Type The nature or genre of the resource Still Image Text Rights Holder A person or organization owning or managing rights over the resource. Silvia Cini MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2451" target="_blank" rel="noopener">http://hdl.handle.net/1889/2451</a> Financial reasons Logistical reasons Regulatory/juridical/administrative reasons http://moremuseum.org/omeka/files/original/3d05f323cbcb4da530806c13b334b175.jpg 1489c87ca50056b9cb67b49553b1c4e9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1_...una volta, 2004, veduta generale saletta svago.jpg Description An account of the resource Picture of the project entertainment room Format The file format, physical medium, or dimensions of the resource file jpg, 14,82x21 cm, 300 dpi http://moremuseum.org/omeka/files/original/316c11fe1aa34bb1f653c855917373cb.jpg 4c4ce3d74df9d899d5d9663c5148f9d3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 2_...una volta, 2004, pianta soffitto saletta svago.jpg Description An account of the resource Picture of the project entertainment room: plant on the ceiling of the entertainment room Format The file format, physical medium, or dimensions of the resource file jpg, 13,91x21 cm, 300 dpi http://moremuseum.org/omeka/files/original/4aa6213cc8d4b39a10c7540ff5bad99b.jpg 4c3a7bdfe488c6606953159212b7a32a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 3_...una volta, 2004, dettaglio soffitta saletta svago.jpg Description An account of the resource Picture of the project entertainment room: detail Format The file format, physical medium, or dimensions of the resource .file jpg, 13,92x21 cm, 300 dpi Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marco Vaglieri Creator An entity primarily responsible for making the resource Vaglieri, Marco Description An account of the resource Marco Vaglieri (Milan, 1959). Lives and works in Oslo. He has exhibited in Italy and abroad. His research is mainly based on the theme of the encounter and of the relationship, as well as the memory (Il tempo che serve, 2002), identity and family (Fallowing John, 2000). Among the solo exhibitions: Il tempo che serve (Luigi Franco Contemporary Art Gallery, Turin, 2000), Metafisica della carne (Galleria Milano, Milan, 2008), and Her han ikke en længere (Rum 46, Aarhus, Denmark); between the numerous group exhibitions: La parola nell’arte (Mart, Rovereto, 2007) and Multitudes & solitudes (Museion, Bolzano, 2003). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ...una volta Description An account of the resource The project was commissioned by Roberto Daolio as part of a series of art works to be placed on the top floor of the Department of Pediatric Oncology of the Sant’Orsola Hospital in Bologna, in collaboration with the Association AGEOP. The invited artists are Silvia Cini, Emilio Fantin, Claudia Losi, Eva Marisaldi, Sabrina Mezzaqui, Sabrina Torelli and Marco Vaglieri. Vaglieri with the project ...una volta (...once upon a time) planned to create a model representing the map of the world to be installed on the ceiling of the entertainment room of the new department. <a href="https://www.repository.unipr.it/bitstream/1889/2449/1/Vaglieri_Una%20volta.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Vaglieri, Marco Date A point or period of time associated with an event in the lifecycle of the resource 2004 Contributor An entity responsible for making contributions to the resource Modena, Elisabetta Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Rights Holder A person or organization owning or managing rights over the resource. Marco Vaglieri MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2449" target="_blank" rel="noopener">http://hdl.handle.net/1889/2449</a> Financial reasons Logistical reasons Regulatory/juridical/administrative reasons http://moremuseum.org/omeka/files/original/0355aafe539b10baf3aba40b68f7ba23.jpg 43a439ba71eb0fdb6e3e233580afd0eb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Page catalog with an introduction to the project. Title A name given to the resource 1_img024.jpg Format The file format, physical medium, or dimensions of the resource file jpg, 18,53 x17,83 cm, 300 dpi http://moremuseum.org/omeka/files/original/6cee13598511c52a09da30164034a7bf.jpg 63c14a68369dbdf1c8391dad6939d114 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 2_img025.jpg Description An account of the resource Catalog page with render of a baby in a bed in a dark room. Format The file format, physical medium, or dimensions of the resource file jpg, 18,53 x 17,99 cm, 300 dpi http://moremuseum.org/omeka/files/original/d67c17ac269ce5a2d28d5694316b58f8.jpg 44b503e0508f9ca1e5536401b522ec3d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 3_img026.jpg Description An account of the resource Catalog page with the story of the project of the table lamp. Format The file format, physical medium, or dimensions of the resource file jpg, 18,53 x 17,72 cm, 300 dpi http://moremuseum.org/omeka/files/original/4239dff8c58ae75523e7a89e3ae0cfba.jpg 5c469d938f01916a1b5e5e949fda88e3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 4_img027.jpg Description An account of the resource Catalog page with render of a baby in a bed in a bright room with the bedside Format The file format, physical medium, or dimensions of the resource file jpg, 18,53x18,31 cm, 300 dpi http://moremuseum.org/omeka/files/original/e73b4dd07dbdff70964a7d54baba8e94.jpg 302a62e4de4c706a339492a60f49ff8a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 5_img028.jpg Description An account of the resource Render color of the table lamp in which they are distinguishable designs imagined for the lamp itself. Format The file format, physical medium, or dimensions of the resource file jpg, 18,15x18,31 cm, 300 dpi Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sabrina Mezzaqui Creator An entity primarily responsible for making the resource Mezzaqui, Sabrina Description An account of the resource Sabrina Mezzaqui (Bologna, 1964) lives and works in Marzabotto (BO ). Many of her works are a materialization of the passing of time, bringing into play the sense of manual works in the repetition of little gestures for hours and hours (stringing beads, cutting, bending, drawing small motifs...). Writing often appears in the works (in the form of short texts, memoirs, literary references, rearranged books...). Even her videos tell of slow times, recording changes in the light or simple natural phenomena like the dust near a window or the stars reflected on the waves from the sun or the falling snow. She work with Galleria Massimo Minini Brescia (Messaggi inviati, 1999; Il pomeriggio è troppo azzurro, 2001; Quando le parole atterrano, 2006; Giocatori di perle, 2010) and the Galleria Continua in San Gimignano (Carezze, 2001; Ecco adesso, 2004; Sottolineature, 2005; Mettere a dimora, 2008; ciò che la primavera fa con i ciliegi, 2011). She has exhibited in public spaces and cultural associations in Italy (GAM - Civic Gallery of Modern Art in Turin; Maxxi, Rome; Castel Sant 'Elmo, Naples; Papesse Palace, Siena; Museion, Bolzano; Open Space - GAM, Bologna; ViaFarini and Care of Milan; Scratch Gallery, Bologna ...) and abroad (PS1, New York; INOVA, Milwaukee, Wisconsin - WI; Modern Art Museum, Saint-Etienne - F; One Severn Street, Birmingham – UK; Raid Projects Gallery, Los Angeles - CA; Italian Institute of Culture - MOCA, Buenos Aires; Bengal Art Lounge, Dhaka - Bangladesh ...). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Abat-jour Description An account of the resource The project was commissioned by Roberto Daolio as part of a series of art works to be placed on the top floor of the Department of Pediatric Oncology of the Sant’Orsola Hospital in Bologna, in collaboration with the Association AGEOP. The invited artists are Silvia Cini, Emilio Fantin, Claudia Losi, Eva Marisaldi, Sabrina Mezzaqui, Sabrina Torelli and Marco Vaglieri. Mezzaqui proposes the creation of an abat-jour lamp to the placed on the bedside tables of the patients’ rooms, in the memory of her childhood. The project was not realized as a result of a number of economical, technical and logistic reasons. <a href="https://www.repository.unipr.it/bitstream/1889/2448/1/Mezzaqui_Abat%20jour.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Mezzaqui, Sabrina Date A point or period of time associated with an event in the lifecycle of the resource 2004 Contributor An entity responsible for making contributions to the resource Modena, Elisabetta Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Language A language of the resource Italian Rights Holder A person or organization owning or managing rights over the resource. Sabrina Mezzaqui MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2448" target="_blank" rel="noopener">http://hdl.handle.net/1889/2448</a> Financial reasons Logistical reasons Regulatory/juridical/administrative reasons http://moremuseum.org/omeka/files/original/2bc53a73e95c18489c5b10398a1a9235.jpg 12fe0cb8b0c4d803804a74aee7e8a5cf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1_2004_progetto ageop EVA.jpg Description An account of the resource Photos selected by the artist for the booklet to be printed and placed in the bedside tables. Format The file format, physical medium, or dimensions of the resource file jpg, 13,38x19,69 cm, 300 dpi http://moremuseum.org/omeka/files/original/b76c601de2ebcffff9cdf2a9dad5de5f.jpg 01d1d08a5c1a04718cf15f6949d8c7ac Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 2_2004_progetto ageop enrico.jpg Description An account of the resource Photo donated by artist Enrico Serotti. Format The file format, physical medium, or dimensions of the resource file jpg, 13,55x10,16 cm, 300 dpi http://moremuseum.org/omeka/files/original/f3954cf03151bed8af0fccbb12edb045.JPG a36effe850c83b398e7cb6e41bb4bfcf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 3_2004_progetto ageop.jpg. Description An account of the resource Photos of the textile suitcase Format The file format, physical medium, or dimensions of the resource file jpg, 8,67x10,84 cm, 300 dpi http://moremuseum.org/omeka/files/original/9996023161b153eb9657fbce9260c0c5.jpg 85d3db752d9be622bf3fc280fb296a64 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 4_2004_progetto ageop.jpg Description An account of the resource Photos of the textile suitcase Format The file format, physical medium, or dimensions of the resource file jpg, 12, 7x15,88 cm, 72 dpi http://moremuseum.org/omeka/files/original/c7707f101ce210e213cafaecca4f7dee.JPG 50f2b53d2bb4622ca24fc9c420cdb7ae Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 5_2004_progetto ageop LAYOUT.jpg Description An account of the resource Sketches and project notes Format The file format, physical medium, or dimensions of the resource file jpg, 29, 7x21 cm, 150 dpi Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eva Marisaldi Description An account of the resource Eva Marisaldi was born in 1966. She lives and works in Bologna. She graduated from the Academy of Fine Arts in Bologna. Her research is articulated, frequently through an open and participatory process, through different languages and media, such as drawings, videos, installations, performances, photography and sculpture, to approachdifferent and multiple perspectives on usual things and everyday life. Amongst her most recent solo show we can recall Gestein-gestalt, MIMA, Newcastle (2012), Democratic Psychedelia, Galleria Minini, Brescia (2011), Tjoloholm Castle, Goteborg (2009), Ghost track #2, S.A.L.E.S., Roma (2008), Jumps, MAMbo, Bologna (2007), Services, Galleria Massimo De Carlo, Milano (2007), Parties 3, Art positions, Art Basel Miami, Miami, USA (2006). Her works have been included in many important exhibitions, such as the 1993 and 2001 Venice Biennale; Soggetto Soggetto, Castello di Rivoli Museo d’Arte Contemporanea, Rivoli (1994), L’hiver de l’amour, ARC Musèe d’Arte Moderne de la Ville de Paris and PS1, New York (1994), Manifesta, Witte de With, Rotterdam (1996), Exchanging interiors, Museum van Loon, Amsterdam (1996), Fatto in Italia, Centre d’Art Contemporain, Geneva and ICA London (1997), The 504 show, Braunschweig Kunsthalle, Zentrum fur Kunst, Brauschweig (1997), Che cosa sono le nuvole, Fondazione Sandretto Re Rebaudengo, Guarene-Torino (1997), Officina Italia, Galleria Comunale d’Arte Moderna, Bologna (1997), La ville, le jardin, la memoire, Villa Medici, Rome (1998), Istanbul Biennial (1999), Alessandria Biennial, Egypt (1999), Gwangju Biennial, South Korea, (2004), Invisible Exports, New York (2007), Voyage Sentimentale, FRAC Languedoc Roussillon, (2009), Il confine evanescente, MAXXI, Roma (2011), No Soul for Sale, Tate Modern, London (2011), Think Twice, Whitechapel, London (2012), The Wordly House, Documenta, Kassel (2012). Creator An entity primarily responsible for making the resource Marisaldi, Eva Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Metto in moto il prato e partiamo Description An account of the resource The project was commissioned by Roberto Daolio as part of a series of art works to be placed on the top floor of the Department of Pediatric Oncology of the Sant’Orsola Hospital in Bologna, in collaboration with the Association AGEOP. The invited artists are Silvia Cini, Emilio Fantin, Claudia Losi, Eva Marisaldi, Sabrina Mezzaqui, Sabrina Torelli and Marco Vaglieri. Marisaldi structures the project into two proposals: the first consists in the publication of a book of pictures to be placed in the bedside tables of the rooms of the parents of the children staying in the hospital, while the second is the production of a textile bag – convertible into a chair - to be filled with toys that could be taken home once the children recovered and were discharged from the hospital. The project was not realized due to a series of economical, technical and logistic reasons. <a href="https://www.repository.unipr.it/bitstream/1889/2447/1/Marisaldi_Metto%20in%20moto%20il%20prato.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Marisaldi, Eva Date A point or period of time associated with an event in the lifecycle of the resource 2004 Contributor An entity responsible for making contributions to the resource Modena, Elisabetta Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Language A language of the resource Italian Rights Holder A person or organization owning or managing rights over the resource. Eva Marisaldi MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2447" target="_blank" rel="noopener">http://hdl.handle.net/1889/2447</a> Financial reasons Logistical reasons Regulatory/juridical/administrative reasons http://moremuseum.org/omeka/files/original/fa0de8cbe1aa0e70f8637a712e28f466.pdf bf7567e76fa6766c31e45be9ed1af503 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Il mio progetto.pdf Description An account of the resource File describing the project and its objectives Format The file format, physical medium, or dimensions of the resource File pdf http://moremuseum.org/omeka/files/original/a2b3ea573488a222a5949ef7ca82369d.pdf ac2075de0044af5dbf21a3ef1be63989 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource E’ così anacronistico.pdf Description An account of the resource File describing the project and its objectives Format The file format, physical medium, or dimensions of the resource File pdf http://moremuseum.org/omeka/files/original/afae2fa3c5a83dbbb400a0de3da8ad65.pdf 2a1e2ca9aa7ee6eb9e426fcaa33f6813 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Incontrare la fiaba e rappresentarla.pdf Description An account of the resource Project of the first laboratory Relation A related resource File pdf http://moremuseum.org/omeka/files/original/c0a9d300fa59f5326ec2718d3c1ec493.pdf bcb47986cc52da67157fca20e79e5875 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Prendersi cura.pdf Description An account of the resource Project of the second laboratory Format The file format, physical medium, or dimensions of the resource file pdf http://moremuseum.org/omeka/files/original/1ddc359ea39e3d33164268686d3f82e0.pdf ab256bcc764d47e4ed5feb7ab7209af6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Modellaggio.pdf Description An account of the resource Project of the third workshop Format The file format, physical medium, or dimensions of the resource file pdf http://moremuseum.org/omeka/files/original/984230f59c2141f48463d1783c360047.jpg 0ba2df4c5e6aaadb3491de1b27f63dbc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Puppe ageop.jpg Description An account of the resource Dolls made to the Waldorf school in the course of the manual arts teacher Patrizia Solina Format The file format, physical medium, or dimensions of the resource file jpg, 10,16x13,55 cm, 300 dpi http://moremuseum.org/omeka/files/original/b833737f5c96e70c84a9385bdd6cf320.jpg b3f3835578d8dbe1bb5ffc906b08a628 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource teatrino.jpg Description An account of the resource Dolls made to the Waldorf school in the course of the manual arts teacher Patrizia Solina Format The file format, physical medium, or dimensions of the resource file jpg, 8,79x13,55 cm, 300 dpi http://moremuseum.org/omeka/files/original/e8128af17306e10baebb44aa0ba7f742.jpg 894bd4227ae10af1fd88c53698d70d56 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Steiner oncologia.jpg Description An account of the resource Dolls made to the Waldorf school in the course of the manual arts teacher Patrizia Solina Format The file format, physical medium, or dimensions of the resource file jpg, 29x20,99 cm, 72 dpi http://moremuseum.org/omeka/files/original/b64463d326dbccb0563a368dd15096db.jpg 242bf048964c3dbddb6c0e32e0ac702a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Favola.jpg Description An account of the resource Sketch artist in the preparation of fairy tales. Format The file format, physical medium, or dimensions of the resource file jpg, 50,59x72,25 cm, 72 dpi http://moremuseum.org/omeka/files/original/d49cc4390d75893121e4840c6d874aa0.jpg 5307e4ad740284d0a1daa0db621707bb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Favola 1.jpg Description An account of the resource Sketch artist in the preparation of fairy tales. Format The file format, physical medium, or dimensions of the resource file jpg, 54,19x72,25, 72 dpi http://moremuseum.org/omeka/files/original/5341aac84dd54de4d8aae51335505b4b.jpg e0db846aeadabcbb49fc1a5844235d24 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Favola 2.jpg Description An account of the resource Sketch artist in the preparation of fairy tales. Format The file format, physical medium, or dimensions of the resource file jpg, 54,19x72,25 cm, 72 dpi http://moremuseum.org/omeka/files/original/5d8a3875ee6421e41f9e22488cf99306.jpg 9b5774ac51259dca7340262a2ddc73b3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource steiner oncfavola-1.jpg Description An account of the resource Sketch artist in the preparation of fairy tales. Format The file format, physical medium, or dimensions of the resource file jpg, 29x20,99 cm, 72 dpi http://moremuseum.org/omeka/files/original/3d1c2c959123b2eb58bf4ff152b30a0c.jpg 6a612def79f5bd192b57e1eaa16f92af Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource steineroncobambfav.jpg Description An account of the resource Sketch artist in the preparation of fairy tales. Format The file format, physical medium, or dimensions of the resource file jpg, 29x20,99 cm, 72 dpi http://moremuseum.org/omeka/files/original/84981779689ac6d3d2ae61103455c6c0.jpg 51061b684dbbc0db461c31d175a00148 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Emilio Fantin Creator An entity primarily responsible for making the resource Fantin, Emilio Description An account of the resource Emilio Fantin (Bassano del Grappa, 1954), lives and works in Bologna. Fantin creates spaces for participation where the educational aspect is combined with the artistic one. In his work he often creates links between art and other disciplines. He has worked with institutions, universities and museums around the world. In 2012, he realized with Lu Cafausu the project "The Celebration of Living" for And, And, And, Documenta 13 in Kassel and gave lectures at the Art Institute of Chicago. In 2013 he organized meetings and projects in public spaces in Phoenix in partnership with ASU (Arizona State University) Art Museum. He took part to several exhibitions and international events including the Venice Biennale (1993, 1999, 2008), Performa, International Festival of Performance, New York, 2007; Frasq, International Festival of Performance, Paris 2011. Since 2005 he has been teaching "Perception and Visual Communication" at the Polytechnic of Milan. He currently holds workshop “Representation 2: Architecture and Art” in public spaces with Ricciarda Belgiojoso and Franco Vaccari. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Laboratori Description An account of the resource The project was commissioned by Roberto Daolio as part of a series of art works to be placed on the top floor of the Department of Pediatric Oncology of the Sant’Orsola Hospital in Bologna, in collaboration with the Association AGEOP. The invited artists are Silvia Cini, Emilio Fantin, Claudia Losi, Eva Marisaldi, Sabrina Mezzaqui, Sabrina Torelli and Marco Vaglieri. Fantin aims at creating a great book on the fairy tale "The Bremen Town Musicians" and a series of workshops for children in collaboration with the teachers of the school Garagnani Maria Steiner of Bologna (Meet the tale and represent it; Take care; Sculpting with hot beeswax). The book was made and donated to the department , while the laboratories were not realized, due to a series of economical, technical and logistic reasons. <a href="https://www.repository.unipr.it/bitstream/1889/2446/1/Fantin_Laboratori.