1 50 1 http://moremuseum.org/omeka/files/original/dce071a417ac7efe3e2838a5bf5c0968.jpg 7a3f18c42fe97da658690fa14d5cb1c1 http://moremuseum.org/omeka/files/original/e05e98ebbddacc8b43571cbac13619d7.jpg 9d3b48dd94ce0c3fc1ba9f9834a68577 http://moremuseum.org/omeka/files/original/ef79a1afe43a7f9d6867943e4e75ec99.jpg c1114176e4ed5bdf437eb74788a33cd0 http://moremuseum.org/omeka/files/original/ea31ad5416e80f7c0edbd6e096fc0e13.jpg 9b547ce2fc3b63c762355b64c641b5cc http://moremuseum.org/omeka/files/original/0b3bb80e8b99aaf5377fea491f6e5b20.jpg ec1f3f6623402bd512b0f069dbe80d63 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource G. Küng Description An account of the resource G. Küng (born 1982, New York) lives and works in Brussels since her 2013 residency at Wiels Contemporary Art Centre. She earned a BFA from The Cooper Union for the Advancement of Science and Art in New York in 2004 and an MFA from The Glasgow School of Art in 2012. Recent exhibitions include Luigi Ghirri/G.Küng: Looking in and a solo exhibition, Inexhaustible Gifts of Celebratory Fruits, both at Galerie Antoine Levi, Paris where she is represented. She was one of ten participants in the national competition of The Young Belgian Art Prize in 2015. Creator An entity primarily responsible for making the resource Küng, Georgia Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource as yet untitled (Stairs) Description An account of the resource The idea was to reflect on the art fair context which is a recurring impulse in the artist's work. Context is not neutral, and can sometimes be oppressive as in the case of an art fair. The proposal for Frieze London made reference to ambition and the competitive, attention grabbing motivation behind many projects for these art fairs. It would point to the competition for limited places and the curators’ power. The artist, caring very little about making a name for herself, uses the abbreviated 'G. Küng', which is meant to encapsulate a stance of resistance. The project would consist of really oversized photographic prints on the theme of "stairs.” She would photograph models in board or plaster, variations on the stair form. They would be difficult stairs, treacherous ones or impossible to climb stairs: their shape would mean that if you tried to climb them, they would topple over, or a step would have a broken part, or they would get taller and taller as you climbed. Enlarging the photos hugely, the images would be too tall for the pseudo-walls of the art fair, and the prints would stick out above the walls. <a href="https://www.repository.unipr.it/bitstream/1889/2998/1/G.Kung_as%20yet%20untitled%20%28Stairs%29.pdf" target="_blank" rel="noopener">Read more</a>. Creator An entity primarily responsible for making the resource Küng, Georgia Date A point or period of time associated with an event in the lifecycle of the resource 2015 Contributor An entity responsible for making contributions to the resource Scipioni, Elena Lydia Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource English Type The nature or genre of the resource Still Image Rights Holder A person or organization owning or managing rights over the resource. G. Küng MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://dspace-unipr.cineca.it/handle/1889/2998" target="_blank" rel="noopener">http://dspace-unipr.cineca.it/handle/1889/2998</a> Project which wasn’t selected in a prize or competition