1 50 1 http://moremuseum.org/omeka/files/original/1370253b50b4bada491cfad8fd80861c.jpg d337772dad244473153df397453a68c4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BONACORSI conceptual noise detail.jpg Description An account of the resource A color photography that documents the object-gadget as it is supposed to be: a clothes peg holding a credit card. http://moremuseum.org/omeka/files/original/d5e72cdd7762e04eae64312adbc25cd8.jpg 57442f42bb73b92caacbacb69e666f27 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BONACORSI a conceptual noise.jpg Description An account of the resource A jpg file that reproduces a drawing-collage in A4 format illustrating the project, with Duchamp’s bicycle wheel and the the insertion of the gadget. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ivo Bonacorsi Description An account of the resource Artist and writer, he was born in Vergato (Bologna) in 1960. He graduates in Phenomenology of Styles at the DAMS in Bologna, and always in Bologna he exposed at the Neon Gallery and he takes part to the first series of events of the Gam Performance Week at a very young age. In 2004 he realizes the exhibition “Screens, barricades and other images”, curated by Roberto Pinto, at the Careof Gallery in Milan. The same year, he creates the art project “A tainted event” for Isola Art Center, together with Steve Piccolo and Mirella Miramucci. In 1997 he moves from Milan to Paris, where he teaches Drawing concepts and runs workshops at the Parsons Paris School of Art & Design and at the Southern Methodist University Paris Program, even though he defines himself as “living between Oslo and Paris where he runs a clandestine and itinerant restaurant with Dominic Dalcan and Francis Fichot. He writes books of recipes and he smokes the fish he catches in fiords”. He collaborates as a journalist and critic with Il Manifesto, Radio Popolare, Flash Art and Domus. In 200, he founded the art magazine Area Revue(s) with Alin Avila and Natalie Mei. In 2005 he retires from art with his last performance Announced Retirement, a real boxing match dedicated to Arthur Cravan and he becomes a calendar artist and a celebrity chef. Creator An entity primarily responsible for making the resource Bonacorsi, Ivo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A conceptual noise... Creator An entity primarily responsible for making the resource Bonacorsi, Ivo Date A point or period of time associated with an event in the lifecycle of the resource 1999 Contributor An entity responsible for making contributions to the resource Longari, Elisabetta Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Description An account of the resource The idea is to put a small gadget on a very famous Duchamp’s work, Roue de bicyclette, a ready-made exhibited in several museums all around the world (Centre Pompidou in Paris, Tate Gallery in London, Moma in NY...). Considering that his work is a reproduction itself, a copy of the lost original, the idea of a “posthumous homage-enrichment” is really close to Duchamp spirit. The introduction of a credit card establishes a link with other artist who changed the art world, investigating the role of money and material goods, such as Dali (Avida Dollars) but above all Wharol. There is a recreational element in this gadget: the artist took inspiration from the playing cards that children put on their bikes to simulate the sound of an engine. The kit, made of a copy of the artist’s credit card and a clothes peg to decorate Duchamp’s work according to Bonacorsi’s instructions, is sold apart in the museum shop. This work was planned by the artist on the occasion of the re-opening of Centre Pompidou collections in 2000, but he never proposed it to the museum: a typical development of Bonacorsi’s work, really influenced by the concept of  dépense. <a href="https://www.repository.unipr.it/bitstream/1889/2000/1/bonacorsi_a%20conceptual%20noise.pdf" target="_blank" rel="noopener">Read more.</a> Rights Holder A person or organization owning or managing rights over the resource. Ivo Bonacorsi MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2000" target="_blank" rel="noopener">http://hdl.handle.net/1889/2000</a> Theoretical exercise