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Fantin, Emilio Date A point or period of time associated with an event in the lifecycle of the resource 2004 Contributor An entity responsible for making contributions to the resource Modena, Elisabetta Format The file format, physical medium, or dimensions of the resource application/pdf image/jpeg Language A language of the resource Italian Type The nature or genre of the resource Text Still Image Rights Holder A person or organization owning or managing rights over the resource. Emilio Fantin MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2446" target="_blank" rel="noopener">http://hdl.handle.net/1889/2446</a> Financial reasons Logistical reasons Regulatory/juridical/administrative reasons http://moremuseum.org/omeka/files/original/fc1f86a74285dbcf9f2c8fe041869e33.pdf a72c3642d000a930c6015f9c436b4c7e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource progetto S.T.02 de mi amor mi canto.pdf. Description An account of the resource Project Description for AGEOP Format The file format, physical medium, or dimensions of the resource file pdf http://moremuseum.org/omeka/files/original/8347991c5d6c8374fd68218392495836.pdf ac5148e9acb4ed66783e1f6fb2527765 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Torelli Sabrina, intervista Ageop, progetto de mi amor mi canto.pdf Description An account of the resource Interview AGEOP on the project. Format The file format, physical medium, or dimensions of the resource File pdf http://moremuseum.org/omeka/files/original/652e8e8f990829fc0ae9372a3ceb6367.jpg 6450652fbc6e35563e6903078bbae18d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Torelli Sabrina, de mi amor mi canto, 04, cat.1.jpg Description An account of the resource Pages of the catalog published for the exhibition SPA Salus per Arte, GAM of Bologna Format The file format, physical medium, or dimensions of the resource file jpg, 19x38 cm, 150 dpi http://moremuseum.org/omeka/files/original/5fc39976bd0e36ef30f10772975773d8.jpg b6338500a5e9fc5f2d2715983f25b933 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Torelli Sabrina, de mi amor mi canto, cat. 2.jpg Description An account of the resource Pages of the catalog published for the exhibition SPA Salus per Arte, GAM of Bologna Date A point or period of time associated with an event in the lifecycle of the resource file jpg, 19x38 cm, 150 dpi http://moremuseum.org/omeka/files/original/71877170b9ff067de80111d4ff072f8a.jpg d7b5cd1af981036760422d3da2d0e999 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Torelli Sabrina, dettaglio de mi amor mi canto, 04,mostra Spazio Aperto, Gam, 04.jpg Description An account of the resource Picture of the prototype work exhibited at GAM in Bologna Format The file format, physical medium, or dimensions of the resource file jpg, 10,16x13,55 cm, 300 dpi http://moremuseum.org/omeka/files/original/8717ff7a6374f4ad4902fda0875eb3c7.jpg 9d43b61f8b119993da52d8e327011ec8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Torelli Sabrina, de mi amor mi canto, 04. Orto Botanico di Parma, Opera d'Amore, 2008.jpg Description An account of the resource Picture of the prototype work exhibited at the Botanical Garden of Parma in 2008 Date A point or period of time associated with an event in the lifecycle of the resource file jpg, 29,67x19,78 cm, 150 dpi Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Sabrina Torelli (Reggio Emilia, 1966). In 1996 she received her Bachelor's degree in Fine Arts in Bologna. In 1999, she was seleceted for the International Studio Program - PS1- New York. In 2001 she was finalist for the Premio Querini - Furla 2001 Fondazione Querini Stampalia, Venice, and in the same year she won the award Open Space by the Gallery of Modern Art of Bologna. Her work investigates the different aspects of the possible sensorial perceptions, in the everyday dimension of the human being, in those of disorder and disease and in the processes of communication of nature’s systems, through the use of a wide variety of mediums and expressive tools. In recent years, the philosophical and spiritual component is an "upward momentum" in a personal journey of adherence to beliefs in which coexist in a harmonious way the material and immaterial world, the earthly and the cosmic dimension. Since 2005 she works on alternative therapies and techniques, taking an interest in practices and tools. Among the recent solo and group exhibitions, we remember: 2013 Self-portraits. Inscriptions of the feminine in Italian contemporary art, Mambo, (Bo), 2012 The hidden harmony is greater than that manifested, MLB, Ferrara, 2011 Nothing is created, nothing is destroyed, everything is transformed, Garage42, Cecchini + Torelli, edited Francesca Referza, Velan Center, Turin; constructive Interference, Artists in Residence at the Company, curated by Giacinto di Pietrantonio and Francesca Referza (Airò, Isgrò, Pietroiusti, Parisi, Pivi, Sassolino, Spalletti, Stampone, Torelli) Foundation Malvina Menegaz, Castelbasso (Te); 2010 What does my soul while I'm working? Contemporary artwork by Consolandi Collection, curated by Francesca Pasini and Angela Vettese, MAGA, Museum Art Gallarate, Gallarate (Va); Languages and Trials, Young Artists in a contemporary collection. AgiVerona Collection of George and Anna Fasol, edited by George Verzotti Mart, Rovereto (Tn); 2009 At Mother Earth, permanent installation, Si- care in the park (Torelli - Ferraro), edited by Mili Romano, Savena District, Bologna, 2008 Artwork of love, Open Air by Marinella Paderni and Isolde Saccani, Botanical Garden of the University of Parma. Creator An entity primarily responsible for making the resource Torelli, Sabrina Title A name given to the resource Sabrina Torelli Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Simpatia Cosmica; De mi amor mi canto Description An account of the resource The project was commissioned by Roberto Daolio as part of a series of art works to be placed on the top floor of the Department of Pediatric Oncology of the Sant’Orsola Hospital in Bologna, in collaboration with the Association AGEOP. The invited artists are Silvia Cini, Emilio Fantin, Claudia Losi, Eva Marisaldi, Sabrina Mezzaqui, Sabrina Torelli and Marco Vaglieri. Torelli proposed two projects: Simpatia Cosmica (Cosmic sympathy), conceived for the communication room diagnosis (BCM), and De mi amor mi canto, for the area where the remains rest. The project was not realized due to a series of economical, technical and logistic reasons. <a href="https://www.repository.unipr.it/bitstream/1889/2445/4/Torelli_Simpatia%20cosmica%20de%20mi%20amor%20mi%20canto.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Torelli, Sabrina Date A point or period of time associated with an event in the lifecycle of the resource 2004 Contributor An entity responsible for making contributions to the resource Modena, Elisabetta Format The file format, physical medium, or dimensions of the resource application/pdf image/jpeg Language A language of the resource Italian Type The nature or genre of the resource Text Still Image Rights Holder A person or organization owning or managing rights over the resource. Sabrina Torelli MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2445" target="_blank" rel="noopener">http://hdl.handle.net/1889/2445</a> Financial reasons Logistical reasons Regulatory/juridical/administrative reasons http://moremuseum.org/omeka/files/original/f0bceb8f89e8ea8fedb8cf304207b184.m4a bc10d17623c26ee470fa2e8696769077 http://moremuseum.org/omeka/files/original/3da77560fcbe9e1eda035e08afd5394e.JPG 7a1ee697dad0d362b772754fd5eb096f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource fasilunari.jpg Description An account of the resource Images of the various phases of the moon from full moon to waning moon to crescent moon. Format The file format, physical medium, or dimensions of the resource file jpg, 4,86x28,01 cm, 300 dpi http://moremuseum.org/omeka/files/original/0fe49878a91bad7f6b4fc0019dde9217.JPG e80f90542bb3c38a2b6b2c0667a45891 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Luna BN.jpg. Description An account of the resource Image of the lunar surface visible. Format The file format, physical medium, or dimensions of the resource file jpg, 18x18 cm, 150 dpi http://moremuseum.org/omeka/files/original/db6216a78861f8d53abae6e80ce52fb1.jpg 879e6b648e0bfd40703274ddbf43180e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Prima.jpg. Description An account of the resource Face of a boy with image of the moon. Format The file format, physical medium, or dimensions of the resource file jpg, 53,56x48,58, 150 dpi http://moremuseum.org/omeka/files/original/94f9722f297931989acef134dfeca719.jpg f19291ed6f57d782d0bddfa9a5b4a85b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Seconda.jpg Description An account of the resource Face of a girl with image of the moon. Format The file format, physical medium, or dimensions of the resource file jpg 53,34x48,26 cm, 300 dpi http://moremuseum.org/omeka/files/original/43368bbec920a6d39223bad079ab7a0e.jpg a22a2afdb730c4d96410e2217b01458a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Quarta.jpg Description An account of the resource Face of a girl with image of the moon. Format The file format, physical medium, or dimensions of the resource file jpg 53,34x48,26 cm, 300 dpi http://moremuseum.org/omeka/files/original/a411ec4ba01b97ba5f40328c86eee324.pdf e987cd5428d1794cae6a3c3d5e3bc64f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 6_Testi.pdf Description An account of the resource Texts relating to the four-page catalog published on the Spa-SALUS PER ART, exhibition catalog edited by Roberto Daolio, Galleria d'Arte Moderna, Bologna, Italy, 16 June to 5 September 2004 Book no. 36, Bologna, Danilo Montanari Publisher 2004. Format The file format, physical medium, or dimensions of the resource file pdf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Claudia Losi Creator An entity primarily responsible for making the resource Losi, Claudia Description An account of the resource Claudia Losi (Piacenza, 1971). Her interest focuses on the relationship between man and the environment that surrounds him, on the relation between the individual and the community to which he belongs, the collective imagination in which he is identified. She has a strong interest in natural sciences and literature and is often involved in multidisciplinary projects and collaborations. Among the recent solo and group exhibitions: Biology of Proximity, Monica de Cardenas Gallery, Zuoz, Switzerland; Women for Life. Regina José Galindo - Claudia Losi , The Maréchalerie - center d'art contemporain de l' ENSA V, Versailles, 2013; "More from things", Musei Civici, Modena, 2012; "Les Funérailles de la Baleine " _Balena Project, at Viafarini - Docva, Milan; Cinema Massimo, Turin; Cesac CESAC _Il Filatoio di Caraglio Museum, Caraglio, Cuneo, 2011; Monica de Cardenas, Milan and Les Funerailles de la Baleine, Biella, 2010; Here and nowhere else. Here, a local communities project, ArtePollino, Basilicata, 2009; Museo Marino Marini, Florence, Stenersen Museum, Oslo, Ikon Gallery, Birmingham, 2008; Space, MAXXI, Rome, GSK -Aware, Royal Academy, London, SI Sindrome Italiana, MAGASIN, Grenoble; AiuolaTransatlantico, Mirafiori North, Turin, New Principals program, sponsored by the Fondation de France, 2008. In 2007 participates in the Sharjah Biennial 8, United Arab Emirates. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Caleidoscopi; Allora la luna Description An account of the resource The project was commissioned by curator Roberto Daolio as part of a series of artworks intended for the top floor of the Department of Pediatric Oncology at Sant’Orsola Hospital in Bologna, in collaboration with the AGEOP Association. The invited artists were Silvia Cini, Emilio Fantin, Claudia Losi, Eva Marisaldi, Sabrina Mezzaqui, Sabrina Torelli, and Marco Vaglieri. For the hospital department, Losi conceived two projects: Caleidoscopi — colored prisms to play with, enclosed in balsa wood cases — and Allora la luna, a sort of luminous sign about two meters in diameter, designed for outdoor installation on one of the buildings facing the department windows. Both projects were meant to stimulate the imagination of young patients and help them forget their condition, even if only for a moment. The project was never realized due to various economic, technical, and logistical reasons. <a href="https://www.repository.unipr.it/bitstream/1889/2444/1/Losi_Caleidoscopi%20e%20Allora%20la%20luna..pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Losi, Claudia Date A point or period of time associated with an event in the lifecycle of the resource 2004 Contributor An entity responsible for making contributions to the resource Modena, Elisabetta Format The file format, physical medium, or dimensions of the resource image/jpeg application/pdf Language A language of the resource Italian Type The nature or genre of the resource Still Image Text Rights Holder A person or organization owning or managing rights over the resource. Claudia Losi MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2444" target="_blank" rel="noopener">http://hdl.handle.net/1889/2444</a> Financial reasons Logistical reasons Regulatory/juridical/administrative reasons http://moremuseum.org/omeka/files/original/eb8b8023dc73616efde0373999ef476d.pdf 973180adbb23788dce6ff6424cedeb1f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource livella il cielo.pdf Description An account of the resource Project report, with a section and an isonometric view of one of the possible environments.   Format The file format, physical medium, or dimensions of the resource File pdf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Luca Trevisani Creator An entity primarily responsible for making the resource Trevisani, Luca Description An account of the resource Luca Trevisani (Verona, 1979) has exhibited in many public and private spaces, in Italy and abroad, including: MACRO Rome, Magasin in Grenoble, Mart, Rovereto, Biennale d’Architettura di Venezia , Museion, Bolzano, MOT Tokyo, Daimler Kunstsammlung Berlin, CCA Andratx Mallorca, Gio Marconi, Milan, Pinksummer, Genoa, Mambo, Bologna, Mehdi Chouakri, Berlin, Fondazione Sandretto Re Rebaudengo Turin, MAXXI, Rome, Valentina Bonomo, Rome and Museo Marino Marini, Florence. He won prestigious awards including the Furla Prize in 2007 and the New York Prize in 2010, has also published two personal catalogs The effort took ist tools (Argobooks, Berlin 2008), Luca Trevisani (Silvana Editoriale, Milan, 2009) and the book Water Ikebana Stories about solid & liquid things (Humboldt Books, Milan in 2014). In 2013 he released his first feature film Glaucocamaleo, presented in the same year at the Rome Film Festival. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Il Respiro di uno spazio / Livella il cielo Description An account of the resource Il Respiro di uno spazio / Livella il cielo is a project created by Luca Trevisani in 2011 and donated to the museum MoRE in 2014. The artist through his working methodology, that starts here from a scientific data, designs a system of pipes that pass through a house, the network of tubes is sectioned and receives the rain and other weather elements, the water level therefore changes according to atmospheric events. The water, among other things, is also the subject of an artist book, Water Ikebana Stories about solid & liquid things (Humboldt Books, 2014), published by Luca Trevisani.  The project donated to the museum has not been realized due to the lack of a commisioner and of a suitable location for the development of the work. <a href="https://www.repository.unipr.it/bitstream/1889/2450/1/Trevisani_Il%20Respiro%20di%20uno%20spazio%20-%20Livella%20il%20cielo.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Trevisani, Luca Date A point or period of time associated with an event in the lifecycle of the resource 2011 Contributor An entity responsible for making contributions to the resource Rossi, Valentina Format The file format, physical medium, or dimensions of the resource application/pdf Language A language of the resource Italian Type The nature or genre of the resource Text Rights Holder A person or organization owning or managing rights over the resource. Luca Trevisani MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2450" target="_blank" rel="noopener">http://hdl.handle.net/1889/2450</a> Logistical reasons http://moremuseum.org/omeka/files/original/ee7e885a802af75c439b77a102af61fc.pdf 47083568ac621c185835e177d4c43786 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource il pop up che non si apre.pdf Description An account of the resource Pdf file containing the presentation of the project, a description of the materials that would be part of the work and the technical aspects of edition. Format The file format, physical medium, or dimensions of the resource file pdf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Luca Trevisani Creator An entity primarily responsible for making the resource Trevisani, Luca Description An account of the resource Luca Trevisani (Verona, 1979) has exhibited in many public and private spaces, in Italy and abroad, including: MACRO Rome, Magasin in Grenoble, Mart, Rovereto, Biennale d’Architettura di Venezia , Museion, Bolzano, MOT Tokyo, Daimler Kunstsammlung Berlin, CCA Andratx Mallorca, Gio Marconi, Milan, Pinksummer, Genoa, Mambo, Bologna, Mehdi Chouakri, Berlin, Fondazione Sandretto Re Rebaudengo Turin, MAXXI, Rome, Valentina Bonomo, Rome and Museo Marino Marini, Florence. He won prestigious awards including the Furla Prize in 2007 and the New York Prize in 2010, has also published two personal catalogs The effort took ist tools (Argobooks, Berlin 2008), Luca Trevisani (Silvana Editoriale, Milan, 2009) and the book Water Ikebana Stories about solid & liquid things (Humboldt Books, Milan in 2014). In 2013 he released his first feature film Glaucocamaleo, presented in the same year at the Rome Film Festival. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Il pop up che non si apre Description An account of the resource Il pop up che non si apre (The pop up that will not open) is an artist's book designed by Luca Trevisani in 2011. The artist starts from his series of works, printed on copper and cardboard, named Fly fishing (2010), to elaborate the structure of a pop up book. In this editorial project many of the attitudes and characteristics of the artist's work are visible, such as the sculptural gesture, the condition of equilibrium, manual skills and the chosen material: the paper. The project was initially designed as a self-production by the artist himself, and then proposed to the publishe cura.books, but it has never been realized for the high costs and because of the many difficulties in finding the necessary financial coverage. <a href="https://www.repository.unipr.it/bitstream/1889/2443/1/Luca%20Trevisani_Il%20pop%20up%20che%20non%20si%20apre.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Trevisani, Luca Date A point or period of time associated with an event in the lifecycle of the resource 2011 Contributor An entity responsible for making contributions to the resource Rossi, Valentina Format The file format, physical medium, or dimensions of the resource application/pdf Language A language of the resource Italian Type The nature or genre of the resource Text Rights Holder A person or organization owning or managing rights over the resource. Luca Trevisani MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2443" target="_blank" rel="noopener">http://hdl.handle.net/1889/2443</a> Financial reasons http://moremuseum.org/omeka/files/original/7223d7e65070f6de111f93e59836e6e6.JPG 8427676c58bf3e8615944df806188ca2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource progetto-kassel.JPG Description An account of the resource Collage of the unrealized project, that consisted in stretching a steel cable - anchored at the artist’s car with the engine running (a red Fiat 126) - till the museum’s opposite wall, where it would be fixed so that it would pass through the whole length of the building. Format The file format, physical medium, or dimensions of the resource jpg file, 19,236 x 14,427 cm, 300 dpi http://moremuseum.org/omeka/files/original/7c2519e97968f70ddab6244648de2893.jpg febf3b1b9a4cc574b66c2a6d3910df2d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource disegno 1992 Description An account of the resource A drawing of the project, taken by the artist in a sketchbook in 1992. Format The file format, physical medium, or dimensions of the resource jpg file, 115,147 x 86,36 cm, 72 dpi Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Liliana Moro Description An account of the resource Liliana Moro was born in 1961 in Milan, where she lives and works. She graduated from the Accademia di Belle Arti di Brera, where she studied with Luciano Fabro. In 1989 she founded, with other artists, the Spazio di Via Lazzaro Palazzi in Milan, active until 1993. Encountering the works of Liliana Moro we have the perception that only what is strictly necessary is present. Sound, words, sculptures, objects and performance, compose a world that "stages" a reality simultaneously raw and poetic. These are territories of an individual experience (that of the artist but mainly that of the viewer) that ask for going beyond what is visible. The reduction to the essential understood as an attitude, a practice and a positioning, does not result from a retake of a minimal language: it is rather something the artist triggers both when choosing to use elaborated techniques, and when opting by using existent materials and objects of everyday use. A prominent element in Liliana Moro's research is the political dimension, not translated in the illustration of contents, but related to the forms of addressing the recipients; for example by placing her work on the ground she implicitly asks the viewer to bend down to see it. Freedom of action is an important aspect of the work, but it only defines it partially: what creates an interesting difference is the relation between the university of possibilities and a tension - both physical and poetical - produced from this relation. Liliana Moro has shown in major international group exhibitions including Documenta IX, Kassel (1992); Aperto XLV Venice Biennale (1993); Castello di Rivoli, Turin (1994); Quadriennale, Rome (1996/2008); Moderna Museet, Stockholm (1998); PS1, New York (1999); De Appel, Amsterdam (1999), and the Bienal de Valencia (2001). She held several of solo shows at Galleria Emi Fontana, Milan; Greta Meert, Brussels; MUHKA, Antwerp, and Fondazione Ambrosetti, Brescia. Recently, Liliana Moro has showed at the Italian Cultural Institute of Los Angeles (2008), and Fabbrica del Vapore, Milan (2008), and has participated in important group exhibitions, including Italics, Palazzo Grassi, Venice (2008); Focus on Contemporary Italian Art, Mambo, Bologna (2008); Save Venice, Magazzini del Sale, side event of the 53. Venice Biennale (2009), and Celebration, Institution, Critique, Galleria Civica di Trento (2009). Creator An entity primarily responsible for making the resource Moro, Liliana Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tiramolla 92 Description An account of the resource Tiramolla 1992 is a project presented by Liliana at the <a href="http://www.kassel.de/miniwebs/documentaarchiv_e/08204/index.html" target="_blank" rel="noopener">documenta 9</a> of Kassel, directed by Jan Hoet with a team constituted by Pier Luigi Tazzi, Denys Zacharopoulos e Bart de Baere. The place chosen for the work was the Neue Galerie and the project was particularly complex and elaborated with the support of an engineer of a specialized firm. The plan was to stretch a steel cable till the museum’s last wall; this should go through the whole length of the building and come outside, where it should be anchored at the artist’s car, a red Fiat 126, left turned on with the engine running. The steel cable (that has been reproposed in the work exhibited in Kassel instead of this project, Tiramolla) would have passed therefore through the whole exhibition’s space, suggesting to the viewer a different understanding of the place and converging outside towards an object connected with the artist’s everyday life: her car. Technical and structural problems were the main reason it hasn't been realized; the project was also considered too dangerous. <a href="https://www.repository.unipr.it/bitstream/1889/2442/1/Liliana%20Moro_Tiramolla%2092.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Moro, Liliana Date A point or period of time associated with an event in the lifecycle of the resource 1992 Contributor An entity responsible for making contributions to the resource Zinelli, Anna Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Language A language of the resource Italian Rights Holder A person or organization owning or managing rights over the resource. Liliana Moro MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2442" target="_blank" rel="noopener">http://hdl.handle.net/1889/2442</a> Logistical reasons Regulatory/juridical/administrative reasons http://moremuseum.org/omeka/files/original/dc5a1a605d3d5273ab23168fb52b664f.jpg 6ad951c130a083237de7ec33953ee69e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource taccuino 055.jpg Description An account of the resource Scan of a notebook page where the artist appointed ideas about the project, as it happens for most of Pietroiusti’s projects Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cesare Pietroiusti Description An account of the resource The artistic research of Cesare Pietroiusti, born in Rome in 1958, a degree in medicine with an essay on psychiatry, focuses on the analysis of paradoxical and problematic situations that are hidden in ordinary life and at the same time of the art system. Visual artist, founder and coordinator of research centers (e.g. the artist-run space Jartrakor in Rome), art projects and conferences, since 1977 he exhibited in public and private spaces, conventional and not, in Italy and abroad. In 2007 he founded, in collaboration with the collective Space of Bratislava, “Evolution de l’art”, the first art gallery to sell exclusively immaterial works and in 2011 the Museum of exiled Italian contemporary art, a project for the collection of works, documents and records on artistic experiences that are deliberately marginal or non acknowledged by the museum system. Creator An entity primarily responsible for making the resource Pietroiusti, Cesare Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Certificati di Autenticità Date A point or period of time associated with an event in the lifecycle of the resource 1987-1988 Description An account of the resource The artist developed a never-realized project for the production of different typologies of certificates of authenticity, like for instance one attesting a person's own identity, or unrealized art works or sophisticated certificates printed on papyrus for objects of little value (e.g. A one cent coin). The unrealized project is coherent with the author's research that often investigates ironically the economic system and the attribution of a commercial value to objects. <a href="https://www.repository.unipr.it/bitstream/1889/1772/1/CESARE%20PIETROIUSTI_Certificati%20di%20autenticità.