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                    <text>&lt;p&gt;Project report, with a section and an isonometric view of one of the possible environments.&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                  <text>Luca Trevisani (Verona, 1979) has exhibited in many public and private spaces, in Italy and abroad, including: MACRO Rome, Magasin in Grenoble, Mart, Rovereto, Biennale d’Architettura di Venezia , Museion, Bolzano, MOT Tokyo, Daimler Kunstsammlung Berlin, CCA Andratx Mallorca, Gio Marconi, Milan, Pinksummer, Genoa, Mambo, Bologna, Mehdi Chouakri, Berlin, Fondazione Sandretto Re Rebaudengo Turin, MAXXI, Rome, Valentina Bonomo, Rome and Museo Marino Marini, Florence. He won prestigious awards including the Furla Prize in 2007 and the New York Prize in 2010, has also published two personal catalogs &lt;em&gt;The effort took ist tools&lt;/em&gt; (Argobooks, Berlin 2008), &lt;em&gt;Luca Trevisani&lt;/em&gt; (Silvana Editoriale, Milan, 2009) and the book &lt;em&gt;Water Ikebana Stories about solid &amp;amp; liquid things&lt;/em&gt; (Humboldt Books, Milan in 2014). In 2013 he released his first feature film &lt;em&gt;Glaucocamaleo&lt;/em&gt;, presented in the same year at the Rome Film Festival.</text>
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                <text>&lt;em&gt;Il Respiro di uno spazio / Livella il cielo&lt;/em&gt;&amp;nbsp;is a project created by Luca Trevisani in 2011 and donated to the museum MoRE in 2014. The artist through his working methodology, that starts here from a scientific data, designs a system of pipes that pass through a house, the network of tubes is sectioned and receives the rain and other weather elements, the water level therefore changes according to atmospheric events. The water, among other things, is also the subject of an artist book,&amp;nbsp;&lt;em&gt;Water Ikebana Stories about solid &amp;amp; liquid things&lt;/em&gt;&amp;nbsp;(Humboldt Books, 2014), published by Luca Trevisani.&amp;nbsp;&lt;br /&gt;The project donated to the museum has not been realized due to the lack of a commisioner and of a suitable location for the development of the work.&lt;br /&gt;&lt;a href="https://www.repository.unipr.it/bitstream/1889/2450/1/Trevisani_Il%20Respiro%20di%20uno%20spazio%20-%20Livella%20il%20cielo.pdf" target="_blank" rel="noopener"&gt;Read more.&lt;/a&gt;</text>
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                <text>&lt;a href="http://hdl.handle.net/1889/2450" target="_blank" rel="noopener"&gt;http://hdl.handle.net/1889/2450&lt;/a&gt;</text>
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                  <text>Luca Trevisani (Verona, 1979) has exhibited in many public and private spaces, in Italy and abroad, including: MACRO Rome, Magasin in Grenoble, Mart, Rovereto, Biennale d’Architettura di Venezia , Museion, Bolzano, MOT Tokyo, Daimler Kunstsammlung Berlin, CCA Andratx Mallorca, Gio Marconi, Milan, Pinksummer, Genoa, Mambo, Bologna, Mehdi Chouakri, Berlin, Fondazione Sandretto Re Rebaudengo Turin, MAXXI, Rome, Valentina Bonomo, Rome and Museo Marino Marini, Florence. He won prestigious awards including the Furla Prize in 2007 and the New York Prize in 2010, has also published two personal catalogs &lt;em&gt;The effort took ist tools&lt;/em&gt; (Argobooks, Berlin 2008), &lt;em&gt;Luca Trevisani&lt;/em&gt; (Silvana Editoriale, Milan, 2009) and the book &lt;em&gt;Water Ikebana Stories about solid &amp;amp; liquid things&lt;/em&gt; (Humboldt Books, Milan in 2014). In 2013 he released his first feature film &lt;em&gt;Glaucocamaleo&lt;/em&gt;, presented in the same year at the Rome Film Festival.</text>
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                <text>&lt;em&gt;Il pop up che non si apre (The pop up that will not open)&lt;/em&gt; is an artist's book designed by Luca Trevisani in 2011. The artist starts from his series of works, printed on copper and cardboard, named &lt;em&gt;Fly fishing&lt;/em&gt; (2010), to elaborate the structure of a pop up book. In this editorial project many of the attitudes and characteristics of the artist's work are visible, such as the sculptural gesture, the condition of equilibrium, manual skills and the chosen material: the paper. The project was initially designed as a self-production by the artist himself, and then proposed to the publishe cura.books, but it has never been realized for the high costs and because of the many difficulties in finding the necessary financial coverage. &lt;br /&gt;&lt;a href="https://www.repository.unipr.it/bitstream/1889/2443/1/Luca%20Trevisani_Il%20pop%20up%20che%20non%20si%20apre.pdf" target="_blank" rel="noopener"&gt;Read more.&lt;/a&gt;</text>
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