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                  <text>&lt;p&gt;Mathis Collins was born in 1986 and is based in Paris and London. He studied at the Ecole d&amp;rsquo;Art de Cergy, then in Brussels, Montreal and Metz. Among the solo shows: &amp;ldquo;Wet French&amp;rdquo;, Levy.Delval, Brussels; 2016; &amp;ldquo;Dru-French&amp;rdquo;, Palais de Tokyo, 2016; &amp;ldquo;Dynasty&amp;rdquo;, Palais de Tokyo (with Cyril Verde), Paris, 2010. His works have been included in the group shows &amp;ldquo;Ce que raconte la solitude&amp;rdquo;, Friche Belle de Mai, Marseille, 2014 and in exhibitions at Astrup Fearnley Museum, Oslo, 2014 and Le Magasin, Grenoble, France. Mathis Collins takes part in the activities of the Parisian group Treize.&amp;nbsp;&lt;/p&gt;</text>
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                <text>Quercus Suber Utopia</text>
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                <text>&lt;p&gt;For the past few years, Mathis Collins has worked with cork harvesters, local populations of Mediterranean forests and villages and artists, and conceived works that focus on ecology, culture and economy of cork regions. &lt;em&gt;Quercus Suber Utopia&lt;/em&gt; is a project for the making of a collective artwork, in the regions of South Europe and North Africa where grows Cork trees.&lt;br /&gt;The sculptures produced for &lt;em&gt;Quercus Suber Utopia&lt;/em&gt;, based on a discussion on community buildings, would to be exhibited in each of the other participating communities in a continuous process of exchange and activity. Produced with cork, the sculptures or scale models of the communities utopian collective space, was to set a pan-regional discussion and understanding of the contemporary ecological and economical crisis of cork trees.&lt;br /&gt;&lt;a href="https://www.repository.unipr.it/bitstream/1889/3003/1/Mathis%20Collins_Quercus%20Suber%20Utopia.pdf" target="_blank" rel="noopener"&gt;Read more&lt;/a&gt;.&lt;/p&gt;</text>
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                <text>Scipioni, Lydia Elena</text>
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                <text>&lt;a href="http://dspace-unipr.cineca.it/handle/1889/3003" target="_blank" rel="noopener"&gt;http://dspace-unipr.cineca.it/handle/1889/3003&lt;/a&gt;</text>
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