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Pietroiusti, Cesare Contributor An entity responsible for making contributions to the resource Modena, Elisabetta Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource Italian Type The nature or genre of the resource Still Image Rights Holder A person or organization owning or managing rights over the resource. Cesare Pietroiusti MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/1772" target="_blank" rel="noopener">http://hdl.handle.net/1889/1772</a> Theoretical exercise http://moremuseum.org/omeka/files/original/e795e653972b4c0017eaa7029383eef6.jpg 15ac9c8074dd5f4390301a7df0c5e761 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Scan of a notebook page where the artist appointed ideas about the project, as it happens for most of Pietroiusti’s projects Title A name given to the resource taccuino-novembre 2002.jpg Date A point or period of time associated with an event in the lifecycle of the resource november, 2002 http://moremuseum.org/omeka/files/original/5f1a915249c519fe6318a3b63eba0d23.jpg 3d6dd6a16665f02a64805a10bc8215dc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Scan of a notebook page where the artist appointed ideas about the project, as it happens for most of Pietroiusti’s projects Title A name given to the resource taccuino-novembre 2001.jpg Date A point or period of time associated with an event in the lifecycle of the resource november, 2001 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cesare Pietroiusti Description An account of the resource The artistic research of Cesare Pietroiusti, born in Rome in 1958, a degree in medicine with an essay on psychiatry, focuses on the analysis of paradoxical and problematic situations that are hidden in ordinary life and at the same time of the art system. Visual artist, founder and coordinator of research centers (e.g. the artist-run space Jartrakor in Rome), art projects and conferences, since 1977 he exhibited in public and private spaces, conventional and not, in Italy and abroad. In 2007 he founded, in collaboration with the collective Space of Bratislava, “Evolution de l’art”, the first art gallery to sell exclusively immaterial works and in 2011 the Museum of exiled Italian contemporary art, a project for the collection of works, documents and records on artistic experiences that are deliberately marginal or non acknowledged by the museum system. Creator An entity primarily responsible for making the resource Pietroiusti, Cesare Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Progetti per una mostra retrospettiva] Description An account of the resource Since 2000 in the artist’s notebooks we can find several information and notes about the project of a retrospective exhibition that has never been realized. One note dated 2001 sketches out the idea of an exhibition of artists who developed ideas similar to Pietroiusti's ones or who even accused him of stealing their ideas. With this project Pietroiusti continues his reflection on the concept of authenticity, uniqueness, physical and intellectual property of the art work. One more hypothesis, dating back to 2002, rather refers to an exhibition in which the artist planned to exhibit all his art works and to exchange them with new projects realized in collaborations with the visitors or inspired by them. <a href="https://www.repository.unipr.it/bitstream/1889/1778/1/CESARE%20PIETROIUSTI_Progetti%20per%20una%20mostra%20retrospettiva.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Pietroiusti, Cesare Date A point or period of time associated with an event in the lifecycle of the resource 2000-2013 Contributor An entity responsible for making contributions to the resource Modena, Elisabetta Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource Italian Type The nature or genre of the resource Still Image Rights Holder A person or organization owning or managing rights over the resource. Cesare Pietroiusti MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/1778" target="_blank" rel="noopener">http://hdl.handle.net/1889/1778</a> Logistical reasons http://moremuseum.org/omeka/files/original/5a8ea808b89191fd64473276d58de5a8.jpg 947b7f162e06f88a518b3610f602126e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource taccuino ottobre2000.jpg Description An account of the resource Scan of a notebook page where the artist appointed ideas about the project, as it happens for most of Pietroiusti’s projects http://moremuseum.org/omeka/files/original/2c5b48f27df44e7def98210778b62b99.jpg 7e4f722744d6a7a97cf4b76b09dc4a90 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource taccuino 1_f.jpg Description An account of the resource Scan of a notebook page where the artist appointed ideas about the project, as it happens for most of Pietroiusti’s projects Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cesare Pietroiusti Description An account of the resource The artistic research of Cesare Pietroiusti, born in Rome in 1958, a degree in medicine with an essay on psychiatry, focuses on the analysis of paradoxical and problematic situations that are hidden in ordinary life and at the same time of the art system. Visual artist, founder and coordinator of research centers (e.g. the artist-run space Jartrakor in Rome), art projects and conferences, since 1977 he exhibited in public and private spaces, conventional and not, in Italy and abroad. In 2007 he founded, in collaboration with the collective Space of Bratislava, “Evolution de l’art”, the first art gallery to sell exclusively immaterial works and in 2011 the Museum of exiled Italian contemporary art, a project for the collection of works, documents and records on artistic experiences that are deliberately marginal or non acknowledged by the museum system. Creator An entity primarily responsible for making the resource Pietroiusti, Cesare Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museo degli artisti dimenticati Description An account of the resource In 2000 Pietroiusti prepares the draft of a project for a "Museum of forgotten artists”; the idea was to look for artists which were very valuable but forgotten, in order to write an alternative history of italian contemporary art for the last three decades. This project was never realized, but it is possible to find similarities with some other projects realized by the artist. Coherently with his research on the art system, Pietroiusti has indeed imagined an exhibition of artists who gave up working. This idea too is linked to the enquiry on the social role of the artist and his function; for this reason, the idea described in a notebook comes together with a later note that refers to an exhibition of artists that are not recognized by the system, but by a limited and non influential number of people or even just one single person, simply because they produced some art works. Through this project Pietroiusti underlines the importance of one element of the system, that is the necessity to be recognized as an artist, an event that in most cases requires a first acknowledgement by the members of the system itself, a theme on which the artists returns with the institution of a Museum of exiled Italian contemporary art, an itinerant museum without a place that collects marginal and ignored artistic experiences. The project of an exhibition of artists who gave up working was then partially realized thanks to the collaboration with two curators, M. Clark and M. Dickenson, on the occasion of the exhibition democracy! Socially Engaged Art at London's Royal College of Arts in May 2000. <a href="https://www.repository.unipr.it/bitstream/1889/1777/1/CESARE%20PIETROIUSTI_Museo%20degli%20artisti%20dimenticati.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Pietroiusti, Cesare Date A point or period of time associated with an event in the lifecycle of the resource 2000 ca. Contributor An entity responsible for making contributions to the resource Modena, Elisabetta Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource Italian Type The nature or genre of the resource Still Image Rights Holder A person or organization owning or managing rights over the resource. Cesare Pietroiusti MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/1777" target="_blank" rel="noopener">http://hdl.handle.net/1889/1777</a> Logistical reasons http://moremuseum.org/omeka/files/original/f73fdf8e80693b28cbda4468a390717e.m4a e8cc9cdbbda5911e79eb9c6a3095d4de http://moremuseum.org/omeka/files/original/1755ed47d1f10af64092218884414e83.jpg 544c2fe446f9c83041c5eb944593e815 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource taccuino 1_h.jpg Description An account of the resource Scan of a notebook page where the artist appointed ideas about the project, as it happens for most of Pietroiusti’s projects http://moremuseum.org/omeka/files/original/fb42cc8b601648ae5952fc7d647dedf1.jpg 53622ae55b7dff72251fcbdc01debca4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource exhibita1.jpg Description An account of the resource Scan of the catalogue of the exhibition Exhibit A: Eight artists from Europe and America curated by Henry Bond, staged at the  Serpentine Gallery in London in 1992. http://moremuseum.org/omeka/files/original/b362be5069c1c21de6c1fbf840e7aa63.jpg f0fe68600b82865987d90c34a6a9e22f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource comesidiventa3.jpg Description An account of the resource Scan of the book Come si diventa artisti published in Rome by Centro Studi Jartrakor in 1992. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cesare Pietroiusti Description An account of the resource The artistic research of Cesare Pietroiusti, born in Rome in 1958, a degree in medicine with an essay on psychiatry, focuses on the analysis of paradoxical and problematic situations that are hidden in ordinary life and at the same time of the art system. Visual artist, founder and coordinator of research centers (e.g. the artist-run space Jartrakor in Rome), art projects and conferences, since 1977 he exhibited in public and private spaces, conventional and not, in Italy and abroad. In 2007 he founded, in collaboration with the collective Space of Bratislava, “Evolution de l’art”, the first art gallery to sell exclusively immaterial works and in 2011 the Museum of exiled Italian contemporary art, a project for the collection of works, documents and records on artistic experiences that are deliberately marginal or non acknowledged by the museum system. Creator An entity primarily responsible for making the resource Pietroiusti, Cesare Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Inviti Description An account of the resource The project, part of the author's critique of the system, addresses the issue of how contemporary art is experienced and of the so-called art system in general. An initial version of the project was developed starting in 1991. In one of the artist’s notebooks, we can find notes about a solo exhibition that was supposed to take place in a private gallery in Rome at the beginning of 1992 but was never realized, probably because the art dealer feared a possible misunderstanding of the performance. The project, in fact, was based on the participation of a group of prostitutes, invited and paid to attend as guests. Their presence was meant to provoke a sense of alienation in the spectators, who would perceive something unusual compared to a typical vernissage. The performance was to be documented through photographs and audio recordings, but it was canceled by the commissioner a few days before the opening. An alternative version of the project appeared in a book published by the Jartrakor Study Center in 1992. It was based on the idea of inviting people with distinctive, easily recognizable features (such as clergymen), but dressed “normally,” in order to evoke in the viewers a subtle sense of unease or strangeness. The same project was later described in the catalogue of the exhibition Exhibit A at the Serpentine Gallery in London, which focused on the question of the role and meaning of the “exhibition. <a href="https://www.repository.unipr.it/bitstream/1889/1775/1/CESARE%20PIETROIUSTI_Inviti.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Pietroiusti, Cesare Date A point or period of time associated with an event in the lifecycle of the resource 1991-1992 Contributor An entity responsible for making contributions to the resource Modena, Elisabetta Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource Italian Type The nature or genre of the resource Still Image Rights Holder A person or organization owning or managing rights over the resource. Cesare Pietroiusti MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/1775" target="_blank" rel="noopener">http://hdl.handle.net/1889/1775</a> Ethical reasons Logistical reasons http://moremuseum.org/omeka/files/original/485bd168da884610b8705d36d5166fda.jpg 7fdc0fb42143e96db5b5d09f8513f90d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource comesidiventa4.jpg Description An account of the resource Scan of the book Come si diventa artisti published in Rome by Centro Studi Jartrakor in 1992. http://moremuseum.org/omeka/files/original/e3d9360b237e6350854e4a58fba07648.jpg 9030219840f008bebdf262ad6f0ea5a2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource taccuino 1_d.jpg Description An account of the resource Scan of a notebook page where the artist appointed ideas about the project, as it happens for most of Pietroiusti’s projects http://moremuseum.org/omeka/files/original/2b9d8c8ab90e46bffd8b27e5911ecc43.jpg 6a635168468e4f56ded238c9ae7748e0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource taccuino 1_e.jpg Description An account of the resource Scan of a notebook page where the artist appointed ideas about the project, as it happens for most of Pietroiusti’s projects Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cesare Pietroiusti Description An account of the resource The artistic research of Cesare Pietroiusti, born in Rome in 1958, a degree in medicine with an essay on psychiatry, focuses on the analysis of paradoxical and problematic situations that are hidden in ordinary life and at the same time of the art system. Visual artist, founder and coordinator of research centers (e.g. the artist-run space Jartrakor in Rome), art projects and conferences, since 1977 he exhibited in public and private spaces, conventional and not, in Italy and abroad. In 2007 he founded, in collaboration with the collective Space of Bratislava, “Evolution de l’art”, the first art gallery to sell exclusively immaterial works and in 2011 the Museum of exiled Italian contemporary art, a project for the collection of works, documents and records on artistic experiences that are deliberately marginal or non acknowledged by the museum system. Creator An entity primarily responsible for making the resource Pietroiusti, Cesare Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Inchieste Oggetti Description An account of the resource This unrealised project dates back to 1990 and has been published by Jartrakor in 1992. The idea was to test the relativity of individual definitions by asking to a certain number of people to identify an object in their home that satisfies certain requirements such as the relation form-function or that has a specific aesthetical or emotional value for its owner. The objects should then have been exhibited with a very precise setting (e.g. according to the alphabetical order of the owner's names) regardless of the value of each object, responding to a principle of seriality. The theme of this research, that is the “definitions” and the involvement of a generic audience on the most important topics of contemporary art, can be found also in the “Enquiry about art works”, an unrealised project in which the author supposes to ask to common people to create in their mind an art work in details. Thus, among the author's unrealised projects we can see also several projects of unrealised exhibitions, an element that confirms once more his interest for the exhibition practices of the art system. This project was not commissioned. <a href="https://www.repository.unipr.it/bitstream/1889/1774/1/CESARE%20PIETROIUSTI_Inchieste%20oggetti.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Pietroiusti, Cesare Date A point or period of time associated with an event in the lifecycle of the resource 1990 Contributor An entity responsible for making contributions to the resource Modena, Elisabetta Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource Italian Type The nature or genre of the resource Still Image Rights Holder A person or organization owning or managing rights over the resource. Cesare Pietroiusti MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/1774" target="_blank" rel="noopener">http://hdl.handle.net/1889/1774</a> Logistical reasons http://moremuseum.org/omeka/files/original/65011f7c144bb8590b03268792593100.jpg 51ec4a4effbe8f59f040f63d6133416d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource exhibita_pag17.jpg Description An account of the resource Scan of the catalogue of the exhibition Exhibit A: Eight artists from Europe and America curated by Henry Bond, staged at the  Serpentine Gallery in London in 1992. http://moremuseum.org/omeka/files/original/a6b05f340c85e72ae7520585f535240e.jpg 8463ab4ef44a00b1858d7f4b9452f356 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource taccuino-1_a.jpg Description An account of the resource Scan of a notebook page where the artist appointed ideas about the project, as it happens for most of Pietroiusti’s projects http://moremuseum.org/omeka/files/original/54d1d6c817700a3ebedcd36d7bbc9f9f.jpg 6bcba7fc5751db8ee8933b6f5d01c52f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource taccuino-1_b.jpg Description An account of the resource Scan of a notebook page where the artist appointed ideas about the project, as it happens for most of Pietroiusti’s projects Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cesare Pietroiusti Description An account of the resource The artistic research of Cesare Pietroiusti, born in Rome in 1958, a degree in medicine with an essay on psychiatry, focuses on the analysis of paradoxical and problematic situations that are hidden in ordinary life and at the same time of the art system. Visual artist, founder and coordinator of research centers (e.g. the artist-run space Jartrakor in Rome), art projects and conferences, since 1977 he exhibited in public and private spaces, conventional and not, in Italy and abroad. In 2007 he founded, in collaboration with the collective Space of Bratislava, “Evolution de l’art”, the first art gallery to sell exclusively immaterial works and in 2011 the Museum of exiled Italian contemporary art, a project for the collection of works, documents and records on artistic experiences that are deliberately marginal or non acknowledged by the museum system. Creator An entity primarily responsible for making the resource Pietroiusti, Cesare Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Finestre Description An account of the resource The project, entitled Finestre since its first conception, has undergone several revisions and can be considered only partially realised. The idea of opening windows on adjoining rooms to offer the spectators an unusual continuity of vision between contiguous spaces is conceived initially as a real demolition of the walls of the building hosting one of the seats of Vivita 2 Gallery of Ciotti and Camillo D'Afflitto in Florence (adjacent to an old abandoned cinema). This idea was abandoned for technical and practical difficulties, and in January 1990 the artist realized a different version of the project (inside Vivita 1 gallery in Florence) by exhibiting on the walls of the gallery pictures of the adjoining rooms that were recessed inside the walls that should have been tore down to produce a kind of trompe l’oeil effect (as can be seen in an undated sketch found among the artist's papers that probably dates back to 1989). <a href="https://www.repository.unipr.it/bitstream/1889/1773/1/CESARE%20PIETROIUSTI_Finestre.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Pietroiusti, Cesare Date A point or period of time associated with an event in the lifecycle of the resource 1989 Contributor An entity responsible for making contributions to the resource Modena, Elisabetta Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource English Type The nature or genre of the resource Still Image Rights Holder A person or organization owning or managing rights over the resource. Cesare Pietroiusti MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/1773" target="_blank" rel="noopener">http://hdl.handle.net/1889/1773</a> Logistical reasons Regulatory/juridical/administrative reasons http://moremuseum.org/omeka/files/original/cac9261a4856137097ccd5b50c4047d4.jpg 8c2c164761aae11883d1831618cdc004 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource comesidiventa1.jpg Description An account of the resource Cover of the book entitled Come si diventa artisti, published by Centro Studi Jartrakor, which Pietroiusti helped to found in 1992. http://moremuseum.org/omeka/files/original/64c63106f658e0f9d1a87b802b98ef3a.jpg 66f1cc78743b379ebea00371aac15dda Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource comesidiventa2.jpg Description An account of the resource Project file inside the book entitled Come si diventa artisti, published by Centro Studi Jartrakor, which Pietroiusti helped to found in 1992. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cesare Pietroiusti Description An account of the resource The artistic research of Cesare Pietroiusti, born in Rome in 1958, a degree in medicine with an essay on psychiatry, focuses on the analysis of paradoxical and problematic situations that are hidden in ordinary life and at the same time of the art system. Visual artist, founder and coordinator of research centers (e.g. the artist-run space Jartrakor in Rome), art projects and conferences, since 1977 he exhibited in public and private spaces, conventional and not, in Italy and abroad. In 2007 he founded, in collaboration with the collective Space of Bratislava, “Evolution de l’art”, the first art gallery to sell exclusively immaterial works and in 2011 the Museum of exiled Italian contemporary art, a project for the collection of works, documents and records on artistic experiences that are deliberately marginal or non acknowledged by the museum system. Creator An entity primarily responsible for making the resource Pietroiusti, Cesare Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mine Vaganti Description An account of the resource The projects, partially realised, aimed at creating arbitrarily identities of not existing artists and critics who actively took part to the art system with their pretended and artificial professionalism through fake works and statements or even exhibition well communicated and promoted. The goal was to cause a short circuit in the art system to stress the subtle borderline between reality and fiction, but also between what is arbitrary and what belongs to the specific art system in order to prove its predictability. The projects dates back to 1987-88 and has been described also in the publication How to become an artist in 1992. A partial realisation of the project has been the creation, together with a team of curators, of an invented artist who realised some works and took part to some experimental exhibitions. <a href="https://www.repository.unipr.it/bitstream/1889/1776/1/CESARE%20PIETROIUSTI_Mine%20Vaganti.