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                  <text>&lt;p style="font-weight: 400;"&gt;Riccardo Baruzzi (Lugo, 1976) is an artist who primarily works with painting and drawing, developing an investigation into the possibilities of representation between figuration and abstract synthesis. In recent years, with series such as &lt;em&gt;P. P.&lt;/em&gt; (porta pittura, 2010) and &lt;em&gt;Ordine &lt;/em&gt;(2014), he has explored the boundary between the material dimension of painting (that of “painting as an object”) and painting as a device of representation and narration. Baruzzi’s practice takes on different, interchangeable forms: painting and drawing, but also performance and installation, often overlap in order to challenge the uniqueness of the art object. Alongside his visual practice, the artist has consistently pursued research into sound, making use of the physical structure of diskettes to create objects that function as instruments/works. He employs these in his performances to establish gestural and formal affinities between rhythm, musical composition, and visual design, giving rise to a creative process based on reciprocal influences between sound and image.&lt;/p&gt;</text>
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                <text>&lt;p style="font-weight: 400;"&gt;&lt;em&gt;D.X XY&lt;/em&gt; is a dialogue on painting between two subjects, X and Y, presented in the first file, while in the second file provided by the artist the dialogue becomes a performance, enacted by two actors who perform a text written by the artist himself.&lt;br /&gt;The project thus consists of a dialogue between two figures who, somewhat in the vein of Didi and Gogo – the protagonists of &lt;em&gt;Waiting for Godot&lt;/em&gt; by Samuel Beckett – develop a surreal, sarcastic, and often sensual discourse. The two interlocutors challenge each other in a nonsensical exchange in which the act of painting becomes the central generative force behind a series of references to painterly action, and often to the impossibility of bringing that action to completion.&lt;br /&gt;The performance revolves around a movable structure designed to display Baruzzi’s drawings, which are continuously replaced by the two performers.&lt;br /&gt;&lt;a href="http://moremuseum.org/omeka/files/original/d009b657318c58889e5647c63e4e29df.pdf" target="_blank" rel="noopener"&gt;Read more&lt;/a&gt;.&lt;/p&gt;</text>
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                <text>Baruzzi, Riccardo</text>
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                <text>2013</text>
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                <text>Rossi, Valentina</text>
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                <text>Italian</text>
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                <text>Riccardo Baruzzi</text>
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