1 50 1 http://moremuseum.org/omeka/files/original/7290cca4324f5c076c88ee447e61bb7c.pdf ada1ef0b40681079501c8a072c35ab42 http://moremuseum.org/omeka/files/original/36492cfdf01537b72474748607a960ef.mp4 112575b635546f9a8951d20a94c628a1 http://moremuseum.org/omeka/files/original/d58c9a02b7dc4573c418ab5d2c583ee4.mp4 563eff09db5e7e1126b6442b9a9f6d94 http://moremuseum.org/omeka/files/original/8b1caaa7ffa2cfb7070562b2dc19c3e7.mp4 4632d0e4f8126e88a1ac83da88e22fa7 http://moremuseum.org/omeka/files/original/7c0efd4172868b0c1b16446c02788027.mp4 f5c9d63c5c623db03c8ae91f6db89104 http://moremuseum.org/omeka/files/original/708c4586146684e4167428fa40dc038d.mp4 b7c6b6af5304557e0bae1b68a6da20ef http://moremuseum.org/omeka/files/original/1ebf6882ac3fdb2a7e3e6ec2be2db8c9.pdf e523e8c6962d27a03a6baf30872bfe5b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mario Cresci Creator An entity primarily responsible for making the resource Cresci, Mario Description An account of the resource Mario Cresci (Chiavari, 1942) has created since the Sixties a complex body of work characterized by the freedom of his research, ranging from drawing to photography, installations, video and site-specific installations. He is among the first authors of his generation to apply the design culture and methodology to photography, combining it with an experimental research applied to visual languages, ​​and attributing to the use of the photographic medium an opposite value, in respect to its role of proof of the truthfulness of reality. Between 1964 and 1967 he applies the theories of design to photography through experiments on models of non-Euclidean geometry, partly anticipating Ugo Mulas 1972 Verifiche. In 1968, while in Rome, he joined the group of artists who work at Galleria l’Attico, together with Pascali, Mattiacci, Kounellis and Luca Patella. During the seventies, his experience and studies at the Corso Superiore di Industrial Design in Venice stand side by side with his works in the field of ethnic and anthropological researches in the south of Italy. In 1969 he made his first photo environment at the Galleria Il Diaframma in Milan, and in the early Seventies he associated and worked with Luciano Inga-Pin at his Galleria Il Diagramma, Milan, where he exhibited in the historical show Campo Dieci. From 1991 to 2000 he directed the Accademia Carrara di Belle Arti in Bergamo. In 1996 he realised Opus Gypsicum, a large installation at the Teatro Sociale di Bergamo with the plaster casts of the Accademia Carrara. In those years Cresci collaborates with the Sunday insert of the newspaper "Il Sole 24 Ore". Among the most important moments of his activity stand his participation at the Venice Biennale in 1971, 1979, 1993 with Muri di carta, fotografia e paesaggio and Viaggio in Italia in 2013. In 2004 there is the anthological exhibition The houses of photography at GAM, Turin. From 2010 to 2012 he carries out the project Forse Fotografia: attraverso l'arte, atraverso la traccia, attraverso l'umano inside the museums of Bologna, Rome, Matera. In 2011 there is the personal site-specific exhibition Dentro le cose at Palazzo Pio in Carpi. His works are present in several collections of contemporary art and photography, and in the permanent collections of Italian and international museums. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Misurazioni Description An account of the resource <p>Mario Cresci started between 1977 and 1979 a meaningful and interesting experience that was interrupted because of the lack of support from the institutions and can therefore be conceived as an unrealised or at least unfinished project. In Basilicata, where the author was already developing the project <em>Misurazioni</em>, a photographic research with a social and anthropological approach, Cresci started teaching in an unusual school. A design school, founded by Regione Basilicata in application of the law n. 285 of June 1st 1977, devoted to the vocational training in craftsmanship techniques. A school that aimed at using creativity as an economic resource. Unfortunately the project was interrupted almost immediately, remaining therefore unrealized, since the institutions suspended their support to the school. <br /><a href="https://www.repository.unipr.it/bitstream/1889/2705/1/Mario%20Cresci_Misurazioni.pdf" target="_blank" rel="noopener">Read more.</a><a href="http://hdl.handle.net/1889/2705" target="_blank" rel="noopener"><br /></a></p> Creator An entity primarily responsible for making the resource Cresci, Mario Date A point or period of time associated with an event in the lifecycle of the resource 1977 - 1979 Contributor An entity responsible for making contributions to the resource Casero, Cristina Format The file format, physical medium, or dimensions of the resource application/pdf video/mpeg Language A language of the resource Italian Type The nature or genre of the resource Text Still Image Oral History Moving Image Document Rights Holder A person or organization owning or managing rights over the resource. Mario Cresci MoRE Museum Identifier An unambiguous reference to the resource within a given context <a href="http://hdl.handle.net/1889/2705" target="_blank" rel="noopener">http://hdl.handle.net/1889/2705</a> Political reasons