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Pietroiusti, Cesare Date A point or period of time associated with an event in the lifecycle of the resource 1987-1988 Contributor An entity responsible for making contributions to the resource Modena, Elisabetta Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/1776">http://hdl.handle.net/1889/1776</a> Rights Holder A person or organization owning or managing rights over the resource. Cesare Pietroiusti MoRE Museum Logistical reasons http://moremuseum.org/omeka/files/original/5cebb2fe1b5bf21a9c94d4c966669b6a.jpg 071a8398085e4641a3ce261eb5784e98 http://moremuseum.org/omeka/files/original/03d5e4fc7ab49280d0e5c1937fa0b8ee.jpg 016918fdff471614bacad5ffb40914e9 http://moremuseum.org/omeka/files/original/bde6447c2d28abe1074612d066ad2e66.jpg 0b6c9347e3aa9e6005b777d40a9c2f2f http://moremuseum.org/omeka/files/original/fcf50047f8705e1d0d32d10963a069d8.jpg 8f52054dcf1914d8cfb2e53402fa3736 http://moremuseum.org/omeka/files/original/5d8c1b15117e1def4a2af87aba03c9ca.jpg 8a30d08ff00d6ba9770876023ea6f5d9 http://moremuseum.org/omeka/files/original/be4ca74999b612725e57c6ef9e2df551.jpg d4cfa14f73c339d8f1c3f8429297aeee http://moremuseum.org/omeka/files/original/ee3f50d06ac17c2b5b87b4ff5ddb0623.jpg 7c711a365d5891f03db339800d2b024c http://moremuseum.org/omeka/files/original/7741dc8b9a95bb1e5a0f73ccc48c7cb6.jpg 40c34bc4ba4d53254b1189ff8224859b http://moremuseum.org/omeka/files/original/7c686de81494ec91df1a42bd7db8af7e.jpg 78fd545ed0b94822cf63bb7fd80cd398 http://moremuseum.org/omeka/files/original/5224a5373e1e626183be9f11fa186c9c.jpg a9da09ee7c838e1edd67f54bb2440eef http://moremuseum.org/omeka/files/original/6e68cf772cdc134c387a080fbd8969cb.jpg 2c2d52015c3477ebe13458c55b800c28 http://moremuseum.org/omeka/files/original/3ca32241f7bd5ccd96b3fa1dd12df9ef.jpg 2b7b7460acba70f3631c508cc87691b9 http://moremuseum.org/omeka/files/original/611dfdda124441e3022dd15a8812d37b.jpg f5257b73609ba5ca583e221d04d6ffc7 http://moremuseum.org/omeka/files/original/2daf95f4715a68ca8e1ef3013c449cd8.jpg 8c789d05d7d8565547d1db59c930a5f0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ugo La Pietra Description An account of the resource Born in 1938, in Bussi sul Tirino, Pescara, Ugo La Pietra graduated from Milan’s Politecnico in 1964. In 1962 his artistic research attempts to clarify the relationship “individual-environment.” Within the framework of this process he develops knowledge tools (“models for understanding”) that seek to transform the traditional “artwork-viewer” relationship. He always acted inside and outside disciplines, describing himself as a “researcher in visual arts”; an unconventional and peculiar artist, not easy to classify. Since 1960 he embraced different art movements with his researches. He spread his thoughts and experiences through an intense editorial and academic activity. Moreover he was a founding member of several groups, such as Gruppo del Cenobio, Gruppo Design Radicale and Global Tools, and promoter of many exhibitions that involved a great number of professionals (artists, designers and architects). <a href="http://www.ugolapietra.com" target="_blank">http://www.ugolapietra.com</a> Creator An entity primarily responsible for making the resource La Pietra, Ugo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Nodi Urbani Description An account of the resource The documents donated by Ugo La Pietra and named Nodi Urbani constitutes, compared to the Progetto per la Casa dello Scultore Cappello, a further variation of the 'unrealised'. If the casa per uno scultore is a ‘theoretical’ academic exercise that engages even the pictorial research of La Pietra, the drawings titled Nodi Urbani represent the 'frame' of a series of lexperiments carried out in the years following his graduating in architecture at the Politecnico di Milano. <a href="https://www.repository.unipr.it/bitstream/1889/1771/1/UGO%20LA%20PIETRA_Nodi%20urbani.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource La Pietra, Ugo Date A point or period of time associated with an event in the lifecycle of the resource 1965-1968 Contributor An entity responsible for making contributions to the resource Zanella, Francesca Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource English Type The nature or genre of the resource Still Image Rights Holder A person or organization owning or managing rights over the resource. Ugo La Pietra MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/1771" target="_blank" rel="noopener">http://hdl.handle.net/1889/1771</a> Theoretical exercise http://moremuseum.org/omeka/files/original/c8b949368806a6806aec3000ef7e612b.jpg 7c18f0012f0fb585e2a7c5434bd20a7e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ULP_casascultore1964.jpg Format The file format, physical medium, or dimensions of the resource drawing on squared paper http://moremuseum.org/omeka/files/original/58103f35499fa0a3f637b4d9c895d5ab.jpg 2d344d8073e03108cc666dc42a95aba3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 16_casa-scultore.jpg Format The file format, physical medium, or dimensions of the resource perspective, pen drawing http://moremuseum.org/omeka/files/original/888cccc3720297489dfe09f8f9cbde2d.jpg 7bea4612e869ecbbd1e81adb60043136 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 15_casa-scultore.jpg Format The file format, physical medium, or dimensions of the resource charcoal drawing, a variant to 16-casascultore.jpg, signed and dated 1961 http://moremuseum.org/omeka/files/original/64d61f540490d59c8ce28b01f33297c5.jpg 307204a6968890fa2214785383e1eb8d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 14_casa-scultore.jpg Format The file format, physical medium, or dimensions of the resource photo of the model http://moremuseum.org/omeka/files/original/d48c8d3d482a53ccb0a0c615b6e06943.jpg b6f66182f378f756a24232006ac8ad2f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 13_casa-scultore.jpg Format The file format, physical medium, or dimensions of the resource charcoal drawing, signed and dated on the lower right corner 1961 http://moremuseum.org/omeka/files/original/4da716865bdca22c5df237c2ca3e4e62.jpg 2adcee4b5f22d0ea83986d8d777dca7b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource signed sheet, dated on the lower right corner 23/01/1962 Title A name given to the resource 12_casa-scultore.jpg http://moremuseum.org/omeka/files/original/5fd15eb166dc72cca320ff5ae0b7eb98.jpg 87d5bbf7aeb60023227e32cb73231c0a http://moremuseum.org/omeka/files/original/703b017fb3448ab81b6ffff8c51b87d8.jpg 8ada4f746702da7ddffd11e72f8074d3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ugo La Pietra Description An account of the resource Born in 1938, in Bussi sul Tirino, Pescara, Ugo La Pietra graduated from Milan’s Politecnico in 1964. In 1962 his artistic research attempts to clarify the relationship “individual-environment.” Within the framework of this process he develops knowledge tools (“models for understanding”) that seek to transform the traditional “artwork-viewer” relationship. He always acted inside and outside disciplines, describing himself as a “researcher in visual arts”; an unconventional and peculiar artist, not easy to classify. Since 1960 he embraced different art movements with his researches. He spread his thoughts and experiences through an intense editorial and academic activity. Moreover he was a founding member of several groups, such as Gruppo del Cenobio, Gruppo Design Radicale and Global Tools, and promoter of many exhibitions that involved a great number of professionals (artists, designers and architects). <a href="http://www.ugolapietra.com" target="_blank">http://www.ugolapietra.com</a> Creator An entity primarily responsible for making the resource La Pietra, Ugo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Casa per uno Scultore (Casa per lo scultore Carmelo Cappello) Description An account of the resource The project of the house for the sculptor Carmelo Cappello (Casa per lo scultore Carmelo Cappello) has for its own nature of academic exercise to be inevitably assigned to the sphere of 'unrealised'. However, if we leave out an analysis limited to the development of the theme proposed to the students for the course of interior design at the Faculty of Architecture, Politecnico di Milano, hosted by Carlo De Carli, we realize that this project and in particular the set of drawings Ugo La Pietra has entrusted to MoRE could be brought back within a path of continuous experimental exercise than in the earlier years of his research is aimed at proposing a reformulation of the relationship between the arts. <a href="https://www.repository.unipr.it/bitstream/1889/1770/1/UGO%20LA%20PIETRA_Casa%20per%20uno%20scultore.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource La Pietra, Ugo Date A point or period of time associated with an event in the lifecycle of the resource 1960-1962 Contributor An entity responsible for making contributions to the resource Zanella, Francesca Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource English Type The nature or genre of the resource Still Image Rights Holder A person or organization owning or managing rights over the resource. Ugo La Pietra MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/1770" target="_blank" rel="noopener">http://hdl.handle.net/1889/1770</a> Theoretical exercise http://moremuseum.org/omeka/files/original/1370253b50b4bada491cfad8fd80861c.jpg d337772dad244473153df397453a68c4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BONACORSI conceptual noise detail.jpg Description An account of the resource A color photography that documents the object-gadget as it is supposed to be: a clothes peg holding a credit card. http://moremuseum.org/omeka/files/original/d5e72cdd7762e04eae64312adbc25cd8.jpg 57442f42bb73b92caacbacb69e666f27 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BONACORSI a conceptual noise.jpg Description An account of the resource A jpg file that reproduces a drawing-collage in A4 format illustrating the project, with Duchamp’s bicycle wheel and the the insertion of the gadget. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ivo Bonacorsi Description An account of the resource Artist and writer, he was born in Vergato (Bologna) in 1960. He graduates in Phenomenology of Styles at the DAMS in Bologna, and always in Bologna he exposed at the Neon Gallery and he takes part to the first series of events of the Gam Performance Week at a very young age. In 2004 he realizes the exhibition “Screens, barricades and other images”, curated by Roberto Pinto, at the Careof Gallery in Milan. The same year, he creates the art project “A tainted event” for Isola Art Center, together with Steve Piccolo and Mirella Miramucci. In 1997 he moves from Milan to Paris, where he teaches Drawing concepts and runs workshops at the Parsons Paris School of Art & Design and at the Southern Methodist University Paris Program, even though he defines himself as “living between Oslo and Paris where he runs a clandestine and itinerant restaurant with Dominic Dalcan and Francis Fichot. He writes books of recipes and he smokes the fish he catches in fiords”. He collaborates as a journalist and critic with Il Manifesto, Radio Popolare, Flash Art and Domus. In 200, he founded the art magazine Area Revue(s) with Alin Avila and Natalie Mei. In 2005 he retires from art with his last performance Announced Retirement, a real boxing match dedicated to Arthur Cravan and he becomes a calendar artist and a celebrity chef. Creator An entity primarily responsible for making the resource Bonacorsi, Ivo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A conceptual noise... Creator An entity primarily responsible for making the resource Bonacorsi, Ivo Date A point or period of time associated with an event in the lifecycle of the resource 1999 Contributor An entity responsible for making contributions to the resource Longari, Elisabetta Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Description An account of the resource The idea is to put a small gadget on a very famous Duchamp’s work, Roue de bicyclette, a ready-made exhibited in several museums all around the world (Centre Pompidou in Paris, Tate Gallery in London, Moma in NY...). Considering that his work is a reproduction itself, a copy of the lost original, the idea of a “posthumous homage-enrichment” is really close to Duchamp spirit. The introduction of a credit card establishes a link with other artist who changed the art world, investigating the role of money and material goods, such as Dali (Avida Dollars) but above all Wharol. There is a recreational element in this gadget: the artist took inspiration from the playing cards that children put on their bikes to simulate the sound of an engine. The kit, made of a copy of the artist’s credit card and a clothes peg to decorate Duchamp’s work according to Bonacorsi’s instructions, is sold apart in the museum shop. This work was planned by the artist on the occasion of the re-opening of Centre Pompidou collections in 2000, but he never proposed it to the museum: a typical development of Bonacorsi’s work, really influenced by the concept of  dépense. <a href="https://www.repository.unipr.it/bitstream/1889/2000/1/bonacorsi_a%20conceptual%20noise.pdf" target="_blank" rel="noopener">Read more.</a> Rights Holder A person or organization owning or managing rights over the resource. Ivo Bonacorsi MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2000" target="_blank" rel="noopener">http://hdl.handle.net/1889/2000</a> Theoretical exercise http://moremuseum.org/omeka/files/original/c8210d447c9e56a2f4dfea95de475512.jpg d0c6d78b11fd808f491067f93d1225f7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource disegno scala color .jpg Description An account of the resource A drawing representing the escalator and the desert. Format The file format, physical medium, or dimensions of the resource file jpeg, 29,7×20,99 cm 72 dpi http://moremuseum.org/omeka/files/original/095b510b08e9838cf8496c31d92a51d1.pdf 242319b479069b9d452da910f2fa934b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource documento emirati arabi.pdf Format The file format, physical medium, or dimensions of the resource pdf http://moremuseum.org/omeka/files/original/4c45b526a636c9e99da21a0541c32f8a.pdf 4284390ee126e9262abfda5b2326754e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource english emirates.pdf Description An account of the resource Project reviews, in Italian and English language. Format The file format, physical medium, or dimensions of the resource pdf. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lorenzo Scotto di Luzio Description An account of the resource Lorenzo Scotto di Luzio. Pozzuoli (NA), Italia 1972. Lives and works in Berlin. Creator An entity primarily responsible for making the resource Scotto di Luzio, Lorenzo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Scala mobile con deserto Description An account of the resource The project involves the construction of an escalator in the desert. In this project, as in<a href="http://moremuseum.org/omeka/admin/items/show/id/33" target="_blank" rel="noopener"> the other one donated to MoRE</a>, Lorenzo Scotto di Luzio works on the opposites, inserting in a totally neutral setting – a distinctive trait of the Eastern world – an element with a strong “western” connotation, that represent the commerce and that clashes with the unspoiled landscape of the desert. In the idea of Scotto di Luzio, the staircase is defunctionalized and will not need any maintenance, it should deteriorate and become a relic, an abandoned monument, almost “commemorative” of a past world. Even here the artist hides a paradox, perhaps a joke: the celebration of the western cult just inside the eastern world, two concepts and two cultures that come together to create a sort of epiphany of the vision, just like a “mirage” in the desert. The artist, in the review of the project, calls it a “bachelor machine”, a sterile and unproductive device, a sort of ready-made on a large-scale, defunctionalized and completely out of context, designed not to be placed in the hall of a museum but in the desert, an aseptic and neutral space. The project was born withouth clients, and with the willingness to propose it to some commissioners in the Emirates, but has never been proposed to any possible commissioner. <a href="https://www.repository.unipr.it/bitstream/1889/2414/1/scotto_scala%20mobile%20con%20deserto.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Scotto di Luzio, Lorenzo Date A point or period of time associated with an event in the lifecycle of the resource 2012 Contributor An entity responsible for making contributions to the resource Rossi, Valentina Relation A related resource DSpace: <a href="http://dspace-unipr.cilea.it/handle/1889/2414" target="_blank" rel="noopener">http://dspace-unipr.cilea.it/handle/1889/2414</a> Format The file format, physical medium, or dimensions of the resource image/jpeg application/pdf Type The nature or genre of the resource Still Image Text Rights Holder A person or organization owning or managing rights over the resource. Lorenzo Scotto di Luzio MoRE Museum Logistical reasons http://moremuseum.org/omeka/files/original/e8aa02d06ac9a357ae3647eeb79735c5.pdf 3fbb527bde90955b4b568f95a828b2f1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Triton1.pdf Description An account of the resource A pdf file that reproduces the original 15 pages typescript of the project, a kind of articulated concept with small handwritten notations here and there. Date A point or period of time associated with an event in the lifecycle of the resource 1976-1977 http://moremuseum.org/omeka/files/original/054f142ed01a61ae22c38b8dc027187f.pdf 7438ee1517e0df3962f2ddc1efdb2a1c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Triton.pdf Description An account of the resource a pdf file that reproduces the typescript of the project in a detailed phase. In the 32 pages all the technical-musical infos needed to perform the songs are provided with precision. Date A point or period of time associated with an event in the lifecycle of the resource 1976-1977 http://moremuseum.org/omeka/files/original/415e39a64f7a4cf6654afa2d68be8e44.pdf f2151e782b14d994800088ef13656ccc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mosconi Ars Electronica.pdf Description An account of the resource A pdf file that reproduces the typescript of the 11 pages proposition for Ars Electronica, complete with floor plans and diagrams depicting the positions of the various instruments. Date A point or period of time associated with an event in the lifecycle of the resource 1984-1986 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Davide Mosconi Description An account of the resource Davide Mosconi was born in 1941 in Milan, the same city where he died in 2002. After graduating in piano and composition at the Milan Conservatory, in 1961 he moved to London where he studied photography at the London College of Printing. Since 1963, in New York, he worked for four years as an assistant to Richard Avedon and Hiro. He returned to Milan in 1967, a year later took place at the Gallery Il Diaframma his first solo exhibition entitled Il sogno di Davide. In the same year he opened the photographic studio “Studio X” which he will carry out advertising campaigns, fashion and lifestyle works, while working also for music and video art. In 1972 he participated to the exhibition “The New Domestic Landscape” at the MOMA in New York with the short film “Something to Believe In.” In 1974 he took part in “Fotomedia”, a traveling exhibition curated by Daniela Palazzoli in various venues, including the Museum am Ostwall in Dortmund, and, in 1975, the Rotonda della Besana in Milan. In the early eighties he began to work, following an invitation from Polaroid, with the new oversized camera 51×61 cm, focusing on the theme of coincidences in the 150 years of the history of photography. Randomness is one of the aspects which Mosconi devotes a particularattention. 1984 is the year of the first series of triptychs, In Morte del Padre. From 1986 to 1997 the main projects are the triptychs of Prague on the theme of the body, of still lifes and the Day skies and Night skies, then exhibited at the Guggenheim in New York and at the Museum voor Fotografie in Antwerp, as well as in private galleries in Europe and the United States. In 1991 and 1993 he participated at the Venice Biennale. Towards the end of the nineties he realised the two photographic cycles Disegnare l’aria and Polveri,dedicated to Bruno Munari and exhibited in 1997 at alla Galleria Milano as part of a solo exhibition (catalog published by Charta). The latest series of works Autoritratti bucati,was exhibited posthumously at the Galleria San Fedele in Milan in 2003. Mosconi has always flanked his photographic production with a thriving multi-disciplinary activity in performing arts, inside which musical improvisation has always had a strong centrality. In 1970 thas been published the volume Lastoriadellamusicadidavidemosconi that provides a set of recipes for the execution of sonic performances. Many of his projects remained unfulfilled, just because they were by far too ambitious imagining a much broader involvement of operational forces. Creator An entity primarily responsible for making the resource Mosconi, Davide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Triton / La Luce del Suono Description An account of the resource TRITON, a 7 days-long event designed and proposed by the artist for the 1977 edition of the Bonn Beethoven Festival, was then restructured and partially reduced in 1984 to be presented under the title LA LUCE DEL SUONO at the 1986 edition of the “Ars Electronica”  festival in Linz, Austria. The first two projects of the same title, TRITON, deal, on a different level of detail, with the same event that, mainly involving sound, designed for a duration of seven days, would have involved the entire city of Bonn, starting from the river, on which he passed on a barge that housed the orchestra. It would have been a form of homage to the great composer Beethoven not only in terms of sound/ environment, but also from a visual point of view, considering that in the project this aspect is lagerly considered. LA LUCE DEL SUONO, a project for “a concert of lights and sounds” that would have involved a vast area of the Danube river and nearby land, conceived by Mosconi in 1984 and presented for the 1986 edition of the festival “Ars Electronica” in Linz, is the result of the further development of a core part of the same imaginative unit that shaped TRITON. Read more. Creator An entity primarily responsible for making the resource Mosconi, Davide Date A point or period of time associated with an event in the lifecycle of the resource TRITON: 1976-1977 LA LUCE DEL SUONO: 1984-1986 Contributor An entity responsible for making contributions to the resource Longari, Elisabetta Relation A related resource DSpace: <a href="http://hdl.handle.net/1889/1999" target="_blank" rel="noopener">http://hdl.handle.net/1889/1999</a> Format The file format, physical medium, or dimensions of the resource application/pdf Language A language of the resource English Type The nature or genre of the resource Document Rights Holder A person or organization owning or managing rights over the resource. Davide Mosconi MoRE Museum Financial reasons Logistical reasons http://moremuseum.org/omeka/files/original/57169aa9a5899c937c290866d6ce2285.jpg e40a0855efd5be83c0f72541567ffdcf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource gal neu .jpg Description An account of the resource photomontage of young mothers inside the galleries spaces. Format The file format, physical medium, or dimensions of the resource file jpeg, 6,77×3,54 cm, 300 dpi http://moremuseum.org/omeka/files/original/c2219f9f4f8c7ba88e870d0f5ac21ec6.jpg f9067b5d219b5fc662a0061d0848dc85 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource I+P0.jpg Description An account of the resource Photomontage of elderly people inside the galleries spaces. Format The file format, physical medium, or dimensions of the resource file jpeg, 36,02×23,99 cm, 72 dpi http://moremuseum.org/omeka/files/original/b6388b2ab50da9b3f54ea45c9a9d9f9e.jpg d4d45aec4c8e93e12e4e19592c466911 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource project for krome .jpg Description An account of the resource Photomontage of elderly people and young mothers inside the galleries spaces. Format The file format, physical medium, or dimensions of the resource file jpeg, 8,52×11,9 cm, 300 dpi Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lorenzo Scotto di Luzio Description An account of the resource Lorenzo Scotto di Luzio. Pozzuoli (NA), Italia 1972. Lives and works in Berlin. Creator An entity primarily responsible for making the resource Scotto di Luzio, Lorenzo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Senza Titolo Creator An entity primarily responsible for making the resource Scotto di Luzio, Lorenzo Date A point or period of time associated with an event in the lifecycle of the resource 2012 Description An account of the resource This unrealized work donated to MoRE museum consists in a performance staged simultaneously in two different galleries in Berlin, in one venue there are many young mothers with babies, while in the other there are elderly people. The overlaying of the two actions creates a kind of disorientation in the viewer who is facing the two venues to enjoy the same work of art, the visitor entrance is potentially submerged by these presences that are on an ambiguous track between irony, sarcasm and an uncanny feeling of “homologation” of the protagonists. This work can be considered a modern allegorical composition of the three ages of man, on the one hand young women with their children – maturity and youth – while in the other gallery there is the last stages of life. Even if the work has an “aulic” meaning and evokes an iconography of the past, it developed through a ludic dimension which characterizes a great part of the work of the artist. Therefore there’s not only a Marcel Duchamp vein in Scotto di Luzio’s poetic, as we can see in <a href="http://moremuseum.org/omeka/admin/items/show/35" target="_blank" rel="noopener">the other project donated to MoRE</a>, but also a performative research that approaches both the avant-garde of the Seventies that the more recent trends of the Nineties, and that is penetrated by a Neapolitan sense humor with ancient roots (remembering Totò and Eduardo de Filippo) that conceals melancholy and irony. The project was created in collaboration wirh the Krome Gallery (Berlin), but a second gallery has never been found. <a href="https://www.repository.unipr.it/bitstream/1889/2415/1/scotto_untitled.pdf" target="_blank" rel="noopener">Read more.