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                  <text>Eva Marisaldi was born in 1966. She lives and works in Bologna. She graduated from the Academy of Fine Arts in Bologna. Her research is articulated, frequently through an open and participatory process, through different languages and media, such as drawings, videos, installations, performances, photography and sculpture, to approachdifferent and multiple perspectives on usual things and everyday life. Amongst her most recent solo show we can recall Gestein-gestalt, MIMA, Newcastle (2012), Democratic Psychedelia, Galleria Minini, Brescia (2011), Tjoloholm Castle, Goteborg (2009), Ghost track #2, S.A.L.E.S., Roma (2008), Jumps, MAMbo, Bologna (2007), Services, Galleria Massimo De Carlo, Milano (2007), Parties 3, Art positions, Art Basel Miami, Miami, USA (2006). Her works have been included in many important exhibitions, such as the 1993 and 2001 Venice Biennale; Soggetto Soggetto, Castello di Rivoli Museo d’Arte Contemporanea, Rivoli (1994), L’hiver de l’amour, ARC Musèe d’Arte Moderne de la Ville de Paris and PS1, New York (1994), Manifesta, Witte de With, Rotterdam (1996), Exchanging interiors, Museum van Loon, Amsterdam (1996), Fatto in Italia, Centre d’Art Contemporain, Geneva and ICA London (1997), The 504 show, Braunschweig Kunsthalle, Zentrum fur Kunst, Brauschweig (1997), Che cosa sono le nuvole, Fondazione Sandretto Re Rebaudengo, Guarene-Torino (1997), Officina Italia, Galleria Comunale d’Arte Moderna, Bologna (1997), La ville, le jardin, la memoire, Villa Medici, Rome (1998), Istanbul Biennial (1999), Alessandria Biennial, Egypt (1999), Gwangju Biennial, South Korea, (2004), Invisible Exports, New York (2007), Voyage Sentimentale, FRAC Languedoc Roussillon, (2009), Il confine evanescente, MAXXI, Roma (2011), No Soul for Sale, Tate Modern, London (2011), Think Twice, Whitechapel, London (2012), The Wordly House, Documenta, Kassel (2012).</text>
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                <text>The project was commissioned by Roberto Daolio as part of a series of art works to be placed on the top floor of the Department of Pediatric Oncology of the Sant’Orsola Hospital in Bologna, in collaboration with the Association AGEOP. The invited artists are Silvia Cini, Emilio Fantin, Claudia Losi, Eva Marisaldi, Sabrina Mezzaqui, Sabrina Torelli and Marco Vaglieri. Marisaldi structures the project into two proposals: the first consists in the publication of a book of pictures to be placed in the bedside tables of the rooms of the parents of the children staying in the hospital, while the second is the production of a textile bag – convertible into a chair - to be filled with toys that could be taken home once the children recovered and were discharged from the hospital. The project was not realized due to a series of economical, technical and logistic reasons. &lt;br /&gt;&lt;a href="https://www.repository.unipr.it/bitstream/1889/2447/1/Marisaldi_Metto%20in%20moto%20il%20prato.pdf" target="_blank" rel="noopener"&gt;Read more.&lt;/a&gt;</text>
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                <text>&lt;a href="http://hdl.handle.net/1889/2447" target="_blank" rel="noopener"&gt;http://hdl.handle.net/1889/2447&lt;/a&gt;</text>
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                  <text>Eva Marisaldi was born in 1966. She lives and works in Bologna. She graduated from the Academy of Fine Arts in Bologna. Her research is articulated, frequently through an open and participatory process, through different languages and media, such as drawings, videos, installations, performances, photography and sculpture, to approachdifferent and multiple perspectives on usual things and everyday life. Amongst her most recent solo show we can recall Gestein-gestalt, MIMA, Newcastle (2012), Democratic Psychedelia, Galleria Minini, Brescia (2011), Tjoloholm Castle, Goteborg (2009), Ghost track #2, S.A.L.E.S., Roma (2008), Jumps, MAMbo, Bologna (2007), Services, Galleria Massimo De Carlo, Milano (2007), Parties 3, Art positions, Art Basel Miami, Miami, USA (2006). Her works have been included in many important exhibitions, such as the 1993 and 2001 Venice Biennale; Soggetto Soggetto, Castello di Rivoli Museo d’Arte Contemporanea, Rivoli (1994), L’hiver de l’amour, ARC Musèe d’Arte Moderne de la Ville de Paris and PS1, New York (1994), Manifesta, Witte de With, Rotterdam (1996), Exchanging interiors, Museum van Loon, Amsterdam (1996), Fatto in Italia, Centre d’Art Contemporain, Geneva and ICA London (1997), The 504 show, Braunschweig Kunsthalle, Zentrum fur Kunst, Brauschweig (1997), Che cosa sono le nuvole, Fondazione Sandretto Re Rebaudengo, Guarene-Torino (1997), Officina Italia, Galleria Comunale d’Arte Moderna, Bologna (1997), La ville, le jardin, la memoire, Villa Medici, Rome (1998), Istanbul Biennial (1999), Alessandria Biennial, Egypt (1999), Gwangju Biennial, South Korea, (2004), Invisible Exports, New York (2007), Voyage Sentimentale, FRAC Languedoc Roussillon, (2009), Il confine evanescente, MAXXI, Roma (2011), No Soul for Sale, Tate Modern, London (2011), Think Twice, Whitechapel, London (2012), The Wordly House, Documenta, Kassel (2012).</text>
