1 50 1 http://moremuseum.org/omeka/files/original/5bea5629327db8f13222106a5320e08e.jpg 46f036a720b148a7e00bd357fbdbf2ba http://moremuseum.org/omeka/files/original/4a671a9224d056322aeabf7ad1047812.jpg d7d3cb64e8ecf62da6128db4f92aec75 http://moremuseum.org/omeka/files/original/a5f79782d81e2f2c4fd5156a9e41838d.jpg db55f867f6cb35e5b5404f7b6f5d7345 http://moremuseum.org/omeka/files/original/317d49c40069ccec681f47df91c07d36.jpg e2f932d997cff23c8b80cb7f351b8d78 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Kostis Velonis Description An account of the resource Kostis Velonis received his Doctorate in architecture from the N.T.U.A University of Athens (2009). He studied Cultural Studies at the London Consortium (A A, Birckbeck College, ICA) and visual Arts at the Paris VIII University, Maitrise, D.E.A. Among the recent SOLO shows: This probably will not work Lothringer 13 - Städtische Kunsthalle München, Munich, 2015; Mount the Air, Kalfayan Galleries, Athens, 2015; The Grammary of Puppetry, Monitor Gallery, Rome, 2012; The promise of Happiness, Signal Center for Contemporary Art, Malmo, Sweden, 2011. Among the group shows: Adventures of the Black Square: Abstract Art and Society 1915- 2015, Whitechapel Gallery, London, 2015; Supersuperstudio, Padiglione Arte Contemporanea, Milan, Italy; In the Name of Le Corbusier, Spiteris Residence, School of Architecture N.T.U.A, Athens, 2015; The Theater of the World, Museo Tamayo, Mexico City, 2015; This is Not My Beautiful House, Kunsthalle Athena, Athens, 2014; No Country for Young Men, BOZAR, Brussels, 2014; Tout Feu Tout Flamme, Lefebvre & Fils, Paris, 2014; Direct Democracy, MUMA /Monash University Museum of Art, Melbourne, 2013; Hell as a Pavillion, Palais de Tokyo, Paris, 2013; Newtopia. The State of Human Rights, Mechelen Cultural Centre, The Academy of Fine Arts, Scheppers Institute Mechelen, Belgium, 2012; Material and Culture - MAK Center for Art and Architecture-Schindler, California. Creator An entity primarily responsible for making the resource Velonis, Kostis Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monument for a Forgotten Education (based on Goeritz's and Barragan's “Torres de Satélite”,1958) Description An account of the resource Monument for a Forgotten Education is a model version of the public monument of Mathias Goeritz and Luis Baraggan Torres de satellite (satellite towers) which is located in Mexico City and is assumed to be one of the most characteristic public projects of Mexican modernity. Monument for a Forgotten Education is conceived with the aim to replace the walls of the Monument “Torres de satellite" made from reinforced concrete with chalkboard paint on wood, giving an emphasis to the educational awareness, rewriting the history of a certain modernity that deals with abstraction and collective amnesia. The aesthetic values of public monuments have thus been reverted as by the substitution of the original material as well as the different scale of the model. Monument for a Forgotten Education is included to a production of works under the general title of Part Company. These works combine antithetical approaches to community living and social participation by two distinct figures of Mexican Modernism, Greek-Mexican activist Plotino Rhodakanaty (1828-1892) and Mexican artist of German origin Mathias Goeritz (1915-1990). The artist adapts models of public sculptures by Goeritz informed by research on Rhodakanatys’ political concepts. The constructions explore a broader context around social class, politics of sculpture, architecture and design, encompassing rather than isolating these two separate ideologies. Understanding modernity's discourse through Goeritz's approach is an intriguing way to justify the rejection of memory (from collective to interpersonal relationships) and complements Rhodakanaty's ethics through which Goeritz cannot be restricted exclusively to the field of aesthetics, just as socialist narratives may not be solely perceived through a passive reception of a political message. <a href="https://www.repository.unipr.it/bitstream/1889/3002/1/Kostis%20Velonis_Monument%20for%20a%20Forgotten%20Education.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Velonis, Kostis Date A point or period of time associated with an event in the lifecycle of the resource 2016 Contributor An entity responsible for making contributions to the resource Scipioni, Lydia Elena Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Rights Holder A person or organization owning or managing rights over the resource. Kostis Velonis MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://dspace-unipr.cineca.it/handle/1889/3002" target="_blank" rel="noopener">http://dspace-unipr.cineca.it/handle/1889/3002</a> Theoretical exercise