</a> Contributor An entity responsible for making contributions to the resource Rossi, Valentina Relation A related resource DSpace: <a href="http://dspace-unipr.cilea.it/handle/1889/2415" target="_blank" rel="noopener">http://dspace-unipr.cilea.it/handle/1889/2415</a> Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Rights Holder A person or organization owning or managing rights over the resource. Lorenzo Scotto di Luzio MoRE Museum Logistical reasons http://moremuseum.org/omeka/files/original/0072e358a2bc0590eca3c2d78e83c1a5.jpg 1e715410492a35406c0e8302956d5a52 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1 Arcimboldi, Maquette.jpg Description An account of the resource Photographic image in digital format of the model for the project. http://moremuseum.org/omeka/files/original/301b3bdfb1bdd76d56eae49d312eec14.jpg ab237ff51aa3f7f04576abfde7165b47 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 2 Arcimboldi, pianta con assonometria.jpg Description An account of the resource Photographic image in digital format: square plan, with the Arciteatro project represented in an isometric view, sheet of white paper, cm 29,5 x 21,3 http://moremuseum.org/omeka/files/original/d51d31913ec9a1768af6dc347fe296ac.jpg a314bd5e7c5e7d264e3de18a97805160 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 3 Arcimboldi prospetti.jpg Description An account of the resource photographic image in digital format: the three elevations in 1:100 scale, sheet of white paper, cm 29,6 x 20,2 http://moremuseum.org/omeka/files/original/4273305a4e765d214a4416646bff6141.jpg 49e0fd52ac09f00c30a8028ab2481448 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 4 Arcimboldi, pianta della piazza.jpg Description An account of the resource Photographic image in digital format: square plan, with the zone where Arciteatro should have been constructed indicated, sheet of white paper, cm 29,6 x 21 http://moremuseum.org/omeka/files/original/424fda2bfc0bab0e9ffdbe02876dcf42.jpg 8aab6b6ff4287395fb612045dbb8f977 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 5 Arcimboldi, bozzetto delle silhouettes.jpg Description An account of the resource Photographic image in digital format: sketch of the silhouettes from the project, sheet of white paper, cm 16,5 x 29,7 http://moremuseum.org/omeka/files/original/dd19058fb19dc594ccfef95d724e4b92.jpg 545365c18c9d4d253d2a2262870a65d3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 6-varisco-arcimboldi-rendering.jpg Description An account of the resource Photographic image in digital format: rendering of the project, digital print, cm 11 x 17 http://moremuseum.org/omeka/files/original/5fe7fc38169a92cd060d52dad295084e.jpg 69ffa63e7d7a684a120a1bf36ed8cbd2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 7-varisco-arcimboldi-rendering.jpg Description An account of the resource Photographic image in digital format: rendering of the project, digital print, cm 11 x 17 http://moremuseum.org/omeka/files/original/fca89b457ad85b6b94e56cba5cff4a14.jpg ac8b57f1d507002bb0a4769e026eea45 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 8-varisco-arcimboldi-rendering.jpg Format The file format, physical medium, or dimensions of the resource Photographic image in digital format: rendering of the project, digital print, cm 11 x 17 http://moremuseum.org/omeka/files/original/f0e380c6cae0df829cebcf4fa8657e06.jpg e6766f1339c1ce56b80e2d40c5353530 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Photographic image in digital format: rendering of the project, digital print, cm 11 x 17 Title A name given to the resource 9-varisco-arcimboldi-rendering.jpg Format The file format, physical medium, or dimensions of the resource Photographic image in digital format: rendering of the project, digital print, cm 11 x 17 http://moremuseum.org/omeka/files/original/2d7eb0b60814769fa4114effab8ad881.pdf 0b23b725401e9e9a61b4ab2c6b3cb5c5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Grazia Varisco Description An account of the resource Born in Milan on October 5, 1937, Grazia Varisco attended the Brera Academy of Fine Arts in the second half of the fifties, where she studied painting with Achille Funi as a teacher. In 1960 she approached the arte programmata movement and was among the leaders of the Gruppo T, together with Giovanni Anceschi, Davide Boriani, Gianni Colombo and Gabriele De Vecchi. Within the group, she participates at various exhibitions, including those of the international movement Nouvelle Tendance. Following these path the researches of Grazia Varisco continued with great consistency, even after the dissolution of the group, until today. The artist always works to fully investigate the possibilities of perception that a work of art can offer, often entering directly in dialogue with the surrounding space and always leaving an active role to the viewer, which certainly never remains at the level of contemplation. In this direction goes also the teaching activitiy of Varisco, who has been professor of Theory of Perception at the Brera Academy from 1981 to 2007. Since 1960, the exhibitions of the artist are also frequent: she has been present at major festivals in Italy and abroad, from the Venice Biennale, and also the protagonist of many personal shows since the mid-sixties. Creator An entity primarily responsible for making the resource Varisco, Grazia Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Arciteatro Description An account of the resource Arciteatro is a simple and clear project – although very well articulated - that Varisco prepared when she was invited to participate in the competition organized by the Municipality of Milan for the construction of a sculpture intended to be located in the square near the Arcimboldi Theatre. The artist then thought of "inhabit" the public space with geometric - but open - shapes, of the kind that it’s often possible to find in his work, forms that, in their mutual dialectical relationship and tension with the surrounding environment, create a new and different spatial dimension, in which the perception habits of the public are challenged, as it always happens in her work, which are often declined in the concrete dimension of the surrounding space. The project never won the competition. <a href="https://www.repository.unipr.it/bitstream/1889/2055/1/varisco_arciteatro.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Varisco, Grazia Date A point or period of time associated with an event in the lifecycle of the resource 2000 Contributor An entity responsible for making contributions to the resource Casero, Cristina Relation A related resource DSpace: <a href="http://dspace-unipr.cilea.it/handle/1889/2055" target="_blank" rel="noopener">http://dspace-unipr.cilea.it/handle/1889/2055</a> Format The file format, physical medium, or dimensions of the resource application/pdf image/jpeg Type The nature or genre of the resource Text Still Image Rights Holder A person or organization owning or managing rights over the resource. Grazia Varisco MoRE Museum Project which wasn’t selected in a prize or competition http://moremuseum.org/omeka/files/original/e5738b28fb3f470c064b325b290cd1c3.jpg 88a11d07a3c814d4ec66f9244b1b642c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource scala-versione-1_web.jpg Description An account of the resource Image documenting the maquette of the project’s version “1″: in this case, the project consisted in a multi-subject painting with some frames taken from the video installation La Figlia di Isacco (Venice Biennale, 2009) Format The file format, physical medium, or dimensions of the resource file jpg, 219×320 pixel, 96 dpi http://moremuseum.org/omeka/files/original/5aaeff83065445c5fe9cb09b175801d3.jpg f0c2256178d2c1b75c82d5a48d5dc2bb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource scala-versione-1a_web.jpg Description An account of the resource Image documenting the maquette of the project’s version “1″: in this case, the project consisted in a multi-subject painting with some frames taken from the video installation La Figlia di Isacco (Venice Biennale, 2009) Format The file format, physical medium, or dimensions of the resource file jpg, 228×320 pixel, 96 dpi http://moremuseum.org/omeka/files/original/7a04a575b56cbd76cd30e1d79576d8ae.jpg 533a983fc6055ed15d600197e2331ec9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource scala-versione-2_web.jpg Description An account of the resource Image documenting the maquette of the project’s version “2″: in this case Berruti focused on one figure only, developed along the entire height of the floors. Format The file format, physical medium, or dimensions of the resource file jpg, 211×320 pixel, 96 dpi http://moremuseum.org/omeka/files/original/0b934d579ab46d84398531f7136b074b.jpg 6e6c4b8849acd93c9f7d43c24537123b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource scala-versione-2-particolare.jpg Description An account of the resource Image documenting the maquette of the project’s version “2″: in this case Berruti focused on one figure only, developed along the entire height of the floors. Format The file format, physical medium, or dimensions of the resource file jpg, 240 x 320 pixel, 96 dpi http://moremuseum.org/omeka/files/original/7b1036b5974100b966dacef187b6b859.jpg 6cfbf48fbb59c23fb2584bf44deaa53a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource scala-versione2b_web.jpg Description An account of the resource Image documenting the maquette of the project’s version “2″: in this case Berruti focused on one figure only, developed along the entire height of the floors. Format The file format, physical medium, or dimensions of the resource file jpg, 211×320 pixel, 96 dpi http://moremuseum.org/omeka/files/original/0c179967499d92468500932322c66da9.pdf 6d1dfd359b40ad816d3310940b8768b9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Valerio Berruti Description An account of the resource Valerio Berruti was born in Alba, Piedmont, in 1977. He graduated in Art Criticism from the D.A.M.S. program in Turin and lives and works in Verduno (Cuneo), in a deconsecrated 17th-century church that he purchased and restored in 1995. <o:p></o:p>In 2009, Berruti was the youngest artist invited to the 53rd Venice Biennale, where he presented a video animation, La figlia di Isacco, composed of 600 drawings accompanied by music by Paolo Conte. <o:p></o:p>More recently, he held a solo exhibition at the Pola Museum of Art in Tokyo titled Kizuna, featuring a soundtrack specially composed by Ryuichi Sakamoto. Kizuna also became a charitable project supporting the reconstruction of Japan following the devastation caused by the earthquake. <o:p></o:p>In 2012, Berruti won the international prize “Luci d’Artista.” His light installation, titled Ancora una volta, illuminated Via Accademia delle Scienze in Turin.<o:p></o:p> Creator An entity primarily responsible for making the resource Berruti, Valerio Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Scala Description An account of the resource Scala by Valerio Berruti consists of a project for a mural on the walls of a large staircase inside a 19th-century building in the center of Alba, recently renovated for its new use as the headquarters of a well-known local bank. <o:p></o:p>Once again, childhood is the central subject of the preparatory sketch, featuring a nearly stylized figure of a young girl whose minimal drawing achieves a striking expressive power. It is an image of poetic lightness, evoking in each viewer memories of past years, family ties, and, more broadly, the notion of memory. <a href="http://moremuseum.org/omeka/files/original/0c179967499d92468500932322c66da9.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Berruti, Valerio Date A point or period of time associated with an event in the lifecycle of the resource 2009 Contributor An entity responsible for making contributions to the resource De Felice, Letizia Relation A related resource DSpace: <a href="http://dspace-unipr.cilea.it/handle/1889/2106" target="_blank" rel="noopener">http://dspace-unipr.cilea.it/handle/1889/2106</a> Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Rights Holder A person or organization owning or managing rights over the resource. Valerio Berruti MoRE Museum Failure to meet the commissioner's demands http://moremuseum.org/omeka/files/original/3367da345b1060ce19ad7c9a0bb13753.jpg 1d707e65ce0b125bb595ac1de105273b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource bozzetto.jpg Description An account of the resource First of the four images that document the evolution of the preparatory study. Format The file format, physical medium, or dimensions of the resource file jpg, 1395 x 571 pixel, 300 dpi http://moremuseum.org/omeka/files/original/bbdd6901f0c31f45340ad15e445e6550.jpg d259dcbd557c08f4222c56ef80446409 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bozzetto_3mt_VERDUNO WHITE.jpg Description An account of the resource Second of the four images that document the evolution of the preparatory study. Format The file format, physical medium, or dimensions of the resource file jpg, 655 x 318 pixel, 300 dpi http://moremuseum.org/omeka/files/original/1720a4f175c0ec7ce940f93fe6d04785.jpg e9b15c846d5462b6bf3f18614f99ec89 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bozzetto_4mt_bra WHITE.jpg Format The file format, physical medium, or dimensions of the resource file jpg, 2841x 2107 pixel, 72 dpi Description An account of the resource Third of the four images that document the evolution of the preparatory study. http://moremuseum.org/omeka/files/original/96e54d2b69198d3b673e1f40ab4cd27e.jpg 76019e23c9556165d0b98aa9e2269ae8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bozzetto_4mt_VERDUNO WHITE.jpg Description An account of the resource Fourth of the four images that document the evolution of the preparatory study. Format The file format, physical medium, or dimensions of the resource file jpg, 616 x 296 pixel, 300 dpi http://moremuseum.org/omeka/files/original/98ce4236f26738ceb6b2c550fb3f176a.jpg 4ce1c721b789b3bfaf822de79f68ced7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Modellino_alto.jpg Description An account of the resource First of the seven images that illustrate the project’s maquette. Format The file format, physical medium, or dimensions of the resource file jpg, 2841x 2107 pixel, 72 dpi http://moremuseum.org/omeka/files/original/df58be68fabdde8ef7f0c016b35df800.jpg 996d4605e4aabb5c56fd7d4c123b27dd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Modellino_IMG_1705.jpg Description An account of the resource Second of the seven images that illustrate the project’s maquette. Format The file format, physical medium, or dimensions of the resource file jpg, 3264×2448 pixel, 72 dpi http://moremuseum.org/omeka/files/original/45cc9bfddef0ef764c9c85b578ae9dfc.jpg 62fecf9d6242bbddad80055bf1b12fab Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Modellino_IMG_1707.jpg Description An account of the resource Third of the seven images that illustrate the project’s maquette. Format The file format, physical medium, or dimensions of the resource file jpg, 3264×2448 pixel, 72 dpi http://moremuseum.org/omeka/files/original/7c6a2e6430588332c8cea7f4ae09b9c0.jpg 3e08c22b471c4afa65af2b6885cb5fd3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Modellino_IMG_1709.jpg Description An account of the resource Fourth of the seven images that illustrate the project’s maquette. Format The file format, physical medium, or dimensions of the resource jpg, 3264×2448 pixel, 72 dpi http://moremuseum.org/omeka/files/original/b1ade7acecded96810e16843cbdd321d.jpg 97eb376d3ffc23fbd11d180ec685c222 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Modellino_IMG_1711.jpg Description An account of the resource Fifth of the seven images that illustrate the project’s maquette. Format The file format, physical medium, or dimensions of the resource jpg, 3264×2448 pixel, 72 dpi http://moremuseum.org/omeka/files/original/439c5261491561d5ff745ed30fb4dc6e.jpg 0013325a593263ab07b25205cf21d746 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Modellino_IMG_1713.jpg Description An account of the resource Sixth of the seven images that illustrate the project’s maquette. Format The file format, physical medium, or dimensions of the resource file jpg, 3264×2448 pixel, 72 dpi http://moremuseum.org/omeka/files/original/43f232a82901b2ef58ea1e195a88aec4.jpg 76af31dbc0cc0592dcb8c07505f80320 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Modellino_IMG_1717.jpg Description An account of the resource Seventh of the seven images that illustrate the project’s maquette. Format The file format, physical medium, or dimensions of the resource jpg, 3264×2448 pixel, 72 dpi http://moremuseum.org/omeka/files/original/9f3a8c96aa3f8533780442a3e326bcc2.jpg bab9e0b8d3e803f6954624659dc395f1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rendering_3mt_bra.jpg Description An account of the resource Project’s rendering Format The file format, physical medium, or dimensions of the resource jpg, 2000×1300 pixel, 300 dpi http://moremuseum.org/omeka/files/original/8e43a1685e149ad93d95238664f52c3d.jpg 038b650f9322f1f3d01ce549f0c53d28 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rendering_3mt_VERDUNO.jpg Description An account of the resource Project’s rendering Format The file format, physical medium, or dimensions of the resource file jpg, 2000×1450 pixel, 300 dpi http://moremuseum.org/omeka/files/original/f850a3c397a19e58503024890c82e4a8.jpg f3a2516e8db093d784201ccf87b24b59 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rendering_4mt_bra.jpg Description An account of the resource Project’s rendering Format The file format, physical medium, or dimensions of the resource file jpg, 2000×1300 pixel, 300 dpi http://moremuseum.org/omeka/files/original/035802e073a208366b1ebb05d9e450e5.jpg 836312f230a9b636c9e5adba4d1827c0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rendering_4mt_VERDUNO Description An account of the resource Project’s rendering Format The file format, physical medium, or dimensions of the resource file jpg, 2000×1300 pixel, 300 dpi http://moremuseum.org/omeka/files/original/2b19e2161d2bc4ac4edd20472ced50ab.pdf 69bccfd831fadb9d9c2b69ec3055e3b4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Valerio Berruti Description An account of the resource Valerio Berruti was born in Alba, Piedmont, in 1977. He graduated in Art Criticism from the D.A.M.S. program in Turin and lives and works in Verduno (Cuneo), in a deconsecrated 17th-century church that he purchased and restored in 1995. <o:p></o:p>In 2009, Berruti was the youngest artist invited to the 53rd Venice Biennale, where he presented a video animation, La figlia di Isacco, composed of 600 drawings accompanied by music by Paolo Conte. <o:p></o:p>More recently, he held a solo exhibition at the Pola Museum of Art in Tokyo titled Kizuna, featuring a soundtrack specially composed by Ryuichi Sakamoto. Kizuna also became a charitable project supporting the reconstruction of Japan following the devastation caused by the earthquake. <o:p></o:p>In 2012, Berruti won the international prize “Luci d’Artista.” His light installation, titled Ancora una volta, illuminated Via Accademia delle Scienze in Turin.<o:p></o:p> Creator An entity primarily responsible for making the resource Berruti, Valerio Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rotonda di Verduno Description An account of the resource Project for the realization of a sculpture for the roundabout located at the entrance of the village of Verduno, in the heart of the Langhe region, where Valerio Berruti chose to live and establish his studio inside a deconsecrated church. <o:p></o:p>It is a tribute to his homeland, the Langhe, observed through the innocent and carefree gaze of childhood, a subject and metaphor for an ideal world, symbol of a purity inevitably lost with maturity. <a href="http://moremuseum.org/omeka/files/original/2b19e2161d2bc4ac4edd20472ced50ab.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Berruti, Valerio Date A point or period of time associated with an event in the lifecycle of the resource 2009 Contributor An entity responsible for making contributions to the resource De Felice, Letizia Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context <a href="http://dspace-unipr.cilea.it/handle/1889/2105" target="_blank" rel="noopener"><code>http://hdl.handle.net/1889/2105</code></a> Rights Holder A person or organization owning or managing rights over the resource. Valerio Berruti MoRE Museum Failure to meet the commissioner's demands http://moremuseum.org/omeka/files/original/66a1ab2aff35e1e117dd9a9529bb4534.jpg 8e18e7c7db6026b244a3c9c278eb50b7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 2004_progetto Parco Trento.jpg Description An account of the resource drawing Format The file format, physical medium, or dimensions of the resource file jpeg, 25,81×20,8 cm 300 dpi Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eva Marisaldi Description An account of the resource Eva Marisaldi was born in 1966. She lives and works in Bologna. She graduated from the Academy of Fine Arts in Bologna. Her research is articulated, frequently through an open and participatory process, through different languages and media, such as drawings, videos, installations, performances, photography and sculpture, to approachdifferent and multiple perspectives on usual things and everyday life. Amongst her most recent solo show we can recall Gestein-gestalt, MIMA, Newcastle (2012), Democratic Psychedelia, Galleria Minini, Brescia (2011), Tjoloholm Castle, Goteborg (2009), Ghost track #2, S.A.L.E.S., Roma (2008), Jumps, MAMbo, Bologna (2007), Services, Galleria Massimo De Carlo, Milano (2007), Parties 3, Art positions, Art Basel Miami, Miami, USA (2006). Her works have been included in many important exhibitions, such as the 1993 and 2001 Venice Biennale; Soggetto Soggetto, Castello di Rivoli Museo d’Arte Contemporanea, Rivoli (1994), L’hiver de l’amour, ARC Musèe d’Arte Moderne de la Ville de Paris and PS1, New York (1994), Manifesta, Witte de With, Rotterdam (1996), Exchanging interiors, Museum van Loon, Amsterdam (1996), Fatto in Italia, Centre d’Art Contemporain, Geneva and ICA London (1997), The 504 show, Braunschweig Kunsthalle, Zentrum fur Kunst, Brauschweig (1997), Che cosa sono le nuvole, Fondazione Sandretto Re Rebaudengo, Guarene-Torino (1997), Officina Italia, Galleria Comunale d’Arte Moderna, Bologna (1997), La ville, le jardin, la memoire, Villa Medici, Rome (1998), Istanbul Biennial (1999), Alessandria Biennial, Egypt (1999), Gwangju Biennial, South Korea, (2004), Invisible Exports, New York (2007), Voyage Sentimentale, FRAC Languedoc Roussillon, (2009), Il confine evanescente, MAXXI, Roma (2011), No Soul for Sale, Tate Modern, London (2011), Think Twice, Whitechapel, London (2012), The Wordly House, Documenta, Kassel (2012). Creator An entity primarily responsible for making the resource Marisaldi, Eva Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ritz Description An account of the resource Ritz is a project conceived for the installation of an outdoor movie theatre inside a park in Trento, commissioned by the cultural association Numero Civico. The project, that was not realised, <a href="http://moremuseum.org/omeka/admin/items/show/28" target="_blank" rel="noopener">is proposed by the artist the following year with some changes for the P.A.V. (Parco d’Arte Vivente) of Turin</a>. The project, originally thought to be placed inside a wood, consists in the facade of a movie theatre outlined in black on a white background, on a 4 x 3 meters wing made of painted bricks (as the artist explains, “a big A4 paper sheet”). The facade recalls a liberty-decò style building, with the introduction of eclectic elements, and it refers to a movie theatre the artist saw in Antananarivo, Madagascar. To enter the theatre the audience needs to move around the wall, beyond which are placed four seats in concrete destined to be covered with moss. The seats address the landscape instead of the wall, that therefore becomes a wing and hides the watchers. Even though the project won the competition, it was not realised in the end because it was not possible to find an agreement with the neighbour that lived nearby the place that was identified as the most suitable for the realization and for other logistic and organizational reasons. <a href="https://www.repository.unipr.it/bitstream/1889/2417/1/Marisaldi_ritz.