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                <text>Ritz is a project conceived for the installation of an outdoor movie theatre inside a park in Trento, commissioned by the cultural association Numero Civico. The project, that was not realised, &lt;a href="http://moremuseum.org/omeka/admin/items/show/28" target="_blank" rel="noopener"&gt;is proposed by the artist the following year with some changes for the P.A.V. (Parco d’Arte Vivente) of Turin&lt;/a&gt;. The project, originally thought to be placed inside a wood, consists in the facade of a movie theatre outlined in black on a white background, on a 4 x 3 meters wing made of painted bricks (as the artist explains, “a big A4 paper sheet”). The facade recalls a liberty-decò style building, with the introduction of eclectic elements, and it refers to a movie theatre the artist saw in Antananarivo, Madagascar. To enter the theatre the audience needs to move around the wall, beyond which are placed four seats in concrete destined to be covered with moss. The seats address the landscape instead of the wall, that therefore becomes a wing and hides the watchers. Even though the project won the competition, it was not realised in the end because it was not possible to find an agreement with the neighbour that lived nearby the place that was identified as the most suitable for the realization and for other logistic and organizational reasons. &lt;br /&gt;&lt;a href="https://www.repository.unipr.it/bitstream/1889/2417/1/Marisaldi_ritz.pdf" target="_blank" rel="noopener"&gt;Read more&lt;/a&gt;.</text>
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                <text>DSpace: &lt;a href="http://dspace-unipr.cilea.it/handle/1889/2417" target="_blank" rel="noopener"&gt;http://dspace-unipr.cilea.it/handle/1889/2417&lt;/a&gt;</text>
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                    <text>The artist realises a sketch of the facade outlined on a white-painted wall. On the facade are two entrance doors with their tents and lamps placed on each side, while on the top of it can be seen a decoration with three figures that ironically represent three reindeers as they usually appear on Christmas illuminations and decorations and that frame the sign “Cinema Italia”.</text>
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                <text>This unrealised project has to be considered in relation with &lt;a href="http://moremuseum.org/omeka/items/show/id/29" target="_blank" rel="noopener"&gt;Ritz&lt;/a&gt;, a project for the realization of an outdoor movie theatre inside a park in Trento proposed the year before (2004), and it consist in the proposal to place of a permanent movie theatre at the P.A.V. (Parco d’Arte Vivente) of Torino, project of the artist Piero Gilardi realized in collaboration with the landscape architect Gianluca Cosmacini. &lt;br /&gt;The project, unrealized due lack of sponsorship, consisted in the facade of a movie theatre in deco style outlined in black on a white background, that recalls a movie theatre seen by the artist in the small city of Anzola Emilia (Bo), on a 4 x 3 meters wing made of painted bricks (as “a big A4 paper sheet”), as can be seen in the sketch that documents this work. On the facade are two entrance doors with their tents and lamps placed on each side, while on the top of it can be seen a decoration with three figures that ironically represent three reindeers as they usually appear on Christmas illuminations and decorations and that frame the sign “Cinema Italia”. &lt;br /&gt;&lt;a href="https://www.repository.unipr.it/bitstream/1889/2418/1/Marisaldi_cinema%20italia.pdf" target="_blank" rel="noopener"&gt;Read more&lt;/a&gt;.</text>