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Marisaldi, Eva Date A point or period of time associated with an event in the lifecycle of the resource 2004 Contributor An entity responsible for making contributions to the resource Modena, Elisabetta Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Relation A related resource DSpace: <a href="http://dspace-unipr.cilea.it/handle/1889/2417" target="_blank" rel="noopener">http://dspace-unipr.cilea.it/handle/1889/2417</a> Rights Holder A person or organization owning or managing rights over the resource. Eva Marisaldi MoRE Museum Logistical reasons http://moremuseum.org/omeka/files/original/84559e459b0ab70fc87e9813e0a1a9a5.jpg a7af8d0f7da11ee4e5b4ac42e3644061 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 2005_progetto pav.jpg Description An account of the resource The artist realises a sketch of the facade outlined on a white-painted wall. On the facade are two entrance doors with their tents and lamps placed on each side, while on the top of it can be seen a decoration with three figures that ironically represent three reindeers as they usually appear on Christmas illuminations and decorations and that frame the sign “Cinema Italia”. Format The file format, physical medium, or dimensions of the resource file jpeg, 25,3×19,78 cm 300 dpi Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eva Marisaldi Description An account of the resource Eva Marisaldi was born in 1966. She lives and works in Bologna. She graduated from the Academy of Fine Arts in Bologna. Her research is articulated, frequently through an open and participatory process, through different languages and media, such as drawings, videos, installations, performances, photography and sculpture, to approachdifferent and multiple perspectives on usual things and everyday life. Amongst her most recent solo show we can recall Gestein-gestalt, MIMA, Newcastle (2012), Democratic Psychedelia, Galleria Minini, Brescia (2011), Tjoloholm Castle, Goteborg (2009), Ghost track #2, S.A.L.E.S., Roma (2008), Jumps, MAMbo, Bologna (2007), Services, Galleria Massimo De Carlo, Milano (2007), Parties 3, Art positions, Art Basel Miami, Miami, USA (2006). Her works have been included in many important exhibitions, such as the 1993 and 2001 Venice Biennale; Soggetto Soggetto, Castello di Rivoli Museo d’Arte Contemporanea, Rivoli (1994), L’hiver de l’amour, ARC Musèe d’Arte Moderne de la Ville de Paris and PS1, New York (1994), Manifesta, Witte de With, Rotterdam (1996), Exchanging interiors, Museum van Loon, Amsterdam (1996), Fatto in Italia, Centre d’Art Contemporain, Geneva and ICA London (1997), The 504 show, Braunschweig Kunsthalle, Zentrum fur Kunst, Brauschweig (1997), Che cosa sono le nuvole, Fondazione Sandretto Re Rebaudengo, Guarene-Torino (1997), Officina Italia, Galleria Comunale d’Arte Moderna, Bologna (1997), La ville, le jardin, la memoire, Villa Medici, Rome (1998), Istanbul Biennial (1999), Alessandria Biennial, Egypt (1999), Gwangju Biennial, South Korea, (2004), Invisible Exports, New York (2007), Voyage Sentimentale, FRAC Languedoc Roussillon, (2009), Il confine evanescente, MAXXI, Roma (2011), No Soul for Sale, Tate Modern, London (2011), Think Twice, Whitechapel, London (2012), The Wordly House, Documenta, Kassel (2012). Creator An entity primarily responsible for making the resource Marisaldi, Eva Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cinema Italia Description An account of the resource This unrealised project has to be considered in relation with <a href="http://moremuseum.org/omeka/items/show/id/29" target="_blank" rel="noopener">Ritz</a>, a project for the realization of an outdoor movie theatre inside a park in Trento proposed the year before (2004), and it consist in the proposal to place of a permanent movie theatre at the P.A.V. (Parco d’Arte Vivente) of Torino, project of the artist Piero Gilardi realized in collaboration with the landscape architect Gianluca Cosmacini. The project, unrealized due lack of sponsorship, consisted in the facade of a movie theatre in deco style outlined in black on a white background, that recalls a movie theatre seen by the artist in the small city of Anzola Emilia (Bo), on a 4 x 3 meters wing made of painted bricks (as “a big A4 paper sheet”), as can be seen in the sketch that documents this work. On the facade are two entrance doors with their tents and lamps placed on each side, while on the top of it can be seen a decoration with three figures that ironically represent three reindeers as they usually appear on Christmas illuminations and decorations and that frame the sign “Cinema Italia”. <a href="https://www.repository.unipr.it/bitstream/1889/2418/1/Marisaldi_cinema%20italia.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Marisaldi, Eva Date A point or period of time associated with an event in the lifecycle of the resource 2005 Contributor An entity responsible for making contributions to the resource Modena, Elisabetta Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Relation A related resource DSpace: <a href="http://dspace-unipr.cilea.it/handle/1889/2418" target="_blank" rel="noopener">http://dspace-unipr.cilea.it/handle/1889/2418</a> Rights Holder A person or organization owning or managing rights over the resource. Eva Marisaldi MoRE Museum Financial reasons http://moremuseum.org/omeka/files/original/11b9f201de71ead996549d3494b52f1d.jpg 44585ff391a1901ab81c8dc99b63c555 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 007_ progetto museion.jpg Description An account of the resource Photomontage of the project in its context Format The file format, physical medium, or dimensions of the resource file jpeg, 33,87×52,92 cm 120 dpi Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eva Marisaldi Description An account of the resource Eva Marisaldi was born in 1966. She lives and works in Bologna. She graduated from the Academy of Fine Arts in Bologna. Her research is articulated, frequently through an open and participatory process, through different languages and media, such as drawings, videos, installations, performances, photography and sculpture, to approachdifferent and multiple perspectives on usual things and everyday life. Amongst her most recent solo show we can recall Gestein-gestalt, MIMA, Newcastle (2012), Democratic Psychedelia, Galleria Minini, Brescia (2011), Tjoloholm Castle, Goteborg (2009), Ghost track #2, S.A.L.E.S., Roma (2008), Jumps, MAMbo, Bologna (2007), Services, Galleria Massimo De Carlo, Milano (2007), Parties 3, Art positions, Art Basel Miami, Miami, USA (2006). Her works have been included in many important exhibitions, such as the 1993 and 2001 Venice Biennale; Soggetto Soggetto, Castello di Rivoli Museo d’Arte Contemporanea, Rivoli (1994), L’hiver de l’amour, ARC Musèe d’Arte Moderne de la Ville de Paris and PS1, New York (1994), Manifesta, Witte de With, Rotterdam (1996), Exchanging interiors, Museum van Loon, Amsterdam (1996), Fatto in Italia, Centre d’Art Contemporain, Geneva and ICA London (1997), The 504 show, Braunschweig Kunsthalle, Zentrum fur Kunst, Brauschweig (1997), Che cosa sono le nuvole, Fondazione Sandretto Re Rebaudengo, Guarene-Torino (1997), Officina Italia, Galleria Comunale d’Arte Moderna, Bologna (1997), La ville, le jardin, la memoire, Villa Medici, Rome (1998), Istanbul Biennial (1999), Alessandria Biennial, Egypt (1999), Gwangju Biennial, South Korea, (2004), Invisible Exports, New York (2007), Voyage Sentimentale, FRAC Languedoc Roussillon, (2009), Il confine evanescente, MAXXI, Roma (2011), No Soul for Sale, Tate Modern, London (2011), Think Twice, Whitechapel, London (2012), The Wordly House, Documenta, Kassel (2012). Creator An entity primarily responsible for making the resource Marisaldi, Eva Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Promise. Progetto per la recinzione del cantiere del Museion di Bolzano Description An account of the resource The project was proposed for the enclosure of the construction site of the museum contemporary art in Bolzano in 2008, on the occasion of the inauguration of its new location realised by the Berlin studio KSV Krüger Schuberth Vandreike in the city centre. The artist was invited to take part to an initiative called Arte in cantiere together with some other artists; the chosen project in the end was the work A Change Of Mind by the Scandinavian artist duo Elmgreen & Dragset. The Promise project is an allusion, explicit in its title, to a promise, an expectation introduced by a series of small resin sculptures (20 cm high) hold in 12 plexiglass display cases placed on the perimeter of the museum’s fence, every 2,20 meters. Inside the cases (round-shaped, 25 x 30 x 20 cm) an hostess show the twelve movements of the “pre flight briefing”, performed by the flight assistants before each take off. Two cases present an the back tent open with a view on the museum construction site. The idea was to realise the small sculptures with a software for 3D-modelling through a process of rapid prototyping (a technique already used by the artist in some other projects). The cases were supposed to be illuminated from below with neon lights, as in a light box, to make the artist’s work visible at night. <a href="https://www.repository.unipr.it/bitstream/1889/2422/1/Marisaldi_promise.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Marisaldi, Eva Date A point or period of time associated with an event in the lifecycle of the resource 2007 Contributor An entity responsible for making contributions to the resource Modena, Elisabetta Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Relation A related resource DSpace: <a href="http://dspace-unipr.cilea.it/handle/1889/2422" target="_blank" rel="noopener">http://dspace-unipr.cilea.it/handle/1889/2422</a> Rights Holder A person or organization owning or managing rights over the resource. Eva Marisaldi MoRE Museum Project which wasn’t selected in a prize or competition http://moremuseum.org/omeka/files/original/e1dffd30ff3c7f37acf72ddedaf46de6.jpg 562667867ce1088055b304ecc4761f35 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UBERTI_vistalogocolore_MAXXI.jpg Description An account of the resource colour night view of the project, with the museum logo. Format The file format, physical medium, or dimensions of the resource 21,39 x 16,95 cm, 150dpi http://moremuseum.org/omeka/files/original/6b0c2fef2fd766d0cd571dfe5cb52756.jpg 89f1df26e02a808b4110582c3dca3b84 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UBERTI_vistacolore_MAXXI.jpg Description An account of the resource colour night view of the project. Format The file format, physical medium, or dimensions of the resource 21,64 x 17,17 cm, 150dpi http://moremuseum.org/omeka/files/original/bd53b231eb504b1138ed2433674770ae.jpg 1a649edde47dcfd1a79e524d5719c27a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UBERTI_vista_MAXXI.jpg Description An account of the resource black & white night view of the project. Format The file format, physical medium, or dimensions of the resource 21,73 x 17,29 cm, 150dpi http://moremuseum.org/omeka/files/original/497595ac33bfd601d8cde2c9c3f96b5b.jpg 6c978fd5952722010a36bbc644de4a7a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UBERTI_areainterventoesterno_MAXXI.jpg Description An account of the resource plan of the MAXXI museum, external areas and indication of the placing for the Esser Spazio project. Format The file format, physical medium, or dimensions of the resource 42,01 x 29,7 cm, 150dpi Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Massimo Uberti Description An account of the resource Massimo Uberti (Brescia, 1966-2024), graduated at the Brera Academy of Fine Arts. He made his debut in the early 1990s after his experience as a member of the group of artists of the Lazzaro Palazzi space in Milan, an artistic movement that became part of the archives of the Museo del 900. In 2008, he realised the large sculpture "Tendente Infinito" in the exhibition Dreams of the possible city, at the Fondazione Stelline in Milan. In 2013, he was selected by the European Commission for two workshops in Milan and Berlin on the theme: New Narrative for Europe. He has taken part in many solo and group exhibitions in recent years: "Spazio Amato" at the Galleria d'arte Moderna in Rome (2015), in the same year "Today I love You" exhibited in Amsterdam, Manchester, Ontario, Washington, Shanghai and Dubai and "Drawing of drawing" during Miami Art Basel. He then created "ESSERE SPAZIO" (2017) in collaboration with the Superintendency of Archaeological Heritage of Naples and created "Prospectum" (2018) on the occasion of the Winter Olympics in South Korea. In 2020 he created "SPAZIO AMATO", a permanent work exhibited in the WWF Oasis of Lake Burano. During the Dante Year, he collaborated with UNESCO for the City of Verona, creating "PARRAN FAVILLE" and "DA SPONDA A SPONDA" (2021). Winner of the MIBACT competition for the Contemporary Art Plan, he created "ORBITA" (2022), a permanent work located at the Gamba Castle in Chatillon. <a href="http://massimouberti.it" target="_blank" rel="noopener">http://massimouberti.it</a> Creator An entity primarily responsible for making the resource Uberti, Massimo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Esser Spazio Description An account of the resource The project was submitted to the commission for the International Competition SPAZIO/MAXXI due percento, published in October 2008, for the creation of two works of art for the MAXXI Museo nazionale delle arti del XXI secolo, Rome: one had to be designed for the atrium of the museum and another one for the outdoor areas.  The light work Esser Spazio had to be placed outside the MAXXI Museum, integrating the architectural environment with discretion and inhabiting the final steps of the square above the entrance to the museum. Uberti, coherent with its artistic research which often aims at drawing symbolic shapes and signs on the architectural and urban public space – sometimes with effects of displacement, sometimes to emphasize the characteristics and peculiarities of the place - in this case suggested a sentence, a motto and at the same time a call, asking the public to actively participate in the construction of the museum: then reflecting on the meaning of this new space for contemporary art, on its role in respect to the culture, but also on the shape of the city itself. The project was submitted to the commission for the International Competition SPAZIO/MAXXI due percento, published in October 2008 by the Provveditorato interregionale per le opere pubbliche per il Lazio, l’Abruzzo e la Sardegna, in agreement with the PARC Direzione generale per la qualità e la tutela del paesaggio, l’architettura e l’arte contemporanee. The work didn't win the competition. <a href="https://www.repository.unipr.it/bitstream/1889/2333/1/uberti_essere%20spazio.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Uberti, Massimo Date A point or period of time associated with an event in the lifecycle of the resource 2008 Contributor An entity responsible for making contributions to the resource Bignotti, Ilaria Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource English Type The nature or genre of the resource Still Image Rights Holder A person or organization owning or managing rights over the resource. Massimo Uberti MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2333" target="_blank" rel="noopener">http://hdl.handle.net/1889/2333</a> Failure to meet the commissioner's demands Project which wasn’t selected in a prize or competition http://moremuseum.org/omeka/files/original/5e31e148632b9ace6c4f168f6ff2b0e8.jpg 2affcc3be0afee083e0d8d645e98795e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UBERTI_orbite_SE.jpg Description An account of the resource rendering for the Orbite project, on the South-East façade of the Palazzo della Regione Lombardia, Milan Format The file format, physical medium, or dimensions of the resource .jpg file, 22,61 x 16,02 cm, 72dpi http://moremuseum.org/omeka/files/original/cb252e9360ec959713f82c6c84bd374b.jpg fd54c6a271e21d97b3f310972fdef6b7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UBERTI_orbite_NO.jpg Description An account of the resource rendering for the Orbite project, on the North-West façade of the Palazzo della Regione Lombardia, Milan Format The file format, physical medium, or dimensions of the resource .jpeg file, 20,81 x 16,62 cm, 72dpi http://moremuseum.org/omeka/files/original/082520dd1de6cf090808037e49c93a48.pdf 139ac2135476476317573e6c6594c9ea Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 84: "UBERTI_latoSE.pdf Description An account of the resource technical drawing for the Orbite project, on the South-East façade of the Palazzo della Regione Lombardia, Milan Format The file format, physical medium, or dimensions of the resource .pdf file, 28,27 x 19,99 cm, 100dpi http://moremuseum.org/omeka/files/original/4f6095a1a38ee74133036e0c696b32e3.pdf b5426dd3bdb6cdb80f94968e3a6f7464 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UBERTI_latoNO.pdf Description An account of the resource technical drawing for the Orbite project, on the North-West façade of the Palazzo della Regione Lombardia, Milan Format The file format, physical medium, or dimensions of the resource .pdf file, 28,27 x 19,99 cm, 100dpi Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Massimo Uberti Description An account of the resource Massimo Uberti (Brescia, 1966-2024), graduated at the Brera Academy of Fine Arts. He made his debut in the early 1990s after his experience as a member of the group of artists of the Lazzaro Palazzi space in Milan, an artistic movement that became part of the archives of the Museo del 900. In 2008, he realised the large sculpture "Tendente Infinito" in the exhibition Dreams of the possible city, at the Fondazione Stelline in Milan. In 2013, he was selected by the European Commission for two workshops in Milan and Berlin on the theme: New Narrative for Europe. He has taken part in many solo and group exhibitions in recent years: "Spazio Amato" at the Galleria d'arte Moderna in Rome (2015), in the same year "Today I love You" exhibited in Amsterdam, Manchester, Ontario, Washington, Shanghai and Dubai and "Drawing of drawing" during Miami Art Basel. He then created "ESSERE SPAZIO" (2017) in collaboration with the Superintendency of Archaeological Heritage of Naples and created "Prospectum" (2018) on the occasion of the Winter Olympics in South Korea. In 2020 he created "SPAZIO AMATO", a permanent work exhibited in the WWF Oasis of Lake Burano. During the Dante Year, he collaborated with UNESCO for the City of Verona, creating "PARRAN FAVILLE" and "DA SPONDA A SPONDA" (2021). Winner of the MIBACT competition for the Contemporary Art Plan, he created "ORBITA" (2022), a permanent work located at the Gamba Castle in Chatillon. <a href="http://massimouberti.it" target="_blank" rel="noopener">http://massimouberti.it</a> Creator An entity primarily responsible for making the resource Uberti, Massimo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Orbite Description An account of the resource Orbite is a site-specific project designed for the Palazzo della Regione Lombardia in Milan: on two of its façades (the south-east and north-west one) Uberti wanted to install the light drawing of a portion of the orbits of the solar system. The orbital map was taken from the NASA site and redesigned, scaled. The request was made to Massimo Uberti, along with four other international artists, by a manager of the Lombardy Region in 2009. The goal was the development of the new headquarters of the Lombardy Region with large, site-specific contemporary art works. The project Orbite was developed by Uberti in collaboration with N.O. Gallery, directed by Ilaria Barbieri Marchi. The cost of the project was € 200,000 and covered all expenses, from concept design to the set up and the communication plan. Until the delivery of the executive projects, the work was feasible. Once delivered, the reasons for non-completion have never been made public. <a href="https://www.repository.unipr.it/bitstream/1889/2341/1/uberti_orbite.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Uberti, Massimo Date A point or period of time associated with an event in the lifecycle of the resource 2009 Contributor An entity responsible for making contributions to the resource Bignotti, Ilaria Format The file format, physical medium, or dimensions of the resource image/jpeg application/pdf Language A language of the resource English Type The nature or genre of the resource Still Image Rights Holder A person or organization owning or managing rights over the resource. Massimo Uberti MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2341" target="_blank" rel="noopener">http://hdl.handle.net/1889/2341</a> Failure to meet the commissioner's demands http://moremuseum.org/omeka/files/original/7ff390665a5d0d510bb2e1b279b6de0f.jpg ed49ff08e56af586b6cc9845658c555e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 2002_Progetto Rotonda Torino.jpg Description An account of the resource Render of the project. Format The file format, physical medium, or dimensions of the resource ile jpeg, 70,56×52,92 cm 72 dpi Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eva Marisaldi Description An account of the resource Eva Marisaldi was born in 1966. She lives and works in Bologna. She graduated from the Academy of Fine Arts in Bologna. Her research is articulated, frequently through an open and participatory process, through different languages and media, such as drawings, videos, installations, performances, photography and sculpture, to approachdifferent and multiple perspectives on usual things and everyday life. Amongst her most recent solo show we can recall Gestein-gestalt, MIMA, Newcastle (2012), Democratic Psychedelia, Galleria Minini, Brescia (2011), Tjoloholm Castle, Goteborg (2009), Ghost track #2, S.A.L.E.S., Roma (2008), Jumps, MAMbo, Bologna (2007), Services, Galleria Massimo De Carlo, Milano (2007), Parties 3, Art positions, Art Basel Miami, Miami, USA (2006). Her works have been included in many important exhibitions, such as the 1993 and 2001 Venice Biennale; Soggetto Soggetto, Castello di Rivoli Museo d’Arte Contemporanea, Rivoli (1994), L’hiver de l’amour, ARC Musèe d’Arte Moderne de la Ville de Paris and PS1, New York (1994), Manifesta, Witte de With, Rotterdam (1996), Exchanging interiors, Museum van Loon, Amsterdam (1996), Fatto in Italia, Centre d’Art Contemporain, Geneva and ICA London (1997), The 504 show, Braunschweig Kunsthalle, Zentrum fur Kunst, Brauschweig (1997), Che cosa sono le nuvole, Fondazione Sandretto Re Rebaudengo, Guarene-Torino (1997), Officina Italia, Galleria Comunale d’Arte Moderna, Bologna (1997), La ville, le jardin, la memoire, Villa Medici, Rome (1998), Istanbul Biennial (1999), Alessandria Biennial, Egypt (1999), Gwangju Biennial, South Korea, (2004), Invisible Exports, New York (2007), Voyage Sentimentale, FRAC Languedoc Roussillon, (2009), Il confine evanescente, MAXXI, Roma (2011), No Soul for Sale, Tate Modern, London (2011), Think Twice, Whitechapel, London (2012), The Wordly House, Documenta, Kassel (2012). Creator An entity primarily responsible for making the resource Marisaldi, Eva Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 18.20 (Progetto per il Piazzale Caio Mario) Description An account of the resource The project, originally conceived for the public contest «Premio Artegiovane/Torino Incontra. Una porta per Torino», proposed to realize a kind of silent room in the middle of the traffic congestion, with walls made of streams of air that rise toward the high and create a total sound proofing. To delimit the area Marisaldi plans to position a balaustre that works as a boundary. The idea, as the artists explains, is to create a kind of shelter in the middle of the traffic that can become a place for a date or be reached by tram. <a href="https://www.repository.unipr.it/bitstream/1889/2421/1/Marisaldi_piazzale%20caio%20mario.pdf" target="_blank" rel="noopener">Read more</a>. Date A point or period of time associated with an event in the lifecycle of the resource 2002 Contributor An entity responsible for making contributions to the resource Modena, Elisabetta Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource English Type The nature or genre of the resource Still Image Creator An entity primarily responsible for making the resource Marisaldi, Eva Rights Holder A person or organization owning or managing rights over the resource. Eva Marisaldi MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2421" target="_blank" rel="noopener">http://hdl.handle.net/1889/2421</a> Project which wasn’t selected in a prize or competition http://moremuseum.org/omeka/files/original/78873126c7feb55ddc667e235190ad54.jpg 0497c854a032ea4e21c80cc598216fff Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled 1.jpg Description An account of the resource Watercolor, specifically realised for MoRE by goldiechiari, that represent the Garbage Patch, subject of the unrealised work. Format The file format, physical medium, or dimensions of the resource 70 x 70 cm, 84,473dpi http://moremuseum.org/omeka/files/original/7bce3bc76da9f94508b4e79c89b51b7f.jpg 4760a123a31adb7868cce866a2fb0bd4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled 2.jpg Description An account of the resource Watercolor, specifically realised for MoRE by goldiechiari, that represent the Garbage Patch, subject of the unrealised work. Format The file format, physical medium, or dimensions of the resource 75 x 75 cm, 76,638dpi http://moremuseum.org/omeka/files/original/0238efa260333607159e014a22c4e40a.jpg 08b76a1dc2f1c9d26a12ebae4e4e2752 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled 3.jpg Description An account of the resource Watercolor, specifically realised for MoRE by goldiechiari, that represent the Garbage Patch, subject of the unrealised work. Format The file format, physical medium, or dimensions of the resource 50 x 50 cm, 104,851dpi http://moremuseum.org/omeka/files/original/b0e4fdf98e6dd5936e93895f4784e4e4.jpg cf1ee921ca426d54e9dba7f0ae6eb19f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled 4.jpg Description An account of the resource Watercolor, specifically realised for MoRE by goldiechiari, that represent the Garbage Patch, subject of the unrealised work. Format The file format, physical medium, or dimensions of the resource 50 x 50 cm, 111,76dpi http://moremuseum.org/omeka/files/original/cf95d8d3e2a41aa39c28f240aaf7997c.jpg ae6b54db9dde213a71fdeab0a40562f9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled 5.jpg Description An account of the resource Watercolor, specifically realised for MoRE by goldiechiari, that represent the Garbage Patch, subject of the unrealised work. Format The file format, physical medium, or dimensions of the resource 50 x 50 cm, 110,947dpi http://moremuseum.org/omeka/files/original/0b1a43f2b4eb764e99aa80208af7d7c2.jpg cdbd54c2409a55cccec18f2d526a5784 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Grafico 1.jpg Description An account of the resource Chart that analyze ocean currents, a preliminary study for the video. Format The file format, physical medium, or dimensions of the resource 28,22 x 15,91 cm, 72dpi http://moremuseum.org/omeka/files/original/3c2058f743c8918c6efcdbe711638c51.jpg f886ed96fde49ad2f48dee9e58a05b14 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Grafico 2.jpg Description An account of the resource Chart that analyze ocean currents, a preliminary study for the video. Format The file format, physical medium, or dimensions of the resource 17,99 x 13,26 cm, 72dpi http://moremuseum.org/omeka/files/original/288ddb38e05e0c83c2af3543fcce49c8.pdf bb34d98f890ebe548b49caa687373464 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource vortex.docx Description An account of the resource Project report. Format The file format, physical medium, or dimensions of the resource file docx, archived in pdf. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Goldschmied & Chiari Description An account of the resource Sara Goldschmied (1975, Arzignano VI) and Eleonora Chiari (1971, Roma), work as an artistic duo since 1997. They actually live and work between Rome and Milano. They gained critical success thanks to some selected national and international exhibitions. <a href="http://www.goldiechiari.com" target="_blank">http://www.goldiechiari.com</a>   Creator An entity primarily responsible for making the resource Goldschmied & Chiari Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Looking for the Island Description An account of the resource Looking for the island is a video project dedicated to the Garbage Patch, an ‘island “dump” located in the Pacific Ocean that began to form around 1950. This particular island, composed of polymers in the form of bottles, packaging, networks and other kinds of junk, is moved constantly by ocean waves that wear the matter down by reducing it to tiny particles dissolved in water. The floating mass of “particle waste”, which apparently resembles plankton becomes food for fish and birds, reintroduced into our food chain and consequently in our bodies. The artists projects is based right on this contrast between natural and artificial, landscape and industry; through the video they want to document the journey of these plastic particles that paradoxically become feed for fishes, and therefore food for human beings. Challenging the common perception of this place, that is often considered improperly as a real island, this video wanted to place a videocamera waving slowly inside the water, extending and shortening the length of the take from time to time through these fragments of memory. The artists realised specifically for MoRE a series of watercolors that represent the Garbage Patch; moreover, they donated two charts, part of the project, that analyze the ocean and its currents. All the five sketches present a circular design that reminds, indeed, the island or cloud of garbage, while the lines in subtle colors seem to remind a rarefied and immaterial universe The artists were invited to realise this project by Fondazione Hermes in 2007, but it wasn’t selected in the end. It's still unrealized due lack of funds. <a href="https://www.repository.unipr.it/bitstream/1889/2329/1/goldiechiari_Looking%20for%20the%20Island.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource goldiechiari Date A point or period of time associated with an event in the lifecycle of the resource 2007 Contributor An entity responsible for making contributions to the resource Rossi, Valentina Format The file format, physical medium, or dimensions of the resource image/jpeg application/pdf Language A language of the resource English Type The nature or genre of the resource Still Image Text Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2329" target="_blank" rel="noopener">http://hdl.handle.net/1889/2329</a> Rights Holder A person or organization owning or managing rights over the resource. goldiechiari MoRE museum Financial reasons http://moremuseum.org/omeka/files/original/8f716b008525ab533e60d4d8dd02945a.pdf 10c8407e51dc74b80127bd6361ef04d5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Foto 01.doc Subject The topic of the resource First of four digital images that show, from different urban perspectives, the visual result of the suggested installation and its interaction with the urban architecture of Caio Mario square in Turin. The images are numbered progressively from 1 to 4 according to an order defined by the artist. In the letter that accompanies the project donated to MoRE, the artist says to have recently looked in the web what is the current state of the Turin square: “[…] ‘frozen’ to the condition it had when I went there with architect Marco Della Torre”. Format The file format, physical medium, or dimensions of the resource file doc, archived in pdf. http://moremuseum.org/omeka/files/original/99ac8e2d27d5da8f565f769988488680.pdf a3ef5d7bd5040d6a42c71c758b69b63a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Foto02.doc Description An account of the resource Second of four digital images that show, from different urban perspectives, the visual result of the suggested installation and its interaction with the urban architecture of Caio Mario square in Turin. The images are numbered progressively from 1 to 4 according to an order defined by the artist. In the letter that accompanies the project donated to MoRE, the artist says to have recently looked in the web what is the current state of the Turin square: “[…] ‘frozen’ to the condition it had when I went there with architect Marco Della Torre”. Format The file format, physical medium, or dimensions of the resource file doc, archived in pdf. http://moremuseum.org/omeka/files/original/32ad58ab7d71fa99a65eb8fa6176b3a4.pdf 5f251dbf79f9ce441744da233036fd86 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Foto 03.doc Description An account of the resource Third of four digital images that show, from different urban perspectives, the visual result of the suggested installation and its interaction with the urban architecture of Caio Mario square in Turin. The images are numbered progressively from 1 to 4 according to an order defined by the artist. In the letter that accompanies the project donated to MoRE, the artist says to have recently looked in the web what is the current state of the Turin square: “[…] ‘frozen’ to the condition it had when I went there with architect Marco Della Torre”. Format The file format, physical medium, or dimensions of the resource file doc, archived in pdf. http://moremuseum.org/omeka/files/original/5004aa9b2da843b900830cbf5a844a0a.pdf 9817dabaff3cc0c34afe43b0aab753bd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Foto 04.doc Description An account of the resource Fourth of four digital images that show, from different urban perspectives, the visual result of the suggested installation and its interaction with the urban architecture of Caio Mario square in Turin. The images are numbered progressively from 1 to 4 according to an order defined by the artist. In the letter that accompanies the project donated to MoRE, the artist says to have recently looked in the web what is the current state of the Turin square: “[…] ‘frozen’ to the condition it had when I went there with architect Marco Della Torre”. Format The file format, physical medium, or dimensions of the resource file doc, archived in pdf. http://moremuseum.org/omeka/files/original/6cbdf68abc57222bfdbc5d0c351fb7fd.pdf 66c1716037d85b6d063cfe49646ecd96 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Progetto.doc Description An account of the resource Project presented by the artist for the contest, including an installation description, a poetics that reveals its objectives and its artistic and theoretical motivations, a detailed technical description with its realization costs and a four-page drawing of the project itself and of the “The Flower”. Format The file format, physical medium, or dimensions of the resource file doc, archived in pdf. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Debora Hirsch Description An account of the resource Born in São Paulo 19th August 1967. Lives and works between Milan and São Paulo. <a href="http://www.deborahirsch.com" target="_blank">http://www.deborahirsch.com</a> Creator An entity primarily responsible for making the resource Hirsch, Debora Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Il fiore e la pietra Description An account of the resource Il fiore e la pietra is a project of a urban sculpture for square in Turin, Italy. It was presented by the artist, on invitation by Gianni Romano, at the contest for young artists «Premio Artegiovane/Torino Incontra. Una porta per Torino» curated by Guido Curto, 6th Edition, 2002. The theme draws its first inspiration from B.C. comics by Johnny Hart: a frail flower dialogues with a stone. The ambiguity between solidity and frailty is symbolically set aside the then very adverse situation of FIAT, the most important manufacturing company of Turin, and the problem of the blue collar sleeping area. The environment in which the project was developed is typical of a still common situation in contemporary art: conceived to apply to a contest, it was never realized, as well as all the other projects presented, due to lack of funds. <a href="https://www.repository.unipr.it/bitstream/1889/1996/1/hirsch_il%20fiore%20e%20la%20pietra.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Hirsch, Debora Date A point or period of time associated with an event in the lifecycle of the resource 2002 Contributor An entity responsible for making contributions to the resource Bignotti, Ilaria Language A language of the resource Italian Format The file format, physical medium, or dimensions of the resource application/pdf Type The nature or genre of the resource Still Image Text Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/1996" target="_blank" rel="noopener"><code>http://hdl.handle.net/1889/1996</code></a> Rights Holder A person or organization owning or managing rights over the resource. Debora Hirsch MoRE Museum Financial reasons Project which wasn’t selected in a prize or competition http://moremuseum.org/omeka/files/original/65acea9fa1fa868979f8664a1ea38e27.jpg 9657f578f48513f369aa65fded63643f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 03 Interno.tif Format The file format, physical medium, or dimensions of the resource Digital image (.tif) http://moremuseum.org/omeka/files/original/8c15fa9c38f84ae15e2e341254552781.jpg ddab0ac213013b89b41105bde538c377 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Digital image (.tif) Title A name given to the resource 02 Esterno.tif http://moremuseum.org/omeka/files/original/0543c75d233b514fe003a883df22fe0b.jpg 1a8daf909fdff91ca36458f180de4a6d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 01 Esterno.tif Format The file format, physical medium, or dimensions of the resource Digital image (.tif) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Silvio Wolf Description An account of the resource Silvio Wolf was born in 1952 in Milano, where lives and works. He studied Philosophy and Psychology in Italy. He received a Higher Diploma in Advanced Photography at the London College of Printing. He realizes photo-works, multimedia projects and sound installations. His works appear in galleries, museums, and public spaces in Belgium, Canada, England, France, Germany, Italy, Korea, Luxembourg, Spain, Switzerland and the United States. He teaches Photography at the European Institute of Design in Milan, and at the School of Visual Arts in New York. Web-site: <a href="http://www.silviowolf.com/">http://www.silviowolf.com</a> Creator An entity primarily responsible for making the resource Wolf, Silvio Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource I Nomi del tempo Description An account of the resource Installation in 2 parts, 2009. Venice, Basin of the Arsenale, Gaggiandre, and Tese delle Vergini, Italian Pavilion. Environmental dimensions. Light, water, photography, sound. A) Outside: A semi-submerged photographic image of 60x20m. occupies the stretch of water of one of two ancient covered basins of the Arsenale. The image represents simultaneously two circles of water and the symbol of Infinity. A stone thrown in water has created the splitting of the first cell, giving rise to a multiplicative process. The photographic act freezes the action and renders eternal the instant and the becoming of time, Past and present, stasis and change, finite and infinite are simultaneously present: the place is real and virtual at the same time. B) Inside: 12 light-boxes placed in the niches of the left wall of the Theater of the Virgin transform the wall in a great self-illuminating façade. Light and architecture are welded into a single radiating structure that transmits light within the building. On the floor in front, a water tank of about 16×16 m. reflects the architecture of light, generating the virtual image space. The still surface of the water is perturbed by the undulatory motion of concentric waves that propagate rhythmically from the center of the tank. The vibration of this liquid surface corresponds with the intangible sounds diffused into the great emptiness of the room: visual and sound waves interact, creating the vibrating movement of the water. <a href="https://www.repository.unipr.it/bitstream/1889/2001/1/wolf_i%20nomi%20del%20tempo.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Wolf, Silvio Contributor An entity responsible for making contributions to the resource Longari, Elisabetta Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource English Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2009 Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2001" target="_blank" rel="noopener">http://hdl.handle.net/1889/2001</a> Rights Holder A person or organization owning or managing rights over the resource. Silvio Wolf MoRE Museum Financial reasons Logistical reasons http://moremuseum.org/omeka/files/original/4d9635b313020164999fea5014ee2ab1.jpg 183e7e85accf1e8daa3b1f5d0a9b8b45 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource camera della morte.jpg Description An account of the resource The work donated to MoRE is a drawing that represents the final phase of the performance. The line drawing is stylized and the Chamber of death is represented according to a central perspective as if it were a long corridor with balconies, from where the perpetrators overlook the massacre. Format The file format, physical medium, or dimensions of the resource file jpg, 20,003x15,275 cm, 300dpi Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Luigi Presicce Description An account of the resource He was born in Porto Cesareo (Lecce) in 1976, and lives and works in Milan and Porto Cesareo. He attended the Fine Arts Academy in Lecce, but his work has been decisively influenced by his independent studies. In 2007 he took part in the Advanced Course in Visual Arts (CSAV) at the Antonio Ratti Foundation in Como with the American artist Joan Jonas. In 2008, as part of the Artist in Residence initiative, he took part in the workshop at Viafarini in Milan with the American artist Kim Jones. In Milan in 2008 he also founded (with Luca Francesconi and Valentina Suma) the magazine Brownmagazine followed by the Brown Project Space, for which he acts as curator. In 2011 with Giusy Checola and Salvatore Baldi he started running “Archiviazioni” (research and discussion activities regarding contemporary culture in southern Italy) in Lecce. In 2012 he took part in Artists in Residence at MACRO, Rome. With Luigi Negro, Emilio Fantin, Giancarlo Norese and Cesare Pietroiusti he is involved in the Lu Cafausu project, which has been invited by AND AND AND at dOCUMENTA13, Kassel. He performed at Fondazione Claudio Buziol, Venice (2010), Performance Festival Thessaloniki Biennale 3, Greece (2011), Festival Reims Scènes d’Europe, Frac Champagne-Ardenne, France (2011), MADRE, Neaples (2012), We Folk – Drodesera Festival, Centrale Fies, Dro (2012). He won Epson Art Prize, Antonio Ratti Foundation, Como (2007), Emerging Talents Prize, CCC Strozzina, Palazzo Strozzi, Florence (2011), Long Play, MAGA, Gallarate (2012). Creator An entity primarily responsible for making the resource Presicce, Luigi Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La camera della morte Creator An entity primarily responsible for making the resource Presicce, Luigi Contributor An entity responsible for making contributions to the resource Rossi, Valentina Description An account of the resource The project donated by Luigi Presicce (Porto Cesareo, 1976) consists in an unrealized performance. The action, with an utopian and theatrical nature, is inspired by the annual event in which the tuna migrate to the <a href="http://www.youtube.com/watch?v=nZvGrvT4OhE&feature=youtu.be" target="_blank" rel="noopener">island of Favignana</a>, in the south of Italy, to reproduce themselves, and according to the artist to make a journey of love. On this occasion the fish goes through a maze made up of fishing nets to end up inexorably in the death chamber, where they are harpooned and killed. The action has been designed by the artist as a game of reversing roles, in which the men take the place of the tuna and unaware they are ready to participate to the last moment of their life, just waiting to be slaughtered by other men. It is a transposition of the man from hunter to prey, from victim to victimizer, an inversion that creates alienation and a violent trauma. All these elements lead the viewer to a possible kind of visionary hallucination, where the role of Presicce is no longer that of the protagonist of his own performance but of an expert Director of expert careful towards the construction of a new appearance. This performance also draws inspiration from a short aphorism by <a href="http://www.youtube.com/watch?v=s-4OrG6kows&feature=relmfu" target="_blank" rel="noopener">Carmelo Bene</a> in which the actor claims that the public should pay the cost of the show with his own life. Because of its utopian nature, it has never been possible to realize the performance. <a href="https://www.repository.unipr.it/bitstream/1889/2054/1/presicce-camera%20della%20morte.pdf" target="_blank" rel="noopener">Read more</a>. Date A point or period of time associated with an event in the lifecycle of the resource 2012 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2054" target="_blank" rel="noopener">http://hdl.handle.net/1889/2054</a> Rights Holder A person or organization owning or managing rights over the resource. Luigi Presicce MoRE Museum Theoretical exercise http://moremuseum.org/omeka/files/original/8f71681e5a009c75c0d9e40a54c53ba5.jpg 8445c2c435a47275d2a87b7c20de391b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 736pxTesting_bulletproof_vest_1923.jpg Description An account of the resource Black and white picture (1923) portraying some close gunshot exercises with a men wearing a bulletproof vest, chosen by the artist in order to document the training of the killer by the Camorra. Date A point or period of time associated with an event in the lifecycle of the resource 1923 Format The file format, physical medium, or dimensions of the resource jpeg file, 454 × 371 pixel, 96 dpi http://moremuseum.org/omeka/files/original/b0f4e2d05690d34e4110e947b8412531.jpg 95b9d4f1acc6b89a275ff0cbfa3038d6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource coraza cenital.jpg Description An account of the resource Scanning of a pencil sketch of the performance seen from above. The image is divided in two by a line that represent a dividing wall between the two rooms. In the first room we can see the gunman shooting and the artist in front of him (indicated by the name Regina written at her side). In the second room we can see the audience. Format The file format, physical medium, or dimensions of the resource jpeg file, 679 × 1498 pixel, 200 dpi http://moremuseum.org/omeka/files/original/6910a3900188ca947412de338445f8d8.jpg b5f0b8198b5af362659e7667273fa669 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource corazaperfil.jpg Description An account of the resource Scanning of a pencil sketch of the performance seen in profile. On the right, a woman wearing a bulletproof vest (the artist); on the left, a man drawing a gun on her. Format The file format, physical medium, or dimensions of the resource jpeg file, 1209 × 747 pixel, 300 dpi http://moremuseum.org/omeka/files/original/62de0bacfcdebed1a49ca1fc702ff4c6.pdf 4a6b66c7e1b9b9cbe00f0233cfb54942 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Coraza texto.doc Description An account of the resource Text to introduce and explain the performance, written by the artist to present it to the museum. The text is made by different parts; after introducing the concept of delinquency and its social function it has according to the artist, Galindo briefly sums up the performance that is then described in all its phases. In conclusion, the artist lists all the necessary requisite to realize the performance, that are: a volunteer expert in the use of weapons and with a perfect aim; a bulletproof vest; an appropriate room; a gun caliber 22 and an équipe to film the actions in the two rooms in which the performance was supposed to take place. Format The file format, physical medium, or dimensions of the resource file .doc, archived in pdf. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Regina José Galindo Description An account of the resource Born in 1974 in Guatemala, where she still lives and works, Regina José Galindo, performer politically and socially active, made her first international appearance in 2001 at the Venice Biennale curated by Harald Szeemann, and she receives the Golden Lion to a young artist in 2005. Her works can be found in the collections of international museums (San Paolo Museum of Contemporary Art, Castello di Rivoli, Blanton Museum of Texas, Miami Art Museum…). Her work has been included in several groups and personal exhibitions, in Italy and abroad, such as Urgent Issues at Bucharest MNAC, The Body of Others, at the Modern Art Oxford and so on. She took part to the Kiss Kiss Bang Bang exhibition at the Visual Arts Museum in Bilbao, the second edition of the Biennale in Moscow, Turbulence, the third Biennal of Auckland in New Zealand, Otras Contemporareidades, Biennal of Valencia, Viva la muerte and the Kunsthalle of Wien. Her performances, in which she uses her own body to experience sufferances and pain, aim at denouncing the dramatic conditions of the Guatemalan women and population, but face also issues such as violence and social injustice from a universal point of view. <a href="http://www.reginajosegalindo.com" target="_blank">http://www.reginajosegalindo.com</a> Creator An entity primarily responsible for making the resource Galindo, Regina José Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Coraza Description An account of the resource Invited to take part to the second edition of the performance festival curated by Adriana Rispoli and Eugenio Viola, Corpus. Art in action, 7-26 June 2010 at MADRE Museum in Naples, Galindo focused on the social problems that affects the city. As a result, the artist’s project recalls a kind of training practiced by the Camorra: to shoot a person who is close to his killer. The performance was supposed to happen like this: the artist, wearing a bulletproof vest, is locked in a room with a man standing a meter and a half to her. The man is armed with a gun and he shoots at the artist after asking her for three times, in English: “Are you afraid?”. The audience attends in a adjacent room, where he can only listen to the sounds coming from the performance. Immediately after the shot the artist and the man come out (the man from a side door, without being noticed) and the room remains empty and accessible to the public. According to Galindo, the project was refused because it had been considered too dangerous. <a href="https://www.repository.unipr.it/bitstream/1889/2089/1/galindo_coraza.pdf" target="_blank" rel="noopener">Read more.</a> Creator An entity primarily responsible for making the resource Galindo, Regina José Date A point or period of time associated with an event in the lifecycle of the resource 2010 Contributor An entity responsible for making contributions to the resource Modena, Elisabetta Format The file format, physical medium, or dimensions of the resource image/jpeg application/msword Language A language of the resource Italian Type The nature or genre of the resource Still Image Text Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2089" target="_blank" rel="noopener">http://hdl.handle.net/1889/2089</a> Rights Holder A person or organization owning or managing rights over the resource. Regina José Galindo MoRE Museum Regulatory/juridical/administrative reasons http://moremuseum.org/omeka/files/original/896d08072766b25940ad0b536f0093b6.pdf 4b22e223ca01c29b0d410e17cf4f47cf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Meteoritealcontrario.pdf Description An account of the resource Adobe PDF file Format The file format, physical medium, or dimensions of the resource Adobe PDF file, 500x700mm. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Davide Bertocchi Description An account of the resource Davide Bertocchi was born in Modena, Italy in 1969. From 1988 through 1993, he studied at the Academy of Fine Arts in Bologna with Alberto Garutti: his teaching had a big influence on the development of his future work. He concurrently also attended the University of Bologna’s DAMS (Discipline Art Music e Show). From 1993 through 1994, he studied at the Hogeschool voor de Kunsten, in Utrecht, Holland, and he started to experiment with sound and music. In 1996, after a short period in New York and Los Angeles, he moved to Milan, in Via Fiuggi. He shared this basement, converted into working and living space, with many contemporaries artists: Diego Perrone, Giuseppe Gabellone, Debora Ligorio, Sara Ciraci, Simone Berti, Stefania Galegati, Ettore Favini and Lara Favaretto. Later, a lot of people considered this the starting point of a new dynamic artistic scene in Milan. During this period he worked as a gallery assistant to Massimo De Carlo, where he collaborated with many artists that would make an important impact on his later work. From 1998 through 2000, he lived in the Milan flat of Maurizio Cattelan, who also advised him to apply to an artist in residence program at the Ecole de Beaux Arts de Nantes, France, and that was directed by Robert Fleck, Stephanie Moisdon and Philippe Lepeut. From that point to the present, he has lived and worked mainly in Paris. In 2000, he was chosen as one of the 10 Italian artists for the Studio Program at PS1-MoMa in New York. In 2002, he was an artist in residence at the National Contemporary Art Centre Villa Arson, Nice, France. From 2003 through 2004, he participated in the artist in residence program, “Le Pavillon”, at Palais De Tokyo, Paris. Creator An entity primarily responsible for making the resource Bertocchi, Davide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Meteorite al contrario Description An account of the resource David Bertocchi’s project, Meteorite al contrario (2010) is the launch into space of a normal stone of medium size, which would constitute a kind of meteorite, according to a trajectory opposite the one that usually leads an asteroid to accidentally stumble on our planet. With this project, in addition a to normal challenging of the scientific premises that describes the trajectory and the ablation with the atmosphere of an extraterrestrial impact directly on the ground, the artist is trying to subvert the classic paradigm of contemporary technology: the maximum technology in minimum space, which in this case would be the minimum technology in maximum “space”. The project is closely related to the poetic of the artist, since long time resident in Paris, and it is referable to a system of signs and meanings, an interest in the universe that started with a work in progres born in 1999 entitled precisely Space, which in more than ten years has involved Bertocchi in the creation of a parallel universe: around 3000 images of galaxies and planets invented by the artist. The project has not been realized yet because of its high costs. <a href="https://www.repository.unipr.it/bitstream/1889/1997/1/bertocchi_meteorite%20al%20contrario.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Bertocchi, Davide Date A point or period of time associated with an event in the lifecycle of the resource 2010 Contributor An entity responsible for making contributions to the resource Rossi, Valentina Format The file format, physical medium, or dimensions of the resource application/pdf Language A language of the resource Italian Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/1997" target="_blank" rel="noopener">http://hdl.handle.net/1889/1997</a> Rights Holder A person or organization owning or managing rights over the resource. Davide Bertocchi MoRE Museum Financial reasons http://moremuseum.org/omeka/files/original/dd9c72e57136b8f2d46b4dcf7a3ecb56.jpg d1a5a0e43b3ce1032f35da619c9582d4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mindbubbles.jpg Description An account of the resource Image of the rendering of the installation in the entrance hall. Format The file format, physical medium, or dimensions of the resource jpg, 21,49 x 27,17 cm, 200dpi http://moremuseum.org/omeka/files/original/3e30b04d911e05a8d03f5a3156361212.jpg 10cca28c60c865db7b2e50597d5974de Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mindbubbles-2.jpg Description An account of the resource Image of the rendering of the installation in the entrance hall. Format The file format, physical medium, or dimensions of the resource jpg, 20,37 x 27,17 cm, 200dpi http://moremuseum.org/omeka/files/original/1ec1435854dcd65eb6971fbd908a60a8.jpg aab7f8f8b0bbbcc177ac3b0df88a6c9b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mindbubbles-3.jpg Description An account of the resource Image of the rendering of the installation in the entrance hall. Format The file format, physical medium, or dimensions of the resource jpg, 20,27 x 27,17 cm, 200dpi http://moremuseum.org/omeka/files/original/db7346d54cbf609a9740f09cf78933fe.jpg 07d2b1a4e5e3ef1ba013dbcb2a4d1f9d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mindbubbles-4.jpg Description An account of the resource Image of the rendering of the installation in the entrance hall. Format The file format, physical medium, or dimensions of the resource jpg, 39,46 x 27,17 cm, 200dpi Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Erwin Wurm Description An account of the resource Erwin Wurm (born 1954) is an Austrian artist. He lives and works in Vienna and Limberg in Austria; Hydra, Greece; and in New York City. Creator An entity primarily responsible for making the resource Wurm, Erwin Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mind Bubbles Description An account of the resource Mind Bubbles is a project designed as an installation for the entrance hall of the head office of the Volksbank Wien, a building by the german architect Carsten Roth.The sculptures seem to be suspended in the air, as if a device had frozen them: a process that inflates, distorts, makes things bigger and smaller, creates unexpected shapes and new realities that become an inspiration for our everyday life. The reasons why the project remained unrealized haven’t been specified by the artist. <a href="https://www.repository.unipr.it/bitstream/1889/2363/1/Wurm_mind%20bubbles.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Wurm, Erwin Contributor An entity responsible for making contributions to the resource Rossi, Valentina Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Date A point or period of time associated with an event in the lifecycle of the resource 2008 Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2363" target="_blank" rel="noopener">http://hdl.handle.net/1889/2363</a> Rights Holder A person or organization owning or managing rights over the resource. Erwin Wurm MoRE Museum Unknown http://moremuseum.org/omeka/files/original/fb1ed6e896a38681ee810cf259e54f00.jpg 78a1da272f91ec47f9af46d2b18aed48 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St.Pancras.jpg Description An account of the resource Photomontage of the rendering upon the background of the new St. Pancras Station, London. Format The file format, physical medium, or dimensions of the resource 22,54 x 16,93 cm, 72dpi Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Erwin Wurm Description An account of the resource Erwin Wurm (born 1954) is an Austrian artist. He lives and works in Vienna and Limberg in Austria; Hydra, Greece; and in New York City. Creator An entity primarily responsible for making the resource Wurm, Erwin Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St. Pancras Truck Description An account of the resource This sculpture was thought for St. Pancras station, located in northern London; the building dates back to 1861 and its victorian character contributes to frame this work as unreal, even if the artist through his works wants to communicate much more than that and goes beyond this “fantastic” dimension to reach a much deeper reflection on the de-functioning of the object, gazing at reality from a different perspective. The twisting of the vehicle is always part of this techniques of distortion of perception that Wurm adopts almost to create an epiphany of the object itself, a new life and a new meaning. The project was commissioned by St. Pancras train station, but has never been realized. The artist declared that “the truck was planned with a maximum length of 10m, the Commission found that too small, it should have been 20m!”. <a href="https://www.repository.unipr.it/bitstream/1889/2361/1/Wurm_st.pancras%20truck.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Wurm, Erwin Date A point or period of time associated with an event in the lifecycle of the resource 2012 Contributor An entity responsible for making contributions to the resource Rossi, Valentina Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2361" target="_blank" rel="noopener">http://hdl.handle.net/1889/2361</a> Rights Holder A person or organization owning or managing rights over the resource. Erwin Wurm MoRE Museum Failure to meet the commissioner's demands http://moremuseum.org/omeka/files/original/1f2bc61042982b6343fe67f09e461917.jpg a8acc6f2956bbd72560e50728d0c5214 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ASE-1968-20.jpg http://moremuseum.org/omeka/files/original/8f155bd484d65e705a6e533ae536c82d.jpg f1fcc4d05634d550501fd7c9392846fd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ASE-1968-9.jpg Format The file format, physical medium, or dimensions of the resource letter to Paolo Scheggi, typewritten on the front, signed by T. Ferraris, Secretary of the Ente, undated but possibly written after the other one archived, dedicated to the answer sent to Scheggi from the Ente about the project of the Cannocchiale ottico, which is considered too expensive: Ferrarsi asked the artist to think about a possibile alternative project, just in case this first one would have been refused. http://moremuseum.org/omeka/files/original/7d539db0077f86e11fb105f71c9448b3.jpg 2f59f5ebbdb7cb16de3715ba6d2aeca0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ASE-1968-5v.jpg Format The file format, physical medium, or dimensions of the resource letter to Paolo Scheggi, typewritten on the back, signed by T. Ferraris, Secretary of the Ente, dated 3rd april 1968, dedicated to the invitation to Paolo Scheggi to participate with a project. http://moremuseum.org/omeka/files/original/eef6310adc200e8cf5ca327a38c5f0d8.jpg a4227ce51411984ba1d943892d53545c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ASE-1968-5r.jpg Format The file format, physical medium, or dimensions of the resource letter to Paolo Scheggi, typewritten on the front, signed by T. Ferraris, Secretary of the Ente, dated 3rd april 1968, dedicated to the invitation to Paolo Scheggi to participate with a project. http://moremuseum.org/omeka/files/original/a4d2b5e81256202435d27013d9376d4c.jpg f95e0fa1eb518c8ce2494b7eeb6dbdb6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 014 Maquette.jpg Format The file format, physical medium, or dimensions of the resource photographic print B/W, the subject is the maquette of the Cannocchiale ottico percorribile, 18×24 cm. http://moremuseum.org/omeka/files/original/01ffee251246ab6dcae8723c2396c5e4.jpg 354716d965a59ecc690612a82d045690 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 013 Maquette.jpg Format The file format, physical medium, or dimensions of the resource photographic print B/W, the subject is the maquette of the Cannocchiale ottico percorribile, 18×24 cm. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Paolo Scheggi Description An account of the resource Born in Florence in 1940, died in Rome in 1971. Within a “long” decade (1958-1971) the research of Paolo Scheggi went through different fields of knowledge and different disciplines, from visual arts to architecture to fashion, from poetry to urban and theatrical performances to arrive at a conceptual and metaphysics reflection. Characterized by a strong interdisciplinary approach, the route taken by Paolo Scheggi may be condensed in interpretation given by by Giovanni Maria Accame in 1976: from the exhibition of the project to project of the exhibition. In Milan since 1961, he holds a vibrant collaborative relationship with Germana Marucelli for whose redesign the spaces of her tailoring, that will be inaugurated with the parade of optical dresses in the spring of 1965; then comes into contact with new research in the Lombard capital, attending the group around Azimuth and the first exponents of arte programmata, while Lucio Fontana, since 1962, follows his research carefully. In 1964 Carlo Belloli ascribes him among the i 44 protagonisti della visualità strutturata, in 1965 he’s ascribed by Dorfles among members of the Pittura Oggetto, in the same year he joined the movement nove tendencije, and holds international contacts, especially in northern European area, where he exhibited more occasions and participated in group exhibitions Zero and Nul. Fundamental is also the architectural and environmental direction that his research undertaken since 1964, working and confronting with Nizzoli Associates (Mendini, Oliveri, Fronzoni), Bruno Munari (Sala Experimental Film, Milan Triennale in 1964) and resulting in the Intercamera plastica created by the end of the 1966 and presented in Milan at Galleria del Naviglio in January 1967. Since 1968 he opened his investigation towards theater and performing arts, addressing the overcoming of the traditional space of the stage and the gallery and extending it into the city (note his Marcia Funebre o della geometria for Campo Urbano in Como, in 1969, and the performance Oplà Stick held in Milan’s -Galleria del Naviglio, Firenze-Galleria Flori and city streets, Zagreb Student Center Gallery, for nove tendencije 4, 1969). During the last two years he is engaged in a conceptual research culminating in the Sette spazi recursivi autopunitivi (never realized), the seiprofetiperseigeometrie and the Ondosa environment, yet to be investigated in their complexity. He was present at the Venice Biennale in 1966, 1972, 1976, 1986, Scheggi exhibited in some of the major artistic events of the time, from Paris to Buenos Aires from New York to Hamburg, Dusseldorf to Zagreb. Creator An entity primarily responsible for making the resource Scheggi, Paolo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cannocchiale Ottico Percorribile Description An account of the resource The Cannocchiale ottico percorribile was designed by the artist for the 1968 Milan Triennale, dedicated to the theme of the Grande Numero, in the never-realised exhibition Interventi nel paesaggio. Inside this project artworks by young artists should have been exposed in town and city centers to offer an artistic vision of the world in scale with the physical environment.  In the oral reconstruction provided by his wife Franca Scheggi Dall’Acqua, in support of the two photographs of the project, the optical telescope should have been  made in chromed steel and in collaboration with Italsider. Scheggi of this project produced a maquette, also in chromed steel. The Cannocchiale ottico percorribile was to be shown in Florence, between the Cathedral of Santa Maria del Fiore and the Baptistery, in line with Via de ‘Calzaiuoli and Via dei Martelli. The dimensions hypothesized by the artist had to be such as to accommodate about a man of medium height in it, who could have been following the inside path in all its lenght. The work unravels itself in a zigzag and irregular shape, such as to produce an effect of disorientation on the viewer, increased by a very dramatic interior lighting; in addition responding to the theme of the exhibition inside the Triennale it was also a reflection on the Florentine Renaissance perspective, made explicit with its placing in the square in Florence (Scheggi was a native of the city and soaked in humanities); but we can also place it among the top experiences of Paolo Scheggi related to the concept of tunnel and path in the dark that would then be developed in the following years, bringing us the environment ONDOSA (as reported in the bibliographies and biographies of the artist) or ONDOSA NERA (as shown on the projects of the artist himself) otherwise made for the show Eurodomus in Milan, 1970, and then destroyed. <a href="https://www.repository.unipr.it/bitstream/1889/1998/1/scheggi_cannocchiale%20ottico%20percorribile.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Scheggi, Paolo Date A point or period of time associated with an event in the lifecycle of the resource 1968 Contributor An entity responsible for making contributions to the resource Bignotti, Ilaria Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/1998" target="_blank" rel="noopener">http://hdl.handle.net/1889/1998</a> Rights Holder A person or organization owning or managing rights over the resource. Paolo Scheggi MoRE Museum Financial reasons http://moremuseum.org/omeka/files/original/a2261dd27dd3a5c47962ff9e57f70b57.jpg cdbbd0f3603a4be3031e1ce3615c3b53 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource RejectedTubeMap.jpg Format The file format, physical medium, or dimensions of the resource file .jpg, 1794 × 1212 pixel, 150 dpi Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jeremy Deller Description An account of the resource Jeremy Deller (born 30 March 1966) is an English conceptual, video and installation artist. Much of Deller's work is collaborative; it has a strong political aspect, in the subjects dealt with and also the devaluation of artistic ego through the involvement of other people in the creative process. He won the Turner Prize in 2004 and represented Great Britain at the 55th Venice Biennale in 2013.<o:p></o:p> Creator An entity primarily responsible for making the resource Deller, Jeremy Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rejected Tube Map Cover Illustration Description An account of the resource This was the first idea proposed by Jeremy Deller after he was commissioned by TfL to design the cover of an edition of the London Underground map, distributed free of charge in all stations. The proposed design initially featured a bicycle, composed of the colors representing the different lines on the Tube map. It was rejected, as it conveyed a message that could – according to the commissioner – confuse some users of the London Underground service, since bicycle access was not permitted on all lines. The commissioner was TfL – Transport for London, the authority responsible for transportation in the London area – within the framework of the Art on the Underground project, which invites contemporary artists to create both temporary and permanent works for the London Underground environment. Jeremy Deller then designed the cover of the Tube map together with artist Paul Ryan. The work, presented on July 1, 2007, is still visible at <a href="http://art.tfl.gov.uk/projects/detail/1119/" target="_blank" rel="noopener">http://art.tfl.gov.uk/projects/detail/1119/</a>. It consists of a portrait of John Hough, who was then the longest-serving member of TfL staff. <a href="https://www.repository.unipr.it/bitstream/1889/2101/1/deller_rejected%20tube%20map%20cover%20illustration.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Deller, Jeremy Date A point or period of time associated with an event in the lifecycle of the resource 2007 Contributor An entity responsible for making contributions to the resource Scotti, Marco Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource English Type The nature or genre of the resource Still Image Rights Holder A person or organization owning or managing rights over the resource. Jeremy Deller MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2101">http://hdl.handle.net/1889/2101</a> Failure to meet the commissioner's demands