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                <text>The project was proposed for the enclosure of the construction site of the museum contemporary art in Bolzano in 2008, on the occasion of the inauguration of its new location realised by the Berlin studio KSV Krüger Schuberth Vandreike in the city centre. The artist was invited to take part to an initiative called Arte in cantiere together with some other artists; the chosen project in the end was the work A Change Of Mind by the Scandinavian artist duo Elmgreen &amp;amp; Dragset. The Promise project is an allusion, explicit in its title, to a promise, an expectation introduced by a series of small resin sculptures (20 cm high) hold in 12 plexiglass display cases placed on the perimeter of the museum’s fence, every 2,20 meters. Inside the cases (round-shaped, 25 x 30 x 20 cm) an hostess show the twelve movements of the “pre flight briefing”, performed by the flight assistants before each take off. Two cases present an the back tent open with a view on the museum construction site. The idea was to realise the small sculptures with a software for 3D-modelling through a process of rapid prototyping (a technique already used by the artist in some other projects). The cases were supposed to be illuminated from below with neon lights, as in a light box, to make the artist’s work visible at night. &lt;br /&gt;&lt;a href="https://www.repository.unipr.it/bitstream/1889/2422/1/Marisaldi_promise.pdf" target="_blank" rel="noopener"&gt;Read more&lt;/a&gt;.</text>
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                  <text>Eva Marisaldi was born in 1966. She lives and works in Bologna. She graduated from the Academy of Fine Arts in Bologna. Her research is articulated, frequently through an open and participatory process, through different languages and media, such as drawings, videos, installations, performances, photography and sculpture, to approachdifferent and multiple perspectives on usual things and everyday life. Amongst her most recent solo show we can recall Gestein-gestalt, MIMA, Newcastle (2012), Democratic Psychedelia, Galleria Minini, Brescia (2011), Tjoloholm Castle, Goteborg (2009), Ghost track #2, S.A.L.E.S., Roma (2008), Jumps, MAMbo, Bologna (2007), Services, Galleria Massimo De Carlo, Milano (2007), Parties 3, Art positions, Art Basel Miami, Miami, USA (2006). Her works have been included in many important exhibitions, such as the 1993 and 2001 Venice Biennale; Soggetto Soggetto, Castello di Rivoli Museo d’Arte Contemporanea, Rivoli (1994), L’hiver de l’amour, ARC Musèe d’Arte Moderne de la Ville de Paris and PS1, New York (1994), Manifesta, Witte de With, Rotterdam (1996), Exchanging interiors, Museum van Loon, Amsterdam (1996), Fatto in Italia, Centre d’Art Contemporain, Geneva and ICA London (1997), The 504 show, Braunschweig Kunsthalle, Zentrum fur Kunst, Brauschweig (1997), Che cosa sono le nuvole, Fondazione Sandretto Re Rebaudengo, Guarene-Torino (1997), Officina Italia, Galleria Comunale d’Arte Moderna, Bologna (1997), La ville, le jardin, la memoire, Villa Medici, Rome (1998), Istanbul Biennial (1999), Alessandria Biennial, Egypt (1999), Gwangju Biennial, South Korea, (2004), Invisible Exports, New York (2007), Voyage Sentimentale, FRAC Languedoc Roussillon, (2009), Il confine evanescente, MAXXI, Roma (2011), No Soul for Sale, Tate Modern, London (2011), Think Twice, Whitechapel, London (2012), The Wordly House, Documenta, Kassel (2012).</text>
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                <text>18.20 (Progetto per il Piazzale Caio Mario)</text>
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                <text>The project, originally conceived for the public contest «Premio Artegiovane/Torino Incontra. Una porta per Torino», proposed to realize a kind of silent room in the middle of the traffic congestion, with walls made of streams of air that rise toward the high and create a total sound proofing. To delimit the area Marisaldi plans to position a balaustre that works as a boundary. The idea, as the artists explains, is to create a kind of shelter in the middle of the traffic that can become a place for a date or be reached by tram. &lt;br /&gt;&lt;a href="https://www.repository.unipr.it/bitstream/1889/2421/1/Marisaldi_piazzale%20caio%20mario.pdf" target="_blank" rel="noopener"&gt;Read more&lt;/a&gt;.</text>
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              <elementText elementTextId="504">
                <text>image/jpeg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="505">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="506">
                <text>Still Image</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1595">
                <text>Marisaldi, Eva</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="91">
            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="1981">
                <text>Eva Marisaldi</text>
              </elementText>
              <elementText elementTextId="1982">
                <text>MoRE Museum</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="1985">
                <text>&lt;a href="http://hdl.handle.net/1889/2421" target="_blank" rel="noopener"&gt;http://hdl.handle.net/1889/2421&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="14">
        <name>Project which wasn’t selected in a prize